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This is a variation of the alien grey extraterrestrial race now visiting Earth.

This is in fact the side of the 'Explore @Bristol' building, with the street lamps in front of it. From this abstract angle it looks like an alien landscape, with a continental twsit.

I am from Mars. My spaceship is broken. I'll be your guest on this planet.

 

Film (120).

Model: Aleksandra.

Fall 2013.

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OMG! He is so cute!~

A weird float in the Westhampton Beach St. Patrick's Day Parade.

Sono arrivati gli alieni!!!

 

Aliens are here!!!

 

(No Photoshop! Just levels and tones adjustments)

 

Alien planets; everything in this photo “from the fake planets to the real stars” was taken with my Sony a200 then all shots merged together.

A closeup of my little alien head refrigerator magnet (and its reflection).

I found this once...it's the mothership. Actually it is something else in Seattle, not sure what.

Alien Monks I built awhile ago...

They're almost done I'm thinking of making clothes for them, of course theyll have to be custom since the Monks are taller than the average fig.

The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.

 

Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders

and legs.

 

When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.

 

Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.

 

#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream

an alien creature lands on planet earth, attaches and molts. it is now living amongst us.

There seem to be little aliens in the center of these orchids my wife grows in our garden. Should I be worried? ;-)

30,7 megapixel, sweetfx, .xml-tweaks,

DET cheat table (freecam | timestop | dof)

Why hullo thar, alien scarf.

A ufo beams home an old car wreck in the night

Aliens invade Milton Keynes!

 

Collectormania 11

belive it or not there is an attractive young lady in the costume

Aliens in The Hague?

Old art from 1984 or 85 I think. Ink and gouache on crappy paper.

Alien Dancer at CeBit 2006

probably the last thing you see before you're abducted.

A wasp-like alien. It was supposed to be a quick build, but I was improving more and more like my previous supposed-to-be-quick-builds MOCs. So I think I really don't know how to make quick builds =P

Aliens / Album-Reihe

Norbert Hethke Verlag (Deutschland; 1992)

Copyright: Twentieth Century Fox Film Corporation

ex libris MTP

www.flickr.com/photos/mickythepixel/15024890089/in/photol...

Photographed on Day 2 of the World Bodypainting Festival 2022 in Klagenfurt, Austria.

 

This is one of the facepainting entrants, by Belen Medina Hernández of Mexico.

Dog Alien form Alien3

Background plate about to be filmed for drop ship re-entry sequence. Clouds made of Fibrefill.

Completed castings of the upper torso for the Alien Warrior - ALIEN 86 - 1:18 scale. Molds came out great for each piece, and the castings reflect that. No problems - which surprises me for all the complexity but enough venting in the right places makes for happy resin castings. The "pipes" are casts taken from my 79 Alien, attached temporarily using some wax clay. I will also be using the lower torso sculpt from the 79 beast for the warrior...no need for a do over in the sculpting department.

I see why toy companies like to reuse parts..saves money and time (as long as they are used properly). Want to begin working on the arms soon. Cast using Smooth On Smooth Cast 320. May begin using a different, stronger Smooth-on casting material soon. ‪#‎alien‬ ‪#‎aliens‬ ‪#‎xenomorph‬ ‪#‎casting‬ ‪#‎resin‬ ‪#‎smoothon‬ ‪#‎hive‬ ‪#‎actionfigure‬

Intruder Alert? Right.

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 – Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.

 

Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.

 

Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.

 

Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.

 

Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

 

Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh

  

Alien She is presented in two parts:

 

Museum of Contemporary Craft

724 NW Davis

Portland, OR 97209

 

511 Gallery @ PNCA

511 NW Broadway

Portland, OR 97209

 

Both venues are open Tuesday through Saturday from 11am to 6pm.

Birthday card

 

Alien created by H R Giger in 1978

© 20th Century Fox

 

(around) 11.4 x 6 ¾ inches (4.5 x 16 cm)

March 2o1o

j(ay)

  

this is of ALIENS!!! oooohhhh. brett's are the ones on the left and mine are on the right. clay aiken for more bacon

For the Alien mech challenge.

It uses shields on it's arms to protect it from ranged attacks and to crush it's opponents.

Claws on the top of the arms crash into the cockpit of the enemy mech once the clubs move back.

    

Corvette class alien ship packing a huge main gun.

Nikon D610 - Sigma 24-70 F2.8

One SB600 into softbox camera right 1/64th power.

One SB600 into softbox camera left 1/32nd power.

Triggered by YN603.

Crazy green disco lazer jumping all over the place, haze smoke machine.

Alien fancy dress outfit created and worn by a lovely little blonde lady, second image shows wider angle. 40th Birthday party sci fi fancy dress theme.

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