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before her nap a little monkeying around on the bed with plenty of cuddles
Last night we went out to a restaurant and she was charming the pants off of everybody within range. She just loves the attention. As they were leaving a guy from the group sitting next to us told us that she is just precious.
B-LEE is seen here returning to home base as UO764 from Phuket. The A321 was delivered on 08/20/2017 and entered into service the same day.
Thanks for the ultra sexy Pierbi for the lovely pose! I steal it, I hope you won't mind!
Today's music:
www.youtube.com/watch?v=yimH3R1RG3M
Hair:
Analog Dog // maybe - reds
Outfit:
VOIDAL // Willow Top - fatpack
Style // Pantyhose BoM Vely - Red
:: wickedpup :: // SQUISHY PANTIES
Aloe. // Knit Stockings - fatpack
149#, Championship Round of 16, bout 348; Alec Opsal (Air Force) wins by DEC 8-5 against Ryan Blees (Virginia Tech). Opsal hails from Blacksburg, VA and his opponent’s stated home town is US Air Force Academy, CO.
LGW_6013_cr
salu2 a todos los q me visitan y dejan notas hoy fots salu2a todos :D
no me gusta muxo pero es lo q hay
xd
The former Blees Military Academy building in Macon, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon TS-E17mm f/4L lens at ƒ/11.0 with a 1/50-second exposure at ISO 50. Processed with Adobe Lightroom CC.
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During this section of the course, I've really begun to read and research photographers whose images have inspired me. I came across the work of Rut Blees Luxemburg in the inspirational first chapter of Charlotte Cotton's book and spent some time researching further. Cotton says of Luxemburg's work:
[...]when the urban night scene is illuminated in a dramatic way, the surreal and psychologically charged potential of space is emphasised. But each epoch has its own artistic concerns and particular narrative conclusions. With their uncanny qualities, Luxemburg's pictures take something of the history of night time photography, but imbues it with the contemporary and personal experience of the city.
This led me to begin researching this 'history' and I was drawn to the work of several other artists who have informed some of the pictures that I've submitted here. The picture that I've chosen for 'diagonals' references Luxemburg's work, but I hope is subtly different. She uses a 5x4 camera and long exposures, ensuring that everything in the frame is in focus. I love her work but find the images a little 'clean'. I wanted a narrow depth of field that would keep the reflected sign in focus, but loose some definition in the puddle and road surface. I shot hand held with a fixed lens Fuji, metering for the brightest part but exposing -2 stops darker to make the feel more claustrophobic.
Compositionally, the eye is first drawn to the bright letters of the reflection, but the strong diagonal leads our eye across the rest of the image. As discussed during the exercise on diagonals, they tend to be straight lines that are diagonal due to perspective.
These night time reflections are also explored in the wonderful ‘Retail’ by Tim Davis. Fantastically crafted night time shots of urban America with corporate, neon signs reflected in the windows of houses.
The roof of the Meeting House by Anthony Blee
In October 1966 the Meeting House at the University of Sussex designed by Basil Spence & Partners was completed for dedication. The building is 80 feet in diameter and two storeys high. The ground floor has a multi-purpose space that can be used for quiet contemplation during the day and public meetings or recitals at night. On the first floor is a 350-seater interdenominational chapel. The chapel walls are two feet thick and composed of a honeycomb of concrete blocks and coloured glass panels. These are arranged in a spectrum colour sequence with the brightest yellows behind the altar. The roof is a copper covered reinforced concrete conical shell, with an oval roof light set at an angle at the highest point so that daylight is directed onto the altar area. This was designed by Spence's son-in-law and business partner Anthony Blee and made in coloured glass and black epoxy resin. The building won a Civic Trust Award in 1969 and is a Grade II* listed building.