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Getting a late start to the day due to several overhead BNSF trains, local 844 accelerates from Manhattan, MT with their cars dropped off from local 841. March 2019.
Kuwait Rally Championship 2010
Canon EOS 5D Mark II
Canon EF 70-200mm F/4 L
F 5.6
S 1/1600
ISO 200
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
I've been experimenting with "selective" photo manipulation and this is an example…taken this fall….don't believe the exif data…. this was really taken using a 14mm Rokinon lens...
This image cannot be used on websites, blogs or other media without explicit my permission. © All rights reserved
A small shot of the speedster from Earth 19. He briefly made an appearance in The Flash TV show, as well as the comics.
Rittreck Six 6x6 SLR. 12 frames per 120 roll/24 per 220.
Fitted with 80mm Rittron f/2 lens.
The Rittreck Six was the progenitor of the better known Norita SLR, but was manufactured by Musashino Kōki.
See here for more information about the Rittreck/Norita series. camera-wiki.org/wiki/Rittreck_6×6_and_Norita_66
Also:
www.rangefinderforum.com/threads/rittreck-six-slr-repair-...
By all accounts this one is virtually unused. I find this easy to believe, because it's become fairly obvious to me that, at the time of its assembly, Musashino Kōki's quality control left a bit to be desired, unfortunately. So its proud owner's first roll of film through this camera would have been a profound disappointment.
This Rittreck was sent to me to by its owner in order to get it to actually work properly. On arrival, it had any number of faults. Frame spacing was inconsistent, and the shutter curtains were poorly adjusted because there was considerable tapering across the gate at the faster speeds.
The back closure was a little on the loose side (causing other issues with the counter reset and frame spacing), and its Rittron lens would focus beyond infinity by an unacceptable amount (subsequent checks confirmed it had been assembled with the back focus out of spec).
It's an unusual mechanism in as much that it relies on the correct amount of friction in a few places in order to achieve satisfactory frame spacing or indeed, to get the shutter cocking and advance working together at all. I can't help thinking a Rollei type approach to integrating wind release and lock into the counter dial, so that the lever (or knob in the case of a Rolleicord) is either free, or blocked, depending on the counter position, is a much more elegant (and reliable) solution.
The back door closure is a key part of getting the plot to come together correctly. A reset tab inside the top door slot not only resets the counter to "S" but also kicks the film roller into action when you begin advancing to the first frame. If the tab is not firmly depressed by a snug door, or the linkages inside the bottom cover of the body which are driven by the tab's lever are incorrectly adjusted with the wrong play or orientation, the framing may be haphazard or even non-existent (the shutter may not get cocked at all).
At various points of problem solving the mechanism I had the frame advancing without cocking the shutter, and the shutter cocking without winding on the film. It's a Goldilocks mechanism. Has to be just right, in order to function sweetly. Nevertheless I got there eventually and it now produces 12 beautifully even frames on a roll of 120.
The shutter is now exposing the gate consistently even at its 1/500 maximum speed. After first cleaning and lubricating the mechanism, this was achieved by increasing the second curtain tension to reduce the tapering across the gate. The alternative would have been reducing the first curtain tension (or I suppose a combination of both). But the first curtain must activate the timing levers, and as medium and slow speeds were still OK, I judged it better to speed up the second curtain to get them balanced across the gate.
It's not a particularly well understood point—but you do actually need a slight amount of widening of the slit across the gate if the fastest speeds of a focal plane shutter are going to be really good. This is because the curtains are still gathering speed as they travel across the film gate. Because the far end of the gate is thus, exposed for a shorter amount of time, the width of the slit between the curtain ends needs to enlarge fractionally during the run, in order to negate the underexposure that will occur from the curtains accelerating.
I had to estimate the amount of taper needed to achieve consistent exposure by eye using a CRT screen. On receipt it was clearly grossly excessive with the slit tripling in size from side to side, or more. I moderated this to around a 1/3 increase from right side to left side of the gate (as viewed from the rear). A test roll with several 1/500 & 1/250 images featuring lots of clear sky indicates that exposure is very even across an entire negative, so my adjustments were fairly reasonable.
