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As Desert sun shines down on Sparta ( the county seat of Hazzard Range County ) ,we see Chris Haca reading the Election result from Yesterday's Primary , out loud to Savannah Knock .As he waits for his Girlfriend .
He is reading the Hazzard Range Herald that came out this afternoon late so unofficial results could be printed .
In local elections . On Democrat side
candidate for District 5 county Commissioner Sharon Dunn retired school teacher beat out incumbent current commissioner /vice chair ,local businessmen and former county Sheriff ( 1982 -2002 ) Tom Bortz ,who has been commissioner /vice chair since 2004 .Dunn will challenging Republican Frank Padilla owner of Padilla Towing in the fall . District 1 County commissioner is vacate after incumbent Nelly lopez is retiring and Republican Jeb Cox is uncontested in Primary and in the General election this fall .
District 2 Commissioner Jake Harpe is also uncontested . Same as races for county clerk and county Treasurer .
Other races some Hazzard Range County residents are watching is the 2016 election a sheriff position is not usually on the ballot as last sheriff was elected in 2014 and should not be up for reelection till 2018 ,. That former sheriff was Adam Walter who passed way shortly after resigning from office early this year .So this it two year term this time .interim sheriff Susan Grass is not running ,but agreed to be interim till Nov 8th election .
There is two Democrat candidates Former Clay county undersheriff Bruce Tirca ( Sept 2015 to Jan 2016 ) he also worked for NM state police and Philipsburg ( Clay county seat )Police Dept . The other Democrat candidate Joseph " spike " Zbacaski ,he was the county Manger for some time and former Deputy ( 1990s ) . On Republican side we have Shawn Gray a retried FBI agent and Us Navy Veteran .Andy Johnson Retired U.S. Forest Service Ranger and Randy Lee Current County DWI Coordinator and former Chief of police of Philipsburg.
Yesterday voters in Clay county picked Democrat candidate Joseph " spike " Zbacaski and Republican Shawn Gray ,both will face off in the fall
As of January 2016, 243,750 people had fled the violence in Central African Republic (CAR) and become refugees in Cameroon.
UN Women Cameroon supports economic and social rehabilitation for vulnerable women and survivors of sexual and gender-based violence in seven refugee camps in three regions of the country.
Pictured: A young woman carries a platter of mangos through the Gado refugee camp.
Photo: UN Women/Ryan Brown
Read More:
www.unwomen.org/en/news/in-focus/humanitarian-action
www.unwomen.org/en/digital-library/publications/2016/5/wo...
A dolmen (also known as cromlech (Welsh), anta, Hünengrab, Hunebed, Goindol, quoit, and portal dolmen) is a type of single-chamber megalithic tomb, usually consisting of three or more upright stones supporting a large flat horizontal capstone (table). Most date from the early Neolithic period (4000 to 3000 BC). Dolmens were usually covered with earth or smaller stones to form a barrow, though in many cases that covering has weathered away, leaving only the stone "skeleton" of the burial mound intact.
"Dolmen" originates from the expression taol maen, which means "stone table" in Breton, and was first used archaeologically by Théophile Corret de la Tour d'Auvergne. The etymology of the German Hünenbett or Hünengrab and Dutch Hunebed all evoke the image of giants building the structures. Of other Celtic languages, "cromlech" derives from Welsh and "quoit" is commonly used in Cornwall. Anta is the term used in Portugal, and dös in Sweden.
Megalithic tombs are found from the Baltic Sea and North Sea coasts south to Spain and Portugal. Hunebedden are chamber tombs similar to dolmens and date to the middle Neolithic (Funnelbeaker culture, 4th millennium BC). They consist of a kerb surrounding an oval mound which covered a rectangular chamber of stones with the entrance on one of the long sides. Some have a more complex layout and include an entrance passage giving them a T-shape. It has been suggested that this means they are related to the passage graves found in Denmark and elsewhere.
Dolmen sites fringe the Irish Sea and are found in south-east Ireland, Wales, Devon and Cornwall. In Ireland, however, dolmens are more to be found on the west coast, particularly in the Burren and Connemara, where some of the more well-known examples, such as Poulnabrone dolmen, are to be found. Examples have also been found in northern Ireland where they may have co-existed with the court cairn tombs. It is thought that the dolmens themselves evolved from a simpler cist burial method.
A great many examples can also be found on the Channel Island of Jersey, such as La Pouquelaye de Faldouet, La Hougue des Géonnais and La Sergenté. The most famous of these sites is La Hougue Bie a 6,000 year old neolithic site that sits inside a large mound; later a chapel was built on the top of the mound.
Amongst the vast Neolithic collections of the Carnac stones in Brittany, France, several dozen dolmens are found. And all around the country, several dolmens still stand, such as the ones of Passebonneau and des Gorces near Saint-Benoît-du-Sault.
Various menhirs and dolmens are located around the Mediterranean islands of Malta and Gozo. Pottery uncovered in these structures allowed the attribution of the monuments to the Tarxien cemetery culture of the Early Bronze Age.[1] This later culture is not to be confused with the Neolithic inhabitants of Malta, who built the Tarxien Temples circa 3100 BC.
In France, important megalithic zones are situated in Brittany, Vendée, Quercy and in the south of France (Languedoc, Rouergue and Corsica). More than 10,000 dolmens and menhirs cover a large part of the country (west and south). Importants menhirs alignments in Brittany (Carnac's alignments count more than 1,000 menhirs)
In Spain dolmens can be found in Galicia (such as Axeitos, pictured below), Catalonia (like Romanyà de la Selva or Creu d'en Cobertella) and Andalusia (like the Cueva de Menga).
Dolmens can be found all over Portugal, from simple ones [1] to the more complex examples of megalithic architecture, such as the Almendres Cromlech or the Anta Grande do Zambujeiro.
In Mecklenburg and Pomerania (Germany) and Drenthe (The Netherlands), large numbers of these graves were disturbed when harbours, towns, and cities were built. The boulders were used in construction and road building. There are still many thousands left today in Europe.
In Italy some dolmens can be found in the south (Puglia) and in Sardinia.
In Bulgaria there are many dolmens, and more are being recorded by archaeologists.
The largest dolmen in Europe is the Brownshill Dolmen in County Carlow, Ireland. Its capstone weighs about 150 tonnes
Les dolmens de Kerbourg ou aussi "dolmens de l'ile de la Motte", sont des allées couvertes situées sur la commune de Saint-Lyphard, à proximité du Village de La Madeleine (commune de Guérande), dans le département de la Loire-Atlantique, en France.
Les dolmens de Kerbourg sont situés au sud-ouest du hameau de Kerbourg, près de La Madeleine, à peu près à mi-distance entre Saint-Lyphard et Guérande, sur le bord d'un champ et est accessible grâce à un chemin, à coté des moulins.
Lors du défrichement des landes en 1874-1876 au sommet de la colline de Kerbourg, près des moulins à vent, deux dolmens ont été dégagés. Le ou les (?) cairns ont alors été arasés ne laissant que la partie mégalithique en place.
L'aspect de ces sépultures devait être celui du cairn de Gavrinis, ou celui du tumulus de Dissignac à Saint-Nazaire.
Les dolmens de Kerbourg sont classés à l'inventaire des monuments historiques depuis 1951.
Datant du néolithique ancien ou moyen (vers 4500 / 4000 avant JC), d'une longueur de 7 mètres et d'une largeur de 3, souvent qualifié d'allée couverte, il s'agit en réalité d'un dolmen à couloir (dit en P)[1]. Il est constitué d'un corridor débouchant sur une chambre plus haute et plus large.
La structure mégalithique est bien conservée et est toujours recouverte par quatre tables de granite. Son style de construction est à rapprocher du Tumulus de Dissignac. Ce dolmen était auparavant recouvert d'un cairn, actuellement disparu et dont les derniers vestiges ont probablement été arasé lors du défrichement de 1874-1876. Un dessin de 1866-1867 montre le dolmen dans la même configuration qu'aujourd'hui[2]. Les fouilles sommaires de l'époque ont montré que ces sépultures avaient été vidées à la fin du Néolithique, au Campaniforme, et pillées à l'époque romaine. (Fouillé par le Capitaine Lukis, le produit de ces fouilles non publiées serait, sous toute réserve, au British Museum, à Londres)
Ce second dolmen, probablement de même nature que le précédent, est très ruiné. Seuls subsistent des éléments de la chambre sépulcrale, sur le bord du chemin, une vingtaine de mètres après Kerbourg 1. Elle a fait l'objet de fouilles sommaires de M. Benoist, notaire à Guérande, puis par H. Quilgars en avril 1897.
A proximité des dolmens de Kerbourg, de l'autre coté de la route reliant Guérande à Saint-Lyphard, se trouve le menhir de la Pierre Blanche (ou menhir de La Madeleine). C'est un bloc de quartz blanc, haut de plus de 2 m. Un second menhir se trouvait à proximité immédiate, mais il a été détruit au début du XXe siècle.
Source Wikipedia
James Brown gets a Soul Train tribute here as he performs various hits like "Get On The Good Foot," "Soul Power," "Make It Funky," "Cold Sweat," "Try Me," "Hot Pants," "Get Up (I Feel Like A) Sex Machine," "Super Bad," "Please Please, Please" and "Say It Loud I'm Black and I'm Proud". Lyn Collins joins him at one point with "Never Gonna Give You Up"
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.....item 1).... youtube video ... James Brown Get On The Good Foot, Soul Power,Make It Funky Soul Train 1 ... 7:33 minutes
www.youtube.com/watch?v=1N5jY00z_Sk
MrThefunkmusicgame
Uploaded on Aug 9, 2011
Get On The Good Foot, Soul Power,Make It Funky Soul Train 1973
From The Soul Train DVD
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Music
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.....item 2A).... youtube video ... James Brown - Cold Sweat Part 1 ... 6:19 minutes ... CloneShadow
www.youtube.com/watch?v=J4Pg7MOTEEw&feature=related
Live At Boston Garden 5th April 1968
I had to split it in two. It was about 12 minutes.
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.....item 2B).... youtube video ... James Brown - Cold Sweat Part 2 ... 5:16 minutes ... CloneShadow
www.youtube.com/watch?v=zy-f0px7HQ0&feature=related
Live At Boston Garden 5th April 1968
I had to split it in two. It was about 12 minutes
License:
Standard YouTube License
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.....item 3)..... Letters to the Editor .... Tallahassee Democrate Newspaper ... www.tallahassee.com ....
Letters to the editor
11:26 PM, Dec. 12, 2011
FILED UNDER
Opinion
Letters
www.tallahassee.com/article/20111213/OPINION02/112130305/...
The Board of Governors is investigating the death of Florida A&M University drum major Robert Champion due to the possibility that his death was the result of hazing by FAMU band members. The FAMU Board of Trustees, in an effort to "control" what it sees as merely a public relations problem (rather than focusing on the real tragedy, the death of one of its own students), has attempted to create momentum to blame FAMU President Ammons for Champion's death. While the board's end game is unclear, the initial steps are thoroughly transparent: By publicly reprimanding Dr. Ammons for some nebulous charge of failing to "do more" following the tragedy, they get the ball rolling for general public outrage targeted at Dr. Ammons. The board, led by trustee Rufus Montgomery, is hiding the real problem, the possible hazing death of Robert Champion, by simply trying to blame the otherwise blameless Dr. Ammons.
Frankly, it appears that Dr. Ammons had been attempting to prevent this type of hazing before the incident occurred in the first place. Rules were in force and effect prior to Champion's death that forbade hazing and hazing-like behavior, of which the FAMU band members were aware.
But the trustees board isn't focusing on the efforts to curb this behavior — they are simply attempting to find Dr. Ammons guilty of failing to adequately prevent the public relations fallout from the incident. In fact, Montgomery was quoted as saying at a recent board meeting: "The Board of Governors stepped in to do our job (public relations management)..."
Furthermore, at the same meeting, the trustees agreed to hire a public relations firm to control what it saw as flak it was receiving from the media. This is shocking callousness by the board of a grievous circumstance. Rather than spending time and money on public relations firms and reprimanding Dr. Ammons, the board should take its cue from Dr. Ammons and focus on addressing the culture-level changes that need to take place to prevent this type of hazing from ever occurring in the first place.
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BENJAMIN RUST
benrust@benrustlaw.com
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.....item 4).... youtube video ... Lowell Fulson / Check Yourself ... 3:03 minutes ...
www.youtube.com/watch?v=NKPWV7woe3I
Checker Records release # 812 (1955)
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blues
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Kersbrook and the South Australia Company.
White settlement started at Kersbrook in 1840. The area was surveyed as part of a Special Survey in 1839 and the major land buyer for the Kersbrook district across to Forreston and down to Gumeracha and Blumberg (later Birdwood) was the SA Company. The SA Company sent John Bowden up to Kersbrook as manager of an SA Company dairy. He named the district after his home town in Cornwall. John Bowden left the employ of the SA Company around 1843 and bought freehold land at Kersbrook. He remained in the district until he died in 1877 despite leasing huge pastoral runs on Yorke Peninsula. The original barn that he built on the outskirts of the town in 1843 still stands beside the road to Chain of Ponds- Scott Street.
The settler to get the town under way was William Carmen who moved to Kersbrook from Williamstown in 1851 to set up a blacksmith shop. He subdivided his land and created a private town with the first settlers taking up land options in 1858. He called his town Maidstone after its namesake in Kent. He sold his first town blocks to a family called Scott. But the name Kersbrook persisted and the Geographical Names Board officially adopted Kersbrook in 1917. In the early years the district was known for its wheat, fruit and pastures for dairy cattle. William Carmen built the Wheat Sheaf Hotel in Kersbrook as well as a blacksmiths. The old hotel is now a private house; the old Church of Christ which was built in the 1863 still stands; and the oldest cottage in the village, erected by the first land purchasers the Scott family, is Primrose Cottage located in High Street. It was built in 1858.
Bowden’s 1843 barn in Kersbrook.1860 Anglican church in Williamstown- St Peter.
Kersbrook highlights the role of the SA Company in the development of SA. It started in 1834 by act of the British parliament. It purchased the three ships the Duke of York, the John Pirie and the Rapid to bring the first settlers to SA. The Company employed 350 men to build roads, port facilities at Port Adelaide, a flour mill at Hackney, bridges across hill streams, stone mason to erect buildings, and managers of dairy herds, sheep flocks and general farm managers. Most of its early employees had 3 or 5 year contracts to 1842. It became an owner of mines in SA, wharfs, general stores, and much land. By 1841 it owned 20,000 sheep, the largest flock in the colony. It built grand houses on its land for its resident managers. At one time the Company owned a sixth of all surveyed land totalling 65,000 acres and it had hundreds of tenant farmers on these lands. It readily sold land on to its tenants when they had enough cash for purchase and they gave each employee/tenant some land, a cow and a pig. In 1850 one quarter of all wheat reaped in SA was grown on SA Company lands. The Company donated the land for the first school in Forreston near Kersbrook as they did elsewhere. The Company owned much land in the Kersbrook district until 1910 when it sold much of it. The last Company land was sold here in 1929. Gradually the Company also sold off the land it owned in the Adelaide city square mile. The SA Company was wound up in 1949 and the last assets transferred to the Elders Trustee Company. The headquarters for the Company had been in Bank Street until their new offices were built in 1913 on the corner of North Terrace and Gawler Place. This headquarters was called Gawler Chambers.
Williamstown.
This town was originally known as Victoria Creek as that was the stream that passes through the area. A bush hotel was built here, called the Victoria Hotel, in the 1850s. In 1857, so the story goes, the publican traded his hotel for a team of horses from Mr Lewis Johnstone. Johnstone then laid out a town in 1858 which he called Williamstown after his son William and the streets were named after his other children and wife- Margaret, Eva, Eliza and George. But the area of Victoria Creek/Williamstown was first surveyed as part of the Barossa Special Survey August 1839. It adjoined the Lyndoch Valley, Gawler and Flaxman’s seven Special Surveys for George Fife Angas. When the Barossa Survey was finished John Warren bought up 20,000 acres of land in the district, and his brother George also bought land. The town of Victoria Creek started to emerge in the early 1850s with a butcher, bakery and blacksmith and the hotel which opened in 1854. The first private school opened in 1858. The Wesleyan Methodists built the first Chapel in the burgeoning town in 1856 but the chapel was demolished long ago. Adjacent is the current Uniting Church (formerly Methodist) which was erected in 1860. The nearby Anglican Church of St Peter was also built in 1860. From its early days Williamstown was a saw milling town because of the giant gums in the district. The town had a minor boom during the Barossa gold rushes of 1868-69 and again when there was some reef mining at the Barossa goldfields in the mid 1890s when 70 men were employed in the mines. In 1897 the residents of the town got together to mark the jubilee of Queen Victoria’s reign. They raised funds and purchased 11 acres of land from the South Australian Company which was still a major land owner in the district. The land was named Victoria Park and still contains the town oval, club facilities and the like.
Perhaps the most notable former resident of Williamstown was Myrtle Rose White (1888-1961), the author of the 1932 book called No Roads Go By. Myrtle Rose White attended primary school in Williamstown. No Roads Go By was about her life growing up near Lake Frome. She published two more books in her later years and they were all in the vein of Jeannie Gunn’s We of the Never Never fame.
The main street of Williamstown has some interesting old buildings including the Forrester’s Lodge building dating from 1910( it was a saw milling town), the Institute Hall built in 1916 with the rare Boer War Memorial in front of it and the Victoria Hotel dating from the 1854. The hotel veranda also has a large log seat made from one of the giant blue gum logs sawn down in the district. Today tourism is a major source of income for the town traders.
As this Cortina was manufactured in 1972, it qualifies for free road tax even though it was registered the year after. As you know any car built after 1973 has to pay the full whack.
The vehicle details for HOE 345L are:
Date of Liability 01 05 2014
Date of First Registration 13 03 1973
Year of Manufacture 1972
Cylinder Capacity (cc) 1993cc
CO2 Emissions Not Available
Fuel Type PETROL
Export Marker N
Vehicle Status Licence Not Due
Vehicle Colour RED
The Thar Desert, also known as the Great Indian Desert or Marusthali (Land of the dead), is a large, arid region in the northwestern part of the Indian subcontinent that forms a natural boundary between India and Pakistan. It is the world's 9th largest subtropical desert. This desert spreads over about 2,340,000 km2, with 85% in India and the remaining part in Pakistan. It covers more than 2,000,000 km2 in Rajasthan and extends into Gujarat, Punjab, and Haryana.
GEOGRAPHY
The Thar Desert extends between the Aravalli Hills in the north-east, the Great Rann of Kutch along the coast and the alluvial plains of the Indus River in the west and north-west. Most of the desert is covered by huge shifting sand dunes that receive sediments from the alluvial plains and the coast. The sand is highly mobile due to strong winds occurring before the onset of the monsoon. The Luni River is the only river integrated into the desert. Rainfall is limited to 100–500 mm per year, mostly falling from July to September.
Salt water lakes in the Thar Desert include the Sambhar, Kuchaman, Didwana in Rajasthan and Kharaghoda in Gujarat. These lakes receive rain water during monsoon and evaporate during the dry season. The salt is derived by the weathering of rocks in the region.
