View allAll Photos Tagged BirthDefects,

prosthetic suit for a 7 year old thalidomide child at the Science Museum, London

Photojournalist Ryan Ashcroft spent two months in Bhopal, early in 2018, spending time at the Chingari Trust Rehabilitation Centre which treats children born with physical or mental difficulties resulting from a parent’s exposure to union Carbide’s toxic chemicals.

 

Make a donation to the Bhopal Medical Appeal and help fund the important work taking place at Chingari: bhopal.org/donate/

 

Congenital malformation of the feet. Effects of maternal drugs - thalidomide. Selected by Tom.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

I admire and support the mothers who fight for the life of their child born with a cleft-lip.

When they arrive at one of the centers of Cleft-Kinder-Hilfe Schweiz to get free cleft-surgery they have already gone through a lot!

Have a look at the work of Cleft-Kinder-Hilfe Schweiz on their Flickr-Stream: www.flickr.com/photos/cleft-kinder-hilfe-schweiz/

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

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All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

The best pic I've gotten of the odd nose on this guy.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

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Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

Blast from the Past! Kansas City, Missouri

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

All images were downloaded from:

archive.org/details/vlyssisaldrouan00aldra/page/n45/mode/2up

 

This masterpiece was actually published posthumously in 1642

Stéphane Bouillet travelled to Bhopal in 2009 and shot extensively at the Sambhavna Clinic, the Chingari Trust Rehabilitation Centre, in and around the disaster survivors' communities and at the abandoned Union carbide Factory.

 

Under the auspices of his own organisation Remedact, Stéphane curated a book and an exhibition using his photographs alongside two others: Micha Patault and Kostas Pliakos. In the run-up to the disaster’s 25th anniversary in 2009 Stéphane managed a 30-day Twitter campaign which is believed to be the first organised social media campaign in support of the Bhopal survivors.

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