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Hotter Droughts — Yep, it's getting hotter and drier out there. California's hotter drought has already killed millions of trees, particularly in low-elevation forests. “Hotter droughts,” which are severe droughts associated with human-caused climate change, are an emerging but poorly understood threat to forests worldwide. As climate change drives much of the nation into hotter, drier conditions, forest managers and scientists are not able to rely on historical patterns of temperature and precipitation for planning and decision making. Yet it is critical to identify forests and tree species most at risk.
Thus, USGS scientists and their collaborators are using California’s recent hotter drought (2012-2015) as a preview of the future, gaining the information needed to help forest managers adapt to a warming world.
Read more about hotter droughts and effects on forests at on.doi.gov/HotterDroughts
Photo credit: Nathan Stephenson, USGS.
The lion (Panthera leo) is a species in the family Felidae; it is a muscular, deep-chested cat with a short, rounded head, a reduced neck and round ears, and a hairy tuft at the end of its tail. The lion is sexually dimorphic; males are larger than females with a typical weight range of 150 to 250 kg (330 to 550 lb) for males and 120 to 182 kg (265 to 400 lb) for females. Male lions have a prominent mane, which is the most recognisable feature of the species. A lion pride consists of a few adult males, related females and cubs. Groups of female lions typically hunt together, preying mostly on large ungulates. The species is an apex and keystone predator, although they scavenge when opportunities occur. Some lions have been known to hunt humans, although the species typically does not.
Typically, the lion inhabits grasslands and savannas but is absent in dense forests. It is usually more diurnal than other big cats, but when persecuted it adapts to being active at night and at twilight. In the Pleistocene, the lion ranged throughout Eurasia, Africa and North America but today it has been reduced to fragmented populations in Sub-Saharan Africa and one critically endangered population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern.
One of the most widely recognised animal symbols in human culture, the lion has been extensively depicted in sculptures and paintings, on national flags, and in contemporary films and literature. Lions have been kept in menageries since the time of the Roman Empire and have been a key species sought for exhibition in zoological gardens across the world since the late 18th century. Cultural depictions of lions were prominent in the Upper Paleolithic period; carvings and paintings from the Lascaux and Chauvet Caves in France have been dated to 17,000 years ago, and depictions have occurred in virtually all ancient and medieval cultures that coincided with the lion's former and current ranges.
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a7s + Helios 89 30/1.9
Fixed lens of the FED Mikron (ФЭД Микрон) half frame camera adapted to E-mount
PLEASE, no multi invitations in your comments. DO NOT FEEL YOU HAVE TO COMMENT.Thanks.
Black vultures were everywhere, I soon found out why, they were all around a local dump site for the town of Piste.
The Black Vulture has a body length of 56-69 centimeters (22-27 inches), a wingspan of 1.37-1.5 meters (4.5-5 feet), and weighs 1.81-2.27 kilograms (4-5 pounds).
These vultures are found in lowland areas along rivers or in open habitats in the southern United States and throughout Central and South America. They rarely inhabit dense forests. The Black Vulture has adapted well to human habitats and can be seen at garbage dumps, markets, and fishing docks.
Example of using a well corrected and relatively inexpensive "old school" enlarger lens for closeup/macro. One minor drawback is that focusing is usually attained by the photographer moving back and forth. Fortunately, there are cameras/adapters which can allow focusing in a more conventional manner. 50mm, 2.8, EL Nikkor on Canon 6D via Fotodiox Pro extension tube
Esta rana se ha adaptado a vivir la mayoría de su vida en los árboles. Incluso para la época de apareamiento no necesitan regresar al suelo, lo que hacen es buscar ramas que estén junto a una corriente, luego doblan las hojas y depositan sus huevos en el interior de la hoja, así cuando los renacuajos nacen puedan caer de inmediato al agua.
Waxy monkey tree frog
Rana mono encerada
(Phyllomedusa sauvagii)
Adapt weird lenses like this Soviet-era M39 mount enlarger lens to your mirrorless camera with Fotodiox adapters. Learn more: fotodioxpro.com/collections/lens-mount-adapters
Check out this video to see how we adapted this lens: youtu.be/HX9Slj5Xi2c
RMC Tokina 24mm 1:2.8 (Minolta MD mount) @ f/8
through Novoflex Minolta SR - Fuji X-Mount adapter
on Fujifilm X-E1
Check my album Adapted Manual Lenses for more...
Wild Ireland is a wildlife sanctuary for rescued animals. Visitors can step back in time to an ancient woodland, inhabited by brown bears, wolves, lynx and wild boar.
Wild Ireland is a wildlife sanctuary set in a little piece of Celtic rainforest on the Inishowen Peninsula in County Donegal, on the Wild Atlantic Way.
Wild Ireland focuses on animals that were once native to Ireland so they are perfectly adapted to the environment. Brown bears, European wolves and lynx all now live among other animals in large natural habitats back together in the Irish forest for the first time in thousands of years.
Lots of wild birds inhabit Wild Ireland and the lakes are home to swans, geese, ducks and even an otter. There are lots of other animals for visitors to see, such as red foxes, crane, wild boar, deer, capercaillie, snowy owls, wildcats and barn owls.
Wild Ireland is the realisation of a childhood dream for solicitor and zoologist, Killian McLaughlin.
He has been rescuing and rehabilitating animals since he was a boy in his back yard in Buncrana but he wanted to give them more space and ultimately see animals that have become extinct in Ireland, through hunting or habitat extinction, re-homed in native woodland.
Six years ago he began work on developing Wild Ireland in an ancient forest near the border with Northern Ireland and try to turn back the hands of time by bringing in animals that were once native, including wild boar and deer.
Apart from the monkeys, all the animals in the sanctuary were once native to Ireland and all have been rescued from dangerous or unsuitable situations.
Mr McLaughlin worked with several international charities to rescue the animals and bring them to Donegal.
The three bears, two sisters and their brother, came from a private zoo in Lithuania where they were living in a concrete cell with iron bars. Mr McLaughlin said the brown bears are the only ones currently in Ireland.
Freya Stark in her book 'Riding to the Tigris' (1959) reflects romantically on the nomad way of life:
It is easy for the peasant, and for all of us who live in civilisation and think to make the world more habitable, to point out that the nomad does very little. He leaves things as he finds them, destroying them in a small way if it suits him. He does not spend his life as we do in altering the accidents that happen to us so to make them more bearable - but he accepts them with gaiety and endures them with fortitude, and this is his triumph and charm. We may think reasonably enough that we dominate circumstances more then he does, since we adapt them to our needs but he has discovered that the meaning of life is more important than its circumstance - and this freedom of the soul, in which all things that happen come and go, makes him splendid - him and his gaunt women and dogs and horses, on the edge of starvation in the rain and the sun. His life does not allow him to forget the greater size of the world; and no amount of civilisation is worth the loss of this fundamental sense of proportion between the universe and man.
The White Wagtail (Motacilla alba) is a small passerine bird in the wagtail family Motacillidae, which also includes the pipits and longclaws. This species breeds in much of Europe and Asia and parts of north Africa. It is resident in the mildest parts of its range, but otherwise migrates to Africa. It has a toehold in Alaska as a scarce breeder. In some areas, notably Britain and Ireland, the sub-species Pied Wagtail predominates.
This is an insectivorous bird of open country, often near habitation and water. It prefers bare areas for feeding, where it can see and pursue its prey. In urban areas it has adapted to foraging on paved areas such as car parks. It nests in crevices in stone walls and similar natural and man-made structures.
The White Wagtail is the national bird of Latvia.
Spotted at Bolton Abbey near Skipton, UK.
Adapted from hidemi Sugino's book "Le gout authentique retrouvé"
www.cilieginasullatorta.it/2011/06/buon-compleanno-cilieg...
This has been adaptively-reused into a the Sam Nunn Federal building.
Rich's dates back to 1867 with the M. Rich Dry Goods general store. It was bought by Federated in 1975. The downtown flagship store was closed in 1991. In 2003, all of the Macy's (former Davison's Department Store) and Rich's were converted to the Rich's-Macy's nameplate. In 2005, the Rich's-Macy's nameplate was changed to just Macy's.
Ducks who interrupt the natural migration cycle are fascinating to me. What could they possibly find appealing about lying in a pool of icy water for a nap? And, how is it that they don't stick to the ice? lol
Some background:
The idea for a heavy infantry support vehicle capable of demolishing heavily defended buildings or fortified areas with a single shot came out of the experiences of the heavy urban fighting in the Battle of Stalingrad in 1942. At the time, the Wehrmacht had only the Sturm-Infanteriegeschütz 33B available for destroying buildings, a Sturmgeschütz III variant armed with a 15 cm sIG 33 heavy infantry gun. Twelve of them were lost in the fighting at Stalingrad. Its successor, the Sturmpanzer IV, also known by Allies as Brummbär, was in production from early 1943. This was essentially an improved version of the earlier design, mounting the same gun on the Panzer IV chassis with greatly improved armour protection.
