ArtAndDesign photos on Flickr

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"it's a new dawn, its a new day, its a new life for me and im feeling good."

Went out to a pretty set of fields this morning with my grandad - who helped with the lighting of this. It was super frosty and lovely.

This is my new sweater (primark £13) which my mom got me yesterday cus my photo was in the Guardian and i think she was more excited/proud about it than i was..

see link below

www.guardian.co.uk/artanddesign/gallery/2012/nov/07/photo...

Facebook page

Tumblr

Waving Bioluminescent Fungus animated lights Halloween variation by E.V.E

16 2

“In the ocean, [bioluminescence] is the rule rather than the exception.” (Edith Widder, Ocean Research & Conservation Association).

In the Fantasy Collective Halloween's round in purple and orange.

MOD & Copy version and colors white, green, blue, pink and smoke until 27th Oct. in Fair Play “El Mundo”.

Taxis:

evestudio3d.wordpress.com/2015/10/21/dystopia-rose-window...

E.V.E Ethereal Jewelry Vol. I & II by E.V.E

16

“The spacious firmament on high,

With all the blue ethereal sky,

And spangled heavens, a shining frame,

Their great Original proclaim.”, Joseph Addison.

[100% Original Mesh Design / Materials Enabled / Unisex / ETHEREAL Edition / Animated Mesh particles*/ Packs: Color & FATPACK / Resizer / Copy]

Color packs in black, white, gold, silver.

You will find it in E.V.E stand at November round of the We<3Rp at a 25% off.

Read more and get the taxi:

evestudio3d.wordpress.com/2016/11/02/update-ethereal-jewe...

1st class smoking room on RMS Mauretania by North East Museums

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View of the 1st class smoking room looking forward on the 'Mauretania', c1907 (TWAM ref. ds.swh/5/3/4/2/B359). She was launched at the Wallsend yard of Swan Hunter & Wigham Richardson, 20 September 1906.

The 'Mauretania' was one of the most famous ships ever built on Tyneside.

(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.

To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

E.V.E Teaser - HEART’S DRUM BEAT by E.V.E

18

Little dance performance for testing the beat in the heart made of animated mesh particles.

Read more and get the taxi:

evestudio3d.wordpress.com/2017/02/20/ethereal-vol-3-pearl...

HOLD by Thom Davies

51 8

Moscow Metro: Russia

A Muscovite commuter grips on tight as he is rocked asleep by the Moscow metro.

This photograph is part of a series reviewed in the guardian newspaper

.

Thoughts - comments - critiques - always welcome

twitter

... really looking at me myself ... by Jane Friel

18 13

52 weeks of 2022

Week #33 ~ In the style of Cindy Sherman ~ Part III of IV

Inspired by this self portrait by Cindy Sherman "Untitled Film Still #56, dated 1980":

www.artic.edu/artworks/72442/untitled-film-still-56

You can see more about the great photography of Cindy Sherman :

www.moma.org/artists/5392

www.theartstory.org/artist/sherman-cindy/

rebrand.ly/uyrok19

www.artic.edu/artists/23759/cindy-sherman

citygallery.org.nz/exhibitions/cindy-sherman/

www.theguardian.com/artanddesign/2016/jul/03/cindy-sherma...

All rights are reserved. Please contact me if you are interested in using one of my images for any reason

Castle Garth, Newcastle upon Tyne by North East Museums

31

View of Castle Garth, Newcastle upon Tyne, 1881 (TWAM ref. DX872/8).

(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.

To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

Dragon Tooth (Super Seven) by RG Sanders

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None of my work is Ai assisted and is ©️ Rg Sanders aka Ronald George Sanders.

E.V.E Poison Chains and Needles {Colors} by E.V.E

15

“Let all the hurt inside of you die”

Frozen, Madonna.

POISON CHAINS AND NEEDLES

New Gacha release for: The Chapter Four. Opens the 4th of March.

[100% Original Mesh Design / Materials Enable / Gacha Machine / Art piece / 7 Commons, 3 Rares, 1 Ultrarare / Bento Pose / Poison Collection / Mod & Transfer]

Specs and Taxi:

evestudio3d.wordpress.com/2017/03/04/poison-chains-and-ne...