The 80mm Rittron f/2 lens seems reasonably sharp and after the addition of a 0.25mm shim behind the optic module, is now focusing only to infinity at its stop.
Whilst I am in no hurry to work on another it was an interesting job, and a learning exercise. But also a reminder of why I mostly stick with classic German cameras, I seem to relate to those better...
WORDS AND IMAGES
COPYRIGHT TASMANIA FILM PHOTOGRAPHY 2022
ALL RIGHTS RESERVED
Visiting engine LNER Gresley D-49 Class 4-4-0 No 62712 'Morayshire' accelerates away from Loughborough seen here at Empress Road bridge. One of the best locations on the line with the stunning semaphore signal on the left. My thanks to all at the GCR for another great event.
GCR Autumn Steam Gala 5th October 2014 S.R.Lathlane Copyright
TL152 powers away from Ararat as 6L63 to Kaniva, then onto Leeor Loop to run around.
707 Operations ran a break of gauge and jointly operated tour with Steamrail Victoria to Ararat using Broad Gauge equipment and then onto Kavina using Standard Gauge equipment for lunch.
Saturday 27th February 2016
Class 91 electric locomotive No. 91127 gets away from Leeds propelling 1A39, the 15:45 service to London King's Cross on Monday 11th February 2019.
Living over 200 miles from Leeds I doubt that I will ever see this sight again but, given that I have connections with the city, it's not impossible. I've read in the railway press that LNER plans to retire all 91/Mk4/DVT combinations from its fleet by June 2020.
The photograph shows the "91" simply doing what members of the 31-strong class have done day in, day out for three decades, and they represent a triumph of BR-era design and engineering skills. These locomotives have beaten the A4s, the Deltics and the HSTs in terms of endurance, working top flight expresses between London and Yorkshire, the North East and Edinburgh for longer than any of those classic predecessors. For this achievement they are deserving of respect, as are the men and women in all rail industry capacities who have kept these trains running over the years. The signs are that some "Inter-City 225" sets at least will find work elsewhere on the national network, so that is something different to look forward to.
Q542 accelerates past Wyvern after waiting for A718 to clear up back into Wyvern yard. On this day, 542 was ordered to dropoff their cars destined for here at North Yard several miles to the south in an effort to save time while A718 headed back for home base. 1-31-20
JEREZ DE LA FRONTERA, SPAIN - SEP 03: Pilot of motorcycling of Formula Extreme in the Spanish championship of velocity (CEV) on Sep 03, 2005, in racetrack of velocity of Jerez de la Frontera
It raises huge amounts of spray which may explain his gentle departure until he was clear of the beach.
A66 races into Ardeer as 8129 V/line passenger service bound for Bacchus Marsh on a hot Autumn afternoon
In the background is the former Anderson Road level crossing, this has since been grade separated; www.flickr.com/photos/henrysrailwaygallery/14348164072
Tuesday 12th March 2013
Having just passed the diamond at HV, a heavy manifest accelerates into his pull north out of Columbus on a sunny Saturday evening. CSX Columbus Subdivision. Columbus, OH. June 24, 2023.
Fall accelerates:
Another walk around one of the lakes here. I was surprised, fall colors were basically absent only few days ago, now there is obviously more to see. I hope color will build up a bit in the next weeks, and it's not gone before it really starts.
I did boost color in these a bit, it was a dull day.
A short inside the Aros Art Museum in Aarhus. Architecture and exhibitions on global challenges and daily routines.
29.3.2014. Class 47 D1705 'Sparrowhawk' puts on a display as it accelerates away fro Rothley during the GCR's March Diesel Gala.
With Bluestone Mining & Smelting Heisler #1 holding the main with her standard gauge passenger consist, Carson & Tahoe Lumber & Fluming Co. #1 "Glenbrook", a narrow-gauge, wood-burner, accelerates her train off the siding at Wabuska Station and heads out on to the Nevada State Railroad Museum's dual-gauge loop. Historically, an operation such as this one would have been pretty rare as dual-gauged lines were uncommon.