While greatly improved compared to the earlier models, by this time infantry anti-tank weapons were improving dramatically, too, and the Wehrmacht still saw a need for a similar, but more heavily armoured and armed vehicle. Therefore, a decision was made to create a new vehicle based on the Tiger tank and arm it with a 210 mm howitzer. However, this weapon turned out not to be available at the time and was therefore replaced by a 380 mm rocket launcher, which was adapted from a Kriegsmarine depth charge launcher.
The 380 mm Raketen-Werfer 61 L/5.4 was a breech-loading barrel, which fired a short-range, rocket-propelled projectile roughly 1.5 m (4 ft 11 in) long. The gun itself existed in two iterations at the time. One, the RaG 43 (Raketenabschuss-Gerät 43), was a ship-mounted anti-aircraft weapon used for firing a cable-spooled parachute-anchor creating a hazard for aircraft. The second, the RTG 38 (Raketen Tauch-Geschoss 38), was a land-based system, originally planned for use in coastal installations by the Kriegsmarine firing depth-charges against submarines with a range of about 3.000 m. For use in a vehicle, the RTG 38 was to find use as a demolition gun and had to be modified for that role. This modification work was carried out by Rheinmetall at their Sommerda works.
The design of the rocket system caused some problems. Modified for use in a vehicle, the recoil from the modified rocket-mortar was enormous, about 40-tonnes, and this meant that only a heavy chassis could be used to mount the gun. The hot rocket exhaust could not be vented into the fighting compartment nor could the barrel withstand the pressure if the gasses were not vented. Therefore, a ring of ventilation shafts was put around the barrel which channeled the exhaust and gave the weapon something of a pepperbox appearance.
The shells for the weapon were extremely heavy, far too heavy for a man to load manually. As a result, each of them had to be carried by means of a ceiling-mounted trolley from their rack to a roller-mounted tray at the breech. Once on the tray, four soldiers could then push it into the breech to load it. The whole process took 10 minutes per shot from loading, aiming, elevating and, finally, to firing.
There were a variety of rocket-assisted round types with a weight of up to 376 kg (829 lb), and a maximum range of up to 6,000 m (20,000 ft), which either contained a high explosive charge of 125 kg (276 lb) or a shaped charge for use against fortifications, which could penetrate up to 2.5 m (8 ft 2 in) of reinforced concrete. The stated range of the former was 5,650 m (6,180 yd). A normal charge first accelerated the projectile to 45 m/s (150 ft/s) to leave the short, rifled barrel, the 40 kg (88 lb) rocket charge then boosted this to about 250 m/s (820 ft/s).
In September 1943 plans were made for Krupp to fabricate new Tiger I armored hulls for the Sturmtiger. The Tiger I hulls were to be sent to Henschel for chassis assembly and then to Alkett, where the superstructures would be mounted. The first prototype was ready and presented in October 1943. By May 1944, the Sturmtiger prototype had been kept busy with trials and firing tests for the development of range tables, but production had still not started yet and the concept was likely to be scrapped. Rather than ditch the idea though, orders were given that, instead of interrupting the production of the Tiger I, the Sturmtigers would be built on the chassis of Tiger I tanks which had already been in action and suffered serious damage. Twelve superstructures and RW 61 weapons were prepared and mounted on rebuilt Tiger I chassis. However, by August 1944 the dire need for this kind of vehicle led to the adaptation of another chassis to the 380 mm Sturmmörser: the SdKfz. 184, better known as “Ferdinand” (after its designer’s forename) and later, in an upgraded version, “Elefant”.
The Elefant (German for "elephant") was actually a heavy tank destroyer and the result of mismanagement and poor planning: Porsche GmbH had manufactured about 100 chassis for their unsuccessful proposal for the Tiger I tank, the so-called "Porsche Tiger". Both the successful Henschel proposal and the Porsche design used the same Krupp-designed turret—the Henschel design had its turret more-or-less centrally located on its hull, while the Porsche design placed the turret much closer to the front of the superstructure. Since the competing Henschel Tiger design was chosen for production, the Porsche chassis were no longer required for the Tiger tank project, and Porsche was left with 100 unfinished heavy tank hulls.
It was therefore decided that the Porsche chassis were to be used as the basis of a new heavy tank hunter, the Ferdinand, mounting Krupp's newly developed 88 mm (3.5 in) Panzerjägerkanone 43/2 (PaK 43) anti-tank gun with a new, long L71 barrel. This precise long-range weapon was intended to destroy enemy tanks before they came within their own range of effective fire, but in order to mount the very long and heavy weapon on the Porsche hull, its layout had to be completely redesigned.
Porsche’s SdKfz. 184’s unusual petrol-electric transmission made it much easier to relocate the engines than would be the case on a mechanical-transmission vehicle, since the engines could be mounted anywhere, and only the length of the power cables needed to be altered, as opposed to re-designing the driveshafts and locating the engines for the easiest routing of power shafts to the gearbox. Without the forward-mounted turret of the Porsche Tiger prototype, the twin engines were relocated to the front, where the turret had been, leaving room ahead of them for the driver and radio operator. As the engines were placed in the middle, the driver and the radio operator were isolated from the rest of the crew and could be addressed only by intercom. The now empty rear half of the hull was covered with a heavily armored, full five-sided casemate with slightly sloped upper faces and armored solid roof, and turned into a crew compartment, mounting a single 8.8 cm Pak 43 cannon in the forward face of the casemate.
From this readily available basis, the SdKfz. 184/1 was hurriedly developed. It differed from the tank hunter primarily through its new casemate that held the 380 mm Raketenwerfer. Since the SdKfz. 184/1 was intended for use in urban areas in close range street fighting, it needed to be heavily armoured to survive. Its front plate had a greater slope than the Ferdinand while the sides were more vertical and the roof was flat. Its sloped (at 47° from vertical) frontal casemate armor was 150 mm (5.9 in) thick, while its superstructure side and rear plates had a strength of 82 mm (3.2 in). The SdKfz.184/1 also received add-on armor of 100 mm thickness, bolted to the hull’s original vertical front plates, increasing the thickness to 200 mm but adding 5 tons of weight. All these measures pushed the weight of the vehicle up from the Ferdinand’s already bulky 65 t to 75 t, limiting the vehicle’s manoeuvrability even further. Located at the rear of the loading hatch was a Nahverteidigungswaffe launcher which was used for close defense against infantry with SMi 35 anti-personnel mines, even though smoke grenades or signal flares could be fired with the device in all directions, too. For close-range defense, a 7.92 mm MG 34 machine gun was carried in a ball mount in the front plate, an addition that was introduced to the Elefant tank hunters, too, after the SdKfz. 184 had during its initial deployments turned out to be very vulnerable to infantry attacks.
Due to the size of the RW 61 and the bulkiness of the ammunition, only fourteen rounds could be carried internally, of which one was already loaded, with another stored in the loading tray, and the rest were carried in two storage racks, leaving only little space for the crew of four in the rear compartment. To help with the loading of ammunition into the vehicle, a loading crane was fitted at the rear of the superstructure next to the loading hatch on the roof.
Due to the internal limits and the tactical nature of the vehicle, it was intended that each SdKfz. 184/1 (as well as each Sturmtiger) would be accompanied by an ammunition carrier, typically based on the Panzer IV chassis, but the lack of resources did not make this possible. There were even plans to build a dedicated, heavily armored ammunition carrier on the Tiger I chassis, but only one such carrier was completed and tested, it never reached production status.
By the time the first RW 61 carriers had become available, Germany had lost the initiative, with the Wehrmacht being almost exclusively on the defensive rather than the offensive, and this new tactical situation significantly weakened the value of both Sturmtiger and Sturmelefant, how the SdKfz 184/1 was semi-officially baptized. Nevertheless, three new Panzer companies were raised to operate the Sturmpanzer types: Panzer Sturmmörser Kompanien (PzStuMrKp) ("Armored Assault Mortar Company") 1000, 1001 and 1002. These originally were supposed to be equipped with fourteen vehicles each, but this figure was later reduced to four each, divided into two platoons, consisting of mixed vehicle types – whatever was available and operational.
PzStuMrKp 1000 was raised on 13 August 1944 and fought during the Warsaw Uprising with two vehicles, as did the prototype in a separate action, which may have been the only time the Sturmtiger was used in its intended role. PzStuMrKp 1001 and 1002 followed in September and October. Both PzStuMrKp 1000 and 1001 served during the Ardennes Offensive, with a total of four Sturmtiger and three Sturmelefanten.
