View allAll Photos Tagged AvantgardeJazz
9/28/79. Ann Arbor, Michigan. Sun Ra with The Sun Ra Arkestra at Hill Auditorium in Ann Arbor. Photo by Peter Yates.
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Lunedì 5 febbraio 2024 sul palco del Blue Note di Milano arriva in concerto Enrico Rava, il jazzista italiano più conosciuto e apprezzato a livello internazionale: la sua schiettezza umana e artistica lo pone al di fuori di ogni schema e ne fa un musicista rigoroso ma incurante delle convenzioni.
Enrico Rava presenta al Blue Note The Fearless Five, il suo progetto più recente. Ancora una volta, grazie al suo infallibile fiuto di talent scout, Rava è riuscito a dare vita ad una formazione fresca ed eccitante. Il suo nuovissimo gruppo, che esordisce per la prima volta a Firenze, schiera una serie di giovani musicisti di grande spessore: Matteo Paggi al trombone (l’ultima sorprendente scoperta di Rava, scovato ai seminari di Siena Jazz), la spinta propulsiva del contrabbasso di Francesco Ponticelli e della batteria di Evita Polidoro (reduce da un tour internazionale a fianco di Dee Dee Bridgewater), E la conferma dell’indispensabile chitarra di Francesco Diodati, già al fianco di Rava da una decina di anni e vero e proprio baricentro di questo quintetto di jazzisti impavidi e “senza paura”.
Enrico Rava è sicuramente il jazzista italiano più conosciuto ed apprezzato a livello internazionale. Da sempre impegnato nelle esperienze più diverse, creative e stimolanti, è apparso sulla scena a metà degli anni sessanta, imponendosi rapidamente come uno dei più convincenti solisti del jazz europeo. Fondamentali nella sua affermazione anche le sue esperienze in America, dove ha vissuto per diversi anni (partecipando a molti importanti gruppi ed esperienze discografiche al fianco di Gato Barbieri, Steve Lacy, Carla Bley, Cecil Taylor, Archie Shepp, Lee Konitz, Pat Metheny, John Scofield, Michel Petrucciani e moltissimi altri) per poi girare il mondo. La sua schiettezza umana ed artistica lo pone al di fuori di ogni schema e ne fa un musicista rigoroso ma incurante delle convenzioni.
Enrico Rava tromba, flicorno
Matteo Paggi trombone
Francesco Diodati chitarra
Francesco Ponticelli contrabbasso
Evita Polidoro batteria
9/28/79. Ann Arbor, Michigan. John Gilmore soloing with the Sun Ra Arkestra at Hill Auditorium in Ann Arbor. Photo by Peter Yates.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Lunedì 5 febbraio 2024 sul palco del Blue Note di Milano arriva in concerto Enrico Rava, il jazzista italiano più conosciuto e apprezzato a livello internazionale: la sua schiettezza umana e artistica lo pone al di fuori di ogni schema e ne fa un musicista rigoroso ma incurante delle convenzioni.
Enrico Rava presenta al Blue Note The Fearless Five, il suo progetto più recente. Ancora una volta, grazie al suo infallibile fiuto di talent scout, Rava è riuscito a dare vita ad una formazione fresca ed eccitante. Il suo nuovissimo gruppo, che esordisce per la prima volta a Firenze, schiera una serie di giovani musicisti di grande spessore: Matteo Paggi al trombone (l’ultima sorprendente scoperta di Rava, scovato ai seminari di Siena Jazz), la spinta propulsiva del contrabbasso di Francesco Ponticelli e della batteria di Evita Polidoro (reduce da un tour internazionale a fianco di Dee Dee Bridgewater), E la conferma dell’indispensabile chitarra di Francesco Diodati, già al fianco di Rava da una decina di anni e vero e proprio baricentro di questo quintetto di jazzisti impavidi e “senza paura”.
Enrico Rava è sicuramente il jazzista italiano più conosciuto ed apprezzato a livello internazionale. Da sempre impegnato nelle esperienze più diverse, creative e stimolanti, è apparso sulla scena a metà degli anni sessanta, imponendosi rapidamente come uno dei più convincenti solisti del jazz europeo. Fondamentali nella sua affermazione anche le sue esperienze in America, dove ha vissuto per diversi anni (partecipando a molti importanti gruppi ed esperienze discografiche al fianco di Gato Barbieri, Steve Lacy, Carla Bley, Cecil Taylor, Archie Shepp, Lee Konitz, Pat Metheny, John Scofield, Michel Petrucciani e moltissimi altri) per poi girare il mondo. La sua schiettezza umana ed artistica lo pone al di fuori di ogni schema e ne fa un musicista rigoroso ma incurante delle convenzioni.