DESERTIFICATION CONTROL
The soil of the Thar Desert remains dry for much of the year and is prone to wind erosion. High velocity winds blow soil from the desert, depositing some on neighboring fertile lands, and causing shifting sand dunes within the desert. Sand dunes are stabilised by erecting micro-windbreak barriers with scrub material and subsequent afforestation of the treated dunes with seedlings of shrubs such as phog, senna, castor oil plant and trees such as gum acacia, Prosopis juliflora and lebbek tree. The 649 km long Indira Gandhi Canal brings fresh water to the Thar Desert. It was conceived to halt spreading of the desert to fertile areas.
There are few local tree species suitable for planting in the desert, which are slow growing. Therefore, exotic tree species were introduced for plantation. Many species of Eucalyptus, Acacia, Cassia and other genera from Israel, Australia, US, Russia, Zimbabwe, Chile, Peru and Sudan have been tried in Thar Desert. Acacia tortilis has proved to be the most promising species for desert afforestation and the jojoba is another promising species of economic value found suitable for planting in these areas.
PROTECTED AREAS
There are several protected areas in the Thar Desert:
in Pakistan:
the Nara Desert Wildlife Sanctuary covers 6,300 km2;
the Rann of Kutch Wildlife Sanctuary.
in India:
the Desert National Park covers 3,162 km2 and represents the Thar Desert ecosystem, it includes 44 villages. Its diverse fauna includes the great Indian bustard (Chirotis nigricaps), blackbuck, chinkara, fox, Bengal fox, wolf, and caracal. Seashells and massive fossilized tree trunks in this park record the geological history of the desert;
the Tal Chhapar Sanctuary covers 7 km2 and is an Important Bird Area. It is located in the Churu District, 210 km from Jaipur, in the Shekhawati region. This sanctuary is home to a large population of blackbuck, fox and caracal such as partridge and sand grouse;
Jalore Wildlife Sanctuary is a privately owned sanctuary 130 km from Jodhpur, where Asiatic wildcat, leopard, jirds, desert fox and herds of Indian gazelle live.
BIODIVERSITY
FAUNA
Stretches of sand in the desert are interspersed by hillocks and sandy and gravel plains. Due to the diversified habitat and ecosystem, the vegetation, human culture and animal life in this arid region is very rich in contrast to the other deserts of the world. About 23 species of lizard and 25 species of snakes are found here and several of them are endemic to the region.
Some wildlife species, which are fast vanishing in other parts of India, are found in the desert in large numbers such as the blackbuck (Antilope cervicapra), chinkara (Gazella bennettii) and Indian wild ass (Equus hemionus khur) in the Rann of Kutch. They have evolved excellent survival strategies, their size is smaller than other similar animals living in different conditions, and they are mainly nocturnal. There are certain other factors responsible for the survival of these animals in the desert. Due to the lack of water in this region, transformation of the grasslands into cropland has been very slow. The protection provided to them by a local community, the Bishnois, is also a factor. Other mammals of the Thar Desert include a subspecies of red fox (Vulpes vulpes pusilla) and the caracal.
The region is a haven for 141 species of migratory and resident birds of the desert. One can see eagles, harriers, falcons, buzzards, kestrel and vultures. There are short-toed eagles (Circaetus gallicus), tawny eagles (Aquila rapax), greater spotted eagles (Aquila clanga), laggar falcons (Falco jugger) and kestrels. There are also a number of reptiles.
The Indian peafowl is a resident breeder in the Thar region. The peacock is designated as the national bird of India and the provincial bird of the Punjab (Pakistan). It can be seen sitting on khejri or pipal trees in villages or Deblina.
VEGETATION
The natural vegetation of this dry area is classed as Northwestern thorn scrub forest occurring in small clumps scattered more or less openly. Density and size of patches increase from west to east following the increase in rainfall. The natural vegetation of the Thar Desert is composed of the following tree, shrub and herb species:
trees and shrubs: Acacia jacquemontii, Balanites roxburghii, Ziziphus zizyphus, Ziziphus nummularia, Calotropis procera, Suaeda fruticosa, Crotalaria burhia, Aerva javanica, Clerodendrum multiflorum, Leptadenia pyrotechnica, Lycium barbarum, Grewia tenax, Commiphora mukul, Euphorbia neriifolia, Cordia sinensis, Maytenus emarginata, Capparis decidua, Mimosa hamata
herbs and grasses: Ochthochloa compressa, Dactyloctenium scindicum, Cenchrus biflorus, Cenchrus setigerus, Lasiurus scindicus, Cynodon dactylon, Panicum turgidum, Panicum antidotale, Dichanthium annulatum, Sporobolus marginatus, Saccharum spontaneum, Cenchrus ciliaris, Desmostachya bipinnata, Eragrostis species, Ergamopagan species, Phragmites species, Tribulus terrestris, Typha species, Sorghum halepense, Citrullus colocynthis
The endemic floral species include Calligonum polygonoides, Prosopis cineraria, Acacia nilotica, Tamarix aphylla, Cenchrus biflorus.
PEOPLE
The Thar Desert is the most densely populated desert in the world, with a population density of 83 people per km2. In India, the inhabitants comprise Hindus, Muslims, and Sikhs. In Pakistan, inhabitants include Sindhis and Kolhis.
About 40% of the total population of Rajasthan live in the Thar Desert. The main occupation of the people is agriculture and animal husbandry. A colourful culture rich in tradition prevails in this desert. The people have a great passion for folk music and folk poetry.
Jodhpur, the largest city in the region, lies in the scrub forest zone. Bikaner and Jaisalmer are located in the desert proper. A large irrigation and power project has reclaimed areas of the northern and western desert for agriculture. The small population is mostly pastoral, and hide and wool industries are prominent.
The desert's part in Pakistan also has a rich multifaceted culture, heritage, traditions, folk tales, dances and music due to its inhabitants who belong to different religions, sects and castes.
THAR IN ANCIENT LITERATURE
The Indian epics describe this region as Lavanasagara (Salt-ocean). The Ramayana mentions Lavanasagara (the Salt-ocean) when Rama goes to attack Lanka with the army of vanaras. Rama uses his agneyashtra-amogha to dry up the sea named drumakulya situated on north of Lavanasagara. A fresh water source named Pushkar surrounded by Marukantara was created.
According to Jain cosmology, Jambūdvīpa is at the centre of Madhyaloka, or the middle part of the universe, where the humans reside. Jambūdvīpaprajñapti or the treatise on the island of roseapple tree contains a description of Jambūdvīpa and life biographies of Ṛṣabha and King Bharata. Jambūdvīpa continent is surrounded by ocean Lavanoda (Salt-ocean).
The Sarasvati River is one of the chief Rigvedic rivers mentioned in ancient Hindu texts. The Nadistuti hymn in the Rigveda (10.75) mentions the Sarasvati between the Yamuna in the east and the Sutlej in the west, and later Vedic texts like Tandya and Jaiminiya Brahmanas as well as the Mahabharata mention that the Sarasvati dried up in a desert.
Most scholars agree that at least some of the references to the Sarasvati in the Rigveda refer to the Ghaggar-Hakra River, while the Helmand River is often quoted as the locus of the early Rigvedic river. Whether such a transfer of the name has taken place, either from the Helmand to the Ghaggar-Hakra, or conversely from the Ghaggar-Hakra to the Helmand, is a matter of dispute.
There is also a small present-day Sarasvati River (Sarsuti) that joins the Ghaggar.
The Mahabharata mentions the Kamyaka Forest situated on the western boundary of the Kuru Kingdom (Kuru Proper + Kurujangala), on the banks of the Saraswati River.[clarification needed] It lay to the west of the Kurukshetra plain. It contained within it a lake called the Kamyaka lake (2,51). Kamyaka forest is mentioned as being situated at the head of the Thar desert, near the lake Trinavindu (3,256). The Pandavas, on their way to exile in the woods, left Pramanakoti on the banks of the Ganges and went towards Kurukshetra, travelling in a western direction, crossing the rivers Yamuna and Drishadvati. They finally reached the banks of the Saraswati River.[clarification needed] There they saw the forest of Kamyaka, the favourite haunt of ascetics, situated on a level and wild plain on the banks of the Saraswati (3-5,36) abounding in birds and deer (3,5). There the Pandavas lived in an ascetic asylum (3,10). It took 3 days for Pandavas to reach the Kamyaka forest, setting out from Hastinapura, on their chariots (3,11).
In the Rigveda we also find mention of a River named Aśvanvatī along with river Drishadvati. Some scholars consider both Saraswati and Aśvanvatī the same river.
The human habitations on the banks of rivers Saraswati and Drishadvati had shifted to the east and south directions prior to Mahabharata period. During those days The present day Bikaner and Jodhpur areas were known as Kurujangala and Madrajangala provinces.
The Desert National Park, Jaisalmer has a collection of fossils of animals and plants of 180 million years old.
DESERT ECONOMY
AGRICULTURE
The Thar is one of most heavily populated desert areas in the world and the main occupations of people living here are agriculture and animal husbandry. Agriculture is not a dependable proposition in this area - after the rainy season, at least 33% of crops fail. Animal husbandry, trees and grasses, intercropped with vegetables or fruit trees, is the most viable model for arid, drought-prone regions. The region faces frequent droughts. Overgrazing due to high animal populations, wind and water erosion, mining and other industries result in serious land degradation.
The agricultural production is mainly from the Kharif crops. The Kharif crops are the crops that are grown in the summer season and are seeded in the months of June and July. These crops are harvested in the months of September and October and include bajra, pulses such as guar, jowar (Sorghum vulgare), maize (zea mays), sesame and groundnuts. In past few decades the development of canals, tube wells etc. has changed crop pattern. Now the desert districts in Rajasthan have started producing rabi crops like wheat, mustard, cumin seed etc.The people have started to grow cash crops too.
Thar region of Rajasthan is the main opium producer and consumer area. There are mainly two crop seasons. The water for irrigation comes from wells and tanks from underlying water sources deep below the surface. The Indira Gandhi Canal irrigates northwestern Rajasthan. The Government of India has started a centrally sponsored scheme under the title of Desert Development Programme based on watershed management with the objective to check spreading of desert and improve the living condition of people in desert.
LIVESTOCK
n the last 15–20 years, the Rajasthan desert has seen many changes, including a manifold increase of both the human and animal population. Animal husbandry has become popular due to the difficult farming conditions. At present, there are ten times more animals per person in Rajasthan than the national average, and overgrazing is also a factor affecting climatic and drought conditions.
A large number of farmers in Thar desert depend on animal husbandry for their livelihood. Cows, buffalos, sheep, goats, camels, and oxen consists of major cattle population. Barmer district has the highest cattle population out of which sheep and goats are in majority. Some of the best breeds of bullocks such as Kankrej (Sanchori) and Nagauri are from desert region.
Thar region of Rajasthan is the biggest wool-producing area in India. Chokla, Marwari, Jaisalmeri, Magra, Malpuri, Sonadi, Nali and Pungal breeds of sheep are found in the region. Of the total wool production in India, 40-50% comes from Rajasthan. The sheep-wool from Rajasthan is considered best for carpet making industry in the world. The wool of Chokla breed of sheep is considered of superior quality. The breeding centres have been developed for Karakul and Merino sheep at Suratgarh, Jaitsar and Bikaner. Some important mills for making Woolen thread established in desert area are: Jodhpur Woolen Mill, Jodhpur; Rajasthan Woolen Mill, Bikaner and India Woolen Mill, Bikaner. Bikaner is the biggest mandi (market place) of wool in Asia.
The live stock depends for grazing on common lands in villages. During famine years in the desert the nomadic rebari people move with large herds of sheep and camel to the forested areas of south Rajasthan or nearby states like Madhya Pradesh for grazing the cattle.
The importance of animal husbandry can be understood from the organization of large number of cattle fairs in the region. Cattle fairs are normally named after the folk-deities. Some of major cattle fairs held are Ramdevji cattle fair at Manasar in Nagaur district, Tejaji cattle fair at Parbatsar in Nagaur district, Baldeo cattle fair at Merta city in Nagaur district, Mallinath cattle fair at Tilwara in barmer district. Live stock is very important to the Thar desert people.
AGROFORESTRY
Forestry has an important part to play in the amelioration of the conditions in semi-arid and arid lands. If properly planned, forestry can make an important contribution to the general welfare of the people living in desert areas. The living standard of the people in the desert is low. They can not afford other fuels like gas, kerosene etc. Fire wood is their main fuel, of the total consumption of wood about 75 percent is firewood. The forest cover in desert is low. Rajasthan has a forest area of 31150 km2. which is about 9% of the geographical area. The forest area is mainly in southern districts of Rajasthan like Udaipur and Chittorgarh. The minimum forest area is in Churu district only 80 km2. Thus the forest is insufficient to fulfill the needs of firewood and grazing in desert districts. This diverts the much needed cattledung from the field to the hearth. This in turn results into the decrease in agricultural production. Agroforestry model is best suited to the people of desert. Some Institutes have done good work in Agroforestry.
The scientists of Central Arid Zone Research Institute (CAZRI), have successfully developed and improved dozens of traditional and non-traditional crops/fruits, such as Ber trees (like plums) that produce much larger fruits than before (lemon-size) and can thrive with minimal rainfall. These trees have become a profitable option for farmers. One example from a case study of horticulture showed that in situation of budding in 35 plants of Ber and Guar (Gola, Seb & Mundia variety developed in CAZRI), using only one hectare of land, yielded 10,000 kg. of Ber and 250 kg. of Guar, which translates into double or even triple profit.
Arid Forest Research Institute, (AFRI) situated at Jodhpur is another national level institute in the region. It is one of the institutes of the Indian Council of Forestry Research and Education ( ICFRE ) working under the Ministry of Environment & Forests, Govt. of India. The Objective of the Institute is to carry out scientific research in forestry in order to provide technologies to increase the vegetative cover and to conserve the biodiversity in the hot arid and semi arid region of Rajasthan, Gujarat and Dadara & Nagar Haveli union territory.
The most important tree species in terms of providing a livelihood in Thar desert communities is Prosopis cineraria.
Prosopis cineraria provides wood of construction class. It is used for house-building, chiefly as rafters, posts scantlings, doors and windows, and for well construction water pipes, upright posts of Persian wheels, agricultural implements and shafts, spokes, fellows and yoke of carts. It can also be used for small turning work and tool-handles. Container manufacturing is another important wood-based industry, which depends heavily on desert-grown trees.
Prosopis cineraria is much valued as a fodder tree. The trees are heavily lopped particularly during winter months when no other green fodder is available in the dry tracts. There is a popular saying that death will not visit a man, even at the time of a famine, if he has a Prosopis cineraria, a goat and a camel, since the three together are some what said to sustain a man even under the most trying condition. The forage yield per tree varies a great deal. On an average, the yield of green forage from a full grown tree is expected to be about 60 kg with complete lopping having only the central leading shoot, 30 kg when the lower two third crown is lopped and 20 kg when the lower one third crown is lopped. The leaves are of high nutritive value. Feeding of the leaves during winter when no other green fodder is generally available in rain-fed areas is thus profitable. The pods have a sweetish pulp and are also used as fodder for livestock.
Prosopis cineraria is most important top feed species providing nutritious and highly palatable green as well as dry fodder, which is readily eaten by camels, cattle, sheep and goats, constituting a major feed requirement of desert livestock. Locally it is called Loong. Pods are locally called sangar or sangri. The dried pods locally called Kho-Kha are eaten. Dried pods also form rich animal feed, which is liked by all livestock. Green pods also form rich animal feed, which is liked by drying the young boiled pods. They are also used as famine food and known even to prehistoric man. Even the bark, having an astringent bitter taste, was reportedly eaten during the severe famine of 1899 and 1939. Pod yield is nearly 1.4 quintals of pods/ha with a variation of 10.7% in dry locations.
Prosopis cineraria wood is reported to contain high calorific value and provide high quality fuel wood. The lopped branches are good as fencing material. Its roots also encourage nitrogen fixation, which produces higher crop yields.
Tecomella undulata is one more tree species, locally known as Rohida, which is found in Thar Desert regions of northwest and western India. It is another important medium sized tree of great use in Agroforestry, that produces quality timber and is the main source of timber amongst the indigenous tree species of desert regions. The trade name of the tree species is Desert teak or Marwar teak.
Tecomella undulata is mainly used as a source of timber. Its wood is strong, tough and durable. It takes a fine finish. Heartwood contains quinoid. The wood is excellent for firewood and charcoal. Cattle and goats eat leaves of the tree. Camels, goats and sheep consume flowers and pods.
Tecomella undulata plays an important role in the ecology. It acts as a soil-binding tree by spreading a network of lateral roots on the top surface of the soil. It also acts as a windbreak and helps in stabilizing shifting sand dunes. It is considered as the home of birds and provides shelter for other desert wildlife. Shade of tree crown is shelter for the cattle, goats and sheep during summer days.
Tecomella undulata has medicinal properties as well. The bark obtained from the stem is used as a remedy for syphilis. It is also used in curing urinary disorders, enlargement of spleen, gonorrhoea, leucoderma and liver diseases. Seeds are used against abscess.
ECOTOURISM
Desert safaris on camels have become increasingly popular around Jaisalmer. Domestic and international tourists frequent the desert seeking adventure on camels for anything from a day to several days. This ecotourism industry ranges from cheaper backpacker treks to plush Arabian night style campsites replete with banquets and cultural performances. During the treks tourists are able to view the fragile and beautiful ecosystem of the Thar desert. This form of tourism provides income to many operators and camel owners in Jaisalmer as well as employment for many camel trekers in the desert villages nearby. But also people from various parts of the world come here to see pushkar mela and oasis.
INDUSTRY
Rajasthan is pre-eminent in quarrying and mining in India. The Taj Mahal was built with white marble mined from Makrana in Nagaur district. The state is the second largest source of cement in India. It has rich salt deposits at Sambhar. Jodhpur sandstone is mostly used in monuments, important buildings, residential buildings, and such. This stone is termed "chittar patthar". Jodhpur has also got mines of red stone locally known as ghatu patthar used in construction. Sandstone is found in Jodhpur and Naguar districts. Jalore is biggest centre of granite processing units.
Lignite coal deposits are there at places Giral, Kapuradi, Jalipa, Bhadka in Barmer district; Plana, Gudha, Bithnok, Barsinghpur, Mandla Charan, Raneri Hadla in Bikaner district and Kasnau, Merta, Lunsar etc., in Nagaur district. Lignite based Thermal power plant has been established at Giral in Barmer district. Jindal group is working on 1080 Megawatt power project in private sector at village Bhadaresh in Barmer district. "Neweli Lignite Barsinghpur Project" is in progress to establish two thermal power units of capacity 125 megawatts each at Barsinghpur in Bikaner district. Reliance Energy is working on establishing power generation through underground gasification technique in Barmer district with an outlay of about 30 billion rupees.
There is large storage of good quality petroleum in Jaisalmer and Barmer districts. The main places with deposits of petroleum are Baghewal, Kalrewal, and Tawariwal in Jaisalmer district and Gudha Malani area in Barmer district. Barmer district has started petroleum production on commercial scale.
Barmer district is in the news due to its large oil basin. The British exploration company Cairn Energy started production of oil on a large scale. Mangala, Bhagyam and Aishwariya are the major oil fields in the district. This is India's biggest oil discovery in 22 years. This promises to transform the local economy, which has long suffered from the harshness of the desert.
The Government of India initiated departmental exploration for oil in 1955-56 in the Jaisalmer area, Oil India Limited's discovered natural gas in 1988 in the Jaisalmer basin. Also known for their fine leather messenger bags made from wild camels native to the area.