After this offensive, the Sturmpanzer were used in the defence of Germany, mainly on the Western Front. During the battle for the bridge at Remagen, German forces mobilized Sturmmörserkompanie 1000 and 1001 (with a total of 7 vehicles, five Sturmtiger and two Sturmelefanten) to take part in the battle. The tanks were originally tasked with using their mortars against the bridge itself, though it was discovered that they lacked the accuracy needed to hit the bridge and cause significant damage with precise hits to vital structures. During this action, one of the Sturmtigers in Sturmmörserkompanie 1001 near Düren and Euskirchen allegedly hit a group of stationary Shermans tanks in a village with a 380mm round, resulting in nearly all the Shermans being put out of action and their crews killed or wounded - the only recorded tank-on-tank combat a Sturmtiger was ever engaged in. After the bridge fell to the Allies, Sturmmörserkompanie 1000 and 1001 were tasked with bombardment of Allied forces to cover the German retreat, as opposed to the bunker busting for which they had originally been designed for. None was actually destroyed through enemy fire, but many vehicles had to be given up due to mechanical failures or the lack of fuel. Most were blown up by their crews, but a few fell into allied hands in an operational state.
Total production numbers of the SdKfz. 184/1 are uncertain but, being an emergency product and based on a limited chassis supply, the number of vehicles that left the Nibelungenwerke in Austria was no more than ten – also because the tank hunter conversion had top priority and the exotic RW 61 launcher was in very limited supply. As a consequence, only a total of 18 Sturmtiger had been finished by December 1945 and put into service, too. However, the 380 mm Raketen-Werfer 61 remained in production and was in early 1946 adapted to the new Einheitspanzer E-50/75 chassis.
Specifications:
Crew: Six (driver, radio operator/machine gunner in the front cabin,
commander, gunner, 2× loader in the casemate section)
Weight: 75 tons
Length: 7,05 m (23 ft 1½ in)
Width: 3,38 m (11 ft 1 in)
Height w/o crane: 3,02 m (9 ft 10¾ in)
Ground clearance: 1ft 6¾ in (48 cm)
Climbing: 2 ft 6½ in (78 cm)
Fording depth: 3 ft 3¼ (1m)
Trench crossing: 8 ft 7 ¾ in (2,64 m)
Suspension: Longitudinal torsion-bar
Fuel capacity: 1.050 liters
Armour:
62 to 200 mm (2.44 to 7.87 in)
Performance:
30 km/h (19 mph) on road
15 km/h (10 miles per hour () off road
Operational range: 150 km (93 mi) on road
90 km (56 mi) cross-country
Power/weight: 8 hp/ton
Engine:
2× Maybach HL120 TRM petrol engines with 300 PS (246 hp, 221 kW) each, powering…
2× Siemens-Schuckert D1495a 500 Volt electric engines with 320 PS (316 hp, 230 kW) each
Transmission:
Electric
Armament:
1x 380 mm RW 61 rocket launcher L/5.4 with 14 rounds
1x 7.92 mm (0.312 in) MG 34 machine gun with 600 rounds
1x 100 mm grenade launcher (firing anti-personnel mines, smoke grenades or signal flares)
The kit and its assembly:.
This fictional tank model is not my own idea, it is rather based on a picture of a similar kitbashing of an Elefant with a Sturmtiger casemate and its massive missile launcher – even though it was a rather crude model, with a casemate created from cardboard. However, I found the idea charming, even more so because the Ferdinand/Elefant was rather a rolling bunker than an agile tank hunter, despite its powerful weapon. Why not use the same chassis as a carrier for the Sturmtiger’s huge mortar as an assault SPG?
The resulting Sturmelefant was created as a kitbashing: the chassis is an early boxing of the Trumpeter Elefant, which comes not only with IP track segments but also alternative vinyl tracks (later boxing do not feature them), and casemate parts come from a Trumpeter Sturmtiger.
While one would think that switching the casemate would be straightforward affair, the conversion turned out to be more complex than expected. Both Elefant and Sturmtiger come with separate casemate pieces, but they are not compatible. The Sturmtiger casemate is 2mm wider than the Elefant’s hull, and its glacis plate is deeper than the Elefant’s, leaving 4mm wide gaps at the sides and the rear. One option could have been to trim down the glacis plate, but I found the roofline to become much too low – and the casemate’s length would have been reduced.
So, I used the Sturmtiger casemate “as is” and filled the gaps with styrene sheet strips. This worked, but the casemate’s width created now inward-bent sections that looked unplausible. Nobody, even grazed German engineers, would not have neglected the laws of structural integrity. What to do? Tailoring the casemate’s sides down would have been one route, but this would have had created a strange shape. The alternative I chose was to widen the flanks of the Elefant’s hull underneath the casemate, which was achieved with tailored 0.5 mm styrene sheet panels and some PSR – possible through the Elefant’s simple shape and the mudguards that run along the vehicle’s flanks.
Some more PSR was necessary to blend the rear into a coherent shape and to fill a small gap at the glacis plate’s base. Putty was also used to fill/hide almost all openings on the glacis plate, since no driver sight or ball mount for a machine gun was necessary anymore. New bolts between hull and casemate were created with small drops of white glue. The rest of the surface details were taken from the respective donor kits.
Painting and markings:
This was not an easy choice. A classic Hinterhalt scheme would have been a natural choice, but since the Sturmelefant would have been converted from existing hulls with new parts, I decided to emphasize this heritage through a simple, uniform livery: all Ferdinand elements would be painted/left in a uniform Dunkelgelb (RAL, 7028, Humbrol 83), while the new casemate as well as the bolted-on front armor were left in a red primer livery, in two different shades (Humbrol 70 and 113). This looked a little too simple for my taste, so that I eventually added snaky lines in Dunkelgelb onto the primer-painted sections, blurring the contrast between the two tones.
Markings remained minimal, just three German crosses on the flanks and at the rear and a tactical code on the casemate – the latter in black and in a hand-written style, as if the vehicle had been rushed into frontline service.
After the decals had been secured under sone varnish the model received an overall washing with dark brown, highly thinned acrylic paint, some dry-brushing with light grey and some rust traces, before it was sealed overall with matt acrylic varnish and received some dirt stains with mixed watercolors and finally, after the tracks had been mounted, some artist pigments as physical dust on the lower areas.
Again a project that appeared simple but turned out to be more demanding because the parts would not fit as well as expected. The resulting bunker breaker looks plausible, less massive than the real Sturmtiger but still a menacing sight.
© 2016 Pedro M. Mielgo
Francia. Castillo de Castelnaud-la-Chapelle. El castillo original fue construido en el siglo XII y destruido por Simon de Monfort durante la Cruzada Albigense. Tras ser reconstruido en el siglo XIII, fue bastión de los ingleses durante la Guerra de los Cien Años, siendo tomado definitivamente por los franceses en 1442.
Fue siendo adaptado a los avances de la artillería hasta principios del siglo XVII. Tras ser abandonado durante la Revolución, sirvió de cantera de piedra en 1832, extendiéndose su restauración desde 1967 hasta 2012.
*****
The Silken whisper of Flickering Desires
A Chronicle
Adapted from the Final Entry Entitled:
Their Regal Gambit
Subtitled:
While Sherlock Holmes vacationed
The first score had been made, now for the Coup de Grace! So far their little operation had gone as smooth as silk, or in this case, satin. Now just to make sure the husband of the silken gowned brunette displaying the jewels in question was still safely out of the picture! Then Mollie would let her husband know that with the coast clear, freeing him to stage his approach of the lady in the long swishing satin gown he had been keeping an eye on all evening. The one who was wearing the exquisite necklace of fiery flickering diamonds, just daring someone to expertly slip it away the throat of its unsuspecting owner.
And therein lay the rub, She happily thought….
As Mollie made her way down the quiet corridor to the gentlemen’s smoking lounge, she lovingly played through her mind the series of unfortunate ( or fortunate?) events that had led her and her husband to this place. It had all began with an innocent one named Tabitha…….
Mollies’ Flash back
They had first come across Tabitha at a resort casino deep in the Catskills. Mollie and her husband had been there about three days, scoping out the grounds, and its wealthy clientele. At the casino they both spotted Tabitha at the same time. She was seated at a baccarat table, really standing out in an elegant dress of gold and black striped silk and velvet Her well-toned body displayed numerous pieces of expensive jewelry. A fat little purse dangled, unheeded by her side. Tabitha had held Mollie’s attention mainly due to the strong resemblance she had to herself. Tabitha’s jewelry, a flashy diamond journey style necklace, matching earrings, wide diamond tennis bracelet, and multiple gem encrusted rings, had held Mollies pickpocket husbands’.