Enrico Rava tromba, flicorno
Matteo Paggi trombone
Francesco Diodati chitarra
Francesco Ponticelli contrabbasso
Evita Polidoro batteria
Jameszoo is the stage name of Mitchel van Dinther from 's-Hertogenbosch as a producer of experimental, electronic jazz.
Metropole Orchestra | Dutch broadcasting orchestra, formed by Dolf van der Linden in 1945. The orchestra has worked with a wide range of international artists throughout its history, playing a repertoire of cabaret, film music, musicals, jazz and pop.
In 2013 he attended the Red Bull Music Academy in New York, where he had the opportunity to work with people he would not have met in the Netherlands. During his stay in New York he met Flying Lotus, American beat producer and owner of the Brainfeeder label. This year he also collaborated with Flying Lotus bassist Thundercat, Hannibal and performed several times with The Gaslamp Killer.
The song 'Flu' on side C2 comes from an album called 'Fool'. On the 'Flu' song there is a collaboration with Arthur Verocai, the great and well-known Brazilian songwriter, arranger, conductor, and guitar player, I do not have this album 'Fool' yet, but I will soon
Jameszoo & Metropole Orkest conducted by Jules Buckley – Melkweg
Label: #Brainfeeder – BF080
Format: 2 x Vinyl, LP, Album
Country: USA & Europe
Released: Jun 21, 2020
Genre: #ElectronicJazz, #Classical
Style: #AvantgardeJazz
A1 (flake)
A2 (lose)
B1 (toots)
B2 (soup)
C1 (nail)
C2 (flu)
C3 (crumble)
D1 (meat)
D2 (rolrolrol)
Conductor – #JulesBuckley
Drums – #RichardSpaven
Electronics, Synth – #Jameszoo
Orchestra – #MetropoleOrkest
Organ, Synth – #NielsBroos
Percussion – #FrankWienk
Saxophone – #JohnDikeman
#BrainfeederRecords #Orchestra #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in #HermetoPascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist #NivaldoOrnelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then known) began to realise their own potential.
Grupo Um – Starting Point
Label: #FarOutRecordings – FARO235LP
Format: Vinyl, LP, 45 RPM
Country: UK
Released: Feb 17, 2023
Genre: Jazz, #LatinJazz
Style: #Fusion, #AvantgardeJazz
A1 Porão da Teodoro
A2 Onze por Oito
A3 Organica
B1 Suite Orquidea Negra
B2 Jardim Candida
B3 Cortejo dos Reis Negros
Bass, Voice – #ZecaAssumpção
Drums, Percussion, Berimbau, Voice – #ZéEduardoNazario
Piano, Piano [Prepared Piano], Electric Piano [Fender Rhodes], Percussion, Voice – #LeloNazario
Producer – Lelo Nazario, Zé Eduardo Nazario
Restoration [Tape Restored By], Mastered By – Lelo Nazario
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Roots in the Sky is a 1979 album by the American jazz ensemble #Oregon, released under Elektra Records. This album marks a significant phase in the band's evolution, showcasing their unique blend of jazz, classical, and world music influences.
Formed in 1970 in Eugene, Oregon, the group originally consisted of Ralph Towner (guitar, piano), Paul McCandless (winds), Glen Moore (bass), and Collin Walcott (percussion, sitar). They gained recognition for their innovative fusion of various musical traditions, including jazz, classical, and world music elements. Their sound is characterized by acoustic instrumentation and a commitment to improvisation.
The album is noted for its fusion of jazz with elements of classical, African, and Asian music. Tracks like 'Vessel' and 'Sierra Leone' incorporate exotic rhythms and melodies, while 'House of Wax' features a blend of jazz and mysticism. The band's use of acoustic instruments such as sitar, tablas, and English horn adds to the rich tapestry of sounds.
Oregon – Roots In The Sky
Label: Elektra – Q6E-224
Format: Vinyl, LP, Album
Country: Canada
Released: 1979
Genre: Jazz, Folk, World, & Country
Style:#PostBop, #Fusion, #FreeImprovisation, #AvantgardeJazz
A1 June Bug
A2 Vessel
A3 Sierra Leone
A4 Ogden Road
B1 House Of Wax
B2 Hungry Heart
B3 Orrington's Escape
B4 Roots In The Sky
B5 Longing, So Long
Bass – #GlenMoore
Clarinet – #PaulMcCandless
Flugelhorn – #RalphTowner
Guitar – #CollinWalcott, Ralph Towner
Horn – #PaulMcCandless
Oboe – Paul McCandless
Percussion – Collin Walcott, Ralph Towner
Piano – Ralph Towner
#vinylcollection #musicrecordcurator #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #nowplaying
Rare French Avant-garde Jazz LP, little or no information can be found about this band that only released one album!
Currently no longer for sale on discogs, of which I was able to find the last one and bought it immediately on Nov 07, 2023, because it had been in my wish list for years. The condition of the cover is very poor but the LP is in top condition, this album is really worth a treasure chest. This music from Corpus Quintet on this album is phenomenal
Corpus Quintet – Cobra
Label: #OuïeRecords – OR 1493
Format: Vinyl, LP
Country: France
Released: 1985
Genre: #Jazz
Style: #ContemporaryJazz, #AvantgardeJazz
A1 Cobra
A2 Dança Maya Selene
A3 Horcones
B1 Femme De Paris
B2 Rin Del Angelito
Clarinet [Bass] – JeffSicard (tracks: B2)
Congas, Percussion – JuanManuelForero
Drums – MerzakMouthana
Flute – LucioGodoy (tracks: A1)
Piano [Acoustic], Piano [Electric Oberheim], Synthesizer, Composed By, Producer – Vila
Saxophone [Tenor; Alto] – IvesCerf
Tabla, Keyboards – PatoVillaroel
Voice, Berimbau – Veronica (tracks: A1, A3, B)
#CorpusQuintet #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
While digging deeper into Dave Liebman's discography and related projects, I came across the album Father Time. As I explored further, I noticed that Frank Tusa was involved, which caught my interest even more. It was through this deeper dive into Liebman's associated acts and collaborations that I discovered the album and its ties to both artists. I later found out there was also a Japanese release of Father Time, which led me on a hunt for that version—and I was lucky enough to track down a promo copy.
'Father Time' is a deeply personal, musically adventurous statement from Frank Tusa. It captures a moment when a bassist stepped into the spotlight—supported by top-tier collaborators from Liebman's ensemble—blending improvisational freedom, rhythmic exploration, and melodic warmth. If you're drawn to adventurous jazz from the mid-'70s that blends acoustic intimacy with rhythmic diversity, this is a standout recording.
Frank Tusa, David Liebman, Badal Roy, Richard Beirach, Jeff Williams – Father Time
Label: #EnjaRecords – SMJ-6138
Format: Vinyl, LP, Album, Promo
Country: Japan
Released: 1976
Genre: Jazz
Style: #AvantgardeJazz
A1 Doin' It
A2 Cameo
A3 Gipsy Song
B1 Mabel's Mood
B2 Kristie's Spirit
B3 String Beans
#FrankTusa – bass, leader, composer
A versatile bassist known for his work in post-bop and avant-garde jazz scenes, particularly active in the 1970s.
#DavidLiebman – soprano saxophone, tenor saxophone, flute
Renowned saxophonist associated with Miles Davis’s electric period and the Lookout Farm ensemble. A major figure in modern jazz.
#RichardBeirach – piano, percussion (occasional)
Lyrical and harmonically rich pianist, long-time collaborator with Liebman. Known for both his solo work and collaborations within ECM-style aesthetics.
#BadalRoy – tabla
Indian tabla player celebrated for bringing Indian classical percussion into jazz and fusion. Collaborated with Miles Davis, Ornette Coleman, and others.
#JeffWilliams – drums
American jazz drummer known for his flexible, responsive playing; part of Lookout Farm and many other prominent jazz groups.
#FatherTime #JapaneseRelease #JapanesePressing #OBI #vinylcollection #musicrecordcurator #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #nowplaying