Umesh Subramanian

Chief Technology Officer, Citadel

Katrina Paglia

Chief Legal Counsel, Pantera Capital

Experiments with repulsive and attractive entities

Homage to the Square, 4106.25Hz

Cosine of the complex plane and its transpose

Iris

Proceso de masillado, antes de la pintura

Photo credits: Kristina Wicksell Bukhari

VHS + audio magnetic tape on aluminium (detail)

H 50cm. W 80cm.

Google Panda

Photo credits: Kristina Wicksell Bukhari

Algorithmic composition. A zoomable image can be found here, and here is a blog post related to this work.

Algorithmic worlds

Blog

Homage to the Square 4211.5Hz

Photo credits: Kristina Wicksell Bukhari

Symmetric folding of repeated application of complex polynomial

The same source as the previous image, fully sorted.

Gregory Zuckerman

Special Writer, The Wall Street Journal

Michael Zeltkevic

Managing Partner, Global Head of Capabilities, Oliver Wyman

file: test343_0c_comp

Cascade of mirrors, 1979, ink on paper.

Charla sobre la bitácora de trabajo.

Ph. Delia

CAMP TV reads the YouTube algorithm report so you don't have to. Watch this 90-second video on the CAMP TV YouTube Channel. CAMP TV, the summer camp video experts. Found online at www.camptv.net

Algorithmically-generated: some variant of "plus dot times".

Lovebytes 2008. Sylvester Space, Sheffield. 10 May

Broken plastic forks, CD-ROMs, and a nuked and cleaned CD-ROM placed on the flatbed scanner. The resulting image has had the contrast adaptively increased.

annealing a set of 250 points

The Algorithm in the Room

MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger

The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.

The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).

Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)

Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project is realized in an installation that mimics a tech store, turning a critical lens on the commercialization of bio-data. Using the duo's open-source DIY smartwatches and interactive data interface, they explore the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.

Photo: martin doersch

VHS + audio magnetic tape on aluminium H 60cm. W 54cm.

Created with Ultra Fractal.

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

This picture have been generated by Julien Bayle's Electronic Cities art installation at the Gallery Karima Celestin during the UT0PIA exhibition in 2015