Mollie went on to the bar and watched as her husband waited for the seat next to Tabitha to become vacant. Then he sat, asking for chips, while unobtrusively eyeing Tabitha’s bracelet. He began striking up a conversation with Tabitha, finding her to be an easy mark. He soon learned from the chatty girl that she was a divorced, upper executive for a well-known digital arts company servicing the movie industry. It was during this conversation that Tabitha babbled about the upscale, invitation only(you know), black tie formal ball she would be attending in England the next month. Now, as her husband was keeping Tabitha occupied Mollie had walked by the pair, ‘tripping’ into her husband, who palmed off to her , the diamond bracelet which had been ever so subtly slipped from around the unwary Tabatha’s’ wrist. Walking away with the bracelet secured in her purse, Mollie made her way to their small bungalow. Her husband did not break in his conversation with Tabitha; a mark would seldom suspect a friendly person of stealing from her.
Later that evening, Mollie wore the pricy bracelet while mutually admiring it over a bottle of merlot with her husband. They discussed the high-class affair Tabitha had been bragging about. Wistfully, Mollie admitted it was a shame they had not received an invite. Her husband smiled, and pulled a thickly embossed and crested envelope from his pocket. Easily adopting a British accent, he said “The silly little twit was carrying this in her purse!” The envelope revealed a pair of invitations to the Princess’s Jubilee Royal Ball. As the pair continued to empty the bottle of fine merlot, what had started as speculation, turned towards reality, and soon plans had been laid.
As they lay in bed later that night, Mollie turned to her husband, just think about the jewels that will be worn at the English Ball, she shivered with the delightful thoughts. Do you remember the last time we were in England? Mollie looked at her husband slyly, you remember, the Wriggling Whelp Whispering Wisk! She stated teasingly. Mollie knew the quickest way to get her husband’s goat was coming up with silly phrases to describe his more outlandish endeavors. Such phrases like The Tingling Touch Ice Melt, The Slippery Slick Taffeta Pull, The Glossy Gowned Dangling Peel, or her personal favorite, The Ticklish Wedge Clam Dip, never failed to get a response. In this case the response was a brief pillow fight leading into a romantic interlude, ending up with them in bed as they reminisced about the last time they had “visited” England a few years back…..
It had proven a fairly profitable venture with the jewelry alone netting almost 100,000 pounds. It all had culminated quite nicely at one of the posh events they had crashed that final weekend. Their final score had come about from a rambunctious doe eyed Fourteen year old in a shiny dress who had been oblivious to the valuably delicious gold pendent studded with small rubies and emeralds that sparkled ever so invitingly as it swung from her throat. A pair of matching dangling earrings dripped from her ears as she has run around unminded by her elders. Mollie had indignantly stated to her husband that the antique trinkets were simply just too expensive for a child so squirminly young to be trusted with. Her husband then went about the task to prove his wife correct in her statement.
After talking a bit about the English Girls parents reaction to the unsolved disappearance of their daughters ultra-pricey pendent , Mollie came back to the present and asked if the lady in the maroon silk that her husband pointed out the previous evening would be wearing the same jewels to the dance tomorrow night? Or better her husband replied sleepily, good Mollie pronounced, I did like her emeralds.
In Merry Ole England
They had arrived in England several weeks before the Royal Ball and began the preparations.
In an irony of fate, the profit they had realized from poor Tabitha’s bracelet had paid for a large chunk of their little excursion. Keeping his accent, and adding a trim beard, Mollies husband looked radically different from the man Tabitha had encountered. During the weeks following their arrival, the pair had practiced like they always did before undertaking a new venture. But this time it was with a more daring edge, they quite simply could not afford being caught red handed in a foreign country. Mollie assumed her practice the role. That of the richly dressed, well jeweled quarry. Her husband would stalk and attempt to relieve her of a piece of her jewelry as she went about her business, shopping! The idea being that, If he was able to do so without being caught by an obviously aware Mollie, than he should have no problem at the Royal Ball. As it usually happened when they practiced in this manner, her husband did incredibly well. Mollie had had several pieces of jewelry vanish from her person during the week, without her noticing how or when.
The final night of practice Mollie decided to dress to kill. Looking quite devastating in a glossy gold halter and a long brown velvet skirt with gold stiletto heels clicking as she moved. A diamond heart pendant hung down from her neck, swaying provocatively out from between her breasts. A bracelet, similar to Tabitha’s purloined diamonds, was wrapped around her wrist.
She left their penthouse and made her way to the street outside. Some type of festival was going on as she waded through the crowded streets to the nightclub. Her rings sparkled as they kept rhythm with her swaying diamond waterfall earrings. Just daring her husband to make a move for any of them.
Mollie drank and danced the night away with no hide or hair of her husband until she returned late that evening to their apartment. She found him in the hot tub, smirking. She undressed and joined him. Okay, how did u do it she demanded? I felt nothing, no one bumped or brushed against me all evening that I was not aware of. He opened his fist, allowing her heart diamond pendant to dangle freely in front of her. A magician never reveals his tricks my little cat, he purred, as the pendant swayed in a sparkling arch.
Cat was short for “Cat Lady”, a moniker he had placed upon her when she had broken into a sleeping woman’s room and removed the jewels from her gold case, and even managed to slip off a ring she was wearing. The fact that she was passed out in a drunken stupor, still dressed in her long party gown, didn’t count , or so her husband teased.
You should have been a surgeon! , my dear, Mollie exclaimed with pride. Then she leaned towards him, her green eyes gleaming in earnest, time for a real practice run Mon Cherie, she said in dead seriousness. Then Her eyes opened wide, I got it she exclaimed, I’ll call it The Slinking Sneaky Shearing Snag she pronounced joyfully, getting a face full of water in reply to her effort. Okay Cat, let’s get down to business he retorted, I know just the affair. Mollie listened intensively as her Husband described their next plans, derived while eavesdropping on a couple of ladies shopping in a jewelers.
The next weekend (two weeks to the evening before the Royal Ball) Mollie found herself at a quaint upscale wedding reception held in the large gardens of a country church. She was attired in the same bewitching ensemble that she had been wearing on the final night of practice. Her only jewels were a recently acquired pair of sparkly cascading earrings set with emeralds and diamonds. The affair of the plump piqued peacock plucking she had mused while getting dressed. The only other exception was that the long fiery red hair she had inherited from her Irish namesake grandmother had been cut and dyed blond. Blue contacts had also been added to the disguise to hide her vivid green eyes.
They soon targeted an older jewel laden snob at the reception. An older lady , well jeweled, of the arrogant know it all, obey me totally type whom everyone tries to avoid. While Mollie engaged the mark in a mostly one sided conversation(the older ladies) the lady had become so deeply engrossed about talking about herself and her ties with royalty, that she never detected being relieved of a heirloom antique gold chain and jeweled pendent by Mollies husband who had approached her unnoticed from behind.
It was all Mollie could do no to bring attention to it by looking at the wickedly expensive piece as it was slipped up and away from the Dowager’s ruffled heavy satin blouse.
This time it was mollies turn to keep chatting as her husband headed to the door. He had almost made it when two youths ran into him as they scurried away from a rather sullen looking tween girl they had been teasing, and now were in possession of her purse. Mollie stole a look as she saw her husband topple onto the chasing girl. He managed to extracted himself from the girls long slinky gown that she had probably been forced into by an overly conceited mother. He apologized, and left the girl to go after her antagonizes. Later, when Mollie had caught up to him she teased him about his clumsiness. He just smiled, and pulled out from his vest pocket the most exquisitely matched pearls that the youth had been openly displaying from around her throat and wrist at the reception!
They were, most definitely, ready. The fated evening could not come soon enough. But it finally did.
They had had no problem with using the fancy invitations to gain entrance. Security was heavy, as expected, but with a very lax atmosphere. Mollie was wearing the salmon coloured gown she had had especially made for such occasions, her new blond hair style and the blue contacts. In a coup foray of sorts, Mollie wore the pearls that had been taken by her husband during his run in with the sullen girl at the wedding reception. Her husband was wearing his usual tux with a hand tied bowtie. His ruffled sleeves easily moved up and down along his wrists.
Mollie and her husband split up, each spending the first few hours mingling solo, and taking it all in as they thoroughly enjoyed the Ball and all its many stimulating attractions. It had gone smooth as silk. Spending the first few hours prowling while the guests liquored up Mollie scoping out exactly the right candidates. Dangling jewels with easy clasps were everywhere!, it was surprising how the best of jewel makers skimped on the clasps required to keep the expensive pieces in place. Clothing also made a difference. Silks and satins were quiet and slipped easily. Taffeta could be whispery, more of a challenge. Velvet could easily snag as a piece was being lifted. But these were the costliest of materials, and the wearers would logically be wearing the costlier of jewelry.
Mollie and her husband regrouped several hours later, unobtrusively under the pretense of dancing. Gently discussing their plans. They settled on three likely prospects amongst the almost three hundred present. The first was an older spinster type wearing a luxurious dress of embroidered navy silk and displaying jewelry studded with diamonds and sapphires. The second was a middle aged snotty blonde wearing a shamelessly low cut green silk taffeta gown (which Mollie secretly liked)wearing a thick gold bracelet studded with vulgarly large rubies surrounded by a sea of small sparkly diamonds. She was alone, and a heavy drinker. The third was a longshot. A lanky , flighty brunette wearing immensely valuable jewels of blindingly sparkling Diamonds. Her necklace alone was in the upper hundred thousand range, with a clasp that was one of the easiest to coax open. The only problem was that she came with an obviously newlywed husband who doted on her every move. Both were heavy drinkers, and if he would only leave his wife’s side for, say about fifteen minutes, the necklace would be theirs!
They had decided that any one of the three would produce results worth a king’s ransom, appropriately enough, all things considered. The plan was for her husband to take his time selecting the easiest jewel to acquire from amongst the ones the three marks were displaying , make his move, and pass it off to Mollie who would leave forthwith, while her husband stayed a little while longer to make sure everything remained calm before making his exit stage right via the hallway.
As Mollie went to her station, she saw the Blue silken lady, along with her sapphires and diamonds, leaving with a rather unsavory looking male, eyeing her with a look Mollie knew all too well. Mollie decided to follow them, thinking to herself that some women are just prone to being victimized. Good luck with that one Mollie thought unkindly, as she stole one last look at the ladies glistening sapphires, hope he leaves her with something she sarcastically wished wickedly to the couple’s backside as they went out the exit at the end of the hall. One down and out she thought. Then she spied the husband of the newlywed pair heading down the hall towards her with an older, grey bearded man. Getting close she heard them talking about the Gentlemen’s smoking lounge. Mollie decided to give her husband a signal, but when she found him he was already in the arms of the blond. Molly immediately noticed the absence of the jeweled bracelet from his partners’ wrist. She went back to her table. Immediately she was set upon by some drunken snob asking her to dance. She allowed herself to be taken up into his arms. Spending a few unenchanting minutes with Mr. two left feet, before her husband tapped him on the shoulder cutting in. They danced, Mollie placing a hand into his pocket and feeling something cold and metal wrapped her hand around it. Looking him in the eyes she told him about the now unguarded bride, as she palmed the willowy blonde’s bracelet. They decided to go for it, and as the music ended, Mollie made her way to the hall, where she secreted the blondes bracelet safely away
One down, one more to go! An exquisite necklace of flickering diamonds waiting to be nimbly slipped away from the throat of its unsuspecting wearer. Now just to make sure the husband of the silken gowned brunette displaying the jewels in question was still safely out of the picture! Then to let her husband know that with the coast clear, he was free to stage his approach of the lady in the long swishing satin gown he had been keeping a drooling eye on all evening. The one wearing the exquisite necklace of flickering diamonds waiting to be so expertly slipped away from the throat of its unsuspecting wearer.
She was able to see the groom in windowed room, the husband and his friend were smoking a pair of long cigars and drinking brandy in large glass snifters. Mollie passed unnoticed as she mad e her way to the ladies powder room. He was still there, only halfway through a long stogie as she passed again on her way back. Neither time was she observed. Mollie mad her way back to the Ballroom. She sat down at one side of the room, once again allowing the sights of so many bejeweled women to soak in. Her husband was dancing with a lady in a flowing red ball gown, jewels sparkling in abundance, not aware of the danger so close at hand, nor that even with her husband and his particular skill set so close to them, that at that moment nothing could be safer from his fingertips. Finally she caught her husband’s eye. Mollie innocently rubbed a finger along the side of her nose, a subtle signal that it was safe for him to precede.
Mollie was now uncharacteristically having butterflies in her stomach; it was a huge gamble, trying to get away with a pair of thefts in this inhospitable atmosphere. She kept second guessing herself, Bird in hand she kept thinking. But the lure was too great, and it was with a heavy sigh of relief when Mollie saw her husband finally kiss the hand of the young bride after their dance. Mollie could see that she was no longer sporting the thin silver necklace and its row of at least two caret diamonds that had been encircling her throat with their rippling flashy brilliance all evening. Molly stayed put, not daring to leave until her husband had brushed by her in passing and made his way out the hallway to the exit. She waited for a long fifteen minutes, then curling her hand around the necklace that had been dropped into her lap as he had passed; she gained the safety of the hallway. Just in time. For coming down the hallway was none other than the lady in the long luxurious gown and now bare throats groom and his distinguished looking friend. She passed by them, feeling the men eyeing her with roving wolfish gazes. Then she passed them, and proceeded unhindered to once again enter the ladies’ powder room where the necklace soon joined with the Blondes bracelet in its hiding spot.. Than calmly Mollie left, walking past two security Bobbies, virtually unnoticed. The Groom had been absolutely ignorant to the fact that his young Bride’s ridiculously valuable necklace had walked right past him out the door.
Mollie did not let herself really breathe until she had gained the safety of the street. She allowed herself to imagine the commotion as the news of the missing jewels were circulated around the cavernous Ballroom. There would be a flurry of activity, flashes and sparkles as the women checked themselves reassuringly that they were still in possession of their trinkets. Mollie would have loved to have stayed and watched, but obviously could not do so. She rejoined her husband at their meeting place and they drove off. They made their way to Ireland where they spent a cautious week touring before leaving for the states.
Once the profit was realized from their haul that eventful evening, including obnoxious Dowagers the jeweled antique pendent, and was added in to the modest amount they had already accumulated from previous adventures, Mollie and her husband were able to retire to Ireland and live quite an unpretentious life together in a small stone manor in the woods.
Courtesy of Chatwick University Archives
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50mm, 2.8, EL Nikkor enlarger lens on Nikon D300S with Fotodiox Pro extension tubes and Nikon SB-400 Speedlight. Flash tube set at 45 degrees, with light reflected by white business card taped to flash.
Adaptado a una vegetación exuberante de la Sierra de Sintra y rodeado de jardines en un ambiente de excesivo romanticismo, tiene un recorrido exotérico iniciático y un simbolismo templario, alquimista, cristiano y mitológico grecorromano.,
Carvalho Monteiro fue un rico hombre de negocios masón y aficionado al esoterismo que escogió una antigua quinta del siglo XVII para edificar, a principios del siglo XX un conjunto fascinante de construcciones con una sorprendente mezcla inspirado en el Buçaco y lo proyectó el mismo arquitecto, Luigi Manini.. Alojado en la vegetación exuberante de Sintra y rodeado de jardines en un ambiente extremadamente romántico, la quinta muestra un recorrido exotérico iniciático y un simbolismo complejo relacionado con los templarios, la alquimia, el cristianismo, la mitología grecorromana, etc.
Why not tell a story to your children this weekend...
The Orphan Boy and His Dog
Story adapted from a T'boli tale by Laura Simms
This tale was gathered originally by three T'Boli Scholars: Faw-Wanan, Waning Negwan, and Gadu Udal. The tales were collected and written down in 1973 and later translated into English. (The T'boli live on the southern part of the island of Mindanoa in the Philippines. They are Malay in complexion and gather in seven villages around Lake Sebu. The datu is the head man in charge of village affairs. Until recently, they have had little contact with the modern world, but are known for their sophisticated weaving and their epic literature. Laura Simms visited the T'Boli in autumn 1996. The manuscript from which this story is adapted was given to Laura by anthropologist Helen Alegado in Davoa City, Mindanoa.)
There was an orphan boy who was unhappy. His only companion was a little dog. He lived with his aunt and uncle who mistreated him. They beat the child, gave him only leftovers to eat, and rags instead of clothes. The poor child worked all day and slept in the ashes by the fire at night.
The orphan boy did whatever he was told. He worked hard and never complained. If he disobeyed he was burned or beaten, and the little dog was beaten as well. Everyone in the village made fun of the child, "He is lazy and stupid." The other children avoided him calling out, "He is an ugly child who has no clothes."
One morning, the boy was sent to fetch water. The puppy followed behind him. When they got to the well, the dog began to bark. A tiny old man stood near the cliff. His white beard hung to the earth. The child was frightened, but the puppy began to yelp and ran toward the little man.
The little man said, "Do not be afraid of me. I have something to tell you." The boy walked toward the man as if he was under a spell.
"I have seen how much you suffer," said the little man, "You and your puppy must follow me." They followed the man to the foot of a tree.
"I do not see anything," remarked the boy.
