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clarinettes, guitare et cornemuse et atelier peinture pour les 8-11ans mediathequequimperle.blogspot.fr/2016/03/ponctuation-musi...
clarinettes, guitare et cornemuse et atelier peinture pour les 8-11ans mediathequequimperle.blogspot.fr/2016/03/ponctuation-musi...
As a tribute to one of Belgium's greatest living artists, an exhibition featuring a selection of Alechinsky's works on paper was mounted in 2022, featuring some 270 works donated to the Royal Museums in the past, as well as a number of works from more recent exceptional donations.
The exhibition reveals how Alechinsky, with a keen sense of technical experimentation, explores his own imagination. In this way, he elevates the act of drawing - and thus the drawing itself - to the core of his rich and multifaceted oeuvre.
This card with a drawing of Belgian artist Pierre Alechinsky I received from my friend Māris. The drawing is made on an very interesting sheet - check for rose growing.
As a tribute to one of Belgium's greatest living artists, an exhibition featuring a selection of Alechinsky's works on paper was mounted in 2022, featuring some 270 works donated to the Royal Museums in the past, as well as a number of works from more recent exceptional donations.
The exhibition reveals how Alechinsky, with a keen sense of technical experimentation, explores his own imagination. In this way, he elevates the act of drawing - and thus the drawing itself - to the core of his rich and multifaceted oeuvre.
clarinettes, guitare et cornemuse et atelier peinture pour les 8-11ans mediathequequimperle.blogspot.fr/2016/03/ponctuation-musi...
As a tribute to one of Belgium's greatest living artists, an exhibition featuring a selection of Alechinsky's works on paper was mounted in 2022, featuring some 270 works donated to the Royal Museums in the past, as well as a number of works from more recent exceptional donations.
The exhibition reveals how Alechinsky, with a keen sense of technical experimentation, explores his own imagination. In this way, he elevates the act of drawing - and thus the drawing itself - to the core of his rich and multifaceted oeuvre.
Centre (smoking a pipe) Noël Arnaud, to his right is the artist Pierre Alechinsky, Jorn, and editor Ezio Gribaudo to the far right. Unidentified figures are presumably staff at the printing office. Finished sheets can be seen on the desk
Photographer: Francesco Aschieri
Courtesy of Museum Jorn
Exhibition: Opslag Nedslag – Danish Artists’ Books
Det Kongelige Bibliotek, Den Sorte Diamant, Kbh
clarinettes, guitare et cornemuse et atelier peinture pour les 8-11ans mediathequequimperle.blogspot.fr/2016/03/ponctuation-musi...
Pierre Alechinsky est né le 19 octobre 1927 à Bruxelles( Belgique). Peintre et un graveur expressionnisme et surréalisme.
Reinhoud d'Haese ( Geeraardsbergen 1928 - Paris 2007 ) was a Flemish sculptor, draughtsman and graphic artist. For a while he was a member of the Cobra-group. It was only in 1958, when he was working with Alechinsky, that he found his own artistic direction. Originally, he started out by copper welding insects enlarged into monsters. From 1960 onwards, his creations took on vegetable and human appearances. Later, he often created grotesque hybrid creatures, immersing himself in the originality of fantastic realism. He mainly used yellow and red copper, lead and tin, because with these materials he could more easily give form to his imaginative creations.
Title of the work: Only in memory does reality take shape
This work can be admired at the Middelheim campus of the University of Antwerp.
Reinhoud d’Haese ( Geeraardsbergen 1928 – Parijs 2007 ) was een Vlaams beeldhouwer, tekenaar en graficus. Hij was een tijd land lid van de Cobra-groep. Pas in 1958, op het moment dat hij veel samenwerkte met Alechinsky, vond hij zijn eigen artistieke richting. Oorspronkelijk begon hij met het koperlassen van tot monsters vergrote insecten. Vanaf 1960 kregen zijn creaties plantaardige en menselijke allures. Later creëerde hij vaak groteske hybridische wezens, waarbij hij zich onderdompelt in de originaliteit van het fantastische realisme. Hierbij gebruikte hij in hoofdzaak geel en rood koper, lood en tin, omdat hij met deze materialen gemakkelijker kon vorm geven aan zijn fantasierijke creaties.
Dit werk kan bewonderd worden op de campus Middelheim van de Universeit van Antwerpen
Reinhoud d'Haese (Geeraardsbergen 1928 - Paris 2007) était un sculpteur, dessinateur et graphiste flamand. Pendant un moment, il a été membre du groupe Cobra. Ce n'est qu'en 1958, lorsqu'il a beaucoup travaillé avec Alechinsky, qu'il a trouvé sa propre direction artistique. À l'origine, il a commencé par souder des insectes en cuivre qui se sont transformés en monstres. A partir de 1960, ses créations prennent des apparences végétales et humaines. Plus tard, il a souvent créé des créatures hybrides grotesques, se plongeant dans l'originalité du réalisme fantastique. Il utilisait principalement du cuivre jaune et rouge, du plomb et de l'étain, car avec ces matériaux, il pouvait plus facilement donner forme à ses créations imaginatives.
Titre de l’oeuvre: Ce n'est que dans la mémoire que la réalité prend forme.
Cette œuvre peut être admirée au Campus Middelheim de l'Université d'Anvers.