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Backstage photos preview for POA - Plugs of Apocalypse (Follow on FB: www.facebook.com/officialPOA/?fref=ts)
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Modèles : Aude & Aurore
Studio : Shooting Zone
Marc Venon Photographie
Marc Venon Photographie ©Tous Droits Réservés Novembre 2019 reproduction interdite sans accord
Came across this from November '03... I was doing a video for a friend and took some snaps backstage. Fashion shows are funny as lots of people rush around stressed but they're not really doing anything that important I think. Having said that what would i know, have you seen the crap i wear?
The Wayang Kulit (leather puppet) show is one of the masterpieces of Javanese performance arts. It is an art that is five centuries old. You can watch it from any angle of the stage, including backstage!
Since there was no translation, I spent more time walking around the stage (without disturbing anyone of course) observing it from different angles … and shooting.
What you see in this frame are the profiles of the female singers called ‘sinden’ who sing Javanese songs as the background score. This was taken from the front view of the stage, but is actually a view of the side wings (which are usually covered). There was a 6 inch opening at this performance, which is in the foreground. Peeking through it, you get a good glimpse of the backstage without actually being there.
Taken at 200mm f/5.6, 0.8s handheld – because there was no other way to pull this one off. :-)
Yogyakarta, Indonesia
2007
Backstage of this photo: www.flickr.com/photos/38638712@N07/30832830967/
Sometimes you don't really need to move to get a decent frame.
Backstage at designer Jason Wu's show at Bryant Park, part of New York's Fashion Week. A friend is writing an article on Wu for Cosmopolitan Taiwan, and asked me to take photos. I've never been in the loop with this fashion thing, and so the whole scene was quite novel and fascinating. This is my favorite shot from that night. (2/9/06, New York City)
Mordred backstage, preparing for a show in which he will become; 'the Great Magician Taboo!'
Mordred (aka Taboo): Migidoll Ryu Mod in white
Faceup: By me
Body: Nobilitydoll Emotional
Vest: Musedoll
Pants: Arcadia dolls circus
In my guise as the incomparable Isadora Persano I performed in my very first burlesque competition this weekend - the Canberra heat of Australian Burlesque Idol 2020.
Did I win? No.
Was I the runner-up? No.
Did I give the audience the best damn performance of my life? I certainly did.
And did I have an amazing time? Too bloody right I did!
I've worked pretty hard over the last few weeks revisiting and refining my act and making sure it was a real treat. And the judges feedback emphasised the features that I felt are the best moments of the act, so I was thrilled that they saw and enjoyed the bits they were supposed to.
And what an audience. Loud and enthusiastic from start to finish.
12/10. Would do it again.
Anyway, this picture shows some of the glitz and glamour of backstage.
Backstage, this lady was intensely watching Zaachariaha Fielding's performance.
NAIDOC in the City, Hyde Park, Sydney, Australia (Monday 3 July 2017)
Double Bass, Backstage. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell - all rights reserved.
A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley
This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I "stalk" those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.
This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the "industrial" surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I'm fascinated by what an instrument is and what it isn't. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can't otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really "primitive" technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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