The man said, "Your eyes are blurred." He gave the boy and the dog medicine with which they washed their eyes.
Then the little man said, "Keep your eyes closed until I tell you to open them." The boy was afraid. He heard the man unsheathe his bolo (sword). The child trembled, afraid to move. But he could not stand his fear and opened his eyes. He saw a huge snake moving toward him. He screamed, "I am going to die."
He heard a strange voice, like the buzz of a mosquito, "If you obey me you will have good fortune. But if you keep your eyes open, you will have bad fortune. Do not be afraid of the snake." The boy closed his eyes.
All of a sudden, he heard his puppy wail. Then someone tapped him on the forehead saying, "open your eyes." When he opened his eyes he saw a large dog standing before him. When he looked at himself he was dressed in sparkling clothes. His scars and dirt were gone. He was standing next to a house with glass walls.
The man spoke, "You are away from your village and you are away from danger. In my house there are many treasures. But, you can not eat any food in my world because you will not be able to return home. My family is away for four days. You must return home and then come back here to meet them. Your people have been very cruel to you, but one day they will honor you."
The old man gave the boy and the dog some special medicine so they could return to the glass house when they needed to return, then he turned them into their former selves, and turned himself back into a little old man.
The orphan was standing beside the well. He heard his aunt calling angrily for him, "What takes you so long to draw water?"
The orphan boy ran with the water. The little dog ran behind him. At home, his aunt beat him and the dog with a bamboo stick and pushed them into the garbage.
At that time, in the house where the boy was living, there was to be a great wedding feast. The three sons of the datu were to marry three princesses.
The orphan boy was given three times as many chores to do in preparation for the wedding. The three sons were not present because they were looking for the many gifts that the girls asked for their dowries: tedyung (black cloth to make skirts), kamagi (gold for jewelry), fanid ndol (the woven cloth called tinaluk), kfilan (special swords), ulew ndol (red turbans) and brass musical instruments.
The three daughters arrived and waited.
The orphan and the puppy left the kitchen to watch the celebrations. But the people called out, "Drive that ugly filthy child and his hideous dog away. They will bring bad luck. They are a source of embarrassment." The aunt mercilessly beat the boy and the puppy and then forced them to work again. No one took pity on the child.
The child and the dog ran as fast as they could to the well. They covered themselves with the medicine the old man had given them and passed through to the other world. The man welcomed them. He introduced the boy to his wife and two children. The man's wife was a beautiful. Her hair was coiled on the top of her head as elegantly as a finely woven basket. If she was to let down her hair it would reach her feet. She said, "Stay with us until the feast is over. You have suffered enough."
The orphan boy was given food to eat. The big dog was also given food. The man gave the boy two charms: one for good luck and one for bad luck. He said, "Use the good charm tonight at midnight. The youngest princess will see who you are. But, be careful not to confuse the two charms."
Then the boy and the puppy returned as they were before. When they reached the house they were beaten again, because they had been gone so long.
All evening and all night the boy tended the fire and stirred the rice. Eventually, everyone went to sleep. Only the youngest princess could not sleep because she did not want to marry one of the three datus. As the orphan was stirring the rice he thought, "The three datus think that they are the most powerful leaders. But they do not realize that I, whom they despise, will be the most powerful datu."
At midnight, he carefully chose the good luck charm and rubbed it on himself. The fireplace instantly turned into a well-woven mat. The bamboo frame of the stove became two pillows. The fire turned into a lamp and the stones on which he slept became valuable gongs. Everything in the kitchen became a priceless treasure of this world, and theorphan boy became a handsome young man and the dog became ferocious.
The youngest princess went into the kitchen. To her amazement she saw the young man and his place of treasures. She saw his beauty and the power of the dog. She knew it was not a dream. She awoke her mother, but when the old woman went to look, she saw only the filthy orphan boy and his ragged dog.
The youngest princess returned to her bed. She fell asleep and dreamed. The little old man came to her dream and said, "When you must choose a young man tomorrow, choose the orphan boy. You will live in a house of glass and mirrors and be surrounded by treasures. He will be kind and loving. The orphan boy will be the strongest datu." She awoke to the sound of bells and gongs. The wedding ceremonies were beginning.
Each of the young men was seated under nets. Behind the men were rows of horses, cows, water buffalo, sheep and goats. This was the dowry to be given to the fathers of the brides.
As the sun rose, each of the girls was to sit beside their chosen husband under the mosquito net. But the youngest princess had made a form from a pillow the size of a girl and she placed that beneath the net beside the youngest datu. When it was discovered, her father yelled at her. "You must go and choose your husband."
The youngest princess started running. She ran near to the datu, but instead of sitting down beside him, she ran all the way to the orphan boy and sat beside him near the fire. Her father tried to pull her away. She cried out, "If you pull me away or harm the orphan, I will die with him."
The youngest datu was enraged. He lifted up his sword and went to kill the orphan and the princess. But, the orphan took out his good luck charm. He rubbed it on himself and on the dog. He shed his ugly skin and stood up a powerful and handsome young man. The dog grew ten times its size and pounced on the datu's son. Everything in the kitchen turned to treasures.
The people who saw what had happened fell to their knees. The aunt, who had been so cruel, ran to the boy, and put her head by his feet. But, the dog intercepted and bit her hands.
The orphan boy married the princess, and from that day onwards he became the most powerful datu. They lived in that village for a long time.
Then, one morning, all the people saw a flash of lightening. Suddenly, the little old man appeared. His white beard hung down to the earth. When the sky cleared, the boy, the princess, the old man and the dog were gone. They all lived happily in the other world in the house of treasures.
The 'plan' for this morning was to visit Maroon Bells for the reflections of the Rockies and the fall Aspens on the water. Well, Mother Nature had other ideas as low clouds hid the Rockies, the wind erased any reflections and then the light rain started. Disappointed, but not discouraged, I wandered into the woods for subject matter while waiting for the weather to improve.
Not my usual landscape . . . but, when you're given lemons . . . you make lemonade.
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Visiting Aberdeen Harbour 9th August 2018 this little ottor swam past as I stood on the North Pier below the Marine Operations Centre, a crowd quickly gathered and enjoyed a brief minute or so watching this little one swim towards Abercrombie Jetty , climb on to its base for a brief few seconds before disappearing into the River Dee .
I only managed a few shots though enough to capture the moment.
Ottors
Otters are carnivorous mammals in the subfamily Lutrinae.
The 13 extant otter species are all semiaquatic, aquatic or marine, with diets based on fish and invertebrates. Lutrinae is a branch of the weasel family Mustelidae, which also includes badgers, honey badgers, martens, minks, polecats, and wolverines.
Etymology
The word otter derives from the Old English word otor or oter. This, and cognate words in other Indo-European languages, ultimately stem from the Proto-Indo-European language root *wódr̥, which also gave rise to the English word "water".
Terminology
An otter's den is called a holt or couch. Male otters are called dogs or boars, females are called bitches or sows, and their offspring are called pups.
The collective nouns for otters are bevy, family, lodge, romp (being descriptive of their often playful nature) or, when in water, raft.
The feces of otters are typically identified by their distinctive aroma, the smell of which has been described as ranging from freshly mown hay to putrefied fish;these are known as spraints.
Life cycle
The gestation period in otters is about 60 to 86 days. The newborn pup is cared for by the bitch, dog and older offspring. Bitch otters reach sexual maturity at approximately two years of age and males at approximately three years. The holt is built under tree roots or a rocky cairn, more common in Scotland. It is lined with moss and grass.
After one month, the pup can leave the holt and after two months, it is able to swim. The pup lives with its family for approximately one year. Otters live up to 16 years; they are by nature playful, and frolic in the water with their pups. Its usual source of food is fish, and further downriver, eels, but it may sample frogs and birds.
Characteristics
Otters have long, slim bodies and relatively short limbs. Their most striking anatomical features are the powerful webbed feet used to swim, and their seal-like abilities holding breath underwater. Most have sharp claws on their feet and all except the sea otter have long, muscular tails. The 13 species range in adult size from 0.6 to 1.8 m (2.0 to 5.9 ft) in length and 1 to 45 kg (2.2 to 99.2 lb) in weight. The Asian small-clawed otter is the smallest otter species and the giant otter and sea otter are the largest. They have very soft, insulated underfur, which is protected by an outer layer of long guard hairs. This traps a layer of air which keeps them dry, warm, and somewhat buoyant under water.
Several otter species live in cold waters and have high metabolic rates to help keep them warm. European otters must eat 15% of their body weight each day, and sea otters 20 to 25%, depending on the temperature. In water as warm as 10 °C (50 °F), an otter needs to catch 100 g (3.5 oz) of fish per hour to survive. Most species hunt for three to five hours each day and nursing mothers up to eight hours each day.
