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A quick and dirty selection of pages from my first book design project. We were tasked with laying out part of The Kamasutra, consisting of the first book and three commentaries (including commentary on commentary).
Notes! The back part of the book, featuring commentary by Shastri and Doniger & Kakar.
Cover design for the book I designed on blurb.com. Its a collection of photography that I took while I was in New York last year.
Book cover design by Rudolph de Harak for Mirror for Man by Clyde Kluckhohn. New York: McGraw-Hill, c1949. GN31 .K58 1949
We absolutely loved working with our client to create The Sarcastic Lens. This beautiful book chronicles the travels of Richard and Amy Lynn who have globetrotted around the world to experience wildlife and nature. Their book showcases 100 categories of animals they have photographed over the years along with very amusing observations on the animals, their habits and habitats. This 240+ page book reflects in often humorous detail their love of wildlife and nature.
Book cover design by E. McKnight Kauffer for Brazil Builds: Architecture New and Old, 1652-1942 by Philip L. Goodwin; photographs by G.E. Kidder Smith. New York, The Museum of Modern Art, 1943. NA850 .G6
O concurso arquia/próxima, organizado pola Fundación Caja de Arquitectos, ten como finalidade dar apoio e difusión aos arquitectos do estado nos primeiros dez anos de exercicio profesional.
O encargo requería dar identidade gráfica ao concurso e ao foro arquia/próxima do ano 2012, titulado “Nuevos Formatos”. Os soportes que era preciso deseñar eran: un cartel, un políptico e un catálogo físico e dixital (web) coas obras recoñecidas.
Desde o inicio do proxecto consideramos a relación entre os soportes en base a unha idea e un concepto máis que mediante a aplicación constante dunha gráfica determinada. Coas cores corporativas e co formato do catálogo en papel xa determinados, comezamos a indagar sobre a finalidade do concurso: a visibilidade e promoción dos estudios de arquitectos novos. Con ese obxectivo en mente, e tendo sempre presente o título de 'Nuevos Formatos', pensamos nos fanzines, publicacións autoeditadas moi comúns no mundo da arquitectura desde os anos 60, como base da identidade do concurso, relacionando, a través dese formato, os seus distintos soportes.
Por outra banda, coa intención de comunicar o desgaste que leva consigo o concepto de 'Nuevo' no mundo da arquitectura e do deseño, deseñamos a identidade visual en contradición co título 'Nuevos Formatos', elaborando impresións 'analóxicas' mediante técnicas case en desuso: tipografías de madeira, diferentes plantillas, máquinas de escribir… (vimeo.com/49371560) posteriormente dixitalizadas, continuando coa lóxica da autoedición e do feito por un mesmo (DIY) do fanzine
Fanzines.
Maquetouse un fanzine para cada proxecto seleccionado no concurso (120 fanzines, 1920 páxs.). Os fanzines poden ser descargados dende a páxina do concurso como un arquivo PDF en formato A4 para despois ser impresos nunha impresora doméstica, dobrados e montados cun formato final de A5. Cada usuario pode descargar e construir os fanzines dos proxectos que lle resulten máis interesantes, creando unha colección persoal arquia/próxima 2012. Unhas instruccións de montaxe acompañan a cada pdf descargable.
Carteis e Polípticos.
Para o deseño do material de promoción e difusión do foro e do concurso deseñamos un cartel en formato A0, que dobrado, cortado e grampado construía un políptico/fanzine en formato A5. Imprimíronse tres versións diferentes de cartel segundo o método de impresión da tipografía: stencil (pochoir), plantillas de rotulación e tipografías de madeira.
Catálogo.
Seguindo a lóxica de relación entre os diferentes soportes, quixemos que o catálogo reflexase tamén a idea do fanzine. Dentro do formato xa determinado das publicacións da Fundación Caja de Arquitectos, introducimos un encarte en formato A5 para cada proxecto. En cada encarte, un código QR enlaza coa páxina do catálogo dixital (web) de arquia/próxima onde se pode consultar e ampliar a información do proxecto que aparece no propio libro, ademais de ter a posibilidade de descargar o seu fanzine específico.
Con esta estratexia, contando coas limitacións de espazo do libro e co volume de información dispoñible, o catálogo físico funciona máis como unha presentación de todos os proxectos seleccionados que despois é ampliada no catálogo dixital, onde a documentación de cada proxecto pode ser máis exhaustiva e onde é posible, ademais, incorporar outro tipo de información (videos, mapas, etc.).
Catálogo dixital.
O catálogo dixital (web) deseñouse como un respositorio de todas as obras seleccionadas (120) para que fose posible acceder á diferente información de cada proxecto (imaxes, planos, videos, mapas,…) con facilidade e de maneira áxil. Conscientemente se reduciron os elementos de interación co usuario para facer máis inmediata a navegación. A programación da web se elaborou con criterios de deseño adaptable aos diferentes dispositivos de visualización.
Trofeo.
Para recoñecer as obras premiadas, en vez de deseñar e elaborar un trofeo máis ou menos convencional, e seguindo coa lóxica de adaptabilidade de formatos entre os diferentes soportes de comunicación do premio, deseñamos unha publicación que reunía os 24 fanzines das obras candidatas. Aos autores de cada obra candidata aos premios se lle outorgou unha publicación personalizada, na que o seu fanzine foi impreso nun papel de cor amarela. O libro/trofeo funcionaba ao mesmo tempo como diploma.