Face. by Ryan Thompson

63 15

The digital skills is very creative and professional within the elements and the concept of photo- manipulation

Dawson's Heights by Mark Harwood

28 4

Dawson’s Heights in Dulwich is like a medieval castle dominating the surrounding area. Built in the 1960’s it was designed by Kate Macintosh for Southwark Borough. It is quite a spectacle, with a sense of mass like a ziggurat, but all these flying balconies and steps, like an unmade Rubik’s cube. According to Wikipedia “the purpose of this design was to ensure that two thirds of the flats had views in both directions, including towards central London”. Which suggests the quality of life of residents was made central and at the same time the building is hugely interesting to look at - it can be done.

More about Kate Macintosh here: www.theguardian.com/artanddesign/2015/jun/21/kate-macinto.... “I am old enough to remember the postwar Labour government,” she says, “which at a time when the national debt was 245% of GDP rebuilt the country, doubled living standards and established the welfare state and the NHS… If we could do so much in 1945, when the country was technically bankrupt – what might we now achieve with the political will, in building a more just society?”

DYSTOPIA Episode 1 "Black Wall", Opium character by E.V.E

21

Here you have a couple of photos of the first chapter of Dystopia, a parallel alternative retro futuristic society fallen into decay due lack of control over genetic and transhumanic experiments in living beings for fashion and my new art installation for Linden Endowment for the Arts (LEA, sim 24).

Black Wall included an opening performance as conceptual experiment where audience was invited to participate in to face inner black walls, those full of memories, dreams and monsters. A moment of analysis and inner retrospective that Kira, Dystopia’s main character, have to do to search for a future. Black Wall is the beginning of Kira’s journey, an illegal immigrant looking to cross frontier to a better life.

Opium, Dream and Utopia are the triplets nymphs of Dystopia. In this 1st episode, you meet Opium. Behind, in abstract surreal form, you can see The Smuggler. Listen to him to have the first clue to know a bit more about Kira.

Read more and get the taxi:

evestudio3d.wordpress.com/2016/04/16/eliptica/

Sacred_Pyramid_Energy_01 by China Rivera

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Sacred Pyramid Energy - Art By China Alicia Rivera

*Twitter: twitter.com/photoshopflair

*Linkedin: www.linkedin.com/in/photoshopflair

*Instagram: instagram.com/photoshopflair

*Website: photoshopflair.com

Old Greyhound Bus Station (c. 1938), v10, 219 N Lamar St, Jackson, MS, USA by Steve Minor

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Jackson, MS (est. 1821, pop. 165,000)

Marker:

front

"On May 28, 1961, a Greyhound bus with nine Freedom Riders aboard arrived here, the third group of Riders into Jackson. The first two came on Trailways buses May 24. That summer 329 people were arrested in Jackson for integrating public transportation facilities. Convicted on "breach of peace" and jailed, most refused bail and were sent to the state penitentiary. Their protest worked. In September 1961, the federal government mandated that segregation in interstate transportation end."

back

"Greyhound Bus Station This former Greyhound bus station was the scene of many historic arrests in 1961, when Freedom Riders challenged racial segregation in Jackson’s bus and train stations and airport. The Freedom Riders, part of a campaign created by the Congress of Racial Equality (CORE), pressured the federal government to enforce the law regarding illegal racially separate waiting rooms, rest rooms, and restaurants—common in public transportation facilities across the South.

"On May 4, 1961, thirteen Riders—blacks and whites, men and women—left Washington, D.C., on two buses. Trained in nonviolent direct action, they planned to desegregate bus stations throughout the South. They integrated stations in Virginia, the Carolinas, and Georgia with few incidents but were attacked by vicious mobs in Anniston, Birmingham, and Montgomery, Alabama. The Kennedy administration implored them to stop, a call echoed by the media and some civil rights leaders. The Riders, however, reinforced with new volunteers from the Nashville Student Movement, were determined to continue.