The Thar desert seems an ideal place for generation of electricity from wind power. According to an estimate Rajasthan state has got a potential of 5500 Megawatt wind power generation as such it is in the priority of the state govt. Rajasthan State Power Corporation has established its first wind power based power plant at Amarsagar in Jaisalmer district. Some leading companies in the field are working on establishing wind mills in Barmer, Jaisalmer and Bikaner districts. Solar energy also has a great potential in this region as most of the days during a year are cloud free. Solar energy based plant has been established at Bhaleri in Churu district to convert hard water into drinking water.
SALT WATER LAKES
There are a number of salt water lakes in Thar desert. These are Sambhar, Pachpadra, Tal Chhapar, Falaudi and Lunkaransar where Sodium chloride salt is produced from salt water. The Didwana lake produces Sodium Sulphate salt. Ancient Archaeological evidences of habitations have been recovered from Sambhar and Didwana lakes which shows their antiquity and historical importance.
WATER & HOUSING IN THE DESERT
Water scarcity plays an important role in shaping life in all parts of Thar. Natural (tobas) or man-made (johads), both types of small, intermittent ponds, are often the only source of water for animals and humans in the true desert areas. The lack of a constant water supply causes much of the local population to live as nomads. Most human settlements are found near the two seasonal streams of the Karon-Jhar hills. Potable groundwater is also rare in the Thar desert. Supplies are often sour due to dissolved minerals, and are only available deep underground. Wells that successfully bear sweet water attract nearby settlement, but are difficult to dig, possibly claiming the lives of the well-diggers.
According to 1980 housing census in Pakistan, there were 241,326 housing units of one or two very small rooms. The degree of crowding was six persons per housing unit and three persons per room. For most of the housing units (approximately 76 per cent), the main construction material of outer walls is unbaked bricks whereas wood is used in 10 per cent and baked bricks or stones with mud bonding in 8 per cent housing units. A large number of families still live in jhugis or huts which are housing units formed with straws and thin wood-sticks. The wind storm proves these jhugis unsustainable all the times. But the poverty leaves no other option to these jhugiwalas (people living in jhugis).
The river Luni is the only natural water source that drains inside a lake in the desert. It originates in the Pushkar valley of the Aravalli Range, near Ajmer and ends in the marshy lands of Rann of Kutch in Gujarat, after travelling a distance of 530 km. The Luni flows through part of Ajmer, Barmer, Jalor, Jodhpur, Nagaur, Pali, and Sirohi districts and Mithavirana Vav Radhanpur region of Banaskantha North Gujarat. Its major tributaries are the Sukri, Mithri, Bandi, Khari, Jawai, Guhiya and Sagi from the left, and the Jojari River from the right.
The Ghaggar is another intermittent river in India, flowing during the monsoon rains. It originates in the Shivalik Hills of Himachal Pradesh and flows through Punjab and Haryana to Rajasthan; just southwest of Sirsa, Haryana and by the side of talwara jheel in Rajasthan, this seasonal river feeds two irrigation canals that extend into Rajasthan. It terminates in Hanumangarh district.
The Rajasthan Canal system is the major irrigation scheme of the Thar Desert and is conceived to reclaim it and also to check spreading of the desert to fertile areas. It is world's largest irrigation which is being extended in an attempt to make the desert arable. It runs south-southwest in Punjab and Haryana but mainly in Rajasthan for a total of 650 kilometers and ends near Jaisalmer, in Rajasthan. After the construction of the Indira Gandhi Canal, irrigation facilities were available over an area of 6770 km² in Jaisalmer district and 37 km² in Barmer district. Irrigation had already been provided in an area of 3670 km² in Jaisalmer district. The canal has transformed the barren deserts of this district into rich and lush fields. Crops of mustard, cotton, and wheat now flourish in this semi-arid western region replacing the sand there previously.
Besides providing water for agriculture, the canal will supply drinking water to hundreds of people in far-flung areas. As the second stage of work on the canal progresses rapidly, there is hope that it will enhance the living standards of the people of the state.
DESERT FOR RECREATION
Thar Desert provides the recreational value in terms of desert festivals organized every year. Rajasthan desert festivals are celebrated with great zest and zeal. This festival is held once a year during winters. Dressed in brilliantly hued costumes, the people of the desert dance and sing haunting ballads of valor, romance and tragedy. The fair has snake charmers, puppeteers, acrobats and folk performers. Camels, of course, play a stellar role in this festival, where the rich and colorful folk culture of Rajasthan can be seen.
Camels are an integral part of the desert life and the camel events during the Desert Festival confirm this fact. Special efforts go into dressing the animal for entering the spectacular competition of the best-dressed camel. Other interesting competitions on the fringes are the moustache and turban tying competitions, which not only demonstrate a glorious tradition but also inspire its preservation. Both the turban and the moustache have been centuries old symbols of honor in Rajasthan.
Evenings are meant for the main shows of music and dance. Continuing till late into the night, the number of spectators swells up each night and the grand finale, on the full moon night, takes place by silvery sand dunes.
WIKIPEDIA
Kathmandu is the capital and largest municipality of Nepal. It is the only city of Nepal with the administrative status of Mahanagar (Metropolitan City), as compared to Upa-Mahanagar (Sub-Metropolitan City) or Nagar (City). Kathmandu is the core of Nepal's largest urban agglomeration located in the Kathmandu Valley consisting of Lalitpur, Kirtipur, Madhyapur Thimi, Bhaktapur and a number of smaller communities. Kathmandu is also known informally as "KTM" or the "tri-city". According to the 2011 census, Kathmandu Metropolitan City has a population of 975,453 and measures 49.45 square kilometres.
The city stands at an elevation of approximately 1,400 metres in the bowl-shaped Kathmandu Valley of central Nepal. It is surrounded by four major hills: Shivapuri, Phulchoki, Nagarjun, and Chandragiri. Kathmandu Valley is part of three districts (Kathmandu, Lalitpur, and Bhaktapur), has the highest population density in the country, and is home to about a twelfth of Nepal's population.
Historically, the Kathmandu Valley and adjoining areas were known as Nepal Mandala. Until the 15th century, Bhaktapur was its capital when two other capitals, Kathmandu and Lalitpur, were established. During the Rana and Shah eras, British historians called the valley itself "Nepal Proper". Today, Kathmandu is not only the capital of the Federal Democratic Republic of Nepal, but also the headquarters of the Bagmati Zone and the Central Development Region of Nepal.
Kathmandu is the gateway to tourism in Nepal. It is also the hub of the country's economy. It has the most advanced infrastructure of any urban area in Nepal, and its economy is focused on tourism, which accounted for 3.8% of Nepal's GDP in 1995–96. Tourism in Kathmandu declined thereafter during a period of political unrest, but since then has improved. In 2013, Kathmandu was ranked third among the top 10 travel destinations on the rise in the world by TripAdvisor, and ranked first in Asia.
The city has a rich history, spanning nearly 2000 years, as inferred from inscriptions found in the valley. Religious and cultural festivities form a major part of the lives of people residing in Kathmandu. Most of Kathmandu's people follow Hinduism and many others follow Buddhism. There are people of other religious beliefs as well, giving Kathmandu a cosmopolitan culture. Nepali is the most commonly spoken language in the city. English is understood by Kathmandu's educated residents. Kathmandu was devastated by a 7.8 magnitude earthquake on April 25, 2015.
ETYMOLOGY
The city of Kathmandu is named after Kasthamandap temple, that stood in Durbar Square. In Sanskrit, Kastha (काष्ठ) means "wood" and Mandap (/मण्डप) means "covered shelter". This temple, also known as Maru Satal (in ″Newar language″), was built in 1596 by King Laxmi Narsingh Malla. The two-storey structure was made entirely of wood, and used no iron nails nor supports. According to legend, all the timber used to build the pagoda was obtained from a single tree. The structure unfortunately collapsed during the major earthquake in April 2015.
The colophons of ancient manuscripts, dated as late as the 20th century, refer to Kathmandu as Kasthamandap Mahanagar in Nepal Mandala. Mahanagar means "great city". The city is called "Kasthamandap" in a vow that Buddhist priests still recite to this day. Thus, Kathmandu is also known as Kasthamandap. During medieval times, the city was sometimes called Kantipur (कान्तिपुर). This name is derived from two Sanskrit words - Kanti and pur. "Kanti" is one of the names of the Goddess Lakshmi, and "pur" means place.
Among the indigenous Newar people, Kathmandu is known as Yen Desa (येँ देश), and Patan and Bhaktapur are known as Yala Desa (यल देश) and Khwopa Desa (ख्वप देश). "Yen" is the shorter form of Yambu (यम्बु), which originally referred to the northern half of Kathmandu.
HISTORY
Archaeological excavations in parts of Kathmandu have found evidence of ancient civilizations. The oldest of these findings is a statue, found in Maligaon, that was dated at 185 AD. The excavation of Dhando Chaitya uncovered a brick with an inscription in Brahmi script. Archaeologists believe it is two thousand years old. Stone inscriptions are an ubiquitous element at heritage sites and are key sources for the history of Nepal
The earliest Western reference to Kathmandu appears in an account of Jesuit Fathers Johann Grueber and Albert d'Orville. In 1661, they passed through Nepal on their way from Tibet to India, and reported that they reached "Cadmendu, the capital of the Kingdom of Necbal".
ANCIENT HISTORY
The ancient history of Kathmandu is described in its traditional myths and legends. According to Swayambhu Purana, the present day Kathmandu was once a lake called Nagdaha. The lake was drained by Manjusri, who established a city called Manjupattan and made Dharmakar the ruler of the land.
Kotirudra Samhita of Shiva Purana, Chapter 11, shloka 18 refers to the place as Nayapala city famous for its Pashupati Shivalinga. The name Nepal probably originates from this city Nayapala.
Very few historical records exist of the period before the medieval Licchavis rulers. According to Gopalraj Vansawali, a genealogy of Nepali monarchs, the rulers of Kathmandu Valley before the Licchavis were Gopalas, Mahispalas, Aabhirs, Kirants, and Somavanshi. The Kirata dynasty was established by Yalamber. During the Kirata era, a settlement called Yambu existed in the northern half of old Kathmandu. In some of the Sino-Tibetan languages, Kathmandu is still called Yambu. Another smaller settlement called Yengal was present in the southern half of old Kathmandu, near Manjupattan. During the reign of the seventh Kirata ruler, Jitedasti, Buddhist monks entered Kathmandu valley and established a forest monastery at Sankhu.
MEDIEVAL HISTORY
LICCHAVI ERA
The Licchavis from the Indo-Gangetic plain migrated north and defeated the Kiratas, establishing the Licchavi dynasty. During this era, following the genocide of Shakyas in Lumbini by Virudhaka, the survivors migrated north and entered the forest monastery in Sankhu masquerading as Koliyas. From Sankhu, they migrated to Yambu and Yengal (Lanjagwal and Manjupattan) and established the first permanent Buddhist monasteries of Kathmandu. This created the basis of Newar Buddhism, which is the only surviving Sanskrit-based Buddhist tradition in the world. With their migration, Yambu was called Koligram and Yengal was called Dakshin Koligram during most of the Licchavi era.Eventually, the Licchavi ruler Gunakamadeva merged Koligram and Dakshin Koligram, founding the city of Kathmandu. The city was designed in the shape of Chandrahrasa, the sword of Manjushri. The city was surrounded by eight barracks guarded by Ajimas. One of these barracks is still in use at Bhadrakali (in front of Singha Durbar). The city served as an important transit point in the trade between India and Tibet, leading to tremendous growth in architecture. Descriptions of buildings such as Managriha, Kailaskut Bhawan, and Bhadradiwas Bhawan have been found in the surviving journals of travelers and monks who lived during this era. For example, the famous 7th-century Chinese traveller Xuanzang described Kailaskut Bhawan, the palace of the Licchavi king Amshuverma. The trade route also led to cultural exchange as well. The artistry of the Newar people - the indigenous inhabitants of the Kathmandu Valley - became highly sought after during this era, both within the Valley and throughout the greater Himalayas. Newar artists travelled extensively throughout Asia, creating religious art for their neighbors. For example, Araniko led a group of his compatriot artists through Tibet and China. Bhrikuti, the princess of Nepal who married Tibetan monarch Songtsän Gampo, was instrumental in introducing Buddhism to Tibet.
MALLA ERA
The Licchavi era was followed by the Malla era. Rulers from Tirhut, upon being attacked by Muslims, fled north to the Kathmandu valley. They intermarried with Nepali royalty, and this led to the Malla era. The early years of the Malla era were turbulent, with raids and attacks from Khas and Turk Muslims. There was also a devastating earthquake which claimed the lives of a third of Kathmandu's population, including the king Abhaya Malla. These disasters led to the destruction of most of the architecture of the Licchavi era (such as Mangriha and Kailashkut Bhawan), and the loss of literature collected in various monasteries within the city. Despite the initial hardships, Kathmandu rose to prominence again and, during most of the Malla era, dominated the trade between India and Tibet. Nepali currency became the standard currency in trans-Himalayan trade.
During the later part of the Malla era, Kathmandu Valley comprised four fortified cities: Kantipur, Lalitpur, Bhaktapur, and Kirtipur. These served as the capitals of the Malla confederation of Nepal. These states competed with each other in the arts, architecture, aesthetics, and trade, resulting in tremendous development. The kings of this period directly influenced or involved themselves in the construction of public buildings, squares, and temples, as well as the development of water spouts, the institutionalization of trusts (called guthis), the codification of laws, the writing of dramas, and the performance of plays in city squares. Evidence of an influx of ideas from India, Tibet, China, Persia, and Europe among other places can be found in a stone inscription from the time of king Pratap Malla. Books have been found from this era that describe their tantric tradition (e.g. Tantrakhyan), medicine (e.g. Haramekhala), religion (e.g. Mooldevshashidev), law, morals, and history. Amarkosh, a Sanskrit-Nepal Bhasa dictionary from 1381 AD, was also found. Architecturally notable buildings from this era include Kathmandu Durbar Square, Patan Durbar Square, Bhaktapur Durbar Square, the former durbar of Kirtipur, Nyatapola, Kumbheshwar, the Krishna temple, and others.
MODERN ERA
EARLY SHAH RULE
The Gorkha Kingdom ended the Malla confederation after the Battle of Kathmandu in 1768. This marked the beginning of the modern era in Kathmandu. The Battle of Kirtipur was the start of the Gorkha conquest of the Kathmandu Valley. Kathmandu was adopted as the capital of the Gorkha empire, and the empire itself was dubbed Nepal. During the early part of this era, Kathmandu maintained its distinctive culture. Buildings with characteristic Nepali architecture, such as the nine-story tower of Basantapur, were built during this era. However, trade declined because of continual war with neighboring nations. Bhimsen Thapa supported France against Great Britain; this led to the development of modern military structures, such as modern barracks in Kathmandu. The nine-storey tower Dharahara was originally built during this era.
RANA RULE
Rana rule over Nepal started with the Kot Massacre, which occurred near Hanuman Dhoka Durbar. During this massacre, most of Nepal's high-ranking officials were massacred by Jang Bahadur Rana and his supporters. Another massacre, the Bhandarkhal Massacre, was also conducted by Kunwar and his supporters in Kathmandu. During the Rana regime, Kathmandu's alliance shifted from anti-British to pro-British; this led to the construction of the first buildings in the style of Western European architecture. The most well-known of these buildings include Singha Durbar, Garden of Dreams, Shital Niwas, and the old Narayanhiti palace. The first modern commercial road in the Kathmandu Valley, the New Road, was also built during this era. Trichandra College (the first college of Nepal), Durbar School (the first modern school of Nepal), and Bir Hospital (the first hospital of Nepal) were built in Kathmandu during this era. Rana rule was marked by tyranny, debauchery, economic exploitation and religious persecution.
GEOGRAPHY
Kathmandu is located in the northwestern part of Kathmandu Valley to the north of the Bagmati River and covers an area of 50.67 square kilometres. The average elevation is 1,400 metres above sea level. The city is directly bounded by several other municipalities of the Kathmandu valley: south of the Bagmati by Lalitpur Sub-Metropolitan City (Patan) with which it today forms one urban area surrounded by a ring road, to the southwest by Kirtipur Municipality and to the east by Madyapur Thimi Municipality. To the north the urban area extends into several Village Development Committees. However, the urban agglomeration extends well beyond the neighboring municipalities, e. g. to Bhaktapur and just about covers the entire Kathmandu valley.
Kathmandu is dissected by eight rivers, the main river of the valley, the Bagmati and its tributaries, of which the Bishnumati, Dhobi Khola, Manohara Khola, Hanumant Khola, and Tukucha Khola are predominant. The mountains from where these rivers originate are in the elevation range of 1,500–3,000 metres, and have passes which provide access to and from Kathmandu and its valley. An ancient canal once flowed from Nagarjuna hill through Balaju to Kathmandu; this canal is now extinct.
Kathmandu and its valley are in the Deciduous Monsoon Forest Zone (altitude range of 1,200–2,100 metres), one of five vegetation zones defined for Nepal. The dominant tree species in this zone are oak, elm, beech, maple and others, with coniferous trees at higher altitude.
TOURISM
Tourism is considered another important industry in Nepal. This industry started around 1950, as the country's political makeup changed and ended the country's isolation from the rest of the world. In 1956, air transportation was established and the Tribhuvan Highway, between Kathmandu and Raxaul (at India's border), was started. Separate organizations were created in Kathmandu to promote this activity; some of these include the Tourism Development Board, the Department of Tourism and the Civil Aviation Department. Furthermore, Nepal became a member of several international tourist associations. Establishing diplomatic relations with other nations further accentuated this activity. The hotel industry, travel agencies, training of tourist guides, and targeted publicity campaigns are the chief reasons for the remarkable growth of this industry in Nepal, and in Kathmandu in particular.
Since then, tourism in Nepal has thrived; it is sometimes called the "third religion" of Nepal. It is the country's most important industry. Tourism is a major source of income for most of the people in the city, with several hundred thousand visitors annually. Hindu and Buddhist pilgrims from all over the world visit Kathmandu's religious sites such as Pashupatinath, Swayambhunath, Boudhanath and Budhanilkantha. From a mere 6,179 tourists in 1961–62, the number jumped to 491,504 in 1999-2000. With the end of Maoist insuregency period in 2009 there was a significant rise of 509,956 tourist arrivals. Since then, tourism has improved as the country turned into a Democratic Republic. In economic terms, the foreign exchange registered 3.8% of the GDP in 1995–96 but then started declining[why?]. The high level of tourism is attributed to the natural grandeur of the Himalayas and the rich cultural heritage of the country.
The neighborhood of Thamel is Kathmandu's primary "traveler's ghetto", packed with guest houses, restaurants, shops, and bookstores, catering to tourists. Another neighborhood of growing popularity is Jhamel, a name for Jhamsikhel coined to rhyme with Thamel. Jhochhen Tol, also known as Freak Street, is Kathmandu's original traveler's haunt, made popular by the hippies of the 1960s and 1970s; it remains a popular alternative to Thamel. Asan is a bazaar and ceremonial square on the old trade route to Tibet, and provides a fine example of a traditional neighborhood.
