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夏目漱石著 written by NATSUME Soseki
草合 Kusa awase
春陽堂 Shun'yo-do(the publishing house)
Soseki NATSUME's "Kusa awase"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1908.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
two short novels, "Kofu" and "Nowake" are included.
夏目漱石《草合(くさあわせ)》初版復刻版
装幀：橋口五葉
初版1908年、復刻2005年
『坑夫』『野分』収録
Japanese Tradition
Illustrations by Setsu Broderick
Text by Setsu Broderick and Willamarie Moore
Tuttle Publishing
ISBN 978-4-8053-1089-2
Discover long lost treasures such as the Firestone Factory and marvel at modern –day masterpieces like the London Aquatics centre; delight in previously vilified social housing projects such as the Balfron Tower, and discover the drama behind bold, eccentric designs like the ‘Cheesegrater’. The city’s skyline can change in an instant; Modern London invites you to sit back and survey the scene so far.
Written, illustrated and designed by Lukas Novotny.
Available at:
shop.lukasnovo.com/product/modernlondon/
Or with Waterstones, Barbican Shop & Library, Tate Modern Shop, Amazon etc.
Fifty Years Down Memory Lane is a celebration of Brenda Miller and her 50th Birthday. A compilation of letters and images from friends and family. To view the inside of this book, click here.
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
We managed the production and proofreading of Pathways from manuscript to final files. The design and layout was done by Two Associates.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
– featuring A–Z/A=A (s. Identität), The Strange Case of Dr. Jekyll and Mr. Hyde and four more entries that made it to the final round of the Walter Tiemann Prize 2008:
Irene & Lluvia by Noemi Trucco (Luzern/CH), Si polis et tout et tout by Franziska Neubert (Leipzig), Archäologie der Zukunft by Jonas Voegeli (Zürich/CH) and 100 by Aidin Zimmermann (Stuttgart)
The book Nuotraukos dokumentams / Photographs for Documents contains 40 double-portraits taken by Vytautas V. Stanionis (1917–1966) in Seirijai, a small town in southern Lithuania and commissioned by the Soviet authorities in 1946. Usually two unrelated individuals were portrayed in each photograph due to shortage of materials in postwar Lithuania; portraits that were later separated. The images were found years later by Vytautas’s son, also called Vytautas, who was exploring his father’s archive.
Berlin based book designer Tom Mrazauskas created this beautiful publication, crafted with special attention to detail. He chose Soleil, by Wolfgang Homola, as the main typeface. Every image was visually cut into half by folding the pages, avoiding repetition and creating a different rhythm. The duo-tone plates were printed on thin uncoated stock. Published by Kaunas Photography Gallery in 2013 the book has received several awards.
The designer Tom Mrazauskas told us how Soleil was the perfect fit for this book. His starting point was a "geometric typeface, used all over the Soviet Union, mostly for setting text in magazines, but he wanted to have a modern version". Mrazauskas also pointed to the parallels between the cold approach of the passport photographs and the pure geometrical forms of the typeface; and how at the same time there is a personal character in the photographs and a humanistic touch in Soleil. "Everything worked together".
by Graham Rawle
Taken for this slideshow on interesting uses of type in fiction:
thepenguinblog.typepad.com/the_penguin_blog/2008/05/5-in-...
Installation views of TDC64 exhibition “The World’s Best Typography”.
Association Typographique Internationale (ATypI) 2018 Conference.
Arenberg Theater.
Antwerp, Belgium.
September 11-15, 2018.
.
Photo by Alan Wahler
Soseki NATSUME's "Sanshiro"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1909.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《三四郎》初版復刻版
装幀：橋口五葉
初版1909年、復刻2005年
for a bit of further information, please see:
もう少し詳しいことはこちらに：
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
A colleague recommended "Six of Crows" by Leigh Bardugo. I devoured it greedily, then dove straight into the sequel, "Crooked Kingdom." Absorbing worldbuilding, perfect plotting, and captivating characters. Plus, the binding design is GORGEOUS.
from Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
夏目漱石《鶉籠(うずらかご)》初版復刻版より
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
The book Nuotraukos dokumentams / Photographs for Documents contains 40 double-portraits taken by Vytautas V. Stanionis (1917–1966) in Seirijai, a small town in southern Lithuania and commissioned by the Soviet authorities in 1946. Usually two unrelated individuals were portrayed in each photograph due to shortage of materials in postwar Lithuania; portraits that were later separated. The images were found years later by Vytautas’s son, also called Vytautas, who was exploring his father’s archive.
Berlin based book designer Tom Mrazauskas created this beautiful publication, crafted with special attention to detail. He chose Soleil, by Wolfgang Homola, as the main typeface. Every image was visually cut into half by folding the pages, avoiding repetition and creating a different rhythm. The duo-tone plates were printed on thin uncoated stock. Published by Kaunas Photography Gallery in 2013 the book has received several awards.
The designer Tom Mrazauskas told us how Soleil was the perfect fit for this book. His starting point was a "geometric typeface, used all over the Soviet Union, mostly for setting text in magazines, but he wanted to have a modern version". Mrazauskas also pointed to the parallels between the cold approach of the passport photographs and the pure geometrical forms of the typeface; and how at the same time there is a personal character in the photographs and a humanistic touch in Soleil. "Everything worked together".