"After Blobitecture" (Digital Creativity in Architecture)
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The architectural complex known as the Popular Square in the center of Niterói, concentrates three buildings designed by Oscar Niemeyer. They are home to the Oscar Niemeyer Foundation, the Roberto Silveira Memorial and the Popular Theater of Niterói.
O conjunto arquitetônico na Praça Popular de Niterói no Centro da cidade, onde se concentra três edificações do arquiteto Oscar Niemeyer, composto pela Fundação Oscar Niemeyer, Memorial Roberto Silveira e Teatro Popular de Niterói.
Das Thyssenkrupp-Hauptquartier, offiziell auch als „thyssenkrupp Quartier“ bezeichnet, ist die Konzernzentrale der Thyssenkrupp AG im Westviertel der Stadt Essen. Das Quartier ist Kern des städtebaulichen Projektes Krupp-Gürtel und steht genau auf dem Grund, auf dem Krupp mit der Gussstahlfabrik in Essen seine Wurzeln hat. Der neue Bürocampus ist ein Ensemble aus verschiedenen Einzelgebäuden, die auf einem „grünen Teppich“ mit Bäumen, verbindenden Wegen und kleinen Plätzen angeordnet sind. Dem Konzern als Auftraggeber war es dabei besonders wichtig, dass sich die Neubauten flexibel an Veränderungsprozesse innerhalb des Unternehmens anpassen lassen. Die Kosten für den ersten Bauabschnitt des Hauptquartiers werden auf über 300 Millionen Euro beziffert.
Das Gebäude Q1 als Hauptgebäude des neuen Campus ist als markanter Hochpunkt auf der zentralen Wasserachse platziert, die dem Gelände seine Struktur verleiht. Neben diesem und weiteren Bürogebäuden gehören eine öffentliche Kita, das Veranstaltungsgebäude Q2, ein Parkhaus und eine Tiefgarage zum Quartier. Der städtebauliche und architektonische Entwurf des Campus steht für Offenheit, Begegnung und Kommunikation – innerhalb des Quartiers und nach außen in die angrenzenden Stadtteile.
The Thyssenkrupp headquarters, also officially known as the “thyssenkrupp Quartier”, is the corporate headquarters of Thyssenkrupp AG in the western quarter of the city of Essen. The quarter is the core of the urban development project Krupp-Gürtel and stands exactly on the ground on which Krupp with the cast steel factory in Essen has its roots. The new office campus is an ensemble of various individual buildings arranged on a “green carpet” with trees, connecting paths and small squares. As the client, it was particularly important to the group that the new buildings could be flexibly adapted to change processes within the company. The costs for the first construction phase of the headquarters are estimated at over 300 million euros.
Building Q1 as the main building of the new campus is placed as a prominent high point on the central water axis, which gives the site its structure. In addition to this and other office buildings, a public day-care center, the Q2 event building, a multi-storey car park and an underground car park are part of the quarter. The urban and architectural design of the campus stands for openness, encounters and communication - within the quarter and to the outside in the neighboring districts.
Afternoon, sunny blue sky....very beautiful
Architectural design use a lot of curves, reducing cold and hard architectural lines horizontal and vertical, so that the building showing soft and easy to get close to people. This is designed and supervised by Pan Ji United Architects.
Thank you for your visit, happy weekend !
國立公共資訊圖書館 - 7
午後，晴朗的藍色天空........美極了
建築設計運用大量的曲線，減少了冰冷和堅硬的水平及垂直的建築線條，讓建築呈現柔軟使人容易親近。這是由潘冀聯合建築師事務所設計和監造。
謝謝你的訪問，假期愉快 !
The facade details of Bridgepoint Hospital in Toronto (2014) make for an interesting geometric pattern.Incorporating evidence-based, patient centered design principles, this award winning hospital was designed by architect teams: Stantec Architecture / KPMB Architects (Planning, Design and Compliance Architects) and HDR Architecture / Diamond Schmitt Architects (Design, Build, Finance and Maintain Architects)
Architecture Design
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is as necessary to great architecture as foliage is to the tree, blossoms to the plant or flesh to the body.
Frank Lloyd Wright
“Rupertswood” in Sunbury on the outskirts of Melbourne is one of Australia's most important mansions, both historically and architecturally. Built as a residence for Sir William John Clarke (1831 – 1897), the first Australian born Baronet, in 1874 – 1876 it became a power seat in the great English tradition. The property covered an area of 31,000 acres. Today the estate has been greatly reduced due to subdivision to a more modest 1,100 acres.
Designed by local architect George L. Browne, "Rupertswood" is a 50 room bluestone mansion built for Sir William John Clarke by contractors George Sumner & Co. Designed in the Victorian Italianate style, the two storey mansion is surmounted by a 100 foot tower with a Mansard roof and widow's walk. The foundation stone for “Rupertswood” was laid on 29 August 1874 with some 1000 people in attendance. The house was completed in 1876. The grand entrance is paved with Victorian tessellated tiles and the house is flanked by splendid wide and shady verandahs on three sides. The ballroom was added in late 1881 or 1882. Interior decorations were carried out by Schemmel and Shilton. There are six magnificent stained glass panels made by Urie and Fergeson in 1874-76, considered some of the finest examples in the world. The elaborate mansion with its large estate demonstrates the important status of Clarke whose prominence as a colonist was recognised in 1882 by his appointment as a baronet.
William Sangster designed the gardens at “Rupertswood” originally covering an area of 99 acres, and once boasted tennis courts, croquet lawns and an underground fernery. “Rupertswood” also had its own private railway station where hundreds of guests to grand balls would arrive from Spencer Street. Balls, hunt meets and weekend house parties were frequent. Anyone of note, in Victorian and Edwardian society, was entertained by Sir John and Lady Eliza Clarke. Many historical figures visited “Rupertswood” during its history, including the then Duke and Duchess of York, (later to become King George V and Queen Mary), Australian opera singer Dame Nellie Melba and several Governors of Victoria. The estate also had its own half battery of horse artillery when Sir William John Clarke formed a small permanent force in 1885.
“Rupertswood” holds a place in the great sporting rivalry between Australia and England, as it was on a field at “Rupertswood” that the “Ashes” were created. On Christmas Eve of 1882, after a congenial lunch, Sir William Clarke suggested a social game between the English Cricket team and a local side, made up largely of “Rupertswood” staff. By all accounts, it was an enjoyable game with no one really keeping score, however, it was generally agreed that the English won. Pat Lyons, a worker at “Rupertswood”, clearly remembered the afternoon many years later. It was his understanding that Lady Clarke, at dinner that evening, had presented Ivo Bligh with a pottery urn. It was purported to contain the ashes of a burnt bail. This was a light hearted gesture to commemorate England's win at “Rupertswood”.
By 1922, “Rupertswood” had passed from the Clarke family into the possession of Hugh Victor McKay (1865 – 1926), a self-made millionaire, industrialist and inventor of “Sunshine Harvester”. His dream of owning “Rupertswood” had been realised, if however, a little short lived. He died at “Rupertswood” only four years after acquiring it. A short time later one of Australia's greatest pastoralist, Queenslander William Naughton acquired the property. One year later he sold the mansion and 1,100 acres to the Roman Catholic Salesian Order. The mansion then became a school for under privileged boys.
Today “Rupertswood” is open to the public. The mansion has undergone extensive restoration, with the help of interior designer and Victorian architecture specialist Jacqui Robertson, reinstating elaborate Victorian colour and decorative schemes, and operating as a boutique hotel.