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Gilbert Stuart - American, 1755 - 1828
Henrietta Marchant Liston (Mrs. Robert Liston), 1800
West Building, Main Floor — Gallery 60-A
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 224-227, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Gilbert Stuart was the preeminent portraitist in Federal America. He combined a talent for recording likeness with an ability to interpret a sitter's personality or character in the choice of pose, color and style of clothing, and setting. He introduced to America the loose, brushy style used by many of the leading artists of late eighteenth century London. He recorded likenesses of lawyers, politicians, diplomats, native Americans, their wives and children. His sitters included many prominent Americans, among them the first five presidents, their advisors, families, and admirers. He is known especially for his numerous portraits of George Washington.
Born in 1755 in North Kingston, Rhode Island, Stuart was baptized with his name spelled "Stewart". His father, an immigrant Scot, built and operated a snuff mill that may have led to the artist's addiction to snuff. He grew up in the trading city of Newport, where itinerant Scottish portraitist Cosmo Alexander (1724-1772) gave him his earliest training in painting. He accompanied Alexander to Scotland in 1771, returning home at the older artist's death. Three years later in 1775, on the eve of the American Revolution, he went to London, where he worked for five years (1777-1782) as assistant to the Anglo-American painter Benjamin West. He exhibited at the Royal Academy from 1777 to 1785, using the name Gilbert Charles Stuart the first year. The success of The Skater (NGA 1950.18.1), painted in 1782, enabled him to establish his own business as a portrait painter. In 1786 Stuart married Charlotte Coates, and the following year they went to Dublin, where Stuart painted portraits of the Protestant ruling minority for over five years.
Stuart returned to the United States in 1793, planning to paint a portrait of George Washington that would establish his reputation in America. After about a year in New York City, he went to Philadelphia, the capital of the United States, with a letter of introduction to Washington from John Jay. He painted the president in the winter or early spring of 1795. He was not satisfied with his first life portrait of Washington, but others were. Martha Washington commissioned a second and Mrs. William Bingham commissioned two full-lengths. His success led immediately to many other commissions. His sitters were politically prominent and wealthy, from the merchant and landed classes. After Washington, D.C. became the new national capital, Stuart moved there in December of 1803, and this group continued as his patrons. There he painted the Madisons, Jefferson, the Thorntons, and others from Jefferson's administration.
In the summer of 1805 Stuart settled in Boston. In his Roxbury studio he continued to paint politically and socially prominent sitters and, on request, to make replicas of his second "Athenaeum" portrait of George Washington. Throughout his life younger artists, including John Trumbull, Thomas Sully, Rembrandt Peale, and John Vanderlyn, sought his advice and imitated his work. Among his students were his children Charles Gilbert (1787-1813) and Jane (1812-1888). One indication of Stuart's popularity is the number of portraits he painted, over a thousand during his long career, excluding copies of the portraits of Washington. Another indication is the number of copies of his work that other artists made. His sitters indicated their fascination for his talent and personality by recording lengthy anecdotes and descriptions of their sittings, producing an unusally rich written record about an American portraitist. Stuart died in Boston in 1828.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Samphire Addiction Control Granules is herbal medicine for Alcohol, smoking and tobacco addiction is safe and has no side effects. It is combination of 19 herbal ingredients. It also helps in improving the liver function and detoxifying the body.
Contact us at:
Samphire Food & Pharma Pvt. Ltd.
#24-25 HSIIDC, Sec3, Karnal(HR)
Mob : 98124-31534, 94660-64005
email : feedback.samphire@gmail.com
Your Someone Health psychologist can work with you to quit smoking through evidence-based video and telephone counselling.
Meet the someone health psychologists currently available to see new clients for Smoke addiction counselling.
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
About to play a good game of soccer. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
Having fun running on the track. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
Hydrocodone is an opioid drug commonly used to treat chronic pain, though it carries a relatively high risk of addiction. If you or someone you know is taking Lortab to relieve pain, it's important to understand the risks. Learn about Lortab addiction signs, symptoms, causes, side effects. bit.ly/2mVuGqo
Jane’s Addiction
Fabrique, Milan Italy IT
15th june 2016
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
A friend of mine who smokes alot and always when somebody says to him "COME ON another one?!!" or something like that he says, honestly, "I am addicted you know" :)
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
Cars began as a self powered means of transportation to replace living creatures. They have evolved into works of art and status symbols. Is it any wonder we love them?
If you have an event to record or need other photography services or would like to purchase a print of one of my works please contact me at...
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View my all new website about poverty, homelessness & addiction...
Down, But Not Out
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Having a good time running on the track. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
Enjoying some time out in the sun wile swimming. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
I think that a pill bottle with pills in the bottle helps show addiction because in today's society a lot of people have to take pills others take pills for stupid reasons. A lot of pills can be addicting depending on if you need them. Pills are also not good for you if you don't need them. I found this pill bottle shows negative space because when you look at the picture you see the pill bottle and the pills stand out because they are quite bright.
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
Enjoying some time out in the sun wile swimming together. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
Jane's Addiction at Bumbershoot 2012 - Day 1 at Seattle Center - Seattle on 2012-09-01
Photos by Dave Lichterman
Having a good time running on the track. Addiction treatment programs for troubled teens provide chemical dependency counseling, substance abuse treatment, and addiction intervention.
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
Fashion Show Fundraiser
Designers :
Aaron Moneer.
Jabari Ayinde Taitt.
Xama Creation.
Roger Hicks
Event: Addictions
Date: Saturday 3rd October, 2015
Venue: University of The West Indies, St Augustine
via Why Drug Addiction Isn't a Disease? Addiction does not meet the criteria specified for a core disease entity, namely the presence of a primary measurable deviation from physiologic or anatomical norm.2 Addiction is self-acquired and is not transmissible, contagious, autoimmune, hereditary, degenerative or traumatic. Treatment consists of little more than stopping a given behaviour. True diseases worsen if left untreated. A patient with cancer is not cured if locked in a cell, whereas an alcoholic is automatically cured. No access to alcohol means no alcoholism. A person with schizophrenia will not remit if secluded. Sepsis will spread and Parkinson disease will worsen if left untreated. Criminal courts do not hand down verdicts of “not guilty by virtue of mental illness” to drunk drivers who kill pedestrians. At best, addiction is a maladaptive response to an underlying condition, such as depression or a nonspecific inability to cope with the world. Discovery Point Retreat - Alcohol & Drug Rehab Dallas 6500 Greenville Ave Suite #770, Dallas, TX 75206, United States 469-643-4022 www.google.com/maps?cid=478145036479367113 discoverypointretreat.com/programs/residential-inpatient-...