"On May 24, two buses of Freedom Riders left Montgomery bound for Jackson, with highway patrolmen and National Guardsmen as armed guards. Instead of a protest mob, policemen met them in Jackson, urging them to “move on” when the Riders tried to use facilities denied them. When the Riders refused, they were arrested, charged with “breach of peace,” and quickly convicted.

"Embracing the "jail-no bail" tactic, they invited new Riders from around the country to join them in Jackson. Within three weeks the city’s jails were full, and the Riders were transferred to the state penitentiary at Parchman, where most served six weeks, suffering indignities and injustices with fortitude and resolve. Between May 24 and September 13, 329 people were arrested in Jackson—half black, half white, and a quarter of them women. Most were between the ages of eighteen and thirty. They came from thirty-nine states and ten other countries; forty-three were from Mississippi.

"On September 23, the Interstate Commerce Commission mandated an end to segregation in all bus and train stations and airports. The victorious Freedom Riders left a legacy of historic changes, proving the value of nonviolent direct action, providing a template for future campaigns, and helping jump-start the movement in Mississippi."

Old Greyhound Station History

• in the mid-1930s, as America struggled through the Great Depression, Greyhound Lines adopted a Streamline Moderne design for their buses & terminals, echoing the speed lines of their Super Coaches which, like the Greyhound logo, promised a swift, state of the art ride • brought in engineer Dwight Austin (1897-1960) to create the new Super Coach design & Louisville architect William Strudwick Arrasmith (1898-1965) to reimagine Greyhound terminal design

• in 1937, Greyhound Lines contracted for a Streamline Moderne style terminal in Jackson, topped by a vertical, illuminated "Greyhound" sign • the bldg. was faced with blue Vitrolux structural glass panels and ivory Vitrolite trim • included a coffee shop with a horseshoe-shaped counter & bathing facilities for women (a bath tub) and men (a shower)

• the design is widely believed to be one of the ~60 Moderne Greyhound stations credited to Arrasmith, although photographic evidence suggests that Memphis architect William Nowland Van Powell (1904-1977) — working with George Mahan Jr. (1887-1967) — was responsible for the design, with or without Arrasmith as the consulting architect

• restoration architect Robert Parker Adams acquired the then threatened bldg. in 1988, moved in after restoration, retaining the original neon sign —Wikipedia

The Farish Street Historic District

“but out of the bitterness we wrought an ancient past here in this separate place and made our village here.” —African Village by Margaret Walker (1915-1998)

• during the Reconstruction era that followed the American Civil War, white Southerners struggled to reclaim their lives as millions of black Southerners sought new ones • with the stroke of a pen, the Emancipation Proclamation had transformed African slaves into African Americans & released them into hostile, vengeful & well-armed white communities amid the ruins of a once flourishing society

• the antebellum South had been home to over 262,000 rights-restricted "free blacks" • post-emancipation, the free black population soared to 4.1 million • given that the South had sacrificed 20% of it's white males to the war, blacks now comprised over half the total population of some southern states • uneducated & penniless, most of the new black Americans depended on the Freedman's Bureau for food & clothing

• the social & political implications of this disruptive shift in demographics fueled a violence-laced strain of American racism • in this toxic environment, de facto racial segregation was a given, ordained as Mississippi law in 1890 • with Yankees (the U.S. Army) patrolling Jackson & Maine-born Republican Adelbert Ames installed in the Governor's Mansion, the Farish Street neighborhood was safe haven for freedmen

• as homeless African American refugees poured into Jackson from all reaches of the devastated state, a black economy flickered to life in the form of a few Farish Street mom-and-pops • unwelcome at white churches, the liberated slaves built their own, together with an entire neighborhood's worth of buildings, most erected between 1890 & 1930

• by 1908 1/3 of the district was black-owned, & half of the black families were homeowners • the 1913-1914 business directory listed 11 African American attorneys, 4 doctors, 3 dentists, 2 jewelers, 2 loan companies & a bank, all in the Farish St. neighborhood • the community also had 2 hospitals & numerous retail & service stores —City Data

