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For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point. “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store sings and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
Der Freitag der diesjährigen Hochschulwoche mit dem Generalthema „Angst“ wurde eingeleitet durch Gudrun Harrer (Wien) mit dem Thema „Der Nahe Osten im Umbruch“. Gefolgt wurde dieser Vortrag von den „Topographien des Schreckens - literaturgeschichtlichen Expeditionen in das weite Land der Angst“ durch Norbert Christian Wolf (Salzburg).
Der Studierenden-Workshop wurde gehalten von Carl Hegemann (Berlin) zum Thema „Leben als Krise und Experiment – Knut Hamsuns frühe Romane "Hunger" und "Mysterien" und ihre Bühnenadaption durch Frank Castorf“.
Bilder: Hans-Christian Gruber
DIE SCHWÄNE WAREN EHUTE FRÜH TOTAL VERSCHRECKT!
STADTT ZU SCHLAFEN WAREN SIE EINER ECKE ZUSAMMENGEDRÄNGT:
SIE HATTEN ANGST ZU MIR ZU KOMMEN
2 HABEN LAUTE ANGSTRUFE ABGEGEBEN:
es sind keine enten und gänse hier! sonst jeden morgen alle da
demonstration gegen vorratsspeicherung
berlin, 10.september 2011
www.spiegel.de/netzwelt/netzpolitik/0,1518,785450,00.html
demonstration against surveillance society