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NAKHOS (Inachus) was a River-God of Argolis in the Peloponnesos, southern Greece. When the gods Poseidon and Hera contested for dominion over Argos, Inakhos was appointed arbiter and decided in Hera's favour. In retalation Poseidon dried up his stream.
The Inakhos River flowed south through western Argos, emptying into the Argolic Gulf between the towns of Argos and Tiryns. Its stream ran dry in mid-summer. Three other Argive streams were personified: the stream Erasinos and two small tributaries of the Inakhos, the Asterion and Kephisos (Cephisus). The most important neighbouring rivers were the Asopos in Sikyonia to the north, the Ladon of Arkadia to the west, and Eurotas of Lakedaimonia to the south-west.
In the introduction to this album, first published in 1916, the author,Ernst Reisinger, states his intention of offering a work that is not strictly a travel account but that will strengthen the bonds between Greece and Germany. With ninety photographs by himself, F. Boissonnas and Van Lüpke, and reproductions of engravings by V.M. Coronelli, E. Dodwell, J. Stuart and N. Revett, and L.-E.-S.-J. de Laborde, as well as scholarly texts by L. Ross, E. Curtius and others, which treat the subject of Greece in depth, Reisinger aims to offer a token of love to the Greek people. He collected his material from libraries in Munich and Berlin during the First World War. Many reproductions in the volume come from photographs in the Prussian Photographic Archive in Berlin and present rare views (of around 1910) of mainly continental Greece and the islands.
On browsing through the album, we come upon views from Athens and Attica, Corinth, the Argolid, Arcadia and Messinia, Epirus, Mount Athos, the Ionian Islands, Aegina and the Cyclades. It is moving to see the Isthmus of Corinth, Bassae, Sparta and Mystras, Methana, Tiryns, Eleusis and Epidaurus, Hosios Loukas, Meteora, the Byzantine churches in Arta, Melos, Tempe, Paros, Agrinio and Amphissa, in unbiased shots from the first decade of the twentieth century. It should be noted that the photographs of Corinth were taken before the excavations of the American School, and those in Olympia and Delphi before the restoration of the respective temples at these archaeological sites.
Written by Ioli Vingopoulou
İlk baskısı 1916 yılında yapılan kitap, kendi fotoğraflarından ve Fr. Boissonnas ile Van Lüpke'nin 90 fotoğrafı, V.M. Coronelli, Ed. Dodwell, J. Stuart & N. Revett, L.-E.-S.-J. de Laborde'dan gravür kopyaları, L. Ross, Er. Curtius ve başka yazarların kaleminden çıkmış metinlerle tamamlanıyor. Reisinger malzemesini I. Dünya Savaşı sırasında Münih ve Berlin kütüphanelerinden derlemişti. Burada yer alan fotoğrafların birçoğu Berlin'deki Prusya fotoğraf arşivinden kaynaklanıp özellikle Yunanistan'ın anakara kısmından ve de adalardan tahminen 1910 yılına ait nadir görüntüler sergilemekte.
Albümde Atina, Attika, Korint, Argolis, Mesinia, Epir, Aynaroz, İyon adaları, Egina ve Siklad adalarından manzaralar görmekteyiz. Korint kanalı, Vassai, Sparta, Mistras (Mezistre), Methana, Tirins, Eleusis, Epidaurus, aziz Luka manastırı, Meteora, Arta, Milos, Tempi'deki bizans kiliseleri, Paros adası, Agrinio ve Amfisa'yı gösteren bu resimler 20. yüzyılın ilk yıllarında tarafsız bir anlayışla çekilmiş olması açısından derin izlenimler yaratıyorlar. Korint'te çekilmiş olan planlar Amerikan Arkeoloji Okulunun yaptığı kazılardan önceye ve Olympia ile Delfi'de çekilmiş olan planlar bu arkeolojik sitlerde bulunan antik tapınakların restorasyonundan önceki zamana rastlar.
Yazan: İoli Vingopoulou
In the introduction to this album, first published in 1916, the author,Ernst Reisinger, states his intention of offering a work that is not strictly a travel account but that will strengthen the bonds between Greece and Germany. With ninety photographs by himself, F. Boissonnas and Van Lüpke, and reproductions of engravings by V.M. Coronelli, E. Dodwell, J. Stuart and N. Revett, and L.-E.-S.-J. de Laborde, as well as scholarly texts by L. Ross, E. Curtius and others, which treat the subject of Greece in depth, Reisinger aims to offer a token of love to the Greek people. He collected his material from libraries in Munich and Berlin during the First World War. Many reproductions in the volume come from photographs in the Prussian Photographic Archive in Berlin and present rare views (of around 1910) of mainly continental Greece and the islands.