• by mid-20th c. Farish Street, the state's largest economically independent African American community, had become the cultural, political & business hub for central Mississippi's black citizens [photos] • on Saturdays, countryfolk would come to town on special busses to sell produce & enjoy BBQ while they listened to live street music • vendors sold catfish fried in large black kettles over open fires • hot tamales, a Mississippi staple, were also a popular street food —The Farish District, Its Architecture and Cultural Heritage

“I’ve seen pictures. You couldn’t even get up the street. It was a two-way street back then, and it was wall-to-wall folks. It was just jam-packed: people shopping, people going to clubs, people eating, people dancing.” — Geno Lee, owner of the Big Apple Inn

• as Jackson's black economy grew, Farish Street entertainment venues prospered, drawing crowds with live & juke blues music • the musicians found or first recorded in the Neighborhood include Robert Johnson, Sonny Boy Williamson II & Elmore James

• Farish Street was also home to talent scouts & record labels like H.C. Speir, & Trumpet Records, Ace Records • both Speir & Trumpet founder Lillian McMurry were white Farish St. business owners whose furniture stores also housed recording studios • both discovered & promoted local Blues musicians —The Mississippi Encyclopedia

• Richard Henry Beadle (1884-1971), a prominent Jackson photographer, had a studio at 199-1/2 N. Farish • he was the son of Samuel Alfred Beadle (1857-1932), African-American poet & attorney • born the son of a slave, he was the author of 3 published books of poetry & stories

• The Alamo Theatre was mainly a movie theater but periodically presented musical acts such as Nat King Cole, Elmore James & Otis Spann • Wednesday was talent show night • 12 year old Jackson native Dorothy Moore entered the contest, won & went on to a successful recording career, highlighted by her 1976 no. 1 R&B hit, "Misty Blue" [listen] (3:34)

• in their heyday, Farish Street venues featured African American star performers such as Bessie Smith & the Rabbit Foot Minstrels, Louis Armstrong, Count Basie, Duke Ellington & Dinah Washington —Farish Street Records

• on 28 May, 1963, John Salter, a mixed race (white/Am. Indian) professor at historically black Tougaloo College, staged a sit-in with 3 African American students at the "Whites Only" Woolworth's lunch counter in downtown Jackson • they were refused service • an estimated 300 white onlookers & reporters filled the store

• police officers arrived but did not intercede as, in the words of student Anne Moody, "all hell broke loose" while she and the other black students at the counter prayed • "A man rushed forward, threw [student] Memphis from his seat and slapped my face. Then another man who worked in the store threw me against an adjoining counter." • this act of civil disobedience is remembered as the the signature event of Jackson's protest movement —L.A. Times

"This was the most violently attacked sit-in during the 1960s and is the most publicized. A huge mob gathered, with open police support while the three of us sat there for three hours. I was attacked with fists, brass knuckles and the broken portions of glass sugar containers, and was burned with cigarettes. I'm covered with blood and we were all covered by salt, sugar, mustard, and various other things." —John Salter

• the Woolworth Sit-in was one of many non-violent protests by blacks against racial segregation in the South • in 1969 integration of Jackson's public schools began • this new era in Jackson history also marked the beginning of Farish Street's decline —The Farish Street Project

"Integration was a great thing for black people, but it was not a great thing for black business... Before integration, Farish Street was the black mecca of Mississippi.” — Geno Lee, Big Apple Inn

• for African Americans, integration offered the possibility to shop outside of the neighborhood at white owned stores • as increasing numbers of black shoppers did so, Farish Street traffic declined, businesses closed & the vacated buildings fell into disrepair

• in 1983, a Farish St. redevelopment plan was presented

• in 1995 the street was designated an endangered historic place by the National Trust for Historic Preservation

• in the 1990s, having redeveloped Memphis' Beale Street, Performa Entertainment Real Estate was selected to redevelop Farish St

• in 2008, The Farish Street Group took over the project with plans for a B.B. King's Blues Club to anchor the entertainment district

• in 2012, having spent $21 million, the redevelopment — limited to repaving of the street, stabilizating some abandoned buildings & demolishing many of the rest — was stuck in limbo —Michael Minn

• 2017 update:

"Six mayors and 20 years after the City of Jackson became involved in efforts to develop the Farish Street Historic District, in hopes of bringing it back to the bustling state of its heyday, the project sits at a standstill. Recent Mayor Tony Yarber has referred to the district as “an albatross.” In September of 2014, the U.S. Department of Housing and Urban Development sanctioned the City of Jackson, the Jackson Redevelopment Authority, and developers for misspending federal funds directed toward the development of the Farish Street Historic District. Work is at a halt and "not scheduled to resume until December 2018, when the City of Jackson repays HUD $1.5 million." —Mississippi Dept. of Archives & History

• Farish Street Neighborhood Historic District, National Register # 80002245, 1980

Commuters - through the bus window by Che-burashka

43 54

The set is reviewed on the Guardian website

My book there about London tube.

The Haymarket, Newcastle upon Tyne, 1978 by North East Museums

20 2

Aerial view of the Haymarket area, Newcastle upon Tyne, June 1978 (TWAM ref. DT.TUR/4/CN11182NN). The bus station looks very different nowadays. You can also see the Haymarket metro station under construction.

Tyne & Wear Archives presents a series of colour aerial photographs of Newcastle upon Tyne. These images were captured by the Newcastle-based photographic firm Turners Ltd during the mid to late 1970s.

At first glance, some of these images give the impression that the Newcastle landscape hasn't changed much in 40 years. Look more closely, though, and some of the differences between then and now will reveal themselves - see how many you can spot.

(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

St Mary's Church, Wortham, Suffolk (3 of 4) by Patricia Wilden

7

www.theguardian.com/artanddesign/gallery/2011/sep/10/earl...

Suburbia goes to America. by warren kirk

19 17

Normal programming is interrupted for an advertorial.

My book, released in Australia last October, and the UK in December, got a US release this month.

I doubt you're going to stumble upon it in many bookstores, but if anyone is interested, it's available through Amazon .

The cheapest option, at time of writing, is the Australian edition from Book Depository with free international delivery.

You can have a sneak peek here and there

Usual service will resume tomorrow.

Boris Nzebo - Olive Coiffure by Eddie Crimmins

19 2

Boris Nzebo, born in Port-Gentil in 1979, is a visual artist who lives and works in Douala, Cameroon.

On a sunny day by Che-burashka

9 25

There is interesting article about street photography in the Observer today. You are welcome to share your thoughts. I will need to come back to it.

Wish you great sunny Sunday

or forgot LARGE View On Black

Rip The Foundry by Raúl Cabello

www.foundry.tv/

www.guardian.co.uk/artanddesign/2010/feb/03/foundry-galle...

From the Castle Keep to St James' Park, 1977 by North East Museums

18 1

Aerial view of Newcastle City Centre, from the Castle Keep to St James' Park, May 1977 (TWAM ref. DT.TUR/4/CN10582P).

Tyne & Wear Archives presents a series of colour aerial photographs of Newcastle upon Tyne. These images were captured by the Newcastle-based photographic firm Turners Ltd during the mid to late 1970s.

At first glance, some of these images give the impression that the Newcastle landscape hasn't changed much in 40 years. Look more closely, though, and some of the differences between then and now will reveal themselves - see how many you can spot.

(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

tim andrews 2 by chrisfriel

53 29

A photographic project involving a gentleman with Parkinson's Disease who has been photographed over the last four years by 145 different photographers.

A real challenge as he has already had his portrait taken by some of the best known photographers in the uk.

guardian article

tim andrews website

full set

Still at the Tate by Geza (aka Wilsing)

4 1

www.theguardian.com/artanddesign/2017/oct/02/swing-turbin...

Rethinking Portraiture? - Jesse Darling Turner Prize 2023 by Sue Lockhart

13 4

A triptych of part of the exhibits in Gallery 2 at The Towner for the Turner Prize 2023.

Darling won the prestigious prize of £25,000.

To find out more read this article from The Guardian:

www.theguardian.com/artanddesign/2023/dec/06/turner-prize...

