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Aliens / Album-Reihe
Norbert Hethke Verlag (Deutschland; 1992)
Copyright: Twentieth Century Fox Film Corporation
ex libris MTP
www.flickr.com/photos/mickythepixel/15024890089/in/photol...
Completed castings of the upper torso for the Alien Warrior - ALIEN 86 - 1:18 scale. Molds came out great for each piece, and the castings reflect that. No problems - which surprises me for all the complexity but enough venting in the right places makes for happy resin castings. The "pipes" are casts taken from my 79 Alien, attached temporarily using some wax clay. I will also be using the lower torso sculpt from the 79 beast for the warrior...no need for a do over in the sculpting department.
I see why toy companies like to reuse parts..saves money and time (as long as they are used properly). Want to begin working on the arms soon. Cast using Smooth On Smooth Cast 320. May begin using a different, stronger Smooth-on casting material soon. āŖ#āalienā¬ āŖ#āaliensā¬ āŖ#āxenomorphā¬ āŖ#ācastingā¬ āŖ#āresinā¬ āŖ#āsmoothonā¬ āŖ#āhiveā¬ āŖ#āactionfigureā¬
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 ā Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ā70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ā90s, with many new chapters forming in recent years. Riot Grrrlās influence on contemporary global culture is increasingly evident ā from the Russian collective Pussy Riotās protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance ā a reflection of the movementās artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Womenās Studies Professors Have Class Privilege / Iām With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Birthday card
Alien created by H R Giger in 1978
Ā© 20th Century Fox
(around) 11.4 x 6 Ā¾ inches (4.5 x 16 cm)
March 2o1o
j(ay)
this is of ALIENS!!! oooohhhh. brett's are the ones on the left and mine are on the right. clay aiken for more bacon
For the Alien mech challenge.
It uses shields on it's arms to protect it from ranged attacks and to crush it's opponents.
Claws on the top of the arms crash into the cockpit of the enemy mech once the clubs move back.
The landscapes don't get much more alien than in the Bisti Wilderness Area in northwestern New Mexico....
Some info for those who might want to visit: www.blm.gov/nm/st/en/prog/wilderness/bisti.html
Aliens, dancing at moondusk.
Free texture.
Please, credit and leave a sample (small size) of your work if you use this texture.
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Can you see them? The two legged dog facing the alien child. The adult hunter, ala The Predator, and the four legged, fish-lipped fuff monster!
The band, that is: Alien Surfer Babes
Check this photo out at TechRepublic
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ALIEN
Extraterrestrial life is defined as life which does not originate from Earth. It is the subject of astrobiology and its existence remains hypothetical, because there is no credible evidence of extraterrestrial life which has been generally accepted by the mainstream scientific community. Hypotheses regarding the origin(s) of extraterrestrial life, if it indeed exists, are as follows: one proposes that it may have emerged, independently, from different places in the universe. An alternative hypothesis is panspermia, which holds that life emerges from one location, then spreads between habitable planets. These two hypotheses are not mutually exclusive. The study and theorization of extraterrestrial life is known as astrobiology, exobiology or xenobiology. Speculated forms of extraterrestrial life range from life at the scale of bacteria to sapient or sentient beings.
Suggested locations which might have once developed, or presently continue to host life similar to our own, include the planets Venus and Mars, moons of Jupiter and Saturn (e.g. Europa,Enceladus and Titan) and Gliese 581 c and d, recently discovered to be near Earth-mass extrasolar planets apparently located in their star's habitable zone, and with the potential to have liquid water.
More on Wikipedia
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This was a part of my Souzou exibit@SaliMar.
āāā
Location:Doomed Ship
Model: Azaiya Aeon in her alien avatar
Photomanipulation: Me
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Dancing alien lights.
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Please, credit and leave a sample (small size) of your work if you use this texture.
Thank you.
And here are my little aliens for the BBC March swap... I've made a few extra! I still have to top stitch and add a little bling! LOL! The pattern is taken from a children's coloring page...
Sorry the picture is a little blurry!
I picked this dud up at the Circus. There were a ton of them running around at the Circus. You should have seen the family of five purple aliens that sat across from us. How can people not believe they are real. They are all OVER!!!
Looks like I have a crew forming!.....ALIEN 1:18 scale. Just a test shot of the crew sculpts in progress. Getting close but have a handful of sculpts to go before the manifest is complete and the Nostromo can sail! smile emoticon #alien #nostromo #the8thpassenger #sith_fire30
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream