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It was such a lovely sunny day last Saturday, that I just couldn't stop taking photos. And I must have taken over a hundred of oilseed rape fields. I like the tractor lines in crops, and I like the way this telegraph pole is standing between them - how did the farmer manage that?!
Sony A7RII
Sony 70-300G lens
Acrylic, pearlescent medium, heavy modeling paste, plaster of paris on plywood, 12 x 12 inches, 2011.
silks, cottons, old clothing, bedsheets. 30 by 30 inches. I quilted the background only; I like how this design choice made the wonky diamonds POP!
Copyright © 2012 by David E. Madison, all rights reserved (please do not use without my explicit permission!).
careening poles on the beach at Gove
ODC - ABSTRACT is the topic for Friday 19, 2012
HSS
Circumnavigating Australia Blog: nancyjean-alanarose.blogspot.com.au/
Slow shutter speed along with some slight up movement of the camera, gives this image an abstract, painted effect.
I learned this technique in an online photography class. Start with a shot of smoke rising from an incense stick, then flip/rotate multiple time in Photoshop. Add a color gradient. Some very cool images result. And no two are the same!
This work by Dennis Behm is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Abstract photography art of big tubbing stacked up. james-insogna.artistwebsites.com/featured/abstract-tubing...
Fine Art Prints - Canvas Art - Greeting Cards www.BoInsogna.com
Stock Images - www.JamesInsogna.com
James "Bo" Insogna - Striking Photography - Direct Line
303-834-2524 / Toll Free 1-888-682-0122
edited to increase contrast and get rid of tan colours. i just really like the look of the pattern here. it was waves in shallow water on a sunny day.
To avoid confusion with some group invitations, all of my images are created from blank. Any image from a photo is clearly marked as such.
This abstract is meant to represent duality, the contrast between the light and dark in all of us. Like the Roman god Gemini, there is two sides to everything.
Nikon F100, Nikon 105mm VR f/2.8G micro lens, Nikon SB600 speedlight in TTL, Lomography Redscale XR 50-200 film developed in standard C-41 chemistry, 1/60 sec at f/22, ISO 50.