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Program booklet design for Fourth Annual Activating the Medium Festival 2001 at San Francisco Museum of Modern Art. Design by R. Yau. 36 page booklet.
Home Exterior Architecture Design
Home Exterior Architecture Design, 1600 x 1097, 417 KB, www.interiordev.com/ideas/warna-cat-exterior-rumah.html
Interior Design by DISC Interiors
Lighting by Rejuvenation
Design Software by Autodesk
Windows by Western Window Systems
Credit: Izumi Tanaka Photography
Student Housing in Epinay, France by ECDM. Visit www.combarel-marrec.com. Photography by Benoit Fougeirol. Visit www.benoitfougeirol.com
Ben Mehigan presents his work at Bartlett School of Architecture Open Crits London 15, March.2016.
Photo credit: Stonehouse Photographic
Professor Bob Sheil gives a speech at the Exhibition Party at the UCL Quad
Photo: Stonehouse Photographic
This studio aimed to develop and further a students' understanding of architecture by studying the intersection of at, design and materials science. Three primary exercises helped develop student’s techniques of drawing, making and organizing structures. This course was specifically created to play off students' non-architectural education by introducing a domain of investigation whereby students learned to design through the lens of cross-disciplinary experimentation.
Throughout the semester students investigated generative art, design and materials science through the lens of “pattern formation” and attempted to extract principles, learned techniques and developed strategies for design. By studying the formation of materials students explored both the fundamental science as well as new advances in research to understand the building blocks of matter, organizational patterns, processes of material creation and micro-to-macro material behavior. To draw comparison, students also researched both contemporary and historic works of generative art and design to understand the rules, logic and components of the work and how high-level patterns emerge from local interaction. These seemingly opposite fields converged and become precedents for three exercises: 1. Generative drawings, 2. New material formations and 3. Living objects / growing structures.
Learn more at arts.mit.edu
Photo by Sharon Lacey
DRAWING AND MAKING WORKSHOP. The Bartlett Summer School, 2015. “Urban idiosyncrasies _a moving project” run by Beth Hughes, Sayan Skandarajah, Calum MacDonald. Visit to the Serpentine pavilion by Selgas Cano.
Student Housing in Epinay, France by ECDM. Visit www.combarel-marrec.com. Photography by Benoit Fougeirol. Visit www.benoitfougeirol.com
MODEL MAKING AND PROTOTYPING WORKSHOP. The Bartlett Summer School, 2015. “Inhabiting Textiles” run by Safia Qureshi, Jens Kongstad, and Han Hao. Visit to the Institute of Making, UCL. A place to discover how to make things in all kind of techniques.
beautiful kitchen, Beautiful kitchens, great kitchens, kitchen design, modern kitchen, modern kitchens
Casa Redondo acquires its name from its unique architectural design and is nestled 3 1/2 miles south of San Pedro Town in a lovely unobtrusive location. Casa Redondo or Round House can be easily accessed and is only approximately 15 minutes from town center by road. It is made of solid concrete construction, has tiled floors throughout and sliding glass doors offering panoramic views of the Barrier Reef and the Hol Chan Marine Reserve. Although airy, this 2 story private home has ceiling fans throughout, a total of 8 air-conditioned bedrooms and 5 bathrooms.
The huge veranda on the upper floor has stunning sunrise views and scenic views of the beautiful turquoise sea. The outside living space includes a breakfast area under a Palapa on the north side and a Palapa bar on the Southside with seating area that is tiled throughout with handmade Mexican tiles. There is also an outdoor dining room table with inlayed marble that can seat 8 guests comfortably; a gas barbeque grill; and lounge chairs suitable for family gatherings and entertaining or simply where you can bask in the sun or relax under the moon and stars at night. If that doesn’t appeal to you, on the south back side is a Jacuzzi under a Palapa for privacy and relaxation.
The Upper main villa is approximately 4,300 square feet including a large 1,800 square feet veranda. Its vaulted ceiling is made up of beautiful Belizean hardwoods such as Mahogany, Rosewood, Seri Cote, and Santa Maria. It is tastefully decorated and boasts large windows and sliding doors facing the sea. The spacious main living, dining, and kitchen area is designed in an open concept for brightness, content and affluence and features large comfortable sofas, and a dining area that can effortlessly seat eight. The gourmet kitchen is fully equipped and has a central island, speckled counter tops, custom made cabinets, breakfast bar, stainless steel appliances and other basic amenities.
