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vinyl text on gallery wall, Union Gallery UW-Milwaukee, for group exhibition "Interface: Meetings of Art and Technology" from Jan 26 - Feb 20 2015
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
Photo Booth self-portrait filtered through ASCII Movie Player (see here for explanation, or here for the color version).
• • • • •
This photo used (without permission, but oh hell whatever) on Gizmodo: How Data Can Improve Your Life, a post on 30 April 2010.
For the record, I am not now, now have I ever been "the face of Gizmodo".
But if I do now need a Gizmodonom-de-plume, I'm going with Felonious Monk.
This is a QR Code (trademark Denso) of an ASCII image of the Japanese kanji 色々,meaning "various." Decoded, the results should be some text with proper spacing that look something similar to the Japanese text mentioned above.
screenshot di mena (mena suvari) dello S.P.A.C. - Special People Ascii Club - blog spac.altervista.org/
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
Since the early 90s, the Internet has been my playground, school, and secret lover. Once upon a time, this was my .sig.
Sometimes I really miss those days.
With only three lines of text and a limited character set this was the best I could manage. I did get the beard, my nose and the bags under my eyes, though - all my best features :-)
Bruce is trying to resurrect an elderly Thinkpad, which presented this fabulous ascii error screen demanding that a floppy disk be inserted into the non-existent floppy drive
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
Photo converted with bmp2ascii-1.2 using a unix font. The program converts any photo using the printable characters on your keyboard.
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
Photo converted with bmp2ascii-1.2 using a windoze font. The program converts any photo using the printable characters on your keyboard.
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
pinhole photograph
part of 'abstract machines of faciality'
archival print on watercolor paper, 1999 - 2004
297 x 210 mm, edition 10
Photo converted with bmp2ascii-1.2 using a windoze font. The program converts any photo using the printable characters on your keyboard.
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
pinhole photograph
part of 'abstract machines of faciality'
archival print on watercolor paper, 1999 - 2004
297 x 210 mm, edition 10
gridworks_walldrawing4, a unique wall drawing with vinyl lettering for the occasion of the exhibition "glitChicago" held at Ukrainian Institute of Modern Art in August/September 2014
RootCat's Root Remix : a tribute to Gérard Manset
ASCII ART ANIMATION
MUSIC VIDEO CLIP by ROOTCAT
© 2011 copyart control — some rights reserved
(all of this and even less)
lyrics and tune: Gérard Manset 'Matrice' — by courtesy
ENJOY!
Les enfants du paradis
Sont les enfants sur terre
Alignés comme radis
Contre leur mère
Les enfants du paradis
Sont les enfants sur terre
Aux paupières arrondies
A l'iris délétère
L'iris délétère
Ils sont venus sur terre
Sans rien demander
Comme une pluie d'hiver
Sur une ville inondée
Est-ce pour nous aider
A supporter la peur du noir
Le tremblement de nos mémoires
Le choc de nos machoires ?
Renvoyez-nous d'où on vient
D'où on est né d'où on se souvient
Des perles de tendresse
Sanglots de l'ivresse
Renvoyez-nous d'où on vient
Sans le moindre mal vous le savez bien
Qu'on n'a pas vraiment grandi
Le sang nous frappe les tempes
Matrice tu m'as fait
Dans son lit défait
Matrice tu m'as fait
Mal... le mal est fait
Matrice
Renvoyez-nous d'où on vient
Par le même canal le même chemin
De l'éternelle douleur
De la vallée des pleurs
Renvoyez-nous pour notre bien
On n'en veut pas plus on demande rien
Que nager dans le grand liquide
Comme un tétard aux yeux vides
Matrice tu m'as fait
Dans un moule parfait
Matrice tu m'as fait
Mal... le mal est fait
Matrice
Matrice tout compte fait
Tu sais le monde est tout fait
Plus tu vas vers l'infini
Plus tu sais que c'est fini
Matrice tu m'as fait
Mal... le mal est fait
Plus tu vas vers l'infini
Plus tu sais que c'est fini
Matrice...
Matrice...
Matrice...
Matrice tu m'as...
— ad libitum
Watch this video on Vimeo. Video created by RootCat.
Facebook 1984 - George Orwell
The original ASCII Big Brother version is here
It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.