With the opening of the tourist industry after the change in the political scenario of Nepal in 1950, the hotel industry drastically improved. Now Kathmandu boasts several five-star hotels like Hyatt Regency, Hotel Yak & Yeti, The Everest Hotel, Hotel Radisson, Hotel De L'Annapurna, The Malla Hotel, Shangri-La Hotel (which is not operated by the Shangri-La Hotel Group) and The Shanker Hotel. There are several four-star hotels such as Hotel Vaishali, Hotel Narayani, The Blue Star and Grand Hotel. The Garden Hotel, Hotel Ambassador, and Aloha Inn are among the three-star hotels in Kathmandu. Hotels like Hyatt Regency, De L'Annapurna and Hotel Yak & Yeti are among the five-star hotels providing casinos as well.
DEMOGRAPHICS
Kathmandu's urban cosmopolitan character has made it the most populous city in Nepal, recording a population of 671,846 residents living in 235,387 households in the metropolitan area, according to the 2001 census. According to the National Population Census of 2011, the total population of Kathmandu city was 975,543 with an annual growth rate of 6.12% with respect to the population figure of 2001. 70% of the total population residing in Kathmandu are aged between 15 and 59.
Over the years the city has been home to people of various ethnicities, resulting in a range of different traditions and cultural practices. In one decade, the population increased from 427,045 in 1991 to 671,805 in 2001. The population was projected to reach 915,071 in 2011 and 1,319,597 by 2021. To keep up this population growth, the KMC-controlled area of 5,076.6 hectares has expanded to 8,214 hectares in 2001. With this new area, the population density which was 85 in 1991 is still 85 in 2001; it is likely to jump to 111 in 2011 and 161 in 2021.
ETHNIC GROUPS
The largest ethnic groups are Newar (29.6%), Matwali (25.1% Sunuwar, Gurung, Magars, Tamang etc.), Khas Brahmins (20.51%) and Chettris (18.5%) .[47] Tamangs originating from surrounding hill districts can be seen in Kathmandu. More recently, other hill ethnic groups and Caste groups from Terai have become present as well in vast majority. The major languages are Nepali, Nepal Bhasa and English is understood by about 30% of the people. The major religions are Hinduism and Buddhism.
The linguistic profile of Kathmandu underwent drastic changes during the Shah dynasty's rule because of its strong bias towards the Brahminic culture. Sanskrit language therefore was preferred and people were encouraged to learn it even by attending Sanskrit learning centers in Terai. Sanskrit schools were specially set up in Kathmandu and in the Terai region to inculcate traditional Hindu culture and practices originated from Nepal.
Architecture and cityscape
The ancient trade route between India and Tibet that passed through Kathmandu enabled a fusion of artistic and architectural traditions from other cultures to be amalgamated with local art and architecture. The monuments of Kathmandu City have been influenced over the centuries by Hindu and Buddhist religious practices. The architectural treasure of the Kathmandu valley has been categorized under the well-known seven groups of heritage monuments and buildings. In 2006 UNESCO declared these seven groups of monuments as a World Heritage Site (WHS). The seven monuments zones cover an area of 188.95 hectares, with the buffer zone extending to 239.34 hectares. The Seven Monument Zones (Mzs) inscribed originally in 1979 and with a minor modification in 2006 are Durbar squares of Hanuman Dhoka, Patan and Bhaktapur, Hindu temples of Pashupatinath and Changunarayan, the Buddhist stupas of Swayambhu and Boudhanath.
DURBAR SQUARES
The literal meaning of Durbar Square is a "place of palaces". There are three preserved Durbar Squares in Kathmandu valley and one unpreserved in Kirtipur. The Durbar Square of Kathmandu is located in the old city and has heritage buildings representing four kingdoms (Kantipur, Lalitpur, Bhaktapur, Kirtipur); the earliest is the Licchavi dynasty. The complex has 50 temples and is distributed in two quadrangles of the Durbar Square. The outer quadrangle has the Kasthamandap, Kumari Ghar, and Shiva-Parvati Temple; the inner quadrangle has the Hanuman Dhoka palace. The squares were severely damaged in the April 2015 Nepal earthquake.
Hanuman Dhoka is a complex of structures with the Royal Palace of the Malla kings and of the Shah dynasty. It is spread over five acres. The eastern wing, with ten courtyards, is the oldest part, dating to the mid-16th century. It was expanded by King Pratap Malla in the 17th century with many temples. The royal family lived in this palace until 1886 when they moved to Narayanhiti Palace. The stone inscription outside is in fifteen languages.
Kumari Ghar is a palace in the center of the Kathmandu city, next to the Durbar square where a Royal Kumari selected from several Kumaris resides. Kumari, or Kumari Devi, is the tradition of worshipping young pre-pubescent girls as manifestations of the divine female energy or devi in South Asian countries. In Nepal the selection process is very rigorous. Kumari is believed to be the bodily incarnation of the goddess Taleju (the Nepali name for Durga) until she menstruates, after which it is believed that the goddess vacates her body. Serious illness or a major loss of blood from an injury are also causes for her to revert to common status. The current Royal Kumari, Matina Shakya, age four, was installed in October 2008 by the Maoist government that replaced the monarchy.
Kasthamandap is a three-storeyed temple enshrining an image of Gorakhnath. It was built in the 16th century in pagoda style. The name of Kathmandu is a derivative of the word Kasthamandap. It was built under the reign of King Laxmi Narsingha Malla. Kasthamandap stands at the intersection of two ancient trade routes linking India and Tibet at Maru square. It was originally built as a rest house for travelers.
PASHUPATINATH TEMPLE
The Pashupatinath Temple is a famous 5th century Hindu temple dedicated to Lord Shiva (Pashupati). Located on the banks of the Bagmati River in the eastern part of Kathmandu, Pashupatinath Temple is the oldest Hindu temple in Kathmandu. It served as the seat of national deity, Lord Pashupatinath, until Nepal was secularized. However, a significant part of the temple was destroyed by Mughal invaders in the 14th century and little or nothing remains of the original 5th-century temple exterior. The temple as it stands today was built in the 19th century, although the image of the bull and the black four-headed image of Pashupati are at least 300 years old. The temple is a UNESCO World Heritage Site. Shivaratri, or the night of Lord Shiva, is the most important festival that takes place here, attracting thousands of devotees and sadhus.
Believers in Pashupatinath (mainly Hindus) are allowed to enter the temple premises, but non-Hindu visitors are allowed to view the temple only from the across the Bagmati River. The priests who perform the services at this temple have been Brahmins from Karnataka, South India since the time of Malla king Yaksha Malla. This tradition is believed to have been started at the request of Adi Shankaracharya who sought to unify the states of Bharatam (Unified India) by encouraging cultural exchange. This procedure is followed in other temples around India, which were sanctified by Adi Shankaracharya.
The temple is built in the pagoda style of architecture, with cubic constructions, carved wooden rafters (tundal) on which they rest, and two-level roofs made of copper and gold.
BOUDHANATH
The Boudhanath, (also written Bouddhanath, Bodhnath, Baudhanath or the Khāsa Chaitya), is one of the holiest Buddhist sites in Nepal, along with Swayambhu. It is a very popular tourist site. Boudhanath is known as Khāsti by Newars and as Bauddha or Bodhnāth by speakers of Nepali. Located about 11 km from the center and northeastern outskirts of Kathmandu, the stupa's massive mandala makes it one of the largest spherical stupas in Nepal. Boudhanath became a UNESCO World Heritage Site in 1979.The base of the stupa has 108 small depictions of the Dhyani Buddha Amitabha. It is surrounded with a brick wall with 147 niches, each with four or five prayer wheels engraved with the mantra, om mani padme hum. At the northern entrance where visitors must pass is a shrine dedicated to Ajima, the goddess of smallpox. Every year the stupa attracts many Tibetan Buddhist pilgrims who perform full body prostrations in the inner lower enclosure, walk around the stupa with prayer wheels, chant, and pray. Thousands of prayer flags are hoisted up from the top of the stupa downwards and dot the perimeter of the complex. The influx of many Tibetan refugees from China has seen the construction of over 50 Tibetan gompas (monasteries) around Boudhanath.
SWAYAMBHU
Swayambhu is a Buddhist stupa atop a hillock at the northwestern part of the city. This is among the oldest religious sites in Nepal. Although the site is considered Buddhist, it is revered by both Buddhists and Hindus. The stupa consists of a dome at the base; above the dome, there is a cubic structure with the eyes of Buddha looking in all four directions.[clarification needed] There are pentagonal Toran above each of the four sides, with statues engraved on them. Behind and above the torana there are thirteen tiers. Above all the tiers, there is a small space above which lies a gajur.
CULTURE
ARTS
Kathmandu valley is described as "an enormous treasure house of art and sculptures", which are made of wood, stone, metal, and terracotta, and found in profusion in temples, shrines, stupas, gompas, chaityasm and palaces. The art objects are also seen in street corners, lanes, private courtyards, and in open ground. Most art is in the form of icons of gods and goddesses. Kathmandu valley has had this art treasure very long, but received worldwide recognition only after the country opened its doors to the outside world in 1950.
The religious art of Nepal and Kathmandu in particular consists of an iconic symbolism of the Mother Goddesses such as: Bhavani, Durga, Gaja-Lakshmi, Hariti-Sitala, Mahsishamardini, Saptamatrika (seven mother goddesses), and Sri-Lakshmi(wealth-goddess). From the 3rd century BC, apart from the Hindu gods and goddesses, Buddhist monuments from the Ashokan period (it is said that Ashoka visited Nepal in 250 BC) have embellished Nepal in general and the valley in particular. These art and architectural edifices encompass three major periods of evolution: the Licchavi or classical period (500 to 900 AD), the post-classical period (1000 to 1400 AD), with strong influence of the Palla art form; the Malla period (1400 onwards) that exhibited explicitly tantric influences coupled with the art of Tibetan Demonology.
A broad typology has been ascribed to the decorative designs and carvings created by the people of Nepal. These artists have maintained a blend of Hinduism and Buddhism. The typology, based on the type of material used are: Stone Art, Metal Art, Wood Art, Terracotta Art, and Painting.
MUSEUMS
Kathmandu is home to a number of museums and art galleries, including the National Museum of Nepal and the Natural History Museum of Nepal. Nepal's art and architecture is an amalgamation of two ancient religions, Hinduism and Buddhhism. These are amply reflected in the many temples, shrines, stupas, monasteries, and palaces in the seven well-defined Monument Zones of the Kathmandu valley recognized as a UNESCO World Heritage Site. This amalgamation is also reflected in the planning and exhibitions in museums and art galleries throughout Kathmandu and its sister cities of Patan and Bhaktapur. The museums display unique artifacts and paintings from the 5th century CE to the present day, including archeological exportation.
KATHMANDU MUSEUMS ABD ART GALLERIES INCLUDE:
The National Museum
The Natural History Museum
Hanumandhoka Palace Complex
The Kaiser Library
The National Art Gallery
The NEF-ART (Nepal Fine Art) Gallery
The Nepal Art Council Gallery
Narayanhity Palace Museum
The Taragaon Museum
The National Museum is located in the western part of Kathmandu, near the Swayambhunath stupa in an historical building. This building was constructed in the early 19th century by General Bhimsen Thapa. It is the most important museum in the country, housing an extensive collection of weapons, art and antiquities of historic and cultural importance. The museum was established in 1928 as a collection house of war trophies and weapons, and the initial name of this museum was Chhauni Silkhana, meaning "the stone house of arms and ammunition". Given its focus, the museum contains an extensive quantity of weapons, including locally made firearms used in wars, leather cannons from the 18th–19th century, and medieval and modern works in wood, bronze, stone and paintings.
The Natural History Museum is located in the southern foothills of Swayambhunath hill and has a sizeable collection of different species of animals, butterflies, and plants. The museum is noted for its display of species, from prehistoric shells to stuffed animals.
The Tribhuvan Museum contains artifacts related to the King Tribhuvan (1906–1955). It has a variety of pieces including his personal belongings, letters and papers, memorabilia related to events he was involved in and a rare collection of photos and paintings of Royal family members. The Mahendra Museum is dedicated to king Mahendra of Nepal (1920–1972). Like the Tribhuvan Museum, it includes his personal belongings such as decorations, stamps, coins and personal notes and manuscripts, but it also has structural reconstructions of his cabinet room and office chamber. The Hanumandhoka Palace, a lavish medieval palace complex in the Durbar, contains three separate museums of historic importance. These museums include the Birendra museum, which contains items related to the second-last monarch, Birendra of Nepal.
The enclosed compound of the Narayanhity Palace Museum is in the north-central part of Kathmandu. "Narayanhity" comes from Narayana, a form of the Hindu god Lord Vishnu, and Hiti, meaning "water spout" (Vishnu's temple is located opposite the palace, and the water spout is located east of the main entrance to the precinct). Narayanhity was a new palace, in front of the old palace built in 1915, and was built in 1970 in the form of a contemporary Pagoda. It was built on the occasion of the marriage of King Birenda Bir Bikram Shah, then heir apparent to the throne. The southern gate of the palace is at the crossing of Prithvipath and Darbar Marg roads. The palace area covers (30 hectares) and is fully secured with gates on all sides. This palace was the scene of the Nepali royal massacre. After the fall of the monarchy, it was converted to a museum.The Taragaon Museum presents the modern history of the Kathmandu Valley. It seeks to document 50 years of research and cultural heritage conservation of the Kathmandu Valley, documenting what artists photographers architects anthropologists from abroad had contributed in the second half of the 20th century. The actual structure of the Museum showcases restoration and rehabilitation efforts to preserve the built heritage of Kathmandu. It was designed by Carl Pruscha (master-planner of the Kathmandy Valley [69]) in 1970 and constructed in 1971. Restoration works began in 2010 to rehabilitate the Taragaon hostel into the Taragaon Museum. The design uses local brick along with modern architectural design elements, as well as the use of circle, triangles and squares. The Museum is within a short walk from the Boudhnath stupa, which itself can be seen from the Museum tower.
ART GALLERIES
Kathmandu is a center for art in Nepal, displaying the work of contemporary artists in the country and also collections of historical artists. Patan in particular is an ancient city noted for its fine arts and crafts. Art in Kathmandu is vibrant, demonstrating a fusion of traditionalism and modern art, derived from a great number of national, Asian, and global influences. Nepali art is commonly divided into two areas: the idealistic traditional painting known as Paubhas in Nepal and perhaps more commonly known as Thangkas in Tibet, closely linked to the country's religious history and on the other hand the contemporary western-style painting, including nature-based compositions or abstract artwork based on Tantric elements and social themes of which painters in Nepal are well noted for. Internationally, the British-based charity, the Kathmandu Contemporary Art Centre is involved with promoting arts in Kathmandu.
Kathmandu contains many notable art galleries. The NAFA Gallery, operated by the Arts and crafts Department of the Nepal Academy is housed in Sita Bhavan, a neo-classical old Rana palace.
The Srijana Contemporary Art Gallery, located inside the Bhrikutimandap Exhibition grounds, hosts the work of contemporary painters and sculptors, and regularly organizes exhibitions. It also runs morning and evening classes in the schools of art. Also of note is the Moti Azima Gallery, located in a three storied building in Bhimsenthan which contains an impressive collection of traditional utensils and handmade dolls and items typical of a medieval Newar house, giving an important insight into Nepali history. The J Art Gallery is also located in Kathmandu, near the Royal Palace in Durbarmarg, Kathmandu and displays the artwork of eminent, established Nepali painters. The Nepal Art Council Gallery, located in the Babar Mahal, on the way to Tribhuvan International Airport contains artwork of both national and international artists and extensive halls regularly used for art exhibitions.
CUISINE
The staple food of most of Kathmanduites is dal bhat. It consists of rice and lentil soup, generally served with vegetable curries, achar and sometimes Chutney. Momo, a type of Nepali version of Tibetan dumpling, has become prominent in Nepal with many street vendors selling it. It is one of the most popular fast foods in Kathmandu. Various Nepali variants of momo including buff (i.e. buffalo) momo, chicken momo, and vegetarian momo are famous in Kathmandu. Dal Bhaat is the local cuisine of Kathmandu.
Most of the cuisines found in Kathmandu are non-vegetarian. However, the practice of vegetarianism is not uncommon, and vegetarian cuisines can be found throughout the city. Consumption of beef is very uncommon and considered taboo in many places. Buff (meat of water buffalo) is very common. There is a strong tradition of buff consumption in Kathmandu, especially among Newars, which is not found in other parts of Nepal. Consumption of pork was considered taboo until a few decades ago. Due to the intermixing with Kirat cuisine from eastern Nepal, pork has found a place in Kathmandu dishes. A fringe population of devout Hindus and Muslims consider it taboo. The Muslims forbid eating buff as from Quran while Hindus eat all varieties except Cow's meat as the consider Cow to be a goddess and symbol of purity. The chief breakfast for locals and visitors is mostly Momo or Chowmein.
Kathmandu had only one restaurant in 1955.[73] A large number of restaurants in Kathmandu have since opened, catering Nepali cuisine, Tibetan cuisine, Chinese cuisine and Indian cuisine in particular. Many other restaurants have opened to accommodate locals, expatriates, and tourists. The growth of tourism in Kathmandu has led to culinary creativity and the development of hybrid foods to accommodate for tourists such as American chop suey, which is a sweet-and-sour sauce with crispy noodles with a fried egg commonly added on top and other westernized adaptations of traditional cuisine. Continental cuisine can be found in selected places. International chain restaurants are rare, but some outlets of Pizza Hut and KFC have recently opened there. It also has several outlets of the international ice-cream chain Baskin-Robbins
Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. But its use has been now reduced.refnational survey. Drinking and driving is illegal, and authorities have a zero tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and rakshi are alcohols from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. Shops are forbidden to sell alcohol on the first two days and last two days of the Nepali month (Nepal Sambat).
FESTIVALS
Most of the fairs and festivals in Kathmandu originated in the Malla period or earlier. Traditionally, these festivals were celebrated by Newars. In recent years, these festivals have found wider participation from other Kathmanduites as well. As the capital of the Republic of Nepal, various national festivals are celebrated in Kathmandu. With mass migration to the city, the cultures of Khas from the west, Kirats from the east, Bon/Tibetan from the north, and Mithila from the south meet in the capital and mingle harmoniously. The festivities such as the Ghode (horse) Jatra, Indra Jatra, Dashain Durga Puja festivals, Shivratri and many more are observed by all Hindu and Buddhist communities of Kathmandu with devotional fervor and enthusiasm. Social regulation in the codes enacted incorporate Hindu traditions and ethics. These were followed by the Shah kings and previous kings, as devout Hindus and protectors of Buddhist religion.
Cultural continuity has been maintained for centuries in the exclusive worship of goddesses and deities in Kathmandu and the rest of the country. These deities include the Ajima, Taleju (or Tulja Bhavani), Digu taleju, and Kumari (the living goddess).[citation needed] The artistic edifices have now become places of worship in the everyday life of the people, therefore a roster is maintained to observe annual festivals. There are 133 festivals held in the year.
Some of the traditional festivals observed in Kathmandu, apart from those previously mentioned, are Bada Dashain, Tihar, Chhath, Maghe Sankranti, Naga Panchami, Janai Poornima, Pancha Dan, Teej/Rishi Panchami, Pahan Charhe, Jana Baha Dyah Jatra (White Machchhendranath Jatra), and Matatirtha Aunsi.
HINDUISM
Assumedly, together with the kingdom of Licchhavi (c. 400 to 750), Hinduism and the endogam social stratification of the Caste was established in Kathmandu Valley. The Pashupatinath Temple, Changu Narayan temple (the oldest), and the Kasthamandap are of particular importance to Hindus. Other notable Hindu temples in Kathmandu and the surrounding valley include Bajrayogini Temple, Dakshinkali Temple, Guhyeshwari Temple, and the Sobha Bhagwati shrine.
The Bagmati River which flows through Kathmandu is considered a holy river both by Hindus and Buddhists, and many Hindu temples are located on the banks of this river. The importance of the Bagmati also lies in the fact that Hindus are cremated on its banks, and Kirants are buried in the hills by its side. According to the Nepali Hindu tradition, the dead body must be dipped three times into the Bagmati before cremation. The chief mourner (usually the first son) who lights the funeral pyre must take a holy riverwater bath immediately after cremation. Many relatives who join the funeral procession also take bath in the Bagmati River or sprinkle the holy water on their bodies at the end of cremation as the Bagmati is believed to purify people spiritually.
BUDDHISM
Buddhism started in Kathmandu with the arrival of Buddhist monks during the time of Buddha (c. 563 - 483 BC). They started a forest monastery in Sankhu. This monastery was renovated by Shakyas after they fled genocide from Virudhaka (rule: 491-461 BC).
During the Hindu Lichchavi era (c. 400 to 750), various monasteries and orders were created which successively led to the formation of Newar Buddhism, which is still practiced in the primary liturgical language of Hinduism, Sanskrit.
WIKIPEDIA
From the Padya Natakam, "Sri Ramanjaneya Yuddham" held at Silparamam on 30th of May 2008. The artist is Sri T Baburaj (Filed Officer CPDCA) who is playing the role of Lord Sri Rama in the play. He is a veteran artist of Padya Natakam with over 100 performances to his credit,a melodious singer and also recepient of the prestegious Garuda Award from Tirupati.
Sandy Lane St. James, Barbados, West Indies
Barbados was under English rule from 1625 until its independence in 1966, one of the few islands in the West Indies that was not bounced from one foreign power to another. Barbados is known as the Little England of the Caribbean. The island is 166 square miles, 21 miles long and 14 miles wide. Barbados was named by Portuguese mariners as the land of bearded fig trees. The Portuguese sailors thought the gnarled, aerial roots of the fig trees looked like beards - thus it was charted in 1536 as Los Barbados or the Bearded Ones.
When the first British arrived in 1627 at present day Holetown, there were no indigenous Arawak around whatsoever. Originally covered by dense forests of bearded fig trees, the island was cleared for use in giant sugar plantations and was known as "Britain's Sugar Bowl". Some 26 forts, the remains of which are now sightseeing attractions, protected the plantations from pirates who roamed the Caribbean Sea.
Barbados has averaged about 8.7 hours of bright sunshine each day throughout a typical year. There is no rainy season. A temperature in the high 80's is considered unusually high. Barbados ocean water temperatures are deliciously warm 79-84 degrees F all year round. Barbados is approximately 1,200 miles from Miami, 2,100 miles from New York City and 300 miles from Venezuela.
In January 1946, at the end of WWII, Ronald Tree visited Barbados to stay at Sir Edward Cunard's (of the famous shipping family) home Glitter Bay. Ronald Tree, was the grandson of Marshal Field the Chicago department store scion and son of Lambert Tree who served as the Ambassador to Belgium. Ronnie Tree served in the British Parliament for 15 years. Tree was captivated by the island and within twelve months he had bought a piece of coastal land at Porters and built a magnificent home, Heron Bay. Less than ten years later, as the number of his visitors to Heron Bay escalated beyond capacity, he began to realize the enormous potential of Barbados as an exclusive tourist destination. Tree decided to buy the Sandy Lane sugar estate and factory on the St. James coast to build a hotel on what was a 1,000 feet beach front and build a golf course on the remaining land. Thus it was that Tree with a syndicate of wealthy friends designed and built Sandy Lane, a resort that opened in 1961. Beyond the resort, Tree took an interest in Barbados and its problems as it moved from a British dependency to independence in 1966. The British have left their mark on Barbados. The language is English, the sport is cricket, you drive on the left and the island has the highest literacy rate in the Caribbean.
The Sandy Lane Hotel was built of coral stone and surrounded by 380 acres of gardens. It faced a mile long sandy beach and offered billiards and a nine hole golf course - Rockley Beach Golf Club (green fee $2.50). Service and cuisine were carefully directed by a team imported from London's Claridges Hotel. When the 53-room hotel opened in 1961, Sandy Lane was considered the ultimate in Caribbean resorts. It was an elegant, exquisitely appointed and incredibly expensive jet setter's getaway spot. The opening rate was $45-50 per day for two including breakfast and dinner. In 1964 the green fee at Sandy Lane Golf Club was $3.25 per person per day. Caddies were available for 80 cents per round. Nicholas Behard, formerly of Claridge's, was the Sandy Lane manager in early 60's. Later Behard ran the Intercontinental Hotel in Auckland, New Zealand. Henry C. Petteys was the Manager also in the mid-60's. Petteys was manager of the Black Point Inn in Maine in the 70's.
Sandy Lane architects were "Happy" Robertson Ward and locally Jimmy Walker. Happy Ward's resort projects were designed to harmonize with their settings and were known for their use of coral stone and other natural materials. Robertson earlier designed the Mill Reef Club in Antigua, the Samanna in St. Martin and the Cotton Bay Club in Eleuthera. Said Ward of his design for the neo-Palladian style hotel, "I put myself in the position of a well-educated English gentleman of the late 18th century going to the West Indies to build a Great House."
The Sandy Lane Hotel legal owner was West Coast Development LTD and had a Canadian director, James A. Gairdner, a Toronto investment dealer. By 1963 Ronald Tree and West Coast Ltd were selling plots on the 378-acre Sandy Lane Estate for residential retirement or holiday homes. The sites at Sandy Lane were selling at $6,000 to $12,000 per acre in 1963. In the 60's everyone who was anyone came to stay. Aristotle Onassis, Maria Callas, Claudette Colbert, Greta Garbo. David Niven dreamed up cocktails at the bar, and Elton John once adhered to the New Year's Eve black-tie rule by wearing a bow tie as a garter. Other regulars included Sidney Poitier, Mick Jagger, Princess Margaret, Queen Elizabeth II, and Frank Sinatra.
Ronald Tree sold the Sandy Lane Hotel in 1967 to Trust Houses which owned many of England's oldest and most famous hotels, including Brown's, The Cavendish, the Hyde Park Hotel, and the Grosvenor House. By 1970 Trust Houses had merged with Carmine Monforte, later known as Charles Forte. Forte started with a chain of ice cream shops and was the first to contract for food service at Heathrow Airport in 1955. By the mid-60's he purchase three of the finest hotels in Paris, the George V, Plaza Athenee, and Hotel de la Tremoille. Trust Houses became Trusthouse Forte (THF), then the largest hotel company in the world. Sandy Lane was a special favorite of Trusthouse Forte head Lord Forte, who frequented it often. Guy Macpherson was from 1971-74 the general manager at Sandy Lane Hotel. He later moved to Trust House Forte at its London headquarters.
In 1996 Granada plc was successful with its hostile takeover of THF. In 1997 Granada sold the Sandy Lane for approximately US $50 million to five Irish businessmen, including J. P. McManus, Dermot Desmond and John Magnier. The new owners are affectionately known as the "Coolmore mafia" - Coolmore is where they stable their race horses in Ireland. Dermot Desmond is the chairman of the board.
Due to the wear of over 30 years and several structural problems, the jet setter resort playground of the 60's was demolished then rebuilt and expanded, in the same neo-Palladian style as the original, complete with its white coral stone rotunda - albeit larger and even more luxurious. At the peak of construction, 1,400 people from 40 countries worked on the site. In March 2001 the hotel reopened.
The new Sandy Lane modus operandi was to spare no expense in the drive to be unrivaled. General Manager Colm Hannon was quoted - "The budget went out the window very early in the project." During the 3 year closure the old building was knocked down and then put back up, right down to the rusticated archways and distinctive roofline cornices - but with a level of luxury intended to put Sandy Lane on a par with the world's, not just the Caribbean's, top resorts. Dermot Desmond cherry-picked the world's top hotels and resorts for ideas. Taking a cue from a hotel in Dubai he had tunnels dug beneath the buildings for the housekeeping and room-service carts so guests wouldn't see (or hear) them trundling down the halls. He went through mock-up room after mock-up room. Sandy Lane has perhaps the most beautiful and luxurious guest rooms in the Caribbean. Desmond had to be sold on the spa--it wasn't part of the original plan--but when he bought in, he did so in characteristic fashion: "Build the best spa in the Caribbean," he told interior designer Fiona Thompson. Thompson (principal with Richmond International) was also the lead interior designer for the Moscow Four Seasons, Shangri-La Singapore and the Langham in London. Desmond built the largest spa in the Caribbean, a 47,000-square-foot building with a Las Vegasy faux waterfall in front that flows into the 7,500-square-foot resort pool. When the hotel re-opened in 2001 it was said up to 50% of the passengers on the Concorde flights from London were transported to the Sandy Lane. The Concorde's last flight to Barbados was on November 17th 2003.
The plan to cover the costs of the 112-room resort was to sell 110 vacant lots surrounding the resort and golf courses with price tags of around US $3 million each. The sites would include membership in the Tom Fazio-designed private golf club, the Green Monkey. US $25 million went into the Green Monkey's construction. Carved out of an abandoned coral quarry and flanked by mature mahogany trees, the Green Monkey is all about dramatic changes in elevation. The ninth hole par five has a 100-foot drop to the green on your third shot. The super exclusive Green Monkey golf course has a separate apparel line that can only be purchased after completion of a round of golf at $450 each. The course is named from one of Barbados’ most famous residents - the green monkey. The green monkey was initially brought over to Barbados as a pet from regions of West Africa during the slave trade over 350 years ago. Many monkeys then escaped or were released and became ‘naturalized’ in Barbados.
The original 18-hole course built in 1961 was reduced in size to a nine-hole layout known as The Old Nine and nicknamed "Tough Augusta." The par-36 course is known for its postage-stamp greens and tight tree-lined fairways. Part of the reclaimed original course was then reshaped into the new Country Club Course, an 18-hole Tom Fazio track that, unlike the Green Monkey, welcomes the general public. The 7,060 yard Country Club Course incorporates five lakes and grand vistas of the turquoise Caribbean. It is said you could steer the Queen Mary through the ultra wide fairways. This is resort golf so the intention is to make guests happy about golf. The scorecard cleverly names each of the five tee blocks: Ability, 7060 yards; Hope, 6542 yards; Humility, 6107 yards; Respect, 5661 yards and Reality, 5089.
On October 5, 2004, golfer Tiger Woods married his Swedish fiancée Elin Nordegren on Sandy Lane's Green Monkey golf course. The rock group Hootie and the Blowfish performed under a tent located on the course. Woods and Dermot Desmond are friends - Desmond paid at auction in 2000 $1.5 million just to get Woods to sign a flag from Pebble Beach where he won the U.S. Open. On a side-note the Sandy Lane owners ( Coolmore) purchased a 2 year old colt at auction in 2006 for $16 million. They named the horse Green Monkey, after their golf course. At the time Green Monkey was the most expensive thoroughbred racehorse ever purchased. The horse retired with total earnings of $10,440 and was euthanized at the age of 14.
Colm Hannon was the General Manager at Sandy Lane for 8 1/2 years starting in 1996. Hannon ran the property as it went through the 3 year closure and re-opening. Hannon is a graduate of Shannon College of Hotel Management in Ireland. Sandy Lane's co-owner, JP McManus, moved Hannon to the West Coast of Ireland to be the CEO of Adare Manor, a five star castle hotel and golf course.
Michael Pownall named Chief Executive of the Sandy Lane Hotel & Golf Resort in 2005. Michael Pownall graduated in 1983 from the Blackpool Hotel School. In 2008 Pownall opened the five star Taj Hotel in Cape Town, South Africa before co-founding PMR Hospitality Partners in 2016, which operates 5 propertes in South Africa.
Robert Logan was Sandy Lane's general manager from 2008-2012. He previously was General Manager of Raffles Hotel, Singapore and currently is the General Manager for the One&Only Palmilla in Los Cabos, Mexico,
Randall Wilkie was named the new General Manager of Sandy Lane Barbados in 2012. Previously his was General Manager at Cobblers Cove Hotel in Barbados. Wilkie maintains a staff of around 700 for the 113 rooms.
Photos and text by Dick Johnson, February 2020.
richardlloydjohnson@hotmail.com
As storms build off in the distance, whether it be snow or rain, the golden light of the last hour of the day arrives as the Monongahela heritage unit leads 212 across the Yadkin River as they arrive at Linwood for a crew change.
Lucerne (/ljuːˈsɜːrn/; German: Luzern [luˈtsɛrn] (About this soundlisten); French: Lucerne [lysɛʁn]; Italian: Lucerna [luˈtʃɛrna]; Romansh: Lucerna; Lucerne German: Lozärn) is a city in central Switzerland, in the German-speaking portion of the country. Lucerne is the capital of the canton of Lucerne and part of the district of the same name. With a population of about 81,057 people (as of 2013),[3] Lucerne is the most populous town in Central Switzerland, and a nexus of economics, transportation, culture, and media of this region. The city's urban area consists of 17 municipalities and towns located in three different cantons with an overall population of about 250,000 people (as of 2007).[4]
Owing to its location on the shores of Lake Lucerne (German: Vierwaldstättersee) and its outflow, the river Reuss, within sight of the mounts Pilatus and Rigi in the Swiss Alps, Lucerne has long been a destination for tourists. One of the city's famous landmarks is the Chapel Bridge (German: Kapellbrücke), a wooden bridge first erected in the 14th century.
The official language of Lucerne is (the Swiss variety of Standard) German, but the main spoken language is the local variant of the Alemannic Swiss German dialect.
Contents
1History
1.1Early history and founding (750–1386)
1.2From city to city-state (1386–1520)
1.3Swiss-Catholic town (1520–1798)
1.4Century of revolutions (1798–1914)
1.521st century
2Geography and climate
2.1Topography
2.2Climate
3Politics
3.1Government
3.2Parliament
3.3National elections
3.3.1National Council
3.4International relations
3.4.1Twin towns
4Demography
4.1Population
4.2Historic population
4.3Religion
5Economy
6Sights
7Culture and events
7.1Culture
7.2Events
8Transport
9Sport
10Gallery
11Notable people
12See also
13References
14Further reading
15External links
History[edit]
Early history and founding (750–1386)[edit]
After the fall of the Roman Empire beginning in the 6th century, Germanic Alemannic peoples increased their influence on this area of present-day Switzerland.
Around 750 the Benedictine Monastery of St. Leodegar was founded, which was later acquired by Murbach Abbey in Alsace in the middle of the 9th century, and by this time the area had become known as Luciaria.[5]
The origin of the name is uncertain, it is possibly derived from the Latin name of the pike, lucius, thus designating a pike fishing spot in the river Reuss. Derivation from the theonym Lugus has been suggested but is phonetically implausible. In any case, the name was associated by popular etymology with Latin lucerna "lantern" from an early time.[6]
In 1178 Lucerne acquired its independence from the jurisdiction of Murbach Abbey, and the founding of the city proper probably occurred that same year. The city gained importance as a strategically located gateway for the growing commerce from the Gotthard trade route.
By 1290 Lucerne had become a self-sufficient city of reasonable size with about 3000 inhabitants. About this time King Rudolph I von Habsburg gained authority over the Monastery of St. Leodegar and its lands, including Lucerne. The populace was not content with the increasing Habsburg influence, and Lucerne allied with neighboring towns to seek independence from their rule. Along with Lucerne, the three other forest cantons of Uri, Schwyz and Unterwalden formed the "eternal" Swiss Confederacy, known as the Eidgenossenschaft, on November 7, 1332.
Later the cities of Zürich, Zug and Bern joined the alliance. With the help of these additions, the rule of Austria over the area came to an end. The issue was settled by Lucerne’s victory over the Habsburgs in the Battle of Sempach in 1386. For Lucerne this victory ignited an era of expansion. The city shortly granted many rights to itself, rights which had been withheld by the Habsburgs until then. By this time the borders of Lucerne were approximately those of today.
From city to city-state (1386–1520)[edit]
In 1415 Lucerne gained Reichsfreiheit from Emperor Sigismund and became a strong member of the Swiss confederacy. The city developed its infrastructure, raised taxes, and appointed its own local officials. The city’s population of 3000 dropped about 40% due to the Black Plague and several wars around 1350.
In 1419 town records show the first witch trial against a male person.
Swiss-Catholic town (1520–1798)[edit]
Lucerne in 1642
Among the growing towns of the confederacy, Lucerne was especially popular in attracting new residents. Remaining predominantly Catholic, Lucerne hosted its own annual passion play from 1453 to 1616. It was a two-day-long play of 12 hours performance per day.[7] As the confederacy broke up during the Reformation, after 1520, most nearby cities became Protestant, but Lucerne remained Catholic. After the victory of the Catholics over the Protestants in the Battle at Kappel in 1531, the Catholic towns dominated the confederacy. The region, though, was destined to be dominated by Protestant cities such as Zürich, Bern and Basel, which defeated the Catholic forces in the 1712 Toggenburg War. The former prominent position of Lucerne in the confederacy was lost forever. In the 16th and 17th centuries, wars and epidemics became steadily less frequent and as a result the population of the country increased strongly.
Lucerne was besieged by a peasant army and quickly signed a peace treaty with the rebels in the Swiss peasant war of 1653.
Century of revolutions (1798–1914)[edit]
Conflict at Lucerne, Illustrated London News, 1845
In 1798, nine years after the beginning of the French Revolution, the French army marched into Switzerland. The old confederacy collapsed and the government became democratic. The industrial revolution hit Lucerne rather late, and by 1860 only 1.7% of the population worked in industry, which was about a quarter of the national average at that time. Agriculture, which employed about 40% of the workers, was the main form of economic output in the canton. Nevertheless, industry was attracted to the city from areas around Lucerne. From 1850 to 1913, the population quadrupled and the flow of settlers increased. In 1856 trains first linked the city to Olten and Basel, then Zug and Zürich in 1864 and finally to the south in 1897.