The Master bedroom has a king size bed facing the Caribbean Sea and ensued master bathroom. The Master bathroom has double wash-hand basin, glass shower and a Jacuzzi/tub. Two other bedrooms have queen size beds and striking wall murals done by a local artist. The fourth bedroom has 2 twin beds and all three rooms share a bathroom with double sink, private shower and tub; and another bathroom just outside the living room area.
The ground level has four luxurious air conditioned bedrooms each with a view of the Caribbean Sea and pool. Each room has queen size beds with colourful Mexican tile borders and also ceiling fans. This ample accommodation also includes a fully equipped kitchen with stainless steel appliances, dining area to seat 8, a living room facing the sea and 2 bathrooms. The living area and dining table is made of marble. It also has sliding doors providing gentle cool breeze and the most beautiful panoramic view as the villa above. The exquisite swimming pool with 2 sundecks and an infinity edge measures approximately 37’ x 18’ with the deepest part 6’ 6”. There are cushioned lounge chairs on the two pool decks and patio and nice Palapa with cushioned lounge chairs for those who prefer the shade while enjoying the tropical landscape.
There is also a small one bedroom one bathroom apartment with kitchen, dining and living suitable for a caretaker on the ground level at the back.
Casa Redondo is perfect for investors as these Villas have great annual return as they rent between $5,500.00 US to $12,000.00 US per week. With scenic views, ocean front settings and in a serene side of Ambergris Caye Casa Redondo is the Piece of Paradise for those looking for a relaxing holiday in a luxury suite.
Other features
Closet space in each room
Storage room
Laundry Room
Battery Room
Solar Panels
Storage house
Electric Generator Room
Water tank
Gas Tank Area
Caernarfon Theatre and Arts Centre by Richard Murphy Architects. Visit www.richardmurphyarchitects.com
Sansaburu Kindergarten and Parking Design by Vaumm Architecture Office. Visit www.vaumm.com
Photography © by Aitor Ortiz. Visit www.aitor-ortiz.com
CUBAN ARCHITECTURE & DESIGN
It’s well known that traveling to Havana is like traveling back in time: the weathered buildings, the old classic cars and the rich history standing out as top lures on your visit to Cuba. It’s less known however, that at the beginning of the 20th century, the Cuban capital was spectacularly rich – not unlike Newport’s Gilded Age – in which Havana underwent an extraordinary boom period, architecturally enriching with international influences such as art nouveau, art deco and eclectic design.
To this day, Havana is one of the most architecturally diverse cities in the world, and safe to say, a city photographer’s paradise. Its buildings clearly mirror its social and political history ever since the Spanish colonial times, up to the more modern present day.
Colonial & baroque period:
Ever since the arrival of Christopher Columbus in 1492, Havana became a key transshipment point between the Old World and the New World, with resources being brought from the colonialists into and through the city. As a result, Havana was the most heavily fortified city in the Americas. Most examples of early architecture can be seen in military fortifications such as La Fortaleza de San Carlos de la Cabana (1558-1577), located at the entrance of Habana Bay, which now acts as symbol of the wealth at that time.
The biggest impact the different cultures had upon the Cuban capital can be seen in Havana's colonial architecture, with a strong Moorish and Spanish influence, including Italian, Greek and Roman styles. The Convento de Santa Clara is a good example of early Spanish influenced architecture, while the Cathedral dominating the Plaza de la Catedral (1749) is most representative of Cuban Baroque.
Neo-classical period
The beginning of the 19th century and the now implanted Spanish influence, brought upon the unequalled recurrent arcades, with many interior patios similar to the designs in Seville, Cadiz and Granada. Neo-classicism soon took over and influenced buildings all over the city. The Aldama Palace (1844) is considered the most important neoclassical residential property in Cuba, one that exemplifies the look of this period: columns facing spacious courtyards and French inspired lavish interiors. The peak of Neoclassicism came with the construction of the Vedado district (1859), a neighborhood rich with notable buildings.
Art Nouveau, Art Deco & Eclectic influences
During the first decades of the 20th century, Havana expanded more rapidly than at any other time throughout its history. Havana became – along with Buenos Aires – the finest city in Latin America. This prompted Havana’s architecture to be infused with the art nouveau, art deco and eclectic styles from abroad. Not only that, but the 1902 Real Estate Record and Guide imposed strict levels of regulation: balconies, ornaments and even colors required approval, while the architect had to present an elevation drawing of the entire block, to make sure the house was aesthetically agreeable within the neighborhood.
Wealthy districts quickly came to existence, such as Miramar, set out on the American street grid pattern and home to diplomats and foreigners. Prado Boulevard became a Fifth Avenue of sorts, while the section around Obispo and O’Reilly Streets was home to so much banking construction that it was nicknamed “little Wall Street.”
The 1912 Spanish Railway Terminal, with its twin towers, terra-cotta medallions and broad waiting room, as well as the Capitolio, an exact replica to half its size of the Capitol building in Washington DC, are a good example of the eclectic style.
The Lopez Serrano Building (1932) by Ricardo Mira is Cuba’s first tall building, inspired by the Rockefeller Centre in New York, while The Edificio Bacardi (1930) is one of Havana's most outstanding buildings and the best example of Art Deco.
So take the leap and step back in time, for just 90 miles off the coast of the United States, there’s a fascinating aesthetic journey waiting. Whether it’s discovering Old Havana – a UNESCO World Heritage Site - or the eclectic styles of the more present days, Havana’s architectural diversity won’t disappoint!
Source: Monica Suma. You can follow her on Twitter at @MonicaSuma.
This studio aimed to develop and further a students' understanding of architecture by studying the intersection of at, design and materials science. Three primary exercises helped develop student’s techniques of drawing, making and organizing structures. This course was specifically created to play off students' non-architectural education by introducing a domain of investigation whereby students learned to design through the lens of cross-disciplinary experimentation.
Throughout the semester students investigated generative art, design and materials science through the lens of “pattern formation” and attempted to extract principles, learned techniques and developed strategies for design. By studying the formation of materials students explored both the fundamental science as well as new advances in research to understand the building blocks of matter, organizational patterns, processes of material creation and micro-to-macro material behavior. To draw comparison, students also researched both contemporary and historic works of generative art and design to understand the rules, logic and components of the work and how high-level patterns emerge from local interaction. These seemingly opposite fields converged and become precedents for three exercises: 1. Generative drawings, 2. New material formations and 3. Living objects / growing structures.
Learn more at arts.mit.edu
Photo by Sharon Lacey
Cuff me and haul me in. Forget about reading me my rights!
(Hollenbeck Community Police Station in Boyle Heights. Captured on my latest romp on the Gold Line Metro Rail into East Los Angeles).
"May there not arise, perhaps in another generation, architects who — appreciating the influence unconsciously received — will learn consciously to direct it?" Hugh Ferriss, The Metropolis of Tomorrow (1928)
For more, please see: rosswolfe.wordpress.com/2013/08/24/yesterdays-tomorrow-is...
From the stunning contemporary Mexican architecture – designed by the award-winning firm of Elías & Elías – to the elegant décor and beautifully-landscaped grounds, Grand Velas is the jewel of the Mexican Riviera. Sit back, relax, and experience the essence of all-inclusive luxury at Puerto Vallarta’s most elite resort.
Desde la impresionante arquitectura mexicana contemporánea - diseñado por la galardonada empresa de Elías y Elías - hasta la decoración elegante y un precioso y ajardinado, Grand Velas es la joya de la Riviera Mexicana. Siéntese, relájese y disfrute de la esencia de todo incluido de lujo en el centro turístico de elite de Puerto Vallarta.
Website: vallarta.grandvelas.com/
Blog: www.vallartatravelblog.com/
Facebook: www.facebook.com/grandvelasresort
Instagram: instagram.com/VelasResorts
Twitter: twitter.com/vallartagv
Google+: plus.google.com/106300596050631578509/
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