On browsing through the album, we come upon views from Athens and Attica, Corinth, the Argolid, Arcadia and Messinia, Epirus, Mount Athos, the Ionian Islands, Aegina and the Cyclades. It is moving to see the Isthmus of Corinth, Bassae, Sparta and Mystras, Methana, Tiryns, Eleusis and Epidaurus, Hosios Loukas, Meteora, the Byzantine churches in Arta, Melos, Tempe, Paros, Agrinio and Amphissa, in unbiased shots from the first decade of the twentieth century. It should be noted that the photographs of Corinth were taken before the excavations of the American School, and those in Olympia and Delphi before the restoration of the respective temples at these archaeological sites.
Written by Ioli Vingopoulou
İlk baskısı 1916 yılında yapılan kitap, kendi fotoğraflarından ve Fr. Boissonnas ile Van Lüpke'nin 90 fotoğrafı, V.M. Coronelli, Ed. Dodwell, J. Stuart & N. Revett, L.-E.-S.-J. de Laborde'dan gravür kopyaları, L. Ross, Er. Curtius ve başka yazarların kaleminden çıkmış metinlerle tamamlanıyor. Reisinger malzemesini I. Dünya Savaşı sırasında Münih ve Berlin kütüphanelerinden derlemişti. Burada yer alan fotoğrafların birçoğu Berlin'deki Prusya fotoğraf arşivinden kaynaklanıp özellikle Yunanistan'ın anakara kısmından ve de adalardan tahminen 1910 yılına ait nadir görüntüler sergilemekte.
Albümde Atina, Attika, Korint, Argolis, Mesinia, Epir, Aynaroz, İyon adaları, Egina ve Siklad adalarından manzaralar görmekteyiz. Korint kanalı, Vassai, Sparta, Mistras (Mezistre), Methana, Tirins, Eleusis, Epidaurus, aziz Luka manastırı, Meteora, Arta, Milos, Tempi'deki bizans kiliseleri, Paros adası, Agrinio ve Amfisa'yı gösteren bu resimler 20. yüzyılın ilk yıllarında tarafsız bir anlayışla çekilmiş olması açısından derin izlenimler yaratıyorlar. Korint'te çekilmiş olan planlar Amerikan Arkeoloji Okulunun yaptığı kazılardan önceye ve Olympia ile Delfi'de çekilmiş olan planlar bu arkeolojik sitlerde bulunan antik tapınakların restorasyonundan önceki zamana rastlar.
Yazan: İoli Vingopoulou
"Palamidi (Greek: Παλαμήδι) is a fortress to the east of the Acronauplia in the town of Nafplio in the Peloponnese region of southern Greece. Nestled on the crest of a 216-metre high hill, the fortress was built by the Venetians during their second occupation of the area (1686–1715).
"The fortress was a very large and ambitious project, but was finished within a relatively short period from 1711 until 1714. It is a typical baroque fortress based on the plans of the engineers Giaxich and Lasalle. In 1715 it was captured by the Turks and remained under their control until 1822, when it was captured by the Greeks.
"The eight bastions of the fortress were originally named after the Venetian provveditori. However, when it fell to the Ottoman Empire, the bastions were given Turkish names. Lastly, when the Greeks overthrew the Turks the bastions were renamed after ancient Greek leaders and heroes (Epaminondas, Miltiades, Leonidas, Phocion, Achilles, Themistocles. The two remaining bastions were named after St. Andrew (Agios Andreas) and the French Philhellene Robert who died in battle on the Acropolis of Athens. The 'Miltiades,' was used as a prison and among its walls was also held Theodoros Kolokotronis, hero of the Greek Revolution."
Source: Wikipedia
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On display in the archaelogical museum, a row of female figurines in the foreground with clay pots behind.
A sovereign naval nation-city in ancient times, Nafplio was founded and named after -according to Greek mythology- by hero Nafplios, father of Palamidis. A target for Franks, Venetians and Ottomans, they all repeatedly tried, and succeeded quite a few times, to conquer it. In 1829, after the Greek War of Independence from the Ottoman Empire, Nafplio was chosen as the first capital of the new-founded state and democracy. His palace was on the square in front of today's town hall. In 1833 the capital moved to Athens, the town remaining capital of the prefecture.