21st century[edit]
On June 17, 2007, voters of the city of Lucerne and the adjacent town of Littau agreed to a merger in a simultaneous referendum. This took effect on January 1, 2010.[8] The new city, still called Lucerne, has a population of around 80,000 people, making it the seventh-largest city in Switzerland. The results of this referendum are expected to pave the way for negotiations with other nearby cities and towns in an effort to create a unified city-region, based on the results of a study.[9]
Geography and climate[edit]
Topography[edit]
Lucerne is located at the outfall of Lake Lucerne into the river Reuss, which flows from south-east to north-west. The city occupies both banks of the river and the lowest reach of the lake, with the city centre straddling the river immediately downstream of the outfall. The city's suburbs climb the hills to the north-east and south-west, and stretch out along the river and lake banks, whilst the recently added area of Littau is to the north-west.[10]
Besides this contiguous city area, the municipality also includes an exclave on the south shore of Lake Lucerne some 8 kilometres (5.0 mi) away, comprising the northern slopes of the Bürgenstock. This section of the municipality is entirely surrounded by the lake and by land of the canton of Nidwalden. It does not contain any significant settlements, but the summit of the Bürgenstock is the highest point of the municipality.[10]
The municipality has an area of 29.1 square kilometers (11.2 sq mi). Of this area and as of 2009, 28.0% is used for agricultural purposes, while 22.3% is forested. Of the rest of the land, 47.6% is settled (buildings or roads) and the remainder (2.1%) is non-productive (rivers, glaciers or mountains).[11]
Climate[edit]
Between 1961 and 1990 Lucerne had an average of 138.1 days of rain per year and on average received 1,171 mm (46.1 in) of precipitation. The wettest month was June during which time Lucerne received an average of 153 mm (6.0 in) of rainfall. During this month there was rainfall for an average of 14.2 days. The driest month of the year was February with an average of 61 mm (2.4 in) of precipitation over 10.2 days.[12] Climate in this area has mild differences between highs and lows, and there is adequate rainfall year-round. The Köppen Climate Classification subtype for this climate is "Cfb" (Marine West Coast Climate/Oceanic climate).[13]
hideClimate data for Lucerne
MonthJanFebMarAprMayJunJulAugSepOctNovDecYear
Average high °C (°F)3.4
(38.1)5.2
(41.4)10.3
(50.5)14.4
(57.9)19.1
(66.4)22.2
(72)24.7
(76.5)23.8
(74.8)19.4
(66.9)14.3
(57.7)7.8
(46)4.3
(39.7)14.1
(57.4)
Daily mean °C (°F)0.5
(32.9)1.4
(34.5)5.4
(41.7)9.1
(48.4)13.7
(56.7)16.9
(62.4)19.1
(66.4)18.3
(64.9)14.6
(58.3)10.2
(50.4)4.6
(40.3)1.6
(34.9)9.6
(49.3)
Average low °C (°F)−2.3
(27.9)−2.0
(28.4)1.1
(34)4.3
(39.7)8.9
(48)12.1
(53.8)14.2
(57.6)13.9
(57)10.6
(51.1)6.7
(44.1)1.6
(34.9)−1.0
(30.2)5.7
(42.3)
Average precipitation mm (inches)51
(2.01)54
(2.13)74
(2.91)88
(3.46)128
(5.04)154
(6.06)151
(5.94)146
(5.75)107
(4.21)76
(2.99)73
(2.87)72
(2.83)1,173
(46.18)
Average snowfall cm (inches)16.0
(6.3)20.2
(7.95)8.3
(3.27)1.2
(0.47)0.0
(0)0.0
(0)0.0
(0)0.0
(0)0.0
(0)0.4
(0.16)5.3
(2.09)14.6
(5.75)66.0
(25.98)
Average precipitation days (≥ 1.0 mm)9.38.711.811.812.913.512.512.510.29.49.610.0132.2
Average snowy days (≥ 1.0 cm)3.84.41.90.60.00.00.00.00.00.12.47.937.9
Average relative humidity (%)83797370727272758083848477
Mean monthly sunshine hours47721221411611712011871379752361,423
Percent possible sunshine21283636373845453932221735
Source: MeteoSwiss[14]
Politics[edit]
Government[edit]
The City Council (Stadtrat) constitutes the executive government of the city of Lucerne and operates as a collegiate authority. It is composed of five councilors (German: Stadtrat/-rätin), each presiding over a directorate (Direktion) comprising several departments and bureaus. The president of the executive department acts as mayor (Stadtpräsident). In the mandate period (Legislatur) September 2016 – August 2020 the City Council is presided by Stadtpräsident Beat Züsli. Departmental tasks, coordination measures and implementation of laws decreed by the Grand City Council are carried by the City Council. The regular election of the City Council by any inhabitant valid to vote is held every four years. Any resident of Lucerne allowed to vote can be elected as a member of the City Council. The delegates are selected by means of a system of Majorz. The mayor is elected as such as well by public election while the heads of the other directorates are assigned by the collegiate.[15]
As of September 2016, Luzern's City Council is made up of one representative of the SP (Social Democratic Party, who is also the mayor), and one each of CVP (Christian Democratic Party), GPS (Green Party), FDP (FDP.The Liberals), and glp (Green Liberal Party). The last regular election was held on 1 May/5 June 2016.[15]
The City Council (Stadtrat) of Luzern[15]
City Councilor
(Stadtrat/-rätin)PartyHead of Directorate (Direktion, since) ofelected since
Beat Züsli[SR 1] SPMayor's Office and City's Chancellary (Präsidialdirektion und Stadtkanzlei, 2016)2016
Franziska Bitzi Staub CVPFinances (Finanzdirektion, 2016)November 2016
Adrian Borgula GPSEnvironment, Transport, and Security (Direktion Umwelt, Verkehr und Sicherheit, 2012)2012
Manuela Jost glpBuilding and Civil Engineering (Baudirektion, 2012)2012
Martin Merki FDPSocial Services (Sozialdirektion, 2012)2012
^ Mayor (Stadtpräsident)
Toni Göpfert (FDP) is Town Chronicler (Stadtschreiber) since 1990.
Parliament[edit]
The Grosse Stadtrat of Luzern for the mandate period of 2016-2020
JUSO (2.1%)
jg (2.1%)
SP (27.1%)
GPS (12.5%)
glp (8.3%)
CVP (14.6%)
FDP (18.8%)
SVP (16.7%)
The Grand City Council (Grosser Stadtrat) holds legislative power. It is made up of 48 members, with elections held every four years. The Grand City Council decrees regulations and by-laws that are executed by the City Council and the administration. The delegates are selected by means of a system of proportional representation.
The sessions of the Grand City Council are public. Unlike members of the City Council, members of the Grand City Council are not politicians by profession, and they are paid a fee based on their attendance. Any resident of Luzern allowed to vote can be elected as a member of the Grand City Council. The parliament holds its meetings in the Rathaus (Town Hall) am Kornmarkt.[16]
The last regular election of the Grand City Council was held on 1 May 2016 for the mandate period (German: Legislatur) from September 2016 to August 2020. Currently the Grand City Council consist of 13 members of the Social Democratic Party (SP/PS) and one of its junior section, the JUSO, 9 The Liberals (FDP/PLR), 7 Christian Democratic People's Party (CVP/PDC), 7 Swiss People's Party (SVP/UDC), 6 Green Party (GPS/PES) and one of its junior section, the jg of Luzern, and 4 Green Liberal Party (GLP/PVL).[16]
National elections[edit]
National Council[edit]
In the 2015 election for the Swiss National Council the most popular party was the SPS which received 25.8% of the vote. The next five most popular parties were the SVP (19.5%), the FDP (15.4%), the CVP (14.1%), the GPS (13.3%), and the GLP (8.9%). In the federal election, a total of 26,521 voters were cast, and the voter turnout was 49.48%.[17]
International relations[edit]
See also: List of twin towns and sister cities in Switzerland
Twin towns[edit]
Lucerne is twinned with the following towns:[18]
United Kingdom Bournemouth, United Kingdom (1981)[18][19]
United States Chicago, Illinois, United States (1999)[18]
Poland Cieszyn, Poland (1994)[18]
France Guebwiller / Murbach, France (1978)[18]
Czech Republic Olomouc, Czech Republic (1994)[18]
Germany Potsdam, Germany (2002)[18][20]
Demography[edit]
Population[edit]
Largest groups of foreign residents 2013[21]
NationalityNumbers% of total
(% of foreigners)
Germany4,1675.2 (20.7)
Italy2,2792.8 (11.3)
Portugal1,7652.2 (8.8)
Serbia1,4301.8 (7.1)
Kosovo7941.0 (3.9)
Spain7600.9 (3.8)
Sri Lanka7340.9 (3.6)
Bosnia and Herzegovina5430.7 (2.7)
Croatia5380.7 (2.7)
Republic of Macedonia4570.7 (2.6)
Lucerne has a population (as of 31 December 2017) of 81,401.[2] As of 2013, 19,264 or 25.0% of the population was made up of foreign nationals, of which 19.9% are from Europe, 2.8% from Asia, 1.2% from Africa and 1.0% from America.[21] Over the last 10 years the population has grown at a rate of 1.2%. Most of the population (as of 2010) speak German (87%), with Italian, as well as Serbo-Croatian and English with 5% being second most common languages, followed by French and Albanian with 3%, and Portuguese and Spanish with 2% each.[22]
The age distribution in Lucerne is (as of 2013); 12,916 people or 15.7% of the population is 0–19 years old. 26,381 people or 33.8% are 20–39 years old, and 25,863 people or 32.1% are 40–64 years old. The senior population distribution is 10,530 people or 13.1% are 65–79 years old, 4,208 or 5.2% are 80–89 years old and 900 people or 1.1% of the population are 90+ years old.[23]
In Lucerne about 73.6% of the population (between age 25–64) have completed either non-mandatory upper secondary education or additional higher education (either university or a Fachhochschule).
As of 2000 there are 30,586 households, of which 15,452 households (or about 50.5%) contain only a single individual. 853 or about 2.8% are large households, with at least five members.[24] As of 2000 there were 5,707 inhabited buildings in the municipality, of which 4,050 were built only as housing, and 1,657 were mixed use buildings. There were 1,152 single family homes, 348 double family homes, and 2,550 multi-family homes in the municipality. Most homes were either two (787) or three (1,468) story structures. There were only 74 single story buildings and 1,721 four or more story buildings.[24]
Historic population[edit]
The historical population of Lucerne is given in the following table:
Historical population
YearPop.±% p.a.
186013,166—
187016,450+2.25%
188020,419+2.18%
188823,607+1.83%
190032,954+2.82%
YearPop.±% p.a.
191043,611+2.84%
192048,394+1.05%
193047,066−0.28%
194159,847+2.21%
195066,170+1.12%
YearPop.±% p.a.
196076,148+1.41%
197083,374+0.91%
198078,274−0.63%
199076,466−0.23%
200075,425−0.14%
YearPop.±% p.a.
201077,491+0.27%
201681,592+0.86%
Source: City of Lucerne - Population by Nationality and Sex since 1860
Religion[edit]
The city grew up around Sankt Leodegar Abbey, founded in AD 840, and remained strongly Roman Catholic into the 21st century. By 1850, 96.9% of the population was Catholic, in 1900 it was 81.9% and in 1950 it was still 72.3%. In the 2000 census the religious membership of Lucerne was: 35,682 (60%) Roman Catholic, 9,227 (15.5%) Protestant, with an additional 1,979 (3.33%) who were of some other Christian denominations; 1,824 individuals (3.07% of the population) Muslim; 196 individuals (0.33% of the population) Jewish. Of the remainder, 1,073 (1.8%) individuals were another religion; 6,310 (10.61%) stated they do not belong to any organized religion; and 3,205 (5.39%) did not answer the question.[24]
Economy[edit]
As of 2012, there were a total of 77,641 people employed in the municipality. Of these, a total of 166 people worked in 53 businesses in the primary economic sector. The secondary sector employed 7,326 workers in 666 separate businesses. Finally, the tertiary sector provided 70,149 jobs in 6,929 businesses. In 2013 a total of 11.0% of the population received social assistance.[25] As of 2000 51.7% of the population of the municipality were employed in some capacity. At the same time, women made up 47.9% of the workforce.[24]
Lucerne is home to a number of major Swiss companies, including Schindler Group, Chronoswiss, Emmi, EF Education First and the Luzerner Kantonalbank. Suva, one of Switzerland's oldest accident insurance companies, is also based in Lucerne, as is the University of Lucerne, the youngest of Switzerland's traditional universitites.
Thanks to its continuous tax-cutting policies, Lucerne has become Switzerland's most business-friendly canton. As of 2012 Lucerne offers Switzerland's lowest corporate tax rate at cantonal level.[26]
Furthermore, Lucerne also offers very moderate personal income tax rates. In a recent published study of BAK Basel Economics taxation index 2012, Lucerne made it to the 4th place with an only marginally 2% higher tax rate compared to the top canton in this comparison.[27]
Since November 2009, Zurich Airport can be reached from Lucerne within 1 hour and 2 minutes[28] by a direct (every hour) train connection every half an hour with a stop just below the airport, and within 40 minutes by car due to a direct motorway from Lucerne to the Airport, but only if you travel outside of rush hours.
Sights[edit]
Since the city straddles the Reuss where it drains the lake, it has a number of bridges. The most famous is the Chapel Bridge (Kapellbrücke), a 204 m (669 ft) long wooden covered bridge originally built in 1333, the oldest covered bridge in Europe, although much of it had to be replaced after a fire on 18 August 1993, allegedly caused by a discarded cigarette. Part way across, the bridge runs by the octagonal Water Tower (Wasserturm), a fortification from the 13th century. Inside the bridge are a series of paintings from the 17th century depicting events from Lucerne's history. The Bridge with its Tower is the city's most famous landmark.
Lucerne city, lake and mountains view from the tower
Downriver, between the Kasernenplatz and the Mühlenplatz, the Spreuer Bridge (Spreuerbrücke or Mühlenbrücke, Mill Bridge) zigzags across the Reuss. Constructed in 1408, it features a series of medieval-style 17th century plague paintings by Kaspar Meglinger (de) titled Dance of Death (Totentanzzyklus). The bridge has a small chapel in the middle that was added in 1568.
Old Town Lucerne is mainly located just north of the Reuss, and still has several fine half-timber structures with painted fronts. Remnants of the old town walls exist on the hill above Lucerne, complete with eight tall watch towers. An additional gated tower sits at the base of the hill on the banks of the Reuss.
The twin needle towers of the Church of St. Leodegar, which was named after the city's patron saint, sit on a small hill just above the lake front. Originally built in 735, the present structure was erected in 1633 in the late Renaissance style. However, the towers are surviving remnants of an earlier structure. The interior is richly decorated. The church is popularly called the Hofkirche (in German) and is known locally as the Hofchile (in Swiss-German).
Bertel Thorvaldsen's famous carving of a dying lion (the Lion Monument, or Löwendenkmal) is found in a small park just off the Löwenplatz. The carving commemorates the hundreds of Swiss Guards of who were massacred in 1792 during the French Revolution, when an armed mob stormed the Tuileries Palace in Paris.
The Swiss Museum of Transport is a large and comprehensive museum exhibiting all forms of transport, including locomotives, automobiles, ships, and aircraft. It is to be found beside the lake in the northern-eastern section of the city.
The Culture and Convention Center (KKL) beside the lake in the center of the city was designed by Jean Nouvel. The center has one of the world's leading concert halls, with acoustics by Russell Johnson.
Culture and events[edit]
Culture[edit]
The Lucerne Culture and Congress Centre at night
Since plans for the new culture and convention centre arose in the late 1980s, Lucerne has found a balance between the so-called established culture and alternative culture. A consensus was reached that culminated in a culture compromise (Kulturkompromiss). The established culture comprises the Lucerne Culture and Congress Centre (KKL), the city theater (Luzerner Theater) and, in a broader sense, smaller establishments such as the Kleintheater, founded by comedian Emil Steinberger, a Lucerne native, or Stadtkeller, a music restaurant in the city's old town. KKL houses a concert hall as well as the Museum of Art Lucerne (Kunstmuseum Luzern).
Alternative culture took place mostly on the premises of a former tube factory, which became known as Boa. Other localities for alternative culture have since emerged in the same inner city area as Boa. Initially, Boa staged various plays, but concerts became more and more common; this new use of the building clashed with the development of apartment buildings on nearby lots of land. Due to possible noise pollution, Boa was closed and a replacement in a less heavily inhabited area is currently under construction. Critics claimed though that the new establishment would not meet the requirements for an alternative culture.
Südpol is a center for performing arts in Lucerne presenting music-, dance- and theatre-events. The house at the foot of Pilatus is opened since November 2008.
Lucerne is home to the Luzerner Sinfonieorchester, a category A symphonic orchestra, and to the 21st Century Symphony Orchestra, and they both hold most of their performances in the Lucerne Culture and Congress Centre.
Lucerne is also home to Keramikkonzerte (keramikkonzerte.com/), a series of classical chamber music concerts held throughout each year.
Events[edit]
Every year, towards the end of winter, Fasnacht (Carnival) breaks out in the streets, alleyways and squares of the old town. This is a glittering outdoor party, where chaos and merriness reign and nothing is as it normally is. Strange characters in fantastic masks and costumes make their way through the alleyways, while Guggenmusiken (carnival bands) blow their instruments in joyful cacophony and thousands of bizarrely clad people sing and dance away the winter. The Lucerner Fasnacht, based on religious, Catholic backgrounds, starts every year on the Thursday before Aschermittwoch (Ash Wednesday) with a big bang at 5am called Morgenwacht (Morning Watch). There are big parades in the afternoon on Schmotzige Donnerstag (literally: Lardy Thursday)[29] and the following Monday, called Güdismontag (literally: Paunch Monday), which attract tens of thousands of people. Lucerne's Carnival ends with a crowning finish on Güdisdienstag (literally: Paunch Tuesday) evening with the Monstercorso, a tremendous parade of Guggenmusiken, lights and lanterns with even a larger audience. Rather recently a fourth Fasnacht day has been introduced on the Saturday between the others Fasnacht days, the Rüüdige Samstag while mainly several indoor balls take place. From dusk till dawn on the evenings of Schmotzige Donnerstag, Güdismontag, and after the Monstercorso many bands wander through the historical part of the city playing typical Fasnacht tunes. Until midnight, the historical part of the city usually is packed with people participating. A large part of the audience are also dressed up in costumes, even a majority in the evenings.
Lucerne Fasnacht
The city hosts various renowned festivals throughout the year. The Lucerne Festival for classical music takes place in the summer. Its orchestra, the Lucerne Festival Orchestra, is hand-picked from some of the finest instrumentalists in the world. In June yearly the pop music festival B-Sides takes place in Lucerne. It focuses on international acts in alternative music, indie rock, experimental rock and other cutting edge and left field artistic musical genres. In July, the Blue Balls Festival brings jazz, blues and punk music to the lake promenade and halls of the Culture and Convention Center. The Lucerne Blues Festival is another musical festival which usually takes place in November. Since spring 2004, Lucerne has hosted the Festival Rose d'Or for television entertainment. And in April, the well-established comics festival Fumetto attracts an international audience.
Being the cultural center of a rather rural region, Lucerne regularly holds different folklore festivals, such as Lucerne Cheese Festival, held annually. In 2004, Lucerne was the focus of Swiss Wrestling fans when it had hosted the Swiss Wrestling and Alpine festival (Eidgenössisches Schwing- und Älplerfest), which takes place every three years in a different location. A national music festival (Eidgenössiches Musikfest) attracted marching bands from all parts of Switzerland in 2006. In summer 2008, the jodelling festival (Eidgenössisches Jodlerfest) is expected to have similar impact.
The 2021 Winter Universiade will be hosted by Lucerne.
Transport[edit]
Lucerne railway station
Lucerne boasts a developed and well-run transport network, with the main operator, Verkehrsbetriebe Luzern (VBL), running both the trolleybuses in Lucerne and a motor buses network in the city and to neighboring municipalities. Other operators, such as PostAuto Schweiz and Auto AG Rothenburg, provide bus services to other towns and villages.
Lucerne railway station is one of Switzerland's principal railway stations situated in the middle of the town and just next to the lake, and enjoys excellent connection to the rest of Switzerland via railway services operated by Swiss Federal Railways (SBB CFF FFS) and the Zentralbahn (zb). Two other stations are located within the city boundaries, with Lucerne Allmend/Messe railway station close to the Swissporarena in the south of the city, and the Lucerne Verkehrshaus railway station adjacent to the Swiss Museum of Transport in the east.
Lucerne's city transit system is fully integrated into the coherent and integrated fare network system called passepartout encompassing all kind of public transport in the cantons of Lucerne, Obwalden, and Nidwalden.
Sport[edit]
The Swissporarena is home to FC Lucerne of the Swiss Super League
There are several football clubs throughout the city. The most successful one is FC Luzern which plays in Switzerland's premier league (Swiss Super League). The club plays its home matches at the new Swissporarena, with a capacity of 16,800.
The city's main hockey team is the HC Luzern which plays in the Swiss Second League, the fourth tier of Swiss hockey. They play their home games in the 5,000-seat Swiss Life Arena.
In the past, Lucerne also produced national successes in men's handball and women's volleyball and softball.
Having a long tradition of equestrian sports, Lucerne has co-hosted CSIO Switzerland, an international equestrian show jumping event, until it left entirely for St. Gallen in 2006. Since then, the Lucerne Equestrian Masters replaced it. There is also an annual horse racing event, usually taking place in August.
Lucerne annually hosts the final leg of the Rowing World Cup on Rotsee Lake, and has hosted numerous World Rowing Championships, among others the first ever in 1962. Lucerne was also bidding for the 2011 issue but failed.
Lucerne hosts the annual Spitzen Leichtathletik Luzern Track and field meeting, which attracts world class athletes such as Yohan Blake and Valerie Adams.
The city also provides facilities for ice-hockey, figure-skating, golf, swimming, basketball, rugby, skateboarding, climbing and more.
Lucerne hosted FIVB Beach Volleyball World Tour event Lucerne Open 2015 and FIVB Beach Volleyball U21 World Championship in 2016.
This is probably the only pic of them together there is that isn't related to official MLAL stuff (promo pics, etc.) though this was some minutes before the finale post show.
As I finished the pictures of my last two strangers another interesting person walked by, intent on returning quickly to the cafe next door.
At first he wasn't too keen on a photo but I introduced myself anyway and am pleased to have met Lewis, who it turns out is a friend of both Deanna and Ainsley. As I explained about the project Lewis agreed, slightly reluctantly but encouraged by his friends, to a photo, looking straight to the camera for a few frames.
Before heading back to work Lewis explained that he had completed a Cert IV in Training and Assessment and was keen to do some travel in the future.
Thank you Lewis for being a part of my project and I wish you all the success for your future.
This picture is No. 11 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the www.flickr.com/groups/100strangers/
during Frieze week London art fair artist Thierry Geoffroy was installing a serie of tents
part of the Biennalist and Artfairist formats
www.emergencyrooms.org/formats.html
#frieze
#friezeartfair
#friezelondon
#londonart
#friezeart
#friezeweek
#friezeartweek
#friezfair
#friezecontemporary
#streetart
#artmarket
#artlondon. #friezeweek #friezemasters
#thierrygeoffroy
#thierrygeoffroycolonel
participating gallerie in 2018 for the Frieze art fair were
FRIEZE LONDON
303 Gallery, New York
A Gentil Carioca, Rio de Janeiro
Miguel Abreu Gallery, New York
Galería Juana de Aizpuru, Madrid
The Approach, London
Tanya Bonakdar Gallery, New York
The Box, Los Angeles
The Breeder, Athens
Gavin Brown’s enterprise, New York
Buchholz, Berlin
Canada, New York
Galerie Gisela Capitain, Cologne
Sadie Coles HQ, London
Pilar Corrias Gallery, London
Galeria Vera Cortês, Lisbon
Corvi-Mora, London
Galerie Chantal Crousel, Paris
Thomas Dane Gallery, London
Galerie Eigen + Art, Berlin
Foksal Gallery Foundation, Warsaw
Fonti, Naples
Fortes D’Aloia & Gabriel, São Paulo
Carl Freedman Gallery, Margate
Stephen Friedman Gallery, London
Frith Street Gallery, London
Gagosian, London
François Ghebaly, Los Angeles
Goodman Gallery, Johannesburg
Marian Goodman Gallery, London
Greene Naftali, New York
greengrassi, London
Grimm, Amsterdam
Galerie Karin Guenther, Hamburg
Hales Gallery, London
Hauser & Wirth, London
Herald St, London
Galerie Max Hetzler, Berlin
Hollybush Gardens, London
Xavier Hufkens, Brussels
Gallery Hyundai, Seoul
Ingleby, Edinburgh
Taka Ishii Gallery, Tokyo
Alison Jacques Gallery, London
Galerie Martin Janda, Vienna
Kadel Willborn, Düsseldorf
Casey Kaplan, New York
Kayne Griffin Corcoran, Los Angeles
Galerie Peter Kilchmann, Zurich
König Galerie, Berlin
David Kordansky Gallery, Los Angeles
Andrew Kreps Gallery, New York
Galerie Krinzinger, Vienna
Kukje Gallery, Seoul
kurimanzutto, Mexico City
Simon Lee Gallery, London
Lehmann Maupin, New York
Galerie Lelong & Co., New York
David Lewis, New York
Lisson Gallery, London
Kate MacGarry, London
Mai 36 Galerie, Zurich
Maisterravalbuena, Madrid
Matthew Marks Gallery, New York
Mary Mary, Glasgow
Galerie Greta Meert, Brussels
Mendes Wood DM, São Paulo
kamel mennour, Paris
Metro Pictures, New York
Galerie Meyer Kainer, Vienna
Victoria Miro, London
Stuart Shave/Modern Art, London
The Modern Institute, Glasgow
mother’s tankstation, Dublin
Taro Nasu, Tokyo
Galleria Franco Noero, Turin
David Nolan Gallery, New York
Galerie Nordenhake, Berlin
Galleria Lorcan O’Neill, Rome
Office Baroque, Brussels
OMR, Mexico City
P.P.O.W, New York
Pace Gallery, London
Maureen Paley, London
Peres Projects, Berlin
Galerie Perrotin, Paris
Galeria Plan B, Berlin
Gregor Podnar, Berlin
Project 88, Mumbai
Almine Rech Gallery, Paris
Rodeo, London
Galerie Thaddaeus Ropac, London
Lia Rumma Gallery, Milan
Salon 94, New York
Esther Schipper, Berlin
Galerie Rüdiger Schöttle, Munich
Seventeen, London
Sfeir-Semler, Beirut
Jack Shainman Gallery, New York
Shanghart Gallery, Shanghai
Société, Berlin
Sommer Contemporary Art, Tel Aviv
Sprovieri, London
Sprüth Magers, Berlin
Stevenson, Cape Town
Galeria Luisa Strina, São Paulo
Timothy Taylor, London
The Third Line, Dubai
Travesía Cuatro, Madrid
Vermelho, São Paulo
Galleri Nicolai Wallner, Copenhagen
Michael Werner, New York
White Cube, London
Barbara Wien, Berlin
Zeno X Gallery, Antwerp
David Zwirner, New York
Focus Sector
47 Canal, New York
Arcadia Missa, London
Michael Benevento, Los Angeles
blank projects, Cape Town
Bodega, New York
Carlos/Ishikawa, London
Nuno Centeno, Porto
Cooper Cole, Toronto
Galerie Crèvecoeur, Paris
Emalin, London
Frutta, Rome
Ginerva Gambino, Cologne
Green Art Gallery, Dubai
Gypsum, Cairo
High Art, Paris
Instituto de Visión, Bogota
Jhaveri Contemporary, Mumbai
Koppe Astner, Glasgow
Laveronica Arte Contemporanea, Modica
Galerie Emanuel Layr, Vienna
Magician Space, Beijing
Edouard Malingue Gallery, Hong Kong
Galeria Jaqueline Martins, São Paulo
Misako & Rosen, Tokyo
Night Gallery, Los Angeles
Project Native Informant, London
Proyectos Ultravioleta, Guatemala City
Revolver Galería, Lima
Southard Reid, London
Sultana, Paris
The Sunday Painter, London
Union Pacific, London
Various Small Fires (VSF), Los Angeles
FRIEZE MASTERS
Didier Aaron, Paris
Acquavella Galleries, New York
Applicat-Prazan, Paris
Ariadne Galleries, London
Antichita Bacarelli, Florence
Emanuel von Baeyer, London
Bernheimer Fine Art, Lucerne
Blain | Southern, London
BorzoGallery, Amsterdam
Botticelli Antichita, Florence
Ben Brown Fine Arts, London
Prahlad Bubbar, London
Galerie Canesso, Paris
Cardi, London
Castelli Gallery, New York
Galerie Jean-Christophe Charbonnier, Paris
Galerie Chenel, Paris
Le Claire Kunst, Hamburg
Colnaghi, London
Galleria Continua, San Gimignano
Alan Cristea Gallery, London
Gisèle Croës – Arts d’Extrême Orient,
Brussels
Daniel Crouch Rare Books, London
Thomas Dane Gallery, London
Massimo De Carlo, Milan
Dickinson, London
Andrew Edmunds, London
Donald Ellis Gallery, New York
Entwistle, London
The Gallery of Everything, London
Eykyn Maclean, London
Galerie Ulrich Fiedler, Berlin
Sam Fogg, London
Peter Freeman, Inc., New York
Stephen Friedman Gallery, London
Gagosian, London
Francesca Galloway, London
Galerie David Ghezelbash, Paris
Israel Goldman Japanese Prints, London
(shared with Max Rutherston)
Galeria Elvira Gonzalez, Madrid
Richard Green, London
Dr. Jörn Günther Rare Books, Basel
Johnny Van Haeften, London
Hauser & Wirth, London
Hazlitt Holland-Hibbert, London
Paul Hughes Fine Arts, London
Gallery Hyundai, Seoul
Bernard Jacobson Gallery, London
De Jonckheere, Geneva
Annely Juda Fine Art, London
Tina Kim Gallery, New York
Koetser Gallery, Zurich
Kunstkammer Georg Laue, Munich
Les Enluminures, Paris
Lévy Gorvy, London
Salomon Lilian, Geneva
Luhring Augustine, New York
Luxembourg & Dayan, London
Olivier Malingue, London
Marlborough Fine Art, London
Barbara Mathes Gallery, New York
The Mayor Gallery, London
Mazzoleni, London
Anthony Meier Fine Arts, San Francisco
kamel mennour, Paris
Galerie Meyer Oceanic Art, Paris
Mnuchin Gallery, New York
Moretti Fine Art, London
Nahmad Contemporary, New York
Stephen Ongpin Fine Art, London
Pace Gallery, London
Franklin Parrasch Gallery, New York
Parrasch Heijnen Gallery, Los Angeles
Raccanello Leprince, London
Almine Rech Gallery, Paris
Robilant + Voena, London
Rudigier, Munich
Max Rutherston, London
Galerie G. Sarti, Paris
Schönewald Fine Arts, Düsseldorf
Karsten Schubert, London
Shapero Rare Books, London
Bruce Silverstein Gallery, New York
Skarstedt, London
Sperone Westwater, New York
Sprüth Magers, Berlin
Stair Sainty Gallery, London
Craig F. Starr Gallery, New York
Sycomore Ancient Art, Geneva
Galleria Tega, Milan
Galerie Thomas, Munich
Tornabuoni Art, London
Van de Weghe, New York
Van Doren Waxter, New York
Venus Over Manhattan, New York
Axel Vervoordt Gallery, Antwerp
Rupert Wace Ancient Art, London
Waddington Custot, London
Offer Waterman, London
W&K – Wienerroither & Kohlbacher, Vienna
David Zwirner, London
Collections Sector
AR-PAB, Alvaro Roquette & Pedro AguiarBranco,
Lisbon
Brun Fine Art, London
Eric Gillis Fine Art, Brussels
Peter Harrington, London
Oscar Humphries, London
Yves Macaux, Brussels
Mitochu Koeki, Tokyo
Spotlight Sector
Galerie 1900-2000, Paris, Pierre Molinier
Galeria de Arte Almeida e Dale, São Paulo, Alfredo Volpi
Equinox Gallery, Vancouver, Gathie Falk
espaivisor, Valencia, Hamish Fulton
Henrique Faria, New York, Mirtha Dermisache
Eric Firestone Gallery, New York, Joe Overstreet
Galerie Christophe Gaillard, Paris, Pierre Molinier
Galerist, Istanbul, Semiha Berksoy
Alexander Gray Associates, New York, Sergei Eisenstein
Garth Greenan Gallery, New York, Rosalyn Drexler
Michael Hoppen Gallery, London, Ishiuchi Miyako
Inman Gallery, Houston, Dorothy Antoinette LaSelle
Alison Jacques Gallery, London, Lenore G. Tawney
Kalfayan Galleries, Athens, Nausica Pastra
Loevenbruck, Paris, Key Hiraga
Gió Marconi, Milan, Valerio Adami
Massimo Minini, Brescia, Titina Maselli
Jan Mot, Brussels, stanley brouwn
Perve Galeria, Lisbon, Ernesto Shikhani
Gregor Podnar, Berlin, Ivan Kožaric
Galeria Marilia Razuk, São Paulo, Alfredo Volpi
Richard Saltoun, London, Annegret Soltau
SODA gallery, Bratislava, Stano Filko
Micheline Szwajcer, Antwerp, stanley brouwn
Vigo, London, Semiha Berksoy
Amanda Wilkinson, London, Derek Jarman
Lembram da Betina???
Pois bem, a mamãe Isabela Enes mais um ano me procurou para incrementar a festa de sua filhota e o tema escolhido foi CINDERELA.
Desta vez contei com a parceria da minha comadre querida Pricila da By Justi e foi um sucesso!
FELTRONIA agradece mais uma vez à Isabela pela confiança e credibilidade!
Kathakali (Malayalam: കഥകളി, kathakaḷi; Sanskrit: कथाकळिः, kathākaḷiḥ) is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.
HISTORY
Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'.
Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called 'Manipravaalam'), has also helped the literature of Kathakali sound more transparent for the average audience.
As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.
Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to Nritham, Nrithyam and Natyam.
KATHAKALI PLAYS
Traditionally there are 101 classical Kathakali stories, though the commonly staged among them these days total less than one-third that number. Almost all of them were initially composed to last a whole night. Nowadays, there is increasing popularity for concise, or oftener select, versions of stories so as the performance lasts not more than three to four hours from evening. Thus, many stories find stage presentation in parts rather than totality. And the selection is based on criteria like choreographical beauty, thematic relevance/popularity or their melodramatic elements. Kathakali is a classical art form, but it can be appreciated also by novices—all contributed by the elegant looks of its character, their abstract movement and its synchronisation with the musical notes and rhythmic beats. And, in any case, the folk elements too continue to exist. For better appreciation, perhaps, it is still good to have an idea of the story being enacted.
The most popular stories enacted are Nalacharitham (a story from the Mahabharata), Duryodhana Vadham (focusing on the Mahabharata war after profiling the build-up to it), Kalyanasougandhikam, (the story of Bhima going to get flowers for his wife Panchali), Keechakavadham (another story of Bhima and Panchali, but this time during their stint in disguise), Kiratham (Arjuna and Lord Shiva's fight, from the Mahabharata), Karnashapatham (another story from the Mahabharata), Nizhalkuthu and Bhadrakalivijayam authored by Pannisseri Nanu Pillai. Also staged frequently include stories like Kuchelavrittam, Santanagopalam, Balivijayam, Dakshayagam, Rugminiswayamvaram, Kalakeyavadham, Kirmeeravadham, Bakavadham, Poothanamoksham, Subhadraharanam, Balivadham, Rugmangadacharitam, Ravanolbhavam, Narakasuravadham, Uttaraswayamvaram, Harishchandracharitam, Kacha-Devayani and Kamsavadham.
Recently, as part of attempts to further popularise the art, stories from other cultures and mythologies, such as those of Mary Magdalene from the Bible, Homer's Iliad, and William Shakespeare's King Lear and Julius Caesar besides Goethe's Faust too have been adapted into Kathakali scripts and on to its stage. Synopsis of 37 kathakali stories are available in kathakalinews.com.
MUSIC
The language of the songs used for Kathakali is Manipravalam. Though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the Sopanam style. This typically Kerala style of rendition takes its roots from the temple songs which used to be sung (continues even now at several temples) at the time when Kathakali was born.
As with the acting style, Kathakali music also has singers from the northern and southern schools. The northern style has largely been groomed by Kerala Kalamandalam in the 20th century. Kalamandalam Neelakantan Nambisan, an overarching Kathakali musician of those times, was a product of the institute. His prominent disciples include Kalamandalam Unnikrishna Kurup, Kalamandalam Gangadharan, Kalamandalam P.G. Radhakrishnan, Rama Varrier, Madambi Subramanian Namboodiri, Tirur Nambissan, Kalamandalam Sankaran Embranthiri, Kalamandalam Hyderali, Kalamandalam Haridas, Subramanian, Kalanilayam Unnikrishnan and Kalamandalam Bhavadasan. The other prominent musicians of the north feature Kottakkal Vasu Nedungadi, Kottakkal Parameswaran Namboodiri, Kottakkal P.D. Narayanan Namboodiri, Kottakkal Narayanan, Kalamandalam Anantha NarayananKalamandalam Sreekumar Palanad Divakaran, Kalanilayam Rajendran, Kolathappilli Narayanan Namboodiri, Kalamandalam Narayanan Embranthiri, Kottakkal Madhu, Kalamandalam Babu Namboodiri, Kalamandalam Harish and Kalamandalam Vinod. In the south, some of whom are equally popular in the north these days, include Pathiyur Sankarankutty. Southerner musicians of the older generation include Cherthala Thankappa Panikker, Thakazhi Kuttan Pillai, Cherthala Kuttappa Kurup, Thanneermukkam Viswambharan and Mudakkal Gopinathan.
PERFORMANCE
Traditionally, a Kathakali performance is usually conducted at night and ends in early morning. Nowadays it isn't difficult to see performances as short as three hours or fewer. Kathakali is usually performed in front of the huge Kalivilakku (kali meaning dance; vilakku meaning lamp) with its thick wick sunk till the neck in coconut oil. Traditionally, this lamp used to provide sole light when the plays used to be performed inside temples, palaces or abodes houses of nobles and aristocrats. Enactment of a play by actors takes place to the accompaniment of music (geetha) and instruments (vadya). The percussion instruments used are chenda, maddalam (both of which underwent revolutionary changes in their aesthetics with the contributions of Kalamandalam Krishnankutty Poduval and Kalamandalam Appukutty Poduval) and, at times, edakka. In addition, the singers (the lead singer is called “ponnani” and his follower is called “singidi”) use chengila (gong made of bell metal, which can be struck with a wooden stick) and ilathalam (a pair of cymbals). The lead singer in some sense uses the Chengala to conduct the Vadyam and Geetha components, just as a conductor uses his wand in western classical music. A distinguishing characteristic of this art form is that the actors never speak but use hand gestures, expressions and rhythmic dancing instead of dialogue (but for a couple of rare characters).
ACTING
A Kathakali actor uses immense concentration, skill and physical stamina, gained from regimented training based on Kalaripayattu, the ancient martial art of Kerala, to prepare for his demanding role. The training can often last for 8–10 years, and is intensive. In Kathakali, the story is enacted purely by the movements of the hands (called mudras or hand gestures) and by facial expressions (rasas) and bodily movements. The expressions are derived from Natyashastra (the tome that deals with the science of expressions) and are classified into nine as in most Indian classical art forms. Dancers also undergo special practice sessions to learn control of their eye movements.
