View allAll Photos Tagged ArtAndScience
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Sebastian Neitsch
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
Picture is showing Dipl.-Ing. Dr. Franz Fischler, President of the European Forum Alpbach while being portrayed by several robots of "Human Study #1, 3RNP" by Patrick Tresset (FR/UK).
#ART TEC, the new exhibition programme at the Alpach Technology Symposium, visualises the future-oriented potential of linking technological development and scientific procedures with artistic creativity. The exhibition “Best of Art & Science” realized in cooperation with Ars Electronica is an impressive example of how exciting and innovative interdisciplinary projects at this interface can be.
Credit: Florian Voggeneder
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Sebastian Neitsch
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
Wearable art made with pills. By Noumeda Carbone
Photo (detail): Jerry Lee Ingram & Gildardo Gallo
Hair: Marco Soldi
Jewels: Noumeda Carbone
Make up: Azzurra Make Up
Clothes: Gattacicova Love
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Sebastian Neitsch
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Juliane Götz
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Sebastian Neitsch
Wearable art made with pills. By Noumeda Carbone
Photo (detail): Jerry Lee Ingram & Gildardo Gallo
Hair: Marco Soldi
Jewels: Noumeda Carbone
Make up: Azzurra Make Up
Clothes: Gattacicova Love
Reynolds' own pigment was stored in similar bottles to these.
Pigment can be very expensive, especially for colours such as Ultramarine made from materials such as lapis lazuli, a rare mineral found in Afganistan.
Colours such as Prussian Blue were a good alternative as it is a man made pigment, however this would still not have been cheap to buy during the 18th century.
Artist: Karen Schwartz
Scientist: Sarah Cohen, PhD., San Francisco University
Digital Inkjet
10" x 10"
copyright Karen Schwartz 2006
Wearable art made with pills. By Noumeda Carbone
Photo (detail): Jerry Lee Ingram & Gildardo Gallo
Hair: Marco Soldi
Jewels: Noumeda Carbone
Make up: Azzurra Make Up
Clothes: Gattacicova Love
Artist: Matthew Hopson-Walker
Scientist: Alan Turing (1912-1954), Cambridge
Silk Screen
10" x 10"
copyright Matthew Hopson-Walker 2006
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt
B/W. University of Nebraska at Omaha: Arts and Science Hall (ASH) from the Northwest during construction. 1937.
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt
artist: Sarah Benjaram
watercolor and ink by based on photo by Sue Langley at sierrafoothillgarden.com
part of collaborative effort to create a sierra meadow infographic with members of John Muir Laws Nature Journal Club
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt