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Die Geschichte dahinter ist die von Herkules und den Äpfeln der Unsterblichkeit. So gesehen in Großsedlitz.

Und die Arbeit vom Steinmetz war bestimmt auch eine Herkulesaufgabe.

Rear side of the bathhouse at Nantasket Beach, Hull MA.

pride of barbados, Lakeway, TX. Sony A6500 and Nikon EL50/2.8 enlarger lens.

Element pro filming for upcoming Element skateboard video. Out this fall. San Francisco, CA.

Für Smile on Saturday 21.8.21 / Backside

Watching the Eastern Grey Wallabies hop by whilst going for a walk in the local bushland.

My friend and I walk there fairly regularly. My friend is one of a few that would allow me to take her backside view :))

 

The sun was pouring through this leaf, and really lighting up this little fly :)

HBBBT! :)

My new garden ornament waiting to be placed in his new home.

Smile on Saturday - Backside

and

Weekly Theme Challenge... From Behind

Mein #Schutzengel#

 

Auswahlfoto:

 

Für“Looking close.... on Friday!“

 

Thema:“Backside“ am 11.03.2022.

 

Thanks for views, faves and comments:-)

Backside & Frontside.

  

Reverse angle of an earlier shot of this cool boiler room.

Victor Cascarigny @ Barcelona.

Hasselblad 503CX on Ilford HP5 Plus.

More on Instagram.

Website.

 

The backside of the boathouse at Point Defiance Marina. Tacoma, WA.

Abdominal view of a Chromatopelma cyaneopubescens tarantula. Taken with a new to me Nikon D750 105mm f/2.8 1/200sec f/11 ISO 100.

Josue Watts, Panama 2019.

Pentax 6x7 on Ilford HP5 Plus.

More on Instagram.

Website.

 

a little look at the curling petals on the backside of the sunflower

Mitchell, GA (Glascock County). Copyright 2007 D. Nelson

magnolia leaf, Lakeway, TX. Sony A6500 and FE 90/2.8 Macro G.

-traffic sign-

coulored

El tema de esta semana (11 de Marzo) es "Espalda"

The theme for this week (on March 11) is "Backside"

DSC9056

 

My goal with this series is to explore every day scenes under the cover of darkness. A street corner, a lamp post, a doorway. Big city, small town, urban, rural. Man-made light versus nature’s darkness–––light and shadow interpreting minimalist settings in black and white. To see more in this series, check out Cover Of Darkness.

 

Early on in the COVER OF NIGHT series, I shot a couple gas stations. They were not initially the type scene I was looking to capture, but when I came across one late at night, bright and isolated in the darkness, it was impossible for me to resist, so I continue to shoot them. I have now shot enough that they have become a series-within-the-series. For a look at them as a collection, check out, Gas Stations

A dahlia with interesting texture and color as viewed from the rear.

Explore - July 14, 2017

 

Do not use or reproduce this image on Websites/Blog or any other media without my explicit permission. © All Rights Reserved - Barbara Smith 2018.

The back of the dahlia can be just as beautiful as the front!

"Like Wildflowers; You must allow yourself to grow in all the places people thought you never would."

Monochrome of the late evening there on the bay side of Tybee Island in Georgia.

8-7-2009

We finally have found a sunflower field in bloom, it is a smaller variety probably because our growing season was cut so short by the spring floods. The field they are in was under water until the middle of May.

Not nearly as interesting as the other end but shown here on request

Everybody knows that the top side, the sun side, of a flower's bloom is the best face of any particular specimen. Sometimes I agree and sometimes I believe that the bottom side, the ground side of the blossom is just as compelling. Maybe even more so than the top. But, oftentimes, it is only the insects and the mice that can see it.

 

I made this capture with a viewfinder-and-monitor-blind technique, that is to say not seeing my subject either way but, instead, holding the camera lens at mouse-height and pointing it slightly upward to get this particular view of the dahlia, some distant pines and sky.

 

My DSLR camera, marvelously proficient in every other way, does not possess a moveable, flip-up LCD monitor on the back of the camera body, as some other models do. That would have been the easy way to take this shot, using an adjustable monitor. I but I had no choice in the matter. Even lying flat to the ground wouldn't have let me see what I was shooting in this situation. So I did things the old-fashioned way. Shoot and check and shoot and check again. Damn! Still missed it! But, eventually,

using the old "shotgun" approach, even the sightless man will hit his target, given enough tries.

 

Yep. This time, as lovely as the front/top of the dahlia blossom is,

I'm calling the bottom/ground side of it the indisputable winner. Your choice may vary, of course. All perfectly legal.

  

Greenspring Gardens, Annandale, VA. Sony A6500 and E18-135.

Now for something completely different. A backside view of a Great Blue Heron taking off.

Backside of a cute little bird I bought for Valentine's Day.

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