There are 24 basic mudras—the permutation and combination of which would add up a chunk of the hand gestures in vogue today. Each can again can be classified into 'Samaana-mudras'(one mudra symbolising two entities) or misra-mudras (both the hands are used to show these mudras). The mudras are a form of sign language used to tell the story.
The main facial expressions of a Kathakali artist are the 'navarasams' (Navarasas in anglicised form) (literal translation: Nine Tastes, but more loosely translated as nine feelings or expressions) which are Sringaram (amour), Hasyam (ridicule, humour), Bhayanakam (fear), Karunam (pathos), Roudram (anger, wrath), Veeram (valour), Beebhatsam (disgust), Adbhutam (wonder, amazement), Shantam (tranquility, peace). The link at the end of the page gives more details on Navarasas.
One of the most interesting aspects of Kathakali is its elaborate make-up code. Most often, the make-up can be classified into five basic sets namely Pachcha, Kathi, Kari, Thaadi, and Minukku. The differences between these sets lie in the predominant colours that are applied on the face. Pachcha (meaning green) has green as the dominant colour and is used to portray noble male characters who are said to have a mixture of "Satvik" (pious) and "Rajasik" (dark; Rajas = darkness) nature. Rajasik characters having an evil streak ("tamasic"= evil) -- all the same they are anti-heroes in the play (such as the demon king Ravana) -- and portrayed with streaks of red in a green-painted face. Excessively evil characters such as demons (totally tamasic) have a predominantly red make-up and a red beard. They are called Red Beard (Red Beard). Tamasic characters such as uncivilised hunters and woodsmen are represented with a predominantly black make-up base and a black beard and are called black beard (meaning black beard). Women and ascetics have lustrous, yellowish faces and this semi-realistic category forms the fifth class. In addition, there are modifications of the five basic sets described above such as Vella Thadi (white beard) used to depict Hanuman (the Monkey-God) and Pazhuppu, which is majorly used for Lord Shiva and Balabhadra.
NOTABLE TRAINING CENTRES & MASTERS
Kathakali artistes need assiduous grooming for almost a decade's time, and most masters are products of accomplished institutions that give a minimum training course of half-a-dozen years. The leading Kathakali schools (some of them started during the pre-Independent era India) are Kerala Kalamandalam (located in Cheruthuruthy near Shoranur), PSV Natya Sangham (located in Kottakal near Kozhikode), Sadanam Kathakali and Classical Arts Academy (or Gandhi Seva Sadan located in Perur near Ottappalam in Palakkad), Unnayi Varier Smaraka Kalanilayam (located in Irinjalakuda south of Thrissur), Margi in Thiruvananthapuram, Muthappan Kaliyogam at Parassinikkadavu in Kannur district and RLV School at Tripunithura off Kochi and Kalabharathi at Pakalkkuri near Kottarakkara in Kollam district, Sandarshan Kathakali Kendram in Ambalapuzha and Vellinazhi Nanu Nair Smaraka Kalakendra in Kuruvattor. Outside Kerala, Kathakali is being taught at the International Centre for Kathakali in New Delhi, Santiniketan at Visva-Bharati University in West Bengal, Kalakshetra in Chennai and Darpana Academy in Ahmedabad among others. PadmaSree Guru Chengannur Raman Pillai mostly known as 'Guru Chengannur'was running a traditional Gurukula Style approach to propagate Kathakali.
‘Guru Chengannur” is ever renowned as the Sovereign Guru of Kathakali. His precision in using symbols, gestures and steps were highest in the field of Kathakali. Guru Chegannur's kaththi vesham, especially the portrayal of Duryodhana enthralled the audience every time he performed. A master of the art, he found immense happiness and satisfaction in the success and recognition of his disciples.
Senior Kathakali exponents of today include Padma Bhushan Kalamandalam Ramankutty Nair, Padma Shri Kalamandalam Gopi, Madavoor Vasudevan Nair, Chemancheri Kunhiraman Nair, Kottakkal Krishnankutty Nair, Mankompu Sivasankara Pillai, Sadanam Krishnankutty, Nelliyode Vasudevan Namboodiri, Kalamandalam Vasu Pisharody, FACT Padmanabhan, Kottakkal Chandrasekharan, Margi Vijayakumar, Kottakkal Nandakumaran Nair, Vazhenkada Vijayan, Inchakkattu Ramachandran Pillai, Kalamandalam Kuttan, Mayyanad Kesavan Namboodiri, Mathur Govindan Kutty, Narippatta Narayanan Namboodiri, Chavara Parukutty, Thonnakkal Peethambaran, Sadanam Balakrishnan, Kalanilayam Gopalakrishnan, Chirakkara Madhavankutty, Sadanam K. Harikumaran, Thalavadi Aravindan, Kalanilayam Balakrishnan, Pariyanampatta Divakaran, Kottakkal Kesavan, Kalanilayam Gopi and Kudamaloor Muralikrishnan. The late titan actor-dancers of Kathakali's modern age (say, since the 1930s) include Pattikkamthodi Ravunni Menon, Chenganoor Raman Pillai, Chandu Panicker, Thakazhi Guru Kunchu Kurup, Padma Shri Kalamandalam Krishnan Nair, Padma Shri Vazhenkada Kunchu Nair, Kavalappara Narayanan Nair, Kurichi Kunhan Panikkar, Thekkinkattil Ramunni Nair, Padma Shri Keezhpadam Kumaran Nair, Kalamandalam Padmanabhan Nair, Mankulam Vishnu Namboodiri, Oyur Kochu Govinda Pillai, Vellinezhi Nanu Nair, Padma Shri Kavungal Chathunni Panikkar, Kudamaloor Karunakaran Nair, Kottakkal Sivaraman, Kannan Pattali, Pallippuram Gopalan Nair, Haripad Ramakrishna Pillai, Champakkulam Pachu Pillai, Chennithala Chellappan Pillai, Guru Mampuzha Madhava Panicker, and Vaikkom Karunakaran.
Kathakali is still hugely a male domain but, since the 1970s, females too have made entry into the art form on a recognisable scale. The central Kerala temple town of Tripunithura has, in fact, a ladies troupe (with members belonging to several part of the state) that performs Kathakali, by and large in Travancore.
KATHAKALI STYLES
Known as Sampradäyaṃ(Malayalam: സമ്പ്രദായം); these are leading Kathakali styles that differ from each other in subtleties like choreographic profile, position of hand gestures and stress on dance than drama and vice versa. Some of the major original kathakali styles included:
Vettathu Sampradayam
Kalladikkodan Sampradyam
Kaplingadu Sampradayam
Of late, these have narrowed down to the northern (Kalluvazhi) and southern (Thekkan) styles. It was largely developed by the legendary Pattikkamthodi Ravunni Menon (1881-1949) that is implemented in Kerala Kalamandalam (though it has also a department that teaches the southern style), Sadanam, RLV and Kottakkal. Margi has its training largely based on the Thekkan style, known for its stress on drama and part-realistic techniques. Kalanilayam, effectively, churns out students with a mix of both styles.
OTHER FORMS OD DANCE & OFFSHOOTS
Kerala Natanam is a kind of dance form, partly based on Kathakali techniques and aesthetics, developed and stylised by the late dancer Guru Gopinath in the mid-20th century. Kathakali also finds portrayal in Malayalam feature films like Vanaprastham, Parinayam, Marattam, and Rangam. Besides documentary films have also been shot on Kathakali artistes like Chenganoor Raman Pillai, Kalamandalam Krishnan Nair, Keezhpadam Kumaran Nair, Kalamandalam Ramankutty Nair, Kalamandalam Gopi and Kottakkal Sivaraman.
As for fictional literature, Kathakali finds mention in several Malayalam short stories like Karmen (by N.S. Madhavan) and novels like Keshabharam (by P.V. Sreevalsan). Even the Indo-Anglian work like Arundhati Roy's Booker prize-winning The God of Small Things has a chapter on Kathakali, while, of late, Anita Nair's novel, Mistress, is entirely wrapped in the ethos of Kathakali.
Similar musical theater is popular in Kasaragod and the coastal and Malenadu regions of Karnataka, viz. Yakshagana. Though Yakshagana resembles Kathakali in terms of its costume and makeup to an extent, Yakshagana is markedly different from Kathakali as it involves dialogues and method acting also the narration is in Kannada, wherein philosophical debates are also possible within framework of the character. As per records the art form of Yakshagana was already rooted and well established at the time of Sri Manavedan Raja. There is possibilities of its significant influence in formation of Kathakkali as the troupe of performers of "Krishnanattam" designed the basic costume of the art form already established in other parts of south India including Males playing the female roles (until more recently).
Kottayam thamburan's way of presenting kathakali was later known as Kalladikkoden sambradayam. Chathu Paniker,the introducer of Kallikkoden Sambrathayam, stayed in Kottayam for five years with Kottayam Thamburan's residence and practiced Kalladikkoden Sambrathayam. Then he returned to his home place. After a short period Chathu Paniker reached Pulapatta as instructed by Kuthiravattath nair. That was around the year ME 865. Many deciples from Kadathanadu, Kurumbra nadu, Vettathu nadu, Palakkadu and Perumpadappu studied kathakali(Kalladikkoden Sambrathayam ) By that time Chathu Paniker was an old man. Some years later he died from Pulapatta.
NOTED KATHAKALI VILLAGES & BELTS
There are certain pockets in Kerala that have given birth to many Kathakali artistes over the years. If they can be called Kathakali villages (or some of them, these days, towns), here are some of them: Vellinezhi, Kuruvattoor, Karalmanna, Cherpulassery, Kothachira, peringode, sreekrishnapuram Kongad and Ottapalam in Palakkad district, Vazhenkada in Malappuram district, Thichur or Tichoor, Guruvayur, Thiruvilwamala and Irinjalakuda in Thrissur district, Tripunithura, Edappally, Thekkan Chittoor in Ernakulam district and Kuttanad, Harippad belt in Alappuzha district besides places in and around Thiruvanathapuram in south Travancore and Payyannur in north Malabar.
AWARDS FOR KATHAKALI ARTISTS
Sangeet Natak Akademi Awardees - Kathakali (1956–2005)
Nambeesan Smaraka Awards—For artistic performances related kathakali{1992-2008}
KATHAKALI ATTAMS (ELAKI ATTAMS)
Attams or more specifically "elaki attams" are sequences of acting within a story acted out with the help of mudras without support from vocal music. The actor has the freedom to change the script to suit his own individual preferences. The actor will be supported ably by Chenda, Maddalam, and Elathalam (compulsory), Chengila (not very compulsory).
The following are only some examples. 'Kailasa Udharanam' and 'Tapas Attam' are very important attams and these are described at the end. Two of the many references are Kathakali Prakaram, pages 95 to 142 by Pannisheri Nanu Pillai and Kathakaliyile Manodharmangal by Chavara Appukuttan Pillai.
VANA VARNANA: BHIMA IN KALYANA SAUGANDHIKA
Modern man looks at the forest, indeed the birthplace of primates, with a certain wonder and a certain respect. Kathakali characters are no exception.
When Pandavas were living in the forest, one day, a flower, not seen before, wafted by the wind, comes and falls at the feet of Panchali. Exhilarated by its beauty and smell, Panchali asks Bhima to bring her more such flowers. To her pleasure Bhima is ready to go at once. But Panchali asks him what he shall do for food and drink on the way. Bhima thinks and says "Food and Drink! Oh, this side glance (look) of yours. This look of longing. This look of anticipation. The very thought fills me up. I don't need any food and drink at all. Let me go." He takes his mace and off he goes. Ulsaham (enthusiasm) is his Sdhayi Bhavam (permanent feature).
"Let me go at once in search of this flower," says Bhima. "The scented wind is blowing from the southern side. Let me go that way." After walking some distance he sees a huge mountain called Gandhamadana and three ways. He decides to take the middle one which goes over the mountain. After going further "The forest is getting thicker. Big trees, big branches in all directions. The forest looks like a huge dark vessel into which even light can not penetrate. This is my (Bhima's) way. Nothing can hinder me." So saying he pulls down many trees. Sometimes he shatters the trees with his mace. Suddenly he sees an elephant. "Oh! Elephant." He describes it. Its trunk. Sharp ears.
The itching sensation in the body. It takes some mud and throws on the body. Oh good. Then it sucks water and throws on the body. Somewhat better. Slowly it starts dosing even though alert at times. A very huge python is approaching steadily. Suddenly it catches hold of the elephant's hind leg. The elephant wakes up and tries to disengage the python. The python pulls to one side. The elephant kicks and drags to the other side. This goes on for some time. Bhima looks to the other side where a hungry lion is looking for food. It comes running and strikes the elephants head and eats part of the brain and goes off. The python completes the rest. "Oh my god, how ruthless!" says Bhima and proceeds on his way.
UDYANA VARNANA: NALA IN NALACHARITHAM SECOND DAY
Descriptions of gardens are found in most dance forms of India and abroad. These are also common in Kathakali.
Newly married Nala and Damayanthi are walking in the garden. When Nala was lovingly looking at Damayanthi a flower falls on her. Nala is overjoyed and thinks that this is a kindness nature has shown on his wife. Nala says "On seeing the arrival of their queen, the trees and climbers are showing happiness by dropping flowers on you." He tells her, "See that tree. When I used to be alone the tree used to hug the climber and seemingly laugh at my condition." Then he looks at the tree and says, "Dear Tree, look at me now. See how fortunate I am with my beautiful wife."
Both wander about. A bumblebee flies towards Damayanthi. Immediately Nala protects her face with a kerchief. He looks at the bee and then at Damayanthi. He says, "On seeing your face the bee thought it was a flower and came to drink the nectar." Nala and Damayanthi listen to the sounds coming out of the garden. Damayanti says, "It appears that the whole garden is thrilled. The flowers are blooming and smiling. Cuckoos are singing and the bees are dancing. Gentle winds are blowing and rubbing against our bodies. How beautiful the whole garden looks." Then Nala says that the sun is going down and it is time for them to go back and takes her away.
SHABDA VARNANA: HANUMAN IN KALYANA SAUGANDHIKAM
While Bhima goes in search of the flower, here Hanuman is sitting doing Tapas with mind concentrated on Sri Rama.
When he hears the terrible noises made by Bhima in the forest he feels disturbed in doing his Tapas. He thinks "What is the reason for this?" Then the sounds become bigger. "What is this?" He thinks, "The sounds are getting bigger. Such a terrible noise. Is the sea coming up thinking that the time is ripe for the great deluge (Pralaya). Birds are flying helter-skelter. Trees look shocked. Even Kali Yuga is not here. Then what is it? Are mountains quarreling with each other? No, That can't be it. Indra had cut off the wings of mountains so that they don't quarrel. Is the sea changing its position? No it can't be. The sea has promised it will not change its position again. It can't break the promise." Hanuman starts looking for clues. "I see elephants and lions running in fear of somebody. Oh a huge man is coming this way. Oh, a hero is coming. He is pulling out trees and throwing it here and there. Okay. Let him come near, We will see."
THANDEDATTAM: RAVANA IN BALI VADHAM
After his theranottam Ravana is seen sitting on a stool. He says to himself "I am enjoying a lot of happiness. What is the reason for this?" Thinks. "Yes I know it. I did Tapas to Brahma and received all necessary boons. Afterwards I won all ten directions. I also defeated my elder brother Vaishravana. Then I lifted Kailas mountain when Siva and Parvathi were having a misunderstanding. Parvathi got frightened and embraced Siva in fear. Siva was so happy he gave a divine sword called Chandrahasa. Now the whole world is afraid of me. That is why I am enjoying so much happiness." He goes and sits on the stool. He looks far away. "Who is coming from a distance. he is coming fast. Oh, it is Akamba. Okay. Let me find out what news he has for me."
ASHRAMA VARNANA: ARJUNA IN KIRATHAM
Arjuna wants to do Tapas to Lord Siva and he is looking a suitable place in the Himalayan slopes. He comes to place where there is an ashram. Arjuna looks closely at the place. "Oh. What a beautiful place this is. A small river in which a very pure water is flowing. Some hermits are taking baths in the river. Some hermits are standing in the water and doing Tapsas. Some are facing the Sun. Some are standing in between five fires." Arjuna salutes the hermits from far. He says to himself "Look at this young one of a deer. It is looking for its mother. It seems to be hungry and thirsty. Nearby a female tiger is feeding its young ones. The little deer goes towards the tigress and pushes the young tiger cubs aside and starts drinking milk from the tigress. The tigress looks lovingly at the young deer and even licks its body as if it were its own child. How beautiful. How fulfilling."
Again he looks "Here on this side a mongoose and a serpent forgetting their enmity are hugging each other. This place is really strange and made divine by saints and hermits. Let me start my Tapas somewhere nearby."
A sloka called "Shikhini Shalabha" can be selected instead of the above if time permits.
AN ATTAM BASED ON A SLOKA
Sansrit slokas are sometimes shown in mudras and it has a pleasing and exhilarating effect. Different actors use slokas as per his own taste and liking. However, the slokas are taught to students during their training period. An example is given below.
Kusumo Kusumolpatti Shrooyathena Chathushyathe
Bale thava Mukhambuje Pashya Neelolpaladwayam
Meaning a flower blooming inside another flower is not known to history. But, my dear, in your lotus like face are seen two blue Neelolpala flowers (eyes).
A CONVERSATION BASED ON A SLOKA
Sanskrit slokas can also be used to express an intent. One such example is a sloka used by Arjuna addressed to Mathali the charioteer in Kalakeya Vadham. Sloka:
Pitha: Kushalee Mama hritha Bhujaam
Naatha Sachee Vallabha:
Maatha: kim nu Pralomacha Kushalinee
Soonurjayanthasthayo
Preethim va Kushchate Thadikshnavidhow
Cheta Samutkanuthe
Sutha: tvam Radhamashu Chodaya vayam
Dharmadivam Mathala
Meaning: The husband of Indrani and the lord of gods my father - Is he in good health? His son Jayantha - Is he strictly following the commands of his father? Oh, I am impatient to see all of them.
SWARGA VARNANA: ARJUNA IN KELAKEYA VADHAM
Arjuna goes to heaven on the invitation of his father, Indra. After taking permission from Indrani he goes out to see all the places in Swarga. First he sees a building, his father's palace. It is so huge with four entrances. It is made of materials superior to gold and jewels of the world. Then he goes ahead and sees Iravatha. Here he describes it as a huge elephant with four horns. He is afraid to touch it. Then he thinks that animals in Swarga can't be cruel like in the world and so thinking he goes and touches and salutes Iravatha. He describes the churning of the white sea by gods and demons with many details and how Iravatha also came out of the white sea due to this churning.
He walks on and sees his father's (Indra's) horse. It is described as being white and its mane is sizzling like the waves of the white sea from which it came. He touches and salutes the horse also. Then he goes to see the river of the sky (or milky way). He sees many birds by this river and how the birds fly and play is shown.
Then he sees the heavenly ladies. Some are collecting flowers, and one of them comes late and asks for some flowers for making garland. The others refuse. She goes to the Kalpa Vriksha and says "please give me some flowers." Immediately a shower of flowers occurs which she collects in her clothes and goes to make garlands chiding the others. "See... I also got flowers." After this he sees the music and dance of the heavenly ladies. First it starts with the adjustments of instruments Thamburu, Mridangam, Veena. Then the actual music starts along with the striking of cymbals. Then two or three types of dances are shown. Then comes juggling of balls. It is described by a sloka thus:
Ekopi Thraya Iva Bhathi Kandukoyam
Kanthayaa: