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Another 'Inspired by what they did on America's Next Top Model'.

 

This time it was 'backstage at a fashion show'.

 

I might try this again later with different angles but my main motivation here was to practice a new camera setting I learned about, whilst watching YouTube videos. Namely, the 'Exposure Delay Mode' - which increases sharpness.

 

youtu.be/rzh7c4cot8I

 

Lighting: Natural daylight from window behind me. Hand holding a silver reflector to bounce back light in my face.

Tutorials, Backstage videos, NSFW content and tons of unpublished stuff:

 

www.patreon.com/seanarcherphoto

 

More exclusive content:

 

www.boosty.to/seanarcherphoto

Famous Italian Drag Queen Odile LeNoir - Backstage

Modèle : Nesrine

Make up : Idelly's Make Up

Assistant : Christophe Clarysse

Studio : Shooting Zone

Marc Venon Photographie

 

Marc Venon Photographie ©Tous Droits Réservés Décembre 2019 reproduction interdite sans accord

Caro Diario,

 

se hai dato uno sguardo a Flickr per farti un'idea di che mese è stato dicembre, probabilmente ti sarai chiesto se ci sono, se sto bene, se prima o poi torno.

 

Si, si, si.

 

Dicembre di quest'anno è stato il mese in cui una decisione presa qualche mese fa è diventata disfare, impacchettare, portare via, scaricare, impilare, ricostruire, in attesa che diventi ricominciare.

 

Sarà presto.

 

Passata (quasi) questa settimana mi sono detto che era il caso di tornare a dire ciao con una foto. Avevo pensato a foto, titoli, altre cose da raccontare, poi stasera ho tolto il computer dalla scatola (a proposito cose impacchettate) e mi è venuta in mente questa foto scattata ad inizio novembre al Teatro Rossi (Aperto) di Pisa. Come a ricordarmi di come riprendere da capo, o quasi, e creare qualcosa di bello non dipende da quanta polvere ci sia ancora attorno, ma da quello che ci metti.

 

Tra poco si ricomincia, poi ti racconto meglio.

 

Presto.

 

Dai.

Double Bass, Backstage. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell - all rights reserved.

 

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

 

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I "stalk" those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

 

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the "industrial" surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I'm fascinated by what an instrument is and what it isn't. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can't otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really "primitive" technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

 

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backstage, this lady was intensely watching Zaachariaha Fielding's performance.

 

NAIDOC in the City, Hyde Park, Sydney, Australia (Monday 3 July 2017)

Still trying to make up my mind on a 100 project but thought I better start shooting again before I forget how.

 

Noce is a new Jazz club that opened downtown. Loved the feel of the backstage door. I'll probably revisit this later at night.

Modèle : Princesse Liberty

Studio : Shooting Zone

Marc Venon Photographie

 

Marc Venon Photographie ©Tous Droits Réservés Janvier 2020 reproduction interdite sans accord

Rehearsals take hours, sometimes with nothing to do...but sketch.

Backstage Black Beauty By Delly

 

Modèles : Xhafi Ka, Nicole, Hina H., K***

Make up : Idelly's Make Up

Styliste : Tonye's Fashion

Assistant : Christophe Clarysse

Vidéo : Nicolas Kaléa & William Nos Jos Dynasty Production

Studio : Shooting Zone

 

Marc Venon Photographie ©Tous Droits Réservés Octobre 2020 reproduction interdite sans accord

Modèles : Aude & Aurore

Studio : Shooting Zone

Marc Venon Photographie

 

Marc Venon Photographie ©Tous Droits Réservés Novembre 2019 reproduction interdite sans accord

Modèle : Marion

Assistant : Mika'L

Studio : Shooting Zone

Marc Venon Photographie

 

Marc Venon Photographie ©Tous Droits Réservés Septembre 2019 reproduction interdite sans accord

Last year’s Whispering Beard Folk Festival in Cincinnati, Ohio. Travis Talbert, lead guitarist for Frontier Folk Nebraska. m.facebook.com/frontierfolknebraska

As *much* as I love doing Burlesque performance shots....*this* is something else, between acts, the beautiful Miss Dolly Rose, what a performance!

 

Ghetto lighting: Ceiling light tipped down with my left hand.

 

Become a fan, more over here

Photographer: Marina Bichevina

Muah, style: Kseniya Veselova

Model: Vika

Oaxaca de Juárez, Oaxaca, Mexico

[ Great in Large :: ]

dec 2007, Targu Mures, "Backstage" (serie)

Mordred backstage, preparing for a show in which he will become; 'the Great Magician Taboo!'

 

Mordred (aka Taboo): Migidoll Ryu Mod in white

Faceup: By me

Body: Nobilitydoll Emotional

Vest: Musedoll

Pants: Arcadia dolls circus

A Heksa backstage :) Samsung NX300 and not so much stuff.. :)

//Sienna//

 

I'm not the best creator (and dollhead) recently, but still love her to death.

LUXE VALLEY campagne officielle 2017

Mannequin : Marie Olejniczak

Photographes : Matthieu Jos Marc Venon Photographie

Make up : Romy Locci Red Lady Make Up

Habillé par : Agnieszka Samulska Wuyam

Assistant de production : Thomas Carreyre

Production : MAJE Production

 

Marc Venon Photographie ©Tous Droits Réservés 2017 reproduction interdite sans accord

 

Chhau dance (Oriya: ଛଉ ନାଚ,Bengali: ছৌ নাচ) is a genre of Indian tribal martial dance which is popular in the Indian states of Odisha, Jharkhand and West Bengal. There are three subgenres of the dance, based on its places of origin and development, Seraikella Chhau, Mayurbhanj Chhau and Purulia Chhau.[1] this is from Westbengal.. A dancer in the backstage while doing make up for the stage show

Backstage series. Roma fashion week by Altaroma!

Backstage Shooting Boudoir

 

MUA& Hair : Quoi Fair by Sonia

Modèle : Mountain Poppy

Studio : Shooting Zone

Photographe : Marc Venon Photographie

Back in 2019 I took part in a series of burlesque shows as a performer. At the time I was looking for a subject for a set of photos for a local exhibition, and I thought that some backstage shots would fit the bill. I asked the other performers if it would be OK to take pictures, and they said yes.

 

So here are the six pictures I eventually selected for display. We rarely get proper dressing rooms as performers; we change in store-rooms or bars and improvise as best we can. I hope that these picture capture that.

 

Thank you to the various members of the Muse School of Burlesque for letting me take and use their pictures.

 

OLYMPUS DIGITAL CAMERA

The University of Georgia Department of Theatre

Fine Arts Stage

 

Director - George Contini

Costume Design- Ivan Ingermann

Scenic Design- Michael O'Connel

Lighting Design- Rich Dunham

Choreographer - Lily Herne

Sound Design - Charles Decant

Stage Manager - Allison Kelly

 

CAST

 

Mr. Bennet — Wyatt Geist

Mrs. Bennet — Danielle Mills

Miss Jane Bennet — Sara Chamberlain

Miss Elizabeth Bennet — Emerald Toller

Miss Mary Bennet— Ashley Ware

Miss Catherine “Kitty” Bennet — Julianne Whitehead

Miss Lydia Bennet — Jenna Jones

Mr. Charles Bingley — Aaron Klein

Miss Caroline Bingley — Jenna Coleman

Mr. Fitzwilliam Darcy — Connor Brockmeier

Miss Georgiana Darcy— Madeleine Tutterow

Mrs. Reynolds — Caroline Caldwell

Lady Catherine de Bourgh — Hannah Klevasahl

Miss Anne de Bourgh — Giselle Fernandez

Colonel Fitzwilliam— Isaac Hopkins

The Rev. Mr. Collins— J.L. Reed

Sir William Lucas — Jim Barrow

Lady Lucas — Abby Holland

Miss Charlotte Lucas — Kayla Sklar

Mr. Gardiner — Thaddeus Abbott

Mrs. Gardiner — Drew Atkinson

Mr. George Wickham — Taylor Brooks

Ensign Denny — Chris Stalcup

Captain Carter — Zach Baker

Ladies Maids — Attalah Ali, Katherine Anderegg

Footmen — Caleb Huett, Walker Smith

backstage view

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