This image was created during Day 3 of the July, 2022 "Great Western Steam-Up" event at the Nevada State Railroad Museum.
View from the top of Korkeakoski just before it falls about 35 metres to the valley.
Taken with:
Canon EOS 6D
Zeiss Distagon T* 2,8/21 ZE
Lee Filters: 0.9 ND Pro Glass
Lee Filters: GND 0.3 Soft Edge
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
© Ben Heine || Facebook || Twitter || www.benheine.com
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For more information about my art: info@benheine.com
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110 accelerates away from Bury St Edmunds, train is probably a Parkeston Quay to Bathgate Speedlink service, March 1982
Night shot of the upper and lower decks. Taken from I-35 and 38th 1/2
Been wanting to take this shot for a while now. This is a five image HDR. -2, -1, 0, +1, +2, processed in Photomatix Pro and then CS5. I've been following a fellow flickr member's tutorials/advice and used some of the techniques he posted to process this. After initially processing the 5 images, I processed a single image with the best light trails using similar settings. Then masked the light trails in to get rid of the ghosting. It worked out well...I think. I think I need more practice, but overall, I'm happy with it. Oh! and my levitation skills are sick!...Check out Neil's tutorials here, if you're interested.
Accelerating splendidly after a signal check on a Derby RTC to Tonbridge West Yard move. DBSO 9708 on the rear.
Rail Operations Group/ Europhoenix Class 37 37884 and Class 47 47848 accelerate through Stourbridge Junction with the 13:15 (7 late) Matlock Peak Rail to Worcester Shrub Hill "The Lickey Incline II".
Arriving downtown I had to wonder if I was about to repeat the last time I went after a Magnetation train and landed trackside with 30 seconds to spare; headlight to the east on M2! Then I got a closer look; it was an NS powered oil. For some reason it was sitting just east of Fairview Ave even though it had a clear green, so what was up? Train failure, accident, picking up some rolls from Pepperidge Farm, well we’ll never know, but after holding for another five minutes it got on the move. Perfect, there’s nothing like the sound of a train getting on the move!
Downers Grove IL / Washington St
BNSF w/b empty unit oil
NS 8113 ES44AC
NS 7220 ES44DC
Accelerating from the 05 end of the main at RAF Lossiemouth after a short stay is this Dassault Aviation Mirage 2000D from the French Armee de L'air which was one of a pair to visit.
As the Second Greco-Roman War dragged on, the resources at the NGRF's disposal continued to dwindle. This was accelerated by the URE's capture of the Macedonian construction yards, effectively cutting the Federation's manufacturing output in half. No longer able to produce Hastati IIs at an acceptable rate, they fell back on bolstering their forces with Decurions.
The Decurion began its development cycle as an early prototype for the Hastati. Based largely off of tech from the Gremlin, the original design was updated with modern armor and features to become the System we see today. Its performance falls short of the URE's Aardwolf III, but it makes up for that in sheer versatility. It specializes in ground combat but the B-type equipment adds a number of propellant tanks and thrusters to allow for limited use in outer space. This equipment has also been used for dropping Decurions into combat zones from the air, a tactic that has proved somewhat effective for surprising URE forces.
The Decurion's standard armament is a 100mm machine gun but it is also capable of wielding the "Pilum" heavy beam bazooka. Optional equipment includes "System Buster" warheads that can be mounted on the waist and missile pods that fit over the shoulders.
Geez that description took a lot out of me. I make most of it up on the fly and have to scour through all my old descriptions to properly reference stuff and make sure I don't contradict anything.
Anyway I wanted to do a build inspired by Dipo Muh's work, especially his Zaku redesigns. I put a lot of effort into the weapons as well, and really like how the flip-out stock on the rifle turned out as well as how all the parts on the bazooka mesh together. The backpack looks pretty heavy but it stands up pretty well. Only weight issues I've had is with holding the bazooka, where the shoulder guard is kinda necessary.
Accelerating out of the siding in Cairo, Q202 has a pair of 6 axle GE's at the helm with less than 20 cars in tow. They wasted no time getting up to speed and provided a good show to round out my first day exploring the Buckeye state.