View allAll Photos Tagged ArtAndScience
Design for a better umbrella.
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
Table-top Mathematics Lapidary Unit
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
Elizabeth Eastland Quiet terror: studio, lab and experiment at the edge of the known
This paper will explore scientific endeavour in direct relation to creative practice and consider each as a site of the contemporary sublime. Central to this investigation is a series of video works that I have been producing over the last 18 months that are primarily intended as discursive spaces through which scientists reflect upon the nature of their practice.
At the heart of this investigation is the idea of the laboratory and studio as the theatre for the exploration of the unknown and the creation of new knowledge. A central question I am exploring is how artists and scientists relate in their abandonment of a priori forms as they search for the not yet discovered. I am interested in how our approach to the unknown, the languages, codes and technologies we use, the materials and ways we negotiate the liminality of certainty, define the experience of the unknown and shape our creation of knowledge, thus create both ‘converging and diverging realities’. I am interested in contemporary manifestations of the sublime, particularly the existential terror of the sublime when contemplating the unknown as it relates to fields of knowledge. The presentation will explore how scientists engaged in the creation of knowledge negotiate this terror.
Using video as both documentary record and art form I am filming four female scientists as they perform their research. The experience/experiment of filming in the laboratory is of primary importance to this project. Rather than intruding on the experiment, the act of filming pays witness to and in part facilitates the establishment a quiet and contemplative space. The relationship between camera and instrument transforms the experiment into something more concentrated yet circumspect.
I will use brief segments of my film as part of my presentation to illustrate the key points of my presentation.
‘Ek-stacy’
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz.
Credit: Ars Electronica / Martin Hieslmair
EMF Sniffing Hat
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
Printed circuit board brooch with wire work stitched into the existing holes. Also incorporating beading, knitted wire and rhinestones. The really big one came from a wonderful haberdashery store in central Athens, Greece.
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt
Table-top Mathematics Lapidary Unit
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The Orange Garden
(A Semi-Mad Victorian Photography Project)
The Orange garden explores the possibilities of creating photographic images from wild Flowers. This photographic process was first invented in 1842 by Sir John Herschel and requires only sunlight to render and image. The Project will explore different Canadian wildflowers their Photo-Sensitive properties as pertaining to the light spectrum.
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.
Photo showing Annelie Berner (DK)
Credit: tom mesic
Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz.
Credit: Ars Electronica / Martin Hieslmair
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
1st graders at Jackson Elementary in Hillsboro learned about water cycles with Right Brain visual artist Nicole Penoncello, as part of their Science, Technology, Engineering, Arts, and Math (STEAM) curriculum. Students began by viewing water in its various states through the microscope. They then experimented with different approaches to printmaking, and each student selected one stage of the water cycle to characterize through their print. The final prints were mounted in a collaborative display, creating a full representation of the water cycle and depicting the beauty of water in all its forms.
Photo by Frank Hunt
a machine that calibrates and manifests the metaphysical substance of non-living objects.
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
"Portrait on the Fly" consists of a series of interactive portraits and plotter drawings. For the series "Portrait on the Fly" Sommerer and Mignonneau modeled virtual insects that can align themselves so as to compose human portraits in real time. Photo showing Gerfried Stocker (AT), artistic director of Ars Electronica.
credit: Martin Hieslmair
The Fraunhofer Gesellschaft hold an event in its Science and Art in Dialog series on June 5th, 2018 in Berlin. The topic of this panel discussion was complexity in art and medicine. Taiwanese artist Yen Tzu Chang addressed the future human-machine relationship in the field of surgery in her performance entitled “Whose Scalpel.”
Credit: Fraunhofer IUK-Verbund
Microscopic Images Seen As Abstract Forms
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.
Photo showing Annelie Berner (DK)
Credit: tom mesic
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The Fraunhofer Gesellschaft hold an event in its Science and Art in Dialog series on June 5th, 2018 in Berlin. The topic of this panel discussion was complexity in art and medicine. Taiwanese artist Yen Tzu Chang addressed the future human-machine relationship in the field of surgery in her performance entitled “Whose Scalpel.”
Credit: Fraunhofer IUK-Verbund
Microscopic Images Seen As Abstract Forms
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
Lopsided Seesaw (The Ratio of Combustion to Transpiration)
Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.
Learn more at www.artandsciencefair.ca.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
1/2 This is from #ruthcuthand ‘s #reserving series at the #cdc #worldunseen #artandscience exhibit. Cuthand’s stunning and gutwrenching work is “a series of beaded works representing viruses and bacteria that affected Indigenous people in Western Canada living on ‘reserves’” The intricacy of the beadwork is equally gorgeous and painful to consider. These photos do not do the pieces justice. I was trying to avoid the glare of the overhead lights.
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg
The third recipient of the residency staged under the auspices of the Art & Science Network is the artists’ collective Quadrature (Jan Bernstein, Juliane Götz and Sebastian Neitsch, all DE). In 2016, they were selected from among the 322 applicants from 53 countries and spent their residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria.
Credit: Claudia Schnugg