View allAll Photos Tagged Aftermath
A cold dull walk at Toms Hill.
First time I’ve been up here since the recent heavy storms, and there’s quite a bit of damage.
Didn't look like much would happen as I sat out the rain hoping for some light on the back of the storm, and then this
Of all the crack troops at the disposal of the South American Federation, none were ever as feared as those of the Special Operations Shock Troops (SOST).
During the Terrastralian-Federation War, few who crossed paths with these vicious fighters lived to tell the tale. Junior Sergeant Pyotr Kunetsov of the 1st Guards Mechanised Rifles Brigade, East Terrastralian Army, was the sole survivor of his patrol, being taken prisoner when his magazine ran empty and he was tackled by a Shock Trooper.
The rains from Saturday night flooded most of downtown. The Amtrak parking lot is usually empty of silt and rocks. Water must have been at least six inches deep in the foreground and the tracks - both UP and BNSF - were probably under a foot of water.
Aftermath of a train safety demonstration to the kids.
I cannot show images of kids for privacy reasons.
Rail Safety Week, Central Station, Sydney, Australia (Monday 15 August 2016)
SOLD • January 2019, watercolor on 140lb cold-pressed 100% cotton paper, commissioned by Paul Jones based on original photograph (www.flickr.com/photos/paulbjones/13251286523/in/album-721...)
Project C.A.R.S. release build, PC
4k (downsampling), resized to 1440p
-No Photoshop
-ReShade v0.18
-MasterEffect Reborn 1.1.190
Camera edit (Ctrl+K) mode,
keybinds (neogaf post)
Another view of the loaded autoracks. This shot shows the then current evolution in autorack end doors. The cars on the left and right have Thrall Radial End doors, which at the time were being retrofitted on many many autoracks as specifications became more standardized on how to enclose them. The Thrall Radial door became the standard for nearly two decades. The car in the center features early "RAVE" (Rack Anti Vandalism Enclosure) doors engineered by Portec and first appearing on cars in the early 1980s. No photographer listed, JL Sessa collection.
Still one of my favourite top down abstract aerial shots of my series called aftermath.
Be sure to check out the whole series: www.philipgunkel.de/home/aerial/aftermath-ii/
This short series illustrates the aftermaths of the brown coal exploitation from 1980-2015 in an industrialised area in Brandenburg, Germany.
To mine 220 million tons of brown coal, one of the most harmful ways to produce energy with a huge climate damaging impact and comparable the highest carbon dioxide emissions, several villages had to be resettled during this time period and a huge region now fights with the aftermaths of these immense industrial pollutions.
From ground level, some parts of the landscape look rather normal and the far reaching consequences only become distinct from an aerial perspective. The minig operator Vattenfall (since 2000) is now in the duty of the renaturation and reclamation process of these wrecked landscapes, it will take decades of years though for the nature to recover from these human interventions.
In meiner freien Serie "aftermath", die ich dieses Jahr fortgeführt habe, dokumentiere ich die dramatischen landschaftlichen Folgeschäden des Braunkohleabbaus in Deutschland aus der Luft.
Der regionale Braunkohleabbau, der ohnehin als die Art der Energiegewinnung mit der schlechtesten Ökobilanz gilt und darum in Zeiten des Klimawandels aktuell mehr denn je umstritten ist, hat zu massiven Schäden an großen Arealen unserer heimischen Natur geführt. Die Renaturierungsprojekte, zu denen die großen Energiekonzerne verpflichtet sind, nachdem die Böden erschöpft sind, tragen, wenn überhaupt, nur sehr langsam Früchte. Ganze Landstriche wirken wie ausgestorben, die Böden sind teilweise verseucht, die Bewohner wurden "umgesiedelt".
Dennoch wirken diese Gebiete vom Boden aus relativ intakt und unscheinbar und erst aus der Vogelperspektive zeigt sich das wahre Ausmaß der Zerstörung, welches die Landschaften nun in all seinen, teils abstrakt wirkenden Farbspielen und grafischen Formen prägt.
The Jedi tended to wounded clone. The other one made a fire out of those firefek'ing droids.
" How's he doing." The red one said
"Not that good but I am trying my best to keep him alive."
A few minutes later two 212th troopers rode up on a speeder with a stretcher.
"Finally." The red one said
The Jedi lifted the clone up and put him on the stretcher.