Equipo de traballo
deseño.
desescribir
desenvolvemento web
estudio caravana
maquetación
Rebeca Ces e desescribir
deseño e coordinación foro
Xiao Varela (habitat social) e desescribir
redes sociais
Pablo P. Golpe (ergosfera)
fotografías foro
Luis Díaz Díaz
Book cover design by Roy Kuhlman for The Apple: a play by Jack Gelber. New York: Grove Press, 1961. PS3513.E42 A8 1961
Book Cover design by Elaine Lustig for A Guide to Contemporary French Literature: from Valéry to Sartre by Wallace Fowlie. New York: Meridian Books, c1957. Wallace Fowlie was a member of the Bennington College faculty from 1935-1941 and 1949-1962.
ISBN: 9780141194103
Designed by Coralie Bickford-Smith
For more information:
www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194103,00...
See a video about the set at:
The Week-End Book was a popular compendium of advice as to how to spend a weekend and contained a wide range of information, pastimes and stories. First published in the 1920s by the Nonsuch Press and edited by the redoubtable Francis Meynell along with Vera Mendel it went through various guises and editions, with one being issued quite recently. This 1954 edition uses the 1920s cover design by MacDonald Gill, better known as Max, the brother of the more well-known Eric Gill (he of the typeface Gill Sans). Max was an accomplished artist and designer especially of decorative maps, and this cover is very typical of his style. Max had died in 1947 and so this version was issued posthumously.
A slender 'Penguin Book" that was issued free to purchasers of the set of D H Lawrence works that Penguin issued in 1950 commemorating the twentieth anniversary of the author's death. It could also be purchased as an additional copy for 6d.
It was made and printed for Penguin Books by the Aylesbury printers Hunt, Barnard & Co Ltd.
Prophet is a beautiful book design we created for our clients who wanted to celebrate their pastor’s 10 year anniversary. They collected stories and images from the parishoners to assemble a 40 pagebook to presented to him as a surprise gift at his celebration event.
This is the second book we have designed for our client. Their photo blog chronicles their daily life and year travels.
Byoung Won Choi speaks about his Book Publishing
"It was a series of work assembling parts of consciousness, spirit, and parts of thoughts about which I felt complications as a designer, rummaging my favorite articles, sketches of ideas, designs, and portfolios. I also collected daily episodes and favorite sentences. I took off materials of different concept, and recomposed old designs. I screened these contents filtering through 'Green', and illuminated life and design...
Learn more: www.graphicart-news.com/2011/03/must-book-for-graphic-des...
Coffee table book designed by Picturia Press. (www.picturiapress.com)
2007 Family Blog. 220 pages 12 x 12
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
"Design Benign" was my senior thesis project. I studied the role of cuteness in contemporary product design, what cuteness is exactly comprised of, and how cuteness can be beneficial to design. The companion book, "Deconstructing Cute", contains the charts, sketches and notes I made during my research.
You can read excerpts from the book, as well as new material, at design-benign.blogspot.com
Nicole Peterson 2008.
Willem Sandberg
Experimenta Typografica 11
Tektovikn
Designed during World War 2
published by Galerie der Spiegel, Köln, 1957
Book cover design by Milton Glaser for Peter Camenzind by Herman Hesse. Translated by Michael Roloff. New York, Farrar, Straus and Giroux 1969. PT2617.E85 P48 1969
Book cover design by George Giusti for Cloud Physics and Cloud Seeding by Louis J. Battan. Garden City, N.Y.: Anchor Books, 1962. QC921.5 .B3 1962
Jost Hochuli
Typografisches Allerlei – und allerlei anderes (mässig gepfeffert)
Typotron Heft 15
St. Gallen. 1997
150×240mm
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
Book cover design by M. Peter Piening for Essays in Philosophical Psychology. Edited by Donald F. Gustafson. Garden City: Anchor Books, 1964. BD450 .G8
Book cover design by Elaine Lustig for Osip Emilievich Mandelstam : an Essay in Antiphon by Arthur Allen Cohen. Ann Arbor, Mich: Ardis, 1974. PG3476.M355 Z6 1974
A quick and dirty selection of pages from my first book design project. We were tasked with laying out part of The Kamasutra, consisting of the first book and three commentaries (including commentary on commentary).
A spread, featuring commentary from Yashodhara
Cantos de berce
Manuel Rico Verea
Editorial
Gadis
Deseño
desescribir
Tipografía
Tiempos
Paper Stock
Coral Book 90 g/m2
Gardapat Kiara 250 g/m2
Impresión
Offset
Interior (1 spot ink)
Cuberta (duotono Pantone Real Black+Pantone Prata + UVI verniz
Páxinas
105
Formato
115x160mm
Jost Hochuli
Typografisches Allerlei – und allerlei anderes (mässig gepfeffert)
Typotron Heft 15
St. Gallen. 1997
150×240mm
Book cover design for The harmless people by Elizabeth Marshall Thomas.
New York: Knopf, 1959. DT764.B8 T4 1959
Front cover for Will Steacy's collection of essays, "The Photographs Not Taken" bound with a three hole pamphlet stitch using kitchen twine.
Book cover design by Wigglesworth for The Prophetic Faith by Martin Buber. New York: Harper, 1960. BS1171 .B7713 1960
Book cover design by George Salter for The Evening of the Holiday: A Novel by Shirley Hazzard. New York: Knopf, 1966.