E.V.E {Poison} "Army of Me" Ink Flower in Black by E.V.E

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“And if you complain once more... You’ll meet an army of me”

Army of Me, Bjork.

{POISON} “ARMY OR ME” INK FLOWERS

New Gacha release for The Seasons Story.

[100% Original Mesh Design / Materials Enable / Gacha Machine / Art piece / Flora / 8 Commons -5 flowers each pack-, 1 Rare -20 flowers-, 2 Ultrarare -20+4 flowers each- / Poison Collection / Mod & Transfer]

Read more and get the taxi:

evestudio3d.wordpress.com/2017/04/08/poison-army-of-me-in...

Tune - Army of Me, Bjork.

youtu.be/6KxtgS2lU94

E.V.E Whispers Hearts {Addon} by E.V.E

17

New E.V.E release for TLC.

For this Valentine, we have a special Addon release for the petals of the Whispers Gacha: The E.V.E WHISPERS Hearts Addon. These hearts with little dots of lights at their base can be used as standalone or in combination with the Whispers Petals, to put some extra love in the air!

SPECS

[100% Original Mesh Design / Materials Enabled / Animated Mesh Particles Lights / Art Piece/ Love is a Battlefield & Whispers Collection / Addon / Mod & Copy]

Read more and get the taxi:

evestudio3d.wordpress.com/2017/02/07/whispers-hearts-addon/

E.V.E Frosted Hearts by E.V.E

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“Frost Yourself…”

How to lose a Guy in 10 days, 2003.

[100% Original Mesh Design / Animated / Decor / Love is a Battlefield & Ivy Collection / Mod & Copy]

Heart and Ivy adapted from Noke Yuitza’s Love is a Battlefield art installation as new release for Linden’s Shop Your Heart Out St. Valentines celebration.

- Color packs: pink, red, black, silver or gold.

- 2 models: Ivy Sleeping Nature with Heart Crystal [M01] and Ivy Sleeping Nature with Heart Frosted [M02]

- Default size and Li: aprox. 2.7m x 2.7m / 10 prims

Read more and get the taxi:

evestudio3d.wordpress.com/2017/02/01/frosted-hearts/

Glen Sligachan by Boon Low

2 5

During a slightly hazy day, we walked along Glen Sligachan on a trail towards the remote Loch Coruisk - see also the J Turner's painting. It's a 10 miles hike to the loch.

The glen is surrounded by many hills including the Cuillin range and the Red hills (also popularised as the Red Cuillin). Despite being in extremely close proximity, both hill ranges are vastly different in character as they are results of different rock formation over millions of years and thus appear in different shapes and colours. The conical hill is Marsco and part of the Red Cuillin (although it is actually green).

We walked miles without encountering a single tree. It was unbearably hot as the cloud dissipated and the sun finally came out. We didn't make it to the loch. With 1/4 of the way and a hill to climb before the loch, we realised the grueling return trip and the dehydration, and left it for another day.

'visualizing your true self' 1 by Jeanphotografics

11 1

2018 Art en design

Creative study by Evelien Maandag.

EVERYDAY LIFE #1 by Thom Davies

49 27

Moscow Metro: Russia

Everyday life in Russia's capital

This photograph was reviewed in the guardian newspaper

.

Thoughts - comments - critiques - always welcome

twitter

Dancing Sprinkles by E.V.E

13 4

Do you want some solidarity donuts with sprinkles? E.V.E new 2 releases for the Relay for Life Family Fun Fair are an extra sized donut and a dancing cloud of sprinkles. The 100% of the sales of the fatpacks of the Donuts and the Dancing Sprinkles will be donated to the American Cancer Society.

Read more and get the taxi to E.V.E at the Relay for Life Family Fun Fair here:

evestudio3d.wordpress.com/2016/04/15/donuts-and-dancing-c...

They are also doing some interesting events, all open to public, that sure you will like, as the Puppet show or the Story Time. Check Family Fun Fair Calendar here!

The amazing funny & cute poster picture "Donuts in Heaven" was done by Ralphie, who was playing with donuts sizes and mostly all the colors in an anime style. Thanks Ralphie❤

E.V.E* Broken Chains - Scattered Roses {Dystopia Ed.} Collar & Spine by E.V.E

14

New release for Crossroads.

