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Rachel: Do you like our owl?"
Deckard: "Is it artificial?"
Rachel: "Of course it is."
Deckard: "Must be expensive."
Bladerunner, dialogue when Deckard first meets Rachael at the Tyrell Corporation.
Ceramic Owl, PotFest 2021. Hutton-in-the-Forest, Cumbria
"Oh, the stories these chairs could tell,
Of conversations shared and secrets held.
In cozy corners, they cradle lovers' embrace,
Or at the table, where families find solace.
From wooden thrones to plush armchairs,
Each one unique, with its own affairs.
Some adorned with cushions, soft and inviting,
Others minimalist, sleek and exciting.
A chair can be a refuge, a comforting space,
A sanctuary where one finds solace and grace.
It supports us through moments of rest,
And witnesses our dreams as we manifest..."
Written in ChatGPT...
Ιs it possible for man to find himself on the sidelines, if artificial intelligence overtakes him?
PoliNation
Victoria Square, Birmingham
Temporary epic super garden of magical proportions! Giant fabricated trees sit amongst thousands of plants and flowers..
de/from: Wikipedia.
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es.wikipedia.org/wiki/Museo_de_Artes_y_Costumbres_Populares_(Sevilla)
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Museo de Artes y Costumbres Populares - Sevilla
El Museo de Artes y Costumbres Populares de la ciudad de Sevilla (Andalucía, España) está localizado en la plaza de América del parque de María Luisa. Al otro lado de la plaza se encuentra el Museo Arqueológico. Fue el pabellón de Arte Antiguo de la Exposición Iberoamericana de 1929.
Fue planteado como pabellón de Industrias, Manufacturas y Artes Decorativas. Finalmente, se le llamó pabellón de Arte Antiguo e Industrias Artísticas. Se trata de un edificio proyectado en 1913 y construido en 1914 por el arquitecto Aníbal González, autor también de los otros edificios levantados en la misma plaza de América. Es de ladrillo visto con motivos decorativos de cerámica. Por su estilo arquitectónico, fue conocido como el pabellón Mudéjar.
En principio constaba de dos plantas sobre una cámara de aireación para evitar la humedad. Se realiza una mejora durante la década de 1960 en la planta principal, que tenía más de doce metros de altura, y se dividió con una planta artificial (corresponde a la planta primera) por el arquitecto Antonio Delgado y Roig. En 1972 se unen las plantas con una gran escalera de caracol que diseña el arquitecto José Galnares Sagastizábal, trabajo que realiza después de que la construcción fuese designada para albergar el museo por el Decreto de Creación del Museo de Artes y Costumbres Populares de Sevilla, con fecha de 23 de marzo de 1972, constituido como una sección del Museo de Bellas Artes.
Sus funciones como museo se desarrollan desde el 4 de marzo de 1973, fecha en que abre sus puertas al público.
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en.wikipedia.org/wiki/Museum_of_Arts_and_Popular_Customs_...
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Museum of Arts and Popular Customs of Seville
The Museum of Arts and Popular Customs of Seville (Spanish: Museo de Artes y Costumbres Populares) is a museum in Seville, Andalusia, Spain, located in the María Luisa Park, across the Plaza de América from the Provincial Archeological Museum.
The museum occupies the Mudéjar Pavilion (Pabellón Mudéjar) designed by Aníbal González and built in 1914. It served as an art pavilion, the Pabellón de Arte Antiguo, for the Ibero-American Exposition of 1929, when Aníbal González had the opportunity to design several additional permanent buildings for the plaza. The exterior is ceramic over brick, and has three doors with archivolts adorned with glazed tiles (azulejos).[citation needed]
The building originally consisted of two stories over an aeration chamber (necessary because of the humidity). In the 1960s, the main floor, originally over 12 metres (39 ft) high, was divided in two, with an intermediate level added by architect Delgado Roig. In 1972, as part of the preparations for the current museum, the various stories of the building were connected by a grand spiral staircase designed by José Galnares Sagastizábal.
The museum was established by a decree of 23 March 1972, initially as a section of the Museum of Fine Arts of Seville. It opened its doors to the public 4 March 1973.[2] For the next seven years, the museum fell under the responsibility of the Ministry of Education and Science, but the city government occupied more than half of the poorly maintained building. Neither institution took full responsibility. This situation led to a series of temporary closures. In 1976, the electric bill could not be paid, and the museum had to be shut until it could get power again. In 1979, heavy rains damaged the interior.
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I wish you a wonderful 2nd Advent, my friends!
What a bizarre sunrise in the Sudelfeld ski area. The first snow had fallen and although the ski lifts were all closed, the snow cannons were in operation and in the glaring backlight of the rising sun, the blown snow was wonderfully illuminated...
Künstliche Schneeschauer
Was für ein bizarrer Sonnenaufgang im Skigebiet Sudelfeld. Der erste Schnee war gefallen und obwohl die Skilifte alle geschlossen waren, waren die Schneekanonen im Betrieb und im gleißenden Gegenlicht der aufgehenden Sonne wurde der ausgeblasene Schnee wunderbar angestrahlt...
my photo for today's topic: "objects in pastel colours" in "Looking close... on Friday!"
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allen Besuchern und Freunden meines Fotostreams ein herzliches Dankeschön für eure Kommentare und Kritiken, Einladungen und Favoriten.
all visitors and friends of my photostream, a heartfelt thank you for your comments and reviews, invitations and favorite
Constructed nature, Flevopolder, the Netherlands
Flevopolder, the biggest artificial Island in the world. It is flat, windy with a lot of agriculture, constructed nature and modern windmills.
Zhan Wang ( b. 1962 ) Artificial Rock, 2005
Stainless Steel
de Young Museum, San Francisco, California, USA ...
( Please View Full Screen ... )
Taken with Helios 44-2 with reversed front and rear element. This gives the very soft focus with a wide open aperture