View allAll Photos Tagged Algorithms
Date: January 2019
Medium: Digital Photographs
Location: Santa Cruz, CA.
Dimensions: 20" x 26.75"
© 2019 Tony DeVarco
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
•Sometimes it is important to fine tune the algorithm parameters for your vehicle routing problems
•The constraints of algorithm parameters are also taken into account
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO rotary encoder (with click): choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Green LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Google is constantly tweaking and improving upon the original PageRank system of ranking web pages. With over a hundred variables, can anyone really reverse engineer their algorithm?
Well, the Rubik's cube supposedly has millions of possible permutated combinations, but putting everything back into place is a relatively easy task...
Visit us at Argent Media for assistance with your Google ranking puzzles!
Algebra comes from Al-jebr, Arabic for restoration. The first book to use this word was written by Al-Khwarizmi, which brings us to the origin of the word algorithm. The absurd pissing contest about "who invented algebra" involves Greeks, Romans, Indians and Chinese, besides Arabs. That aside, this 14th century Madrasa Bou Inania made a ton of progress in furthering this science. The carvings on the wall did not look too different from algebraic expressions on the blackboard of my high school.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Lines traced by lots of boids, derived from Craig Reynolds steering behaviors as adapted by Daniel Shiffman, using my IgnoCodeLib now with special ingredient TurtleGraphics.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Algorithmically generated image created entirely from random numbers run through mathematical equations.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
olorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- 2-axis analog joystick with switch: X-axis and Y-axis for the variables of the algorithms and switch for cycling algorithms.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.