"It's not what you gather but what you scatter that tells what kind of life you've lived." ~Helen Walton.

Broken Chains: Scattered Roses

Inspired in the symbolism of our connections to others and what we give to blossom those relationships.

[100% Original Mesh Design / Materials Enabled / Unisex accessories: Collar & Spine / Broken Chains Collection Dystopia Ed./ Packs: Fatpack, Bronze, Black, Blue, Pink, Purple & Kawaii / Kawaii is a Limited Ed./ Modify and Copy]

• Colors: Gold, Silver, & Black Pearls; Bronze, Black, Blue, Pink, & Purple Roses

• Limited Edition: Kawaii pack of Pink & Blue (Only available for the duration of Crossroads event)

Read the Specs and get the taxi:

evestudio3d.wordpress.com/2016/11/02/broken-chains-scatte...

E.V.E {Love is a Battlefield} Exploding Orbs [Info] by E.V.E

16

“01101100 01101111 01110110 01100101 00100000 01101001 01110011 00100000 01100001 00100000 01100010 01100001 01110100 01110100 01101100 01100101 01100110 01101001 01100101 01101100 01100100”

[Binary Code for Love is a Battlefield].

New release for Crossroads.

This is a special release adaptation of the Exploding Orbs from Love is a Battlefield, by Noke Yuitza, a cyber art installation about to love, blending organic with virtual shells.

[100% Original Mesh Design/ Animated Mesh Particles/ Art piece / Love is a Battlefield Collection / Mod & Copy]

Read the Specs and get the Taxi here:

evestudio3d.wordpress.com/2017/02/03/love-is-a-battlefiel...

Photo by Ralphie.

Poses by ROQUAI Pam stand 2 & Pam Fall.

(Thanks to both!)

ÂMES GRECQUES by Georgina ♡

16 3

"ÂMES GRECQUES"

Superbe exposition photo de @nikosaliagas à la galerie @Photo12Galerie du 27 Mai au 18 Septembre

www.galerie-photo12.com/EN/A_PRINTS/nikos-aliagas?ART=3f4...

www.theguardian.com/artanddesign/gallery/2016/jun/23/gree...

Exposition au profit de l’International Foundation for Greece

www.if-gr.org/

Bravo Nikos !!!

Photo12 Galerie

14 rue des jardins saint-paul

Paris,75004

Téléphone :

01 42 78 24 21

Site Web :

galerie-photo12.com

twitter.com/Photo12Galerie?lang=el

blog.flickr.net/en/2014/12/05/celebrity-portraits-expose-...

www.instagram.com/nikosaliagas/

twitter.com/nikosaliagas

www.facebook.com/Nikosnow/?fref=nf

The commercial heart of Newcastle upon Tyne, 1977 by North East Museums

19 1

Aerial view of Newcastle City Centre, showing its main shopping areas, including Grainger Market, Grainger Street, Eldon Square and Northumberland Street, May 1977 (TWAM ref. DT.TUR/4/CN10582E).

Tyne & Wear Archives presents a series of colour aerial photographs of Newcastle upon Tyne. These images were captured by the Newcastle-based photographic firm Turners Ltd during the mid to late 1970s.

At first glance, some of these images give the impression that the Newcastle landscape hasn't changed much in 40 years. Look more closely, though, and some of the differences between then and now will reveal themselves - see how many you can spot.

(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Eldon Square shopping centre nears completion, 1976 by North East Museums

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Aerial view of Newcastle upon Tyne, showing the new Eldon Square shopping centre nearing completion, January 1976 (TWAM ref. DT.TUR/4/CN8897H).

Tyne & Wear Archives presents a series of colour aerial photographs of Newcastle upon Tyne. These images were captured by the Newcastle-based photographic firm Turners Ltd during the mid to late 1970s.

At first glance, some of these images give the impression that the Newcastle landscape hasn't changed much in 40 years. Look more closely, though, and some of the differences between then and now will reveal themselves - see how many you can spot.

(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

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