Por favor, no use esta imagen sin mi permiso explícito - Todos los derechos reservados ©.
Please don't use this image without my explicit permission - All Rights Reserved ©.
S'il vous plaît ne pas utiliser cette image sans ma permission explicite - Tous droits réservés ©.
Se faz favor, não use esta imagem sem a minha permissão explícita - Todos os Direitos Reservados ©.
In the introduction to this album, first published in 1916, the author,Ernst Reisinger, states his intention of offering a work that is not strictly a travel account but that will strengthen the bonds between Greece and Germany. With ninety photographs by himself, F. Boissonnas and Van Lüpke, and reproductions of engravings by V.M. Coronelli, E. Dodwell, J. Stuart and N. Revett, and L.-E.-S.-J. de Laborde, as well as scholarly texts by L. Ross, E. Curtius and others, which treat the subject of Greece in depth, Reisinger aims to offer a token of love to the Greek people. He collected his material from libraries in Munich and Berlin during the First World War. Many reproductions in the volume come from photographs in the Prussian Photographic Archive in Berlin and present rare views (of around 1910) of mainly continental Greece and the islands.
On browsing through the album, we come upon views from Athens and Attica, Corinth, the Argolid, Arcadia and Messinia, Epirus, Mount Athos, the Ionian Islands, Aegina and the Cyclades. It is moving to see the Isthmus of Corinth, Bassae, Sparta and Mystras, Methana, Tiryns, Eleusis and Epidaurus, Hosios Loukas, Meteora, the Byzantine churches in Arta, Melos, Tempe, Paros, Agrinio and Amphissa, in unbiased shots from the first decade of the twentieth century. It should be noted that the photographs of Corinth were taken before the excavations of the American School, and those in Olympia and Delphi before the restoration of the respective temples at these archaeological sites.
Written by Ioli Vingopoulou
İlk baskısı 1916 yılında yapılan kitap, kendi fotoğraflarından ve Fr. Boissonnas ile Van Lüpke'nin 90 fotoğrafı, V.M. Coronelli, Ed. Dodwell, J. Stuart & N. Revett, L.-E.-S.-J. de Laborde'dan gravür kopyaları, L. Ross, Er. Curtius ve başka yazarların kaleminden çıkmış metinlerle tamamlanıyor. Reisinger malzemesini I. Dünya Savaşı sırasında Münih ve Berlin kütüphanelerinden derlemişti. Burada yer alan fotoğrafların birçoğu Berlin'deki Prusya fotoğraf arşivinden kaynaklanıp özellikle Yunanistan'ın anakara kısmından ve de adalardan tahminen 1910 yılına ait nadir görüntüler sergilemekte.
Albümde Atina, Attika, Korint, Argolis, Mesinia, Epir, Aynaroz, İyon adaları, Egina ve Siklad adalarından manzaralar görmekteyiz. Korint kanalı, Vassai, Sparta, Mistras (Mezistre), Methana, Tirins, Eleusis, Epidaurus, aziz Luka manastırı, Meteora, Arta, Milos, Tempi'deki bizans kiliseleri, Paros adası, Agrinio ve Amfisa'yı gösteren bu resimler 20. yüzyılın ilk yıllarında tarafsız bir anlayışla çekilmiş olması açısından derin izlenimler yaratıyorlar. Korint'te çekilmiş olan planlar Amerikan Arkeoloji Okulunun yaptığı kazılardan önceye ve Olympia ile Delfi'de çekilmiş olan planlar bu arkeolojik sitlerde bulunan antik tapınakların restorasyonundan önceki zamana rastlar.
Yazan: İoli Vingopoulou
Mycenae is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece.
In the second millennium BC, Mycenae was one of the major centres of Greek civilization, a military stronghold which dominated much of southern Greece, Crete, the Cyclades and parts of southwest Anatolia. The period of Greek history from about 1600 BC to about 1100 BC is called Mycenaean in reference to Mycenae. At its peak in 1350 BC, the citadel and lower town had a population of 30,000 and an area of 32 hectares.
Source: Wikipedia
Por favor, no use esta imagen sin mi permiso explícito - Todos los derechos reservados ©.
Please don't use this image without my explicit permission - All Rights Reserved ©.
S'il vous plaît ne pas utiliser cette image sans ma permission explicite - Tous droits réservés ©.
Se faz favor, não use esta imagem sem a minha permissão explícita - Todos os Direitos Reservados ©.