For most otters, fish is the staple of their diet. This is often supplemented by frogs, crayfish and crabs. Some otters are experts at opening shellfish, and others will feed on available small mammals or birds. Prey-dependence leaves otters very vulnerable to prey depletion. Sea otters are hunters of clams, sea urchins and other shelled creatures.
They are notable for their ability to use stones to break open shellfish on their stomachs. This skill must be learned by the young.
Otters are active hunters, chasing prey in the water or searching the beds of rivers, lakes or the seas. Most species live beside water, but river otters usually enter it only to hunt or travel, otherwise spending much of their time on land to prevent their fur becoming waterlogged. Sea otters are considerably more aquatic and live in the ocean for most of their lives.
Otters are playful animals and appear to engage in various behaviours for sheer enjoyment, such as making waterslides and then sliding on them into the water.
They may also find and play with small stones. Different species vary in their social structure, with some being largely solitary, while others live in groups – in a few species these groups may be fairly large.
The Eurasian otter (Lutra lutra), also known as the European otter, Eurasian river otter, common otter, and Old World otter, is a semiaquatic mammal native to Eurasia. The most widely distributed member of the otter subfamily (Lutrinae) of the weasel family (Mustelidae), it is found in the waterways and coasts of Europe, many parts of Asia, and parts of northern Africa. The Eurasian otter has a diet mainly of fish, and is strongly territorial. It is endangered in parts of its range, but recovering in others.
Description
The Eurasian otter is a typical species of the otter subfamily. Brown above and cream below, these long, slender creatures are well-equipped for their aquatic habits. Their bones show osteosclerosis, increasing their density to reduce buoyancy.
This otter differs from the North American river otter by its shorter neck, broader visage, the greater space between the ears and its longer tail.
However, the Eurasian otter is the only otter in much of its range, so it is rarely confused for any other animal. Normally, this species is 57 to 95 cm (22.5 to 37.5 in) long, not counting a tail of 35–45 cm (14–17.5 in). The female is shorter than the male.[4] The otter's average body weight is 7 to 12 kg (15 to 26 lb), although occasionally a large old male may reach up to 17 kg (37 lb). The record-sized specimen, reported by a reliable source but not verified, weighed over 24 kg (53 lb).
Range and habitat
The Eurasian otter is the most widely distributed otter species, its range including parts of Asia and Africa, as well as being spread across Europe, south to Israel.
Though currently believed to be extinct in Liechtenstein and Switzerland, they are now very common in Latvia, along the coast of Norway, in the western regions of Spain and Portugal and across Great Britain, especially Shetland, where 12% of the UK breeding population exists.
Ireland has the highest density of Eurasian otters in Europe.[citation needed] In Italy, they can be found in southern parts of the peninsula. The South Korean population is endangered. In India, the species is distributed in the Himalayan foothills, southern Western Ghats and the central Indian landscape.
In general, their varied and adaptable diets mean they may inhabit any unpolluted body of fresh water, including lakes, streams, rivers, and ponds, as long as the food supply is adequate. In Andalusia the golf courses became part of their habitat.
Eurasian otters may also live along the coast, in salt water, but require regular access to fresh water to clean their fur. When living in the sea, individuals of this species are sometimes referred to as "sea otters", but they should not be confused with the true sea otter, a North Pacific species much more strongly adapted to a marine existence.
The de Havilland DH.98 Mosquito was a British multi-role combat aircraft with a two-man crew that served during and after the Second World War. It was one of few operational front-line aircraft of the era constructed almost entirely of wood and was nicknamed "The Wooden Wonder". The Mosquito was also known affectionately as the "Mossie" to its crews. Originally conceived as an unarmed fast bomber, the Mosquito was adapted to roles including low to medium-altitude daytime tactical bomber, high-altitude night bomber, pathfinder, day or night fighter, fighter-bomber, intruder, maritime strike aircraft, and fast photo-reconnaissance aircraft. It was also used by the British Overseas Airways Corporation (BOAC) as a fast transport to carry small high-value cargoes to, and from, neutral countries, through enemy-controlled airspace.
When the Mosquito began production in 1941, it was one of the fastest operational aircraft in the world. Entering widespread service in 1942, the Mosquito was a high-speed, high-altitude photo-reconnaissance aircraft, continuing in this role throughout the war. From mid-1942 to mid-1943 Mosquito bombers flew high-speed, medium or low-altitude missions against factories, railways and other pinpoint targets in Germany and German-occupied Europe. From late 1943, Mosquito bombers were formed into the Light Night Strike Force and used as pathfinders for RAF Bomber Command's heavy-bomber raids. They were also used as "nuisance" bombers, often dropping Blockbuster bombs - 4,000 lb (1,812 kg) "cookies" - in high-altitude, high-speed raids that German night fighters were almost powerless to intercept.
As a night fighter, from mid-1942, the Mosquito intercepted Luftwaffe raids on the United Kingdom, notably defeating Operation Steinbock in 1944. Starting in July 1942, Mosquito night-fighter units raided Luftwaffe airfields. As part of 100 Group, it was a night fighter and intruder supporting RAF Bomber Command's heavy bombers and reduced bomber losses during 1944 and 1945. As a fighter-bomber in the Second Tactical Air Force, the Mosquito took part in "special raids", such as the attack on Amiens Prison in early 1944, and in precision attacks against Gestapo or German intelligence and security forces. Second Tactical Air Force Mosquitos supported the British Army during the 1944 Normandy Campaign. From 1943 Mosquitos with RAF Coastal Command strike squadrons attacked Kriegsmarine U-boats (particularly in the 1943 Bay of Biscay, where significant numbers were sunk or damaged) and intercepting transport ship concentrations.
The Mosquito flew with the Royal Air Force (RAF) and other air forces in the European theatre, and the Mediterranean and Italian theatres. The Mosquito was also used by the RAF in the South East Asian theatre, and by the Royal Australian Air Force (RAAF) based in the Halmaheras and Borneo during the Pacific War.
By the early-mid-1930s, de Havilland had a reputation for innovative high-speed aircraft with the DH.88 Comet racer. The later DH.91 Albatross airliner pioneered the composite wood construction that the Mosquito used. The 22-passenger Albatross could cruise at 210 miles per hour (340 km/h) at 11,000 feet (3,400 m), better than the 100 miles per hour (160 km/h) Handley Page H.P.42 and other biplanes it was replacing. The wooden monocoque construction not only saved weight and compensated for the low power of the de Havilland Gipsy Twelve engines used by this aircraft, but simplified production and reduced construction time.
Air Ministry bomber requirements and concepts:
On 8 September 1936, the British Air Ministry issued Specification P.13/36 which called for a twin-engined medium bomber capable of carrying a bomb load of 3,000 pounds (1,400 kg) for 3,000 miles (4,800 km) with a maximum speed of 275 miles per hour (443 km/h) at 15,000 feet (4,600 m); a maximum bomb load of 8,000 pounds (3,600 kg) which could be carried over shorter ranges was also specified. Aviation firms entered heavy designs with new high-powered engines and multiple defensive turrets, leading to the production of the Avro Manchester and Handley Page Halifax.
In May 1937, as a comparison to P.13/36, George Volkert, the chief designer of Handley Page, put forward the concept of a fast unarmed bomber. In 20 pages, Volkert planned an aerodynamically clean medium bomber to carry 3,000 pounds (1,400 kg) of bombs at a cruising speed of 300 miles per hour (480 km/h). There was support in the RAF and Air Ministry; Captain R N Liptrot, Research Director Aircraft 3 (RDA3), appraised Volkert's design, calculating that its top speed would exceed the new Supermarine Spitfire. There were, however, counter-arguments that, although such a design had merit, it would not necessarily be faster than enemy fighters for long. The ministry was also considering using non-strategic materials for aircraft production, which, in 1938, had led to specification B.9/38 and the Armstrong Whitworth Albemarle medium bomber, largely constructed from spruce and plywood attached to a steel-tube frame. The idea of a small, fast bomber gained support at a much earlier stage than sometimes acknowledged though it was unlikely that the Air Ministry envisaged it not using light alloy components.
Project Mosquito:
Once design of the DH.98 had started, de Havilland built mock-ups, the most detailed at Salisbury Hall, in the hangar where E0234 was being built. Initially, this was designed with the crew enclosed in the fuselage behind a transparent nose (similar to the Bristol Blenheim or Heinkel He 111H), but this was quickly altered to a more solid nose with a more conventional canopy.
