View allAll Photos Tagged Barker,
This picture meets the goals of the assignment because the window is framing the canisters. It focuses mainly on framing more so than it focuses on composition. One strength I think this photo has is that the canisters are pretty centered on the window frame, and I was able to get all of them into the photo, while getting most of the frame in as well. A weakness I think this photo has is a lack of a focal point-the picture doesn't focus on one specific canister. I was able to crop out some of the excess, unneeded part of the original picture; however, I also wish I could have cropped out the bottom left corner of the photo some more, or aimed the camera a little higher to get the counter top out of the photo entirely. To take this photo, I knelt down a bit and aimed the camera at an angle so that I wouldn't get the canisters directly and straight on. I took this photo at night so that the light from the sun wouldn't stream into the window, possibly causing the canisters in the photo to look washed or flushed out.
Not quite sure about the prevailing artwork - I think it must be designed to bring out the macho in young men so they're brave enough to take on any scary ride...
Le bancarelle della tradizionale Fiera di Pasqua di Como riprese con lo straordinario supergrandangolo Russar+ di Lomography
This pair of yellow tower blocks (in the background) were built in 1965. They are quite striking against the surrounding landscape and can be spotted for miles around.
Part of the Walking the District Line set.
Greg Barker watches a trainee at work whilst visiting the Mark Group insulation training academy; 10 June 2010. Crown copyright