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Front cover for Will Steacy's collection of essays, "The Photographs Not Taken" bound with a three hole pamphlet stitch using kitchen twine.
Book cover design by Wigglesworth for The Prophetic Faith by Martin Buber. New York: Harper, 1960. BS1171 .B7713 1960
Book cover design by George Salter for The Evening of the Holiday: A Novel by Shirley Hazzard. New York: Knopf, 1966.
Book cover design by Milton Glaser for The letters of Machiavelli: a selection of his letters. Translated and edited with an introduction by Allan Gilbert. New York: Capricorn Books, 1961. DG738.14.M2 A413 1961
Book cover design by Ivan Chermayeff for From the Ground Up: Observations on Contemporary Architecture, Housing, Highway building, and Civic Design by Lewis Mumford. New York: Harcourt, Brace, 1956. A Harvest Book. NA2560 .M8
Book cover design by Paul Hogarth for Guests of the Sheik by Elizabeth Warnock Fernea. Garden City, N.Y., Doubleday, 1969. DS70.7 .F4 1968
Concept design and graphic design for a photo essay "Vues Accidentelle" by photographer John de Koning
Cover design by George Maas for Jean Anouilh: Five Plays Vol 1. A Mermaid Drama Book. New York: Hill and Wang, 1958. PQ2601.N67 A2 1958
Book cover design by Roy Kuhlman for Psychoanalysis & Civilization: An Introduction to Sigmund Freud by Walter Hollitscher. New York: Grove Press, 1963. BF173 .H85 H65.
Book cover design by Roy Kuhlman for The Automobile Graveyard: a play in two acts. The Two Executioners: a melodrama in one act by Fernando Arrabal. Translated by Richard Howard. New York: Grove Press, 1960. PQ2601.R65 A9 1960
Book cover design by George Lenox for The Expanding Universe by Arthur Stanley Eddington. Ann Arbor: University of Michigan Press, 1958. QB981 .E3 1958
We had the pleasure of working with our client several years ago to design their wedding album. They recently returned to South Africa with their children for a memorable family vacation and we were fortunate enough to work with them again on this beautiful memorable family keepsake.
Book cover design by Joseph Low for A Short History of Music by Alfred Einstein. New York: Vintage Books, 1954. ML160 .E462 1954
O concurso arquia/próxima, organizado pola Fundación Caja de Arquitectos, ten como finalidade dar apoio e difusión aos arquitectos do estado nos primeiros dez anos de exercicio profesional.
O encargo requería dar identidade gráfica ao concurso e ao foro arquia/próxima do ano 2012, titulado “Nuevos Formatos”. Os soportes que era preciso deseñar eran: un cartel, un políptico e un catálogo físico e dixital (web) coas obras recoñecidas.
Desde o inicio do proxecto consideramos a relación entre os soportes en base a unha idea e un concepto máis que mediante a aplicación constante dunha gráfica determinada. Coas cores corporativas e co formato do catálogo en papel xa determinados, comezamos a indagar sobre a finalidade do concurso: a visibilidade e promoción dos estudios de arquitectos novos. Con ese obxectivo en mente, e tendo sempre presente o título de 'Nuevos Formatos', pensamos nos fanzines, publicacións autoeditadas moi comúns no mundo da arquitectura desde os anos 60, como base da identidade do concurso, relacionando, a través dese formato, os seus distintos soportes.
Por outra banda, coa intención de comunicar o desgaste que leva consigo o concepto de 'Nuevo' no mundo da arquitectura e do deseño, deseñamos a identidade visual en contradición co título 'Nuevos Formatos', elaborando impresións 'analóxicas' mediante técnicas case en desuso: tipografías de madeira, diferentes plantillas, máquinas de escribir… (vimeo.com/49371560) posteriormente dixitalizadas, continuando coa lóxica da autoedición e do feito por un mesmo (DIY) do fanzine
Fanzines.
Maquetouse un fanzine para cada proxecto seleccionado no concurso (120 fanzines, 1920 páxs.). Os fanzines poden ser descargados dende a páxina do concurso como un arquivo PDF en formato A4 para despois ser impresos nunha impresora doméstica, dobrados e montados cun formato final de A5. Cada usuario pode descargar e construir os fanzines dos proxectos que lle resulten máis interesantes, creando unha colección persoal arquia/próxima 2012. Unhas instruccións de montaxe acompañan a cada pdf descargable.
Carteis e Polípticos.
Para o deseño do material de promoción e difusión do foro e do concurso deseñamos un cartel en formato A0, que dobrado, cortado e grampado construía un políptico/fanzine en formato A5. Imprimíronse tres versións diferentes de cartel segundo o método de impresión da tipografía: stencil (pochoir), plantillas de rotulación e tipografías de madeira.
Catálogo.
Seguindo a lóxica de relación entre os diferentes soportes, quixemos que o catálogo reflexase tamén a idea do fanzine. Dentro do formato xa determinado das publicacións da Fundación Caja de Arquitectos, introducimos un encarte en formato A5 para cada proxecto. En cada encarte, un código QR enlaza coa páxina do catálogo dixital (web) de arquia/próxima onde se pode consultar e ampliar a información do proxecto que aparece no propio libro, ademais de ter a posibilidade de descargar o seu fanzine específico.
Con esta estratexia, contando coas limitacións de espazo do libro e co volume de información dispoñible, o catálogo físico funciona máis como unha presentación de todos os proxectos seleccionados que despois é ampliada no catálogo dixital, onde a documentación de cada proxecto pode ser máis exhaustiva e onde é posible, ademais, incorporar outro tipo de información (videos, mapas, etc.).
