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ꒌ ﹏﹏ 'ПОМЕРЕН’ излазак сунца. Виша стамбена зграда препречава поглед на хоризонт где је сунце изашло 9 минута пре овог снимка. Ово је моменат када сам угледао сунце кроз прозоре на углу зграде у пар станова на тој висини.
► █░▓ ≈≈≈≈≈≈≈≈≈≈≈≈ SUNRISE from behind an artificial vertical 'horizon'. The condo tower blocks my view of the natural horizon at 123° where the sunrise took place at 8:11 on November 22nd. So I had to wait another 9 minutes until the sun first appeared through a condo window. It was worth waiting.
The prominent church tower exactly 2 km (1,24 mi) from my lens belongs to St. Nichola's or Holy Spirit chapel. The chapel has been pulled down in 1835 but they fortunately kept the facade and this tower. The premises served as a charity spot (bread handed out to poor) until the various protestant denominations alternately got hold of it. The municipality got involved in the maintenance too. However, in 2011. it was all over. This very old chapel in Arkelstraat became a fashion clothing store ("Van Zuilen Mode"). A trend which by the way stormed the churches in the Lowlands at the turn of the century.
Left behind the church tower, at 8,3 km (5,17 mi) as the crow flies FeedValid animal feed and waste recycling factory in Munnikenland. It is difficult to believe that the distance between the church tower and the factory exceeds 6 km! Such is the perspective flattening of the 800 mm full-frame equivalent. It would take at least half an hour ride by car to get there, if not more.
To the right of the church tower are the two arms of the grain windmill "De Hoop", 500 m behind the church tower, marking the edge of the town and the river shore. The full view of the windmill and the old town's heart is blocked by the roof of the local hospital.
Exactly 2 km behind the church tower is the point where the river Maas (Meuse, "Afgedamde Maas" there) joins the Rhein's strongest branch Waal. The junction is the reason for Rhein to acquire yet another name, "Boven Merwede", which shall after 9 km split into Beneden Merwede and Nieuwe Merwede.
Lumix G9 / Pana Leica 100-400mm f/4-6.3 fully zoomed in. Handheld with support. Aperture priority f/8 resulting in 1/1600 of a sec, ISO set manually at 200. AWB. Sooc jpeg edited in Photos 10.0. Uncompressed, uncropped 4:3 format.
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File name: P1015586
As I returned to the parking area in TI following the bay bridge shot taken below, I decided to kill some time before I left since the traffic was horrendous.
As the street lights lit up the rocks I decided to include it as a foreground element to the bay bridge and city lights. It would have been nice if there were scattered clouds in the sky to help fill the frame, but as usual there's always next time.
Treasure Island, San Francisco, CA
Cities force growth, and make men talkative and entertaining, but they make them artificial.
Ralph Waldo Emerson
tones: Pioneer Woman actions and Bärbel's PS/PSE actions
texture: SkeletalMess
This photograph was produced using the tool "Generative Fill" from Photoshop, which I used to generate the four children in the foreground artificially (the rest is real, it is a sculpture in Chicago).
Being a landscape photographers, the natural pattern for us as photographers was to travel and practice hiking to search for rare or distinctive scenes, so the matter would be a great trouble and hardship that the photographer would be exposed to throughout his trip.
Than after completing the travel trip and returning home, the stage of sorting the photos that were taken begins, so that the final result is a few works that I can call distinctive works, And after this long struggle, you find the outcome with the entry of artificial intelligence cancer, which enabled some geeks to appear and collect likes from the audience by creating visual chaos that affected the viewer and made him not appreciate the real art and the effort of photographers with people in less than a few minutes while he was sitting at his desk by making fake scenes.
Therefore, dividing lines must be drawn between real art and fake art