View allAll Photos Tagged Angular,
Sat out by these rocks next to Portencross pier with my friend Gavin and my dog Poppy taking star trail photos as we all slowly span through the Milky Way.
Thanks for the use of your flash Gav.
File name: 08_02_000456
Box label: Commercial buildings: A
Title: Angular view of architectural design - Shepley, Rutan, and Coolidge Ames store
Alternative title: Photos of Ames Building, #55-65 Bedford St.
Creator/Contributor: Boston Redevelopment Authority (photographer)
Date issued:
Date created: 1960 - 1969 (approximate)
Physical description: 1 photographic print : gelatin silver ; 9 1/2 x 6 1/2 in.
Genre: Gelatin silver prints
Subjects: Commercial facilities; Buildings; Architectural elements; Facades; Windows
Notes: Stamped on item verso: Boston Redevelopment Authority photograph
Provenance:
Statement of responsibility: Boston Redevelopment Authority
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
This image, unlike some of the images I took during this shoot, is not a direct copy of any artist’s work. It is more of a piece that was influences by artists: Man Ray’s nudes and how he often incorporated angular shapes with the limbs, Bill Brandt’s Shadow and Light and Edward Weston’s 1927 nudes.
I also wanted to play on the idea of masculinity and femininity. This nude has been objectified, it has no head or any particularly identifiable features. It is often women in art, I have found, that are objectified, but the hairiness of the body challenges this. It suggests masculinity, but with the increasing female body love and a rejection of wanting to shave religiously like society tells women they have to it could easily be female. (see www.baretobush.tumblr.com)
I asked the model to tense the bicep to represent strength, and if the viewer perceives this body to be female then the muscle signifies the growing strength of women; of feminist movements and of women striving to achieve equality, of becoming more independent of men and becoming their own person and not the property of another.
• Dimensiones: ancho de 70 a 90 cm - alto 195 cm.
• Mampara en vidrio templado de 8 mm (6 mm si es clarglass).
• Abatible para permitir mejor acceso a la ducha.
• Sujeta a la pared con bisagras y regulación de cierre.
• Perfiles de goma coextrusionada para darle mejor estanqueidad al conjunto.
• Elegante y funcional.
• Fácil limpieza y mantenimiento.
Or two generations
BLS ordered the RBDe565 (the right EMU) between 1982 and 1992. I think that you see that making an angular front was not an issue at all. It was most likely difficult enough to fit in all technical requirements with the limited space and weight.
The RABe535 (on the left) was delivered between 2008 and 2010. You see some really nice treatment by a design time for wonderfully round curves and some other design elements.