Catálogo dixital.
O catálogo dixital (web) deseñouse como un respositorio de todas as obras seleccionadas (120) para que fose posible acceder á diferente información de cada proxecto (imaxes, planos, videos, mapas,…) con facilidade e de maneira áxil. Conscientemente se reduciron os elementos de interación co usuario para facer máis inmediata a navegación. A programación da web se elaborou con criterios de deseño adaptable aos diferentes dispositivos de visualización.
Trofeo.
Para recoñecer as obras premiadas, en vez de deseñar e elaborar un trofeo máis ou menos convencional, e seguindo coa lóxica de adaptabilidade de formatos entre os diferentes soportes de comunicación do premio, deseñamos unha publicación que reunía os 24 fanzines das obras candidatas. Aos autores de cada obra candidata aos premios se lle outorgou unha publicación personalizada, na que o seu fanzine foi impreso nun papel de cor amarela. O libro/trofeo funcionaba ao mesmo tempo como diploma.
Equipo de traballo
deseño.
desescribir
desenvolvemento web
estudio caravana
maquetación
Rebeca Ces e desescribir
deseño e coordinación foro
Xiao Varela (habitat social) e desescribir
redes sociais
Pablo P. Golpe (ergosfera)
fotografías foro
Luis Díaz Díaz
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Book cover design by Alvin Lustig for Creative Intuition in Art and Poetry by Jacques Maritain. New York: Meridian Books, 1955. BF408 .M25 1955
Book cover design by John Rombola. Typography by William Wondriska. Who Designs America?: The American Civilization Conference at Princeton,Design in America Conference (1964 : Princeton University). Garden City, NY: Anchor Books, 1966. NA9105 .D4 1964
Book cover design by Seymour Chwast for Of Men and Machines / edited, and with an introduction by Arthur O. Lewis, Jr. New York : E. P. Dutton, 1963. PS509.T37 L4
Thoughts after one week of reading on the iPad (see I think I’m a scroll-person)
Not only Ruder but also reading Hochuli is very recommendable.
Book cover design by Milton Glaser for Freedom or Death by Nikos Kazantzakis. New York : Simon & Schuster, 1983, c1956. PA5610.K39 K33 1983
Book cover design by Pierre Faucheux for Les Messieurs de Delft by Charles Exbrayat.
Paris: Le Livre de Poche, 1964. PQ2609.X2 M4 1964
This is the second book we did for our client, the Savi Group. This book showcases a luxury penthouse properties in the gorgeous restort area of Punte Del Este (known as the St. Tropez of Uruguay).
Tryin’ to be French is a beautiful travel journal created by an entire family during their three month stay in Uzes, France. Each parent and each child contributed to the journal daily, through writings and images, sharing their individual and family experiences. We turned this journal into a lovely 228 page, 13 x 11 landscape book.
Book cover design by Paul Rand for The Declaration of independence: a Study in the History of Political Ideas by Carl Lotus Becker. New York: Vintage Books, 1970. D15.B33 W5 1961
個人的にはこの『のらくろ武勇談』が最高傑作だと思います！とにかく中身も豪華、内容も素晴らしい。田河先生のキャラクターが大集合しています。田河先生得意のモブシーンもたくさん。見ていてワクワクが止まりません。
Book cover design by Ellen Raskin for The European Mind, 1680-1715 by Paul Hazard. Cleveland : World Pub. Co., 1963. D273.5 .H323 1963
Book cover design by Seymour Chwast for The Symbolist Movement in Literature by Arthur Symons, with an introduction by Richard Ellmann. New York: Dutton, 1958. PQ295.S9 S8 1958
Book cover of Pictorial Effect in Photography: Being Hints on Composition and Chiaroscuro for Photographers by H. P. Robinson. New York: Scovill & Adams, 1889, c1881. TR642 .R62 1889
Book cover of In the Labyrinth: a Novel by Alain Robbe-Grillet. New York: Grove Press, 1960. PQ2635.O117 D313 1960
As The Nation put it, "Luba is one of the most complex figures in recent American fiction." I decided it was time to give the book a design treatment that was more in line with prose novels and the great Gilbert Hernandez kindly agreed.
My wife gave this design the most wonderful review when she said "I love it. It's like SHE'S looking at YOU, not the other way around. And with a woman like that, it's usually all about her being looked at."
Record number: splay 02331
Author: Navarro, Leandro, 1850-1918 and Torrado Estrada, Adolfo, 1904-1958
Title: Los pellizcos : comedia en tres actos
Imprint: Madrid : La Farsa, 1934.
Extent: 17 x 12 cm
Series number: La Farsa, 376.
Rights info: No known restrictions on access
Repository: Thomas Fisher Rare Book Library, University of Toronto, Toronto, Ontario Canada, M5S 1A5, fisher.library.utoronto.ca
One of our existing clients recently married his long-term partner in the beautiful San Francisco City Hall, known for it’s breathtaking American Renaissance dome, and the spectacular rotunda with it’s grand staircase made for a memorable wedding setting.
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
Our client, the Savi Group has several luxury properties in the gorgeous restort area of Punte Del Este (known as the St. Tropez of Uruguay thanks to its beautiful beaches and swanky nightclubs). They asked us to create this beautiful portfolio piece to showcase one of the villas they are selling.