View allAll Photos Tagged BookDesign
for the original bindings, fine mica grains were used to garnish the cover.
for the facimille version, aluminum is used instead.
細かい銀色の粒は、初版本では「きら引き」という手法を用いて、雲母の破片がつけられていたもの。復刻版では「キリコ」というアルミニウム画材が使われているそうです。
Soseki NATSUME's "Sanshiro"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1909.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《三四郎》初版復刻版
装幀：橋口五葉
初版1909年、復刻2005年
for a bit of further information, please see:
もう少し詳しいことはこちらに：
Soseki NATSUME's "Kusa awase"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1908.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
two short novels, "Kofu" and "Nowake" are included.
夏目漱石《草合(くさあわせ)》初版復刻版
装幀：橋口五葉
初版1908年、復刻2005年
『坑夫』『野分』収録
外側のケースのことを、日本語では「帙(ちつ)」と呼びます。
for a bit of further information, please see:
もう少し詳しいことはこちらに：
See 'Bells, book and blessings' – John L. Walters' account of the launch of a book celebrating life in London's Spitalfields.
See 'Eye Site'.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
dust jacket - there are images for the end papers that use the flap illustrations too, hence the odd placement of the cat
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
The book documents a series of illustrations I made of exhibits from the Israel Museum in Jerusalem. all illustrations were made during December 2010 while wondering through the museum.
See ‘Blue notebook’ on the Eye blog. David Wild’s Jazzpaths (Hyphen) is a personal and poetic ‘photomemento’.
From Henry Cohen’s series of inventive photographic covers for Gallimard's Idées series in the 1960s and early 70s.
See Rick Poynor’s ‘Bright Idées’ on the Eye blog, and his article ‘The shape of a pocket’ in Eye 81.
(My fave) Current state of the book I'm working on for class. *Note this is a spread so mentally fold this half.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
The book Nuotraukos dokumentams / Photographs for Documents contains 40 double-portraits taken by Vytautas V. Stanionis (1917–1966) in Seirijai, a small town in southern Lithuania and commissioned by the Soviet authorities in 1946. Usually two unrelated individuals were portrayed in each photograph due to shortage of materials in postwar Lithuania; portraits that were later separated. The images were found years later by Vytautas’s son, also called Vytautas, who was exploring his father’s archive.
Berlin based book designer Tom Mrazauskas created this beautiful publication, crafted with special attention to detail. He chose Soleil, by Wolfgang Homola, as the main typeface. Every image was visually cut into half by folding the pages, avoiding repetition and creating a different rhythm. The duo-tone plates were printed on thin uncoated stock. Published by Kaunas Photography Gallery in 2013 the book has received several awards.
The designer Tom Mrazauskas told us how Soleil was the perfect fit for this book. His starting point was a "geometric typeface, used all over the Soviet Union, mostly for setting text in magazines, but he wanted to have a modern version". Mrazauskas also pointed to the parallels between the cold approach of the passport photographs and the pure geometrical forms of the typeface; and how at the same time there is a personal character in the photographs and a humanistic touch in Soleil. "Everything worked together".
Layout created for a small booklet explaining the different uses of wine. The layout won entry into a Spring Arbor University Student Show Jan 2007.
Concept design and graphic design for a photo essay "Vues Accidentelle" by photographer John de Koning
Book design - spread.
Designs for the 2010 season of the NPSL soccer team, Chattanooga FC. For more: www.chattanoogafc.com
The brand communications team tried to capitalize on the attention given to soccer's World Cup during the summer of 2010. We tied it into our local team by using the slogan "The World's Game, Our Team." We created images of our players using flags from the countries playing in the World Cup.
In its second season, Chattanooga FC continued to surpass all expectations — winning the NPSL Southeast Region with and undefeated record, beating FC Atlas U23 in an international friendly, finishing second in the national championships and averaging 4,400 fans at home games.
Designs: Paul Rustand, Brad Dicharry
We have worked with our client, the artist Deborah Paris on several book and marketing pieces. This recent project was designing note cards and business cards for her upcoming exhibit.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt