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surrealisme
[del fr. surréalisme, íd., de sur 'sobre' i réalisme 'realisme']
m ART /LIT /MÚS /CIN Moviment que afectà primordialment la poesia i la pintura, però també la prosa, el teatre, el cinema i l'escultura, i que proposa l'automatisme psíquic, mitjançant el qual hom pretén d'expressar de paraula, per escrit o de qualsevol altra manera, el funcionament real del pensament; es basa en els somnis i el subconscient.
sur_re_a_lis_me.
escombriaire
[c. 1868; deriv. de escombrariaire per haplologia]
m i f Persona que té per ofici d'arreplegar les escombraries.
es_com_bri_ai_re.
escombrar;
[1272; del ll. vg. *excomborare 'treure noses, destorbs', del cèlt. comboros 'amuntegament, entrebanc', comp. de com- 'juntament' i bero 'porto']
v tr 1 1 Llevar allò que embruta el sòl, brosses, neu, pols, etc, empenyent-lo a un costat amb una escombra. Vés a escombrar el sucre que s'ha escampat per terra.
2 abs Escombra bé: no deixis borró sota els mobles.
3 fig El vent ha escombrat la nuvolada. La metralla escombrà materialment els enemics.
Priorité ouverture. Le XD11 est le premier appareil à automatisme multiple et d'une certaine façon, l'ancêtre du mode program.
Aperture priority. The XD11 is the first multi mode camera. It's fail safe exposure system made it the first acxtual program mode camera.
Sam Francis
San Mateo, California, 1923 – Santa Monica, California, 1994
1954
Oil on canvas
197.8 x 185.7 cm
Purchase, Mr. and Mrs. Maurice Corbeil Fund and gift of Gilles Corbeil
Inventory 1961.1315
Francis discovered painting in 1944 while bedridden in hospital, recovering from a plane crash. Upon completing his studies in art and art history in California, he went to Paris where he attended the Académie Léger. Abstraction, executed in 1954, attests to the cardinal influence of Monet, whom Francis discovered in 1953 when the Musée de l’Orangerie reopened its doors. This work is a superb illustration of the transition—hinted at so far by other American painters such as Clyfford Still, Morris Louis and Kenneth Noland—from Abstract Expressionism to a lighter type of painting characterized by broad forms and bright, luminous colours. Exhibited in 1956 at Montreal’s Galerie L’Actuelle, Abstraction was to have a decisive influence on several young Montreal painters, who saw it steer an unprecedented path between Automatisme and Plasticisme. This was a meaningful turn of events, since it was a young painter from Montreal, Riopelle, who in Paris introduced Francis to Parisian art circles and put him in contact with critic Georges Duthuit, “a guide to French culture.” At Duthuit’s house in Provence, Francis’ palette grew lighter. Riopelle also introduced the American artist to Nina Dausset, who gave Francis his first one-man show at her Galerie La Dragonne in 1952.
My favourite bookmark is made of stainless steel (I <3 steel) and has a list of the "50 books to read before you die" written on it. In 27 years of life, 24 of which as an avid reader, I've already read most of them, but the one I'm currently (re-)reading is not on the list.
I like this shot better than the previous ones. After the hit-and-miss of the past days, this time I feel I've chosen a subject that's really mine.
Mini-quiz: guess the title of the book and win bonus bookworm points.
Manual: Techniques d'automatisme total, page 46
Images: fellow 365-ers Brian and Perla (http://brianpalmerphotography.blogspot.com/). Pretty pretty pretty pictures, each with its own story.
What's your experience with visual inspection of PCBs? Do you have expertise about assessing flattened vs 3D images? Is there an important AOI method or technology missing that you'd like to see covered? Share your thoughts in the comments below..
Sam Francis
San Mateo, California, 1923 – Santa Monica, California, 1994
1954
Oil on canvas
197.8 x 185.7 cm
Purchase, Mr. and Mrs. Maurice Corbeil Fund and gift of Gilles Corbeil
Inventory 1961.1315
Francis discovered painting in 1944 while bedridden in hospital, recovering from a plane crash. Upon completing his studies in art and art history in California, he went to Paris where he attended the Académie Léger. Abstraction, executed in 1954, attests to the cardinal influence of Monet, whom Francis discovered in 1953 when the Musée de l’Orangerie reopened its doors. This work is a superb illustration of the transition—hinted at so far by other American painters such as Clyfford Still, Morris Louis and Kenneth Noland—from Abstract Expressionism to a lighter type of painting characterized by broad forms and bright, luminous colours. Exhibited in 1956 at Montreal’s Galerie L’Actuelle, Abstraction was to have a decisive influence on several young Montreal painters, who saw it steer an unprecedented path between Automatisme and Plasticisme. This was a meaningful turn of events, since it was a young painter from Montreal, Riopelle, who in Paris introduced Francis to Parisian art circles and put him in contact with critic Georges Duthuit, “a guide to French culture.” At Duthuit’s house in Provence, Francis’ palette grew lighter. Riopelle also introduced the American artist to Nina Dausset, who gave Francis his first one-man show at her Galerie La Dragonne in 1952.
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The Creaform Health Care Partner 3D Scanner is fast, simple and intuitive, and it has been designed with health care providers in mind. 3D scanning technology is useful to reduce turnaround times by replacing or skipping steps in traditional and messy measurement methods like plaster casting
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Contacts
+216 - 20 277 446
info@syslens.net
Sam Francis
San Mateo, California, 1923 – Santa Monica, California, 1994
1954
Oil on canvas
197.8 x 185.7 cm
Purchase, Mr. and Mrs. Maurice Corbeil Fund and gift of Gilles Corbeil
Inventory 1961.1315
Francis discovered painting in 1944 while bedridden in hospital, recovering from a plane crash. Upon completing his studies in art and art history in California, he went to Paris where he attended the Académie Léger. Abstraction, executed in 1954, attests to the cardinal influence of Monet, whom Francis discovered in 1953 when the Musée de l’Orangerie reopened its doors. This work is a superb illustration of the transition—hinted at so far by other American painters such as Clyfford Still, Morris Louis and Kenneth Noland—from Abstract Expressionism to a lighter type of painting characterized by broad forms and bright, luminous colours. Exhibited in 1956 at Montreal’s Galerie L’Actuelle, Abstraction was to have a decisive influence on several young Montreal painters, who saw it steer an unprecedented path between Automatisme and Plasticisme. This was a meaningful turn of events, since it was a young painter from Montreal, Riopelle, who in Paris introduced Francis to Parisian art circles and put him in contact with critic Georges Duthuit, “a guide to French culture.” At Duthuit’s house in Provence, Francis’ palette grew lighter. Riopelle also introduced the American artist to Nina Dausset, who gave Francis his first one-man show at her Galerie La Dragonne in 1952.
The Creaform Health Care Partner 3D Scanner is fast, simple and intuitive, and it has been designed with health care providers in mind. 3D scanning technology is useful to reduce turnaround times by replacing or skipping steps in traditional and messy measurement methods like plaster casting
Visit our Blog for more informations :
#syslens #Creaform #health_care_partner_3Dsanner #healthcare #care #health #Scanner3D #Handyscan #Scan #Academia #Inspection #Rétroingénieurie #success #Industrie4.0 #Tunisia #Monastir #Enseignement #Chercheur #electronics #Automatisme #Innovation #Robot #Basler #Elesol #ABB #LasIt #Omron #SPECIM #Hamamatsu #LapLaser #Microscan #Effilux #Microscan #Computar #Ganz #MIR
Contacts
+216 - 20 277 446
info@syslens.net