View allAll Photos Tagged Algorithms
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
In Bart.
+ Earrings from East in London
+ Necklace from Target
+ Octopus pin from Necromance
+ Shrug from Anthropologie
+ Polka dot dress from Dress Barn
+ Sandals from Zappos
+ Bag from an estate sale
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment.
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vintage, retro, old, photograph, century, botany, graphics, antique, classic, history, historic, historical, archival, archive, lifestyles, nostalgia, nostalgic, old-fashioned, old-fashion, popular, bw, black and white, past, past times, past time, sepia, floral, 19th, historic photographs, art, image, colorful, art, painting, fineart, drawing, asar studios, portrait, landscape, people, nature, joy, happiness, figure, studio, botanical, flower, hand colored, print, ancestral, colorize, colorized, celestial images, motionage media, ahmet asar, asarstudios, colourise, colourised, vintage, colorized history, history in color, analog images, found photos, archive, poster, wwi, wwii, painting, nature, art, public domain
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Elisa Giardina Papa
The Cleaning of Emotional Data
Aksioma Project Space
Komenskega 18, Ljubljana
15 January – 7 February, 2020
Production: Aksioma - Institute for Contemporary Art, Ljubljana, and La Kunsthalle, Mulhouse, 2020
Photo: Janez Janša / Aksioma
MORE:
aksioma.org/cleaning.emotional.data
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
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visone.info/_detail/images/gcn-1996-status-part.png?id=index
Notes
in a long-term research project, the visone project team is developing models and algorithms to integrate and advance the analysis and visualization of social networks. example of a radial visualization part of visone is the design and implementation of a software tool intended for research and teaching in social network analysis. it is specifically designed to allow experts and novices alike to apply innovative and advanced visual methods with ease and accuracy
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Trying to recreate something from my sketchbook: www.flickr.com/photos/vormplus/4218100651/in/set-72157622...
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
A series of posters for the next Processing workshop to take place at La Fabrique Pola, in Bordeaux, France this summer. Each visual has been made using a generative palette of colours and are unique. We wanted to create a very simple system of communication that evoked the idea of patterns and tissue. The design is relatively straight forward but gives different optical effects depending on how you view certain areas of the page.
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Algorithmes Sérigraphiques
A week long creative workshop using Processing and silk screen printing.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : freeartbureau.org/blog/2011/06/14/algorithmes-serigraphiq...
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO pot: choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Claudio Agosti
A giugno 2016, mentre Trump si dedicava a rendere la filter bubble un problema mainstream, se già non lo era dopo il Brexit, noi stavamo sviluppando facebook.tracking.exposed, che serve ad analizzare e capire concretamente come funzionano gli algoritmi. Osando un po' di più, serve a rendere visibile cosa sia la filter bubble a non addetti ai lavori. Rendere visibile non significa risolverlo, si tratta di un problema complesso, sia tecnologico che politico. Il nostro scopo è almeno fornire dati oggettivi che possano descrivere il fenomeno a giornaliste e ricercatori che vogliono investigare sugli effetti di una dieta informativa guidata da algoritmi. Il progetto, nella sua fase beta, funziona collezionando quello che appare sulla tua timeline. spesso viene chiesto come sia differente da dataselfie.it: dataselfie ti mostra quello che tu dai a Facebook, noi l'opposto, quello che Facebook da a te. Una volta aggregati questi dati possono essere studiati, così da capire il fenomeno dalla filter bubble, o da comparare, ad esempio, da un gruppo di utenti omogeneo come Facebook mostri realtà differenti per ognuno. Questi sono effetti dei algoritmi di personalizzazione, la filter bubble, o altri effetti di censura implicita dei contenuti, sono degli effetti derivati. Tutto quello che facciamo è open source, puoi vedere come funziona, contribuire alla tecnologia ed alle analisi. Considerando l'impatto politico della diffusione di fake news e della filter bubble, noi consideriamo gli algoritmi di personalizzazione alla stregua di politiche sociali. Dovrebbero essere discusse, conosciute e scelte pubblicamene e dove possibile, indipendentemente. invece di assecondare le logiche di business. Questo è il motivo per cui non stiamo sviluppando, per ora, servizi, ma piuttosto un'infrastruttura di archivio che abiliti personale esperto a fare analisi di critica. Dagli anni passati, si sente sempre spesso di come Facebook e Google dovrebbero essere regolati, ma la società civile manca di strumenti adeguati per giudicare cosa effettivamente questi algoritmi fanno. Noi vogliamo dare questo strumento.
While Trump was busy making the filter bubble a mainstream problem, we were developing facebook.tracking.exposed . We can’t solve a political problem with technology but we might at least provide reliable data to help address the phenomenon objectively. The goal of the project is to collect the stories that make your Facebook Newsfeed, and to aggregate and analyse the data collected in order to study the relation between the filter bubble effects and how the personalization algorithm (PA) operates. Everything we do is open source so you can see how it works and help make it better. Filter bubble and fake news proliferation are a side-effect of PA. As 2016 shows us, PA can have a certain impact in our society. We treat algorithms as nothing less than social policies. But social policies have to be debated openly and not in a technical meeting intended to optimize revenues. That’s why we promote a collaborative study of PA.
video: media.journalismfestival.com/programme/2017/exposing-what...
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Algorithmic composition. A zoomable version can be found here.
This fractal has an interesting property: any of the squares is homothetic to the whole image.
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A zoomable version can be found here.
This is a picture of a "dense" Julia set. More information can be found here.
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO rotary encoder (with click): choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Green LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.