The construction of the prototype began in March 1940, but work was cancelled again after the Battle of Dunkirk, when Lord Beaverbrook, as Minister of Aircraft Production, decided there was no production capacity for aircraft like the DH.98, which was not expected to be in service until early 1941. Although Lord Beaverbrook told Air Vice-Marshal Freeman that work on the project had better stop, he did not issue a specific instruction, and Freeman ignored the request. In June 1940, however, Lord Beaverbrook and the Air Staff ordered that production was to focus on five existing types, namely the Supermarine Spitfire, Hawker Hurricane, Vickers Wellington, Armstrong-Whitworth Whitley and the Bristol Blenheim. Work on the DH.98 prototype stopped, and it seemed that the project would be shut down when the design team were denied the materials with which to build their prototype.
The Mosquito was only reinstated as a priority in July 1940, after de Havilland's General Manager L.C.L Murray, promised Lord Beaverbrook 50 Mosquitoes by December 1941, and this, only after Beaverbrook was satisfied that Mosquito production would not hinder de Havilland's primary work of producing Tiger Moth and Oxford trainers and repairing Hurricanes as well as the licence manufacture of Merlin engines. In promising Beaverbrook 50 Mosquitoes by the end of 1941, de Havilland was taking a gamble, because it was unlikely that 50 Mosquitos could be built in such a limited time; as it transpired only 20 Mosquitos were built in 1941, but the other 30 were delivered by mid-March 1942.
During the Battle of Britain, nearly a third of de Havilland's factory time was lost because the workers took cover in the factory's bomb shelters. Nevertheless, work on the prototype went quickly, such that E0234 was rolled out on 19 November 1940.
In the aftermath of the Battle of Britain, the original order was changed to 20 bomber variants and 30 fighters. It was still uncertain whether the fighter version should have dual or single controls, or should carry a turret, so three prototypes were eventually built: W4052, W4053 and W4073. The latter, both turret armed, were later disarmed, to become the prototypes for the T.III trainer. This caused some delays as half-built wing components had to be strengthened for the expected higher combat load requirements. The nose sections also had to be altered, omitting the clear perspex bomb-aimer's position, to solid noses designed to house four .303 machine guns and their ammunition.
Overview:
The Mosquito was a fast, twin-engined aircraft with shoulder-mounted wings. The most-produced variant, designated the FB Mk VI (Fighter-bomber Mark 6), was powered by two Merlin Mk 23 or Mk 25 engines driving three-bladed de Havilland hydromatic propellers. The typical fixed armament for an FB Mk VI was four Browning .303 machine guns and four 20 mm Hispano cannon while the offensive load consisted of up to 2,000 pounds (910 kg) of bombs, or eight RP-3 unguided rockets.
Construction:
The oval-section fuselage was a frameless monocoque shell built in two halves being formed to shape by band clamps over a mahogany or concrete mould, each holding one half of the fuselage, split vertically. The shell halves were made of sheets of Ecuadorean balsawood sandwiched between sheets of Canadian birch, but in areas needing extra strength— such as along cut-outs— stronger woods replaced the balsa filler; the overall thickness of the birch and balsa sandwich skin was only 7⁄16 inch (11 mm). This sandwich skin was so stiff that no internal reinforcement was necessary from the wing's rear spar to the tail bearing bulkhead. The join was along the vertical centre line. This split construction greatly aided the assembly of the internal equipment as it allowed the technicians easy access to the fuselage interior. While the glue in the plywood skin dried, carpenters cut a sawtooth joint into the edges of the fuselage shells, while other workers installed the controls and cabling on the inside wall. When the glue completely dried, the two halves were glued and screwed together. The fuselage was strengthened internally by seven bulkheads made up of two plywood skins parted by spruce blocks, which formed the basis on each half for the outer shell. Each bulkhead was a repeat of the spruce design for the fuselage halves; a balsa sheet sandwich between two plywood sheets/skins. Bulkhead number seven carried the fittings and loads for the tailplane and rudder, The type of glue originally used was Casein, which was later replaced by "Aerolite", a synthetic urea-formaldehyde, which was more durable. Many other types of screws and flanges (made of various woods) also held the structure together.
The fuselage construction joints were made from balsa wood and plywood strips with the spruce multi-ply being connected by a balsa V joint, along with the interior frame. The spruce would be reinforced by plywood strips at the point where the two halves joined to form the V-joint. Located on top of the joint the plywood formed the outer skin. During the joining of the two halves ("boxing up"), two laminated wooden clamps would be used in the after portion of the fuselage to act as support. A covering of doped Madapolam (a fine plain woven cotton) fabric was stretched tightly over the shell and a coat of silver dope was applied, after which the exterior camouflage was applied. The fuselage had a large ventral section cut-out, which was braced during construction, to allow it to be lowered onto the wing centre-section. Once the wing was secured the lower panels were replaced, and the bomb bay or armament doors fitted.
The all-wood wing was built as a one-piece structure and was not divided into separate construction sections. It was made up of two main spars, spruce and plywood compression ribs, stringers, and a plywood covering. The outer plywood skin was covered and doped like the fuselage. The wing was installed into the roots by means of four large attachment points. The engine radiators were fitted in the inner wing, just outboard of the fuselage on either side. These gave less drag. The radiators themselves were split into three sections: an oil cooler section outboard, the middle section forming the coolant radiator and the inboard section serving the cabin heater. The wing contained metal framed and skinned ailerons, but the flaps were made of wood and were hydraulically controlled. The nacelles were mostly wood, although, for strength, the engine mounts were all metal as were the undercarriage parts. Engine mounts of welded steel tube were added, along with simple landing gear oleos filled with rubber blocks. Wood was used to carry only in-plane loads, with metal fittings used for all triaxially loaded components such as landing gear, engine mounts, control surface mounting brackets, and the wing-to-fuselage junction. The outer leading wing edge had to be brought 22 inches (56 cm) further forward to accommodate this design. The main tail unit was all wood built. The control surfaces, the rudder and elevator, were aluminium framed and fabric covered. The total weight of metal castings and forgings used in the aircraft was only 280 lb (130 kg).
In November 1944, several crashes occurred in the Far East. At first, it was thought these were as a result of wing structure failures. The casein glue, it was said, cracked when exposed to extreme heat and/or monsoon conditions. This caused the upper surfaces to "lift" from the main spar. An investigating team led by Major Hereward de Havilland travelled to India and produced a report in early December 1944 stating that "the accidents were not caused by the deterioration of the glue but by shrinkage of the airframe during the wet monsoon season". However a later inquiry by Cabot & Myers definitely attributed the accidents to faulty manufacture and this was confirmed by a further investigation team by the Ministry of Aircraft Production at Defford which found faults in six different Marks of Mosquito (all built at de Havilland's Hatfield and Leavesden plants) which showed similar defects, and none of the aircraft had been exposed to monsoon conditions or termite attack; thus it was concluded that there were construction defects found at the two plants. It was found that the "Standard of glueing...left much to be desired”. Records at the time showed that accidents caused by "loss of control" were three times more frequent on Mosquitoes than on any other type of aircraft. The Air Ministry forestalled any loss of confidence in the Mosquito by holding to Major de Havilland's initial investigation in India that the accidents were caused "largely by climate" To solve the problem, a sheet of plywood was set along the span of the wing to seal the entire length of the skin joint along the main spar.
Information regarding the de Havilland DH98 Mosquito has been taken from excerpts contained on Wikipedia
Aston Martin Ulster Roadster (1936)
In 1927 Aston Martin was taken over by race driver A. C. Bertelli. He designed a 1.5-litre, SOHC engine which would eventually power the LeMans-racing Ulster. Thoughout the years the engine was devloped to include dry sump lubrication.
The Aston Martin Ulster stands as one of the most respected pre-war racecars. It was largely based on the Mark II which came before it.
The Ulster had a breif two year race program. During this time they dominated the British Tourist Trophy at Goodwood. In 1934, Ulsters took first, second and third place. The best LeMans result was achieved in 1935. Chassis LM20 raced to third overall which put it first in the 1101 to 1500cc class.
After the race efforts, Aston Martin readied a production version of the LeMans cars. Twenty-One of these cars were built of which all are accounted for today.
Aston Martin Ulster information used from:
www.supercars.net/cars/2084.html
In the 1980's a small number (7) replicas of the Aston Martin Ulster Roadster were manufactured as a kit car:
Fergus Mosquito (Aston Martin Ulster replica)
Kop Hill Climb - 25th September 2011
Fergus Mosquito - an Aston Martin Ulster replica.
Only seven were made in Kingsbridge, Devon, in the 1980s, using donor Morris Marina B-series engines and other parts.
UIJ233 is the best of the 7 replicas.
These two models, the de Havilland DH98 Mosquito aircraft and the Aston Martin Ulster Roadster of 1936 have been created in Lego miniland scale for Flickr LUGNuts' 79th Build Challenge, - 'LUGNuts goes Wingnuts" - featuring automotive vehicles named after, inspired by or related to aircraft.