View allAll Photos Tagged Algorithms
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Algorithmically generated image created entirely from random numbers run through mathematical equations.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- 2-axis analog joystick with switch: X-axis and Y-axis for the variables of the algorithms and switch for cycling algorithms.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
One image from the Parallel Reconstruction series, all of which are generated by the same program. This uses a grid system to attach the ends of series of parallel bezier curves.
Prints of selected works are available at www.tylerlhobbs.com.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.
Colorized by Artificial Intelligence Algorithm Tool.
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Algorithmic art created with Processing using blue noise dot patterns, wave functions, and various other computational techniques. Three different "centers": two of concentric rings, one of spatial orientation.
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Histoire d’algorithmes : du caillou à la puce
Jean-Luc Chabert, Belin, 1994
Avec Évelyne Barbin, Michel Guillemot, Anne Michel-Pajus, Jacques Borowczyk, Ahmed Djebbar et Jean-Claude Martzloff.
Disponible ici [PDF 87,3 Mo] : www.multimedialab.be/doc/books/Jean-Luc_Chabert_Histoire_...
Bien avant l'apparition d'un terme particulier servant à les désigner, les algorithmes existaient déjà , profondément enracinés dans le désir de transmettre des moyens efficaces pour obtenir certains résultats en partant de certains ingrédients et en les transformant selon des directives simples, appliquées systématiquement étape par étape. Il pouvait s'agir de procédures juridiques ou mathématiques, comme chez les Babyloniens, de procédés mnémotechniques comme chez les Grecs, de règles linguistiques comme chez les grammairiens romains et, dans toutes les civilisations, de recettes divinatoires, médicales, culinaires... De nos jours encore, tout le monde utilise des algorithmes sans le savoir, les adeptes du tricot, les praticiens du verlan, ou plus simplement les utilisateurs d'appareils électroménagers.
L'objectif de cet ouvrage est d'offrir un support historique et une épaisseur culturelle aux pratiques algorithmiques contemporaines. Chaque chapitre s'organise autour de textes originaux qui sont restitués dans leur contexte et accompagnés d'explications mathématiques. Les premiers chapitres traitent de questions et de techniques algorithmiques aux origines relativement anciennes, et portent pour l'essentiel sur des calculs de nombres: opérations arithmétiques, carrés magiques, algorithme d'Euclide, calcul de pi, problèmes arithmétiques, etc. Les autres chapitres sont consacrés aux algorithmes de calcul d'objets plus complexes que des nombres, à savoir des suites de nombres et des fonctions: résolution de systèmes linéaires, résolutions d'équations différentielles, etc.
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Une nouvelle édition de cet ouvrage est parue en 2010 : www.belin-education.com/histoire-dalgorithmes
L'usage des ordinateurs a ranimé l'intérêt pour des techniques algorithmiques nées en d'autres lieux et d'autres temps. Souvent délaissées par les historiens et les scientifiques modernes, plus attachés à la constitution des concepts, ces procédures s'avèrent pourtant déterminantes dans les élaborations théoriques. Sans prétendre à l'exhaustivité, l'objectif de cet ouvrage est d'offrir un support historique et une épaisseur culturelle aux pratiques algorithmiques contemporaines. Chaque chapitre s'organise autour de textes originaux sélectionnés de manière à refléter différentes facettes d'un thème. Ces écrits sont restitués dans leur contexte et accompagnés d'explications mathématiques. Les premiers chapitres traitent de questions et de techniques algorithmiques aux origines relativement anciennes, et portent pour l'essentiel sur des calculs de nombres : opérations arithmétiques, carrés magiques, méthode de fausse position, algorithme d'Euclide, calcul de pi, méthode de Newton, approximations successives, problèmes arithmétiques. Les autres chapitres sont consacrés aux algorithmes de calcul d'objets plus complexes que des nombres, à savoir des suites de nombres et des fonctions : résolution de systèmes linéaires, interpolation, intégrations approchées, résolutions d'équations différentielles, approximation de fonctions. Une réflexion sur les algorithmes conclut l'ouvrage : formalisation du concept, questions d'écriture, notions de complexité, rapports au hasard.
This project is part of the CyberArts 2020 exhibition at the OK.
This multisensory project calls into question the concept of mass production by envisioning a potential future personalized perfumery. The Algorithmic Perfumery evaluates completed customer questionnaires and uses the data to generate a unique scent. The respondents’ feedback on this personal perfume is then in turn fed back into the program to refine the compositions developed by the algorithm. By interacting with the machine, users are given the power to play an active role in the creative process: the machine learns from their personal physical experiences and subjective (olfactory) sensations.
For more information please visit:
ars.electronica.art/keplersgardens/en/prix-interactive-art/
Credit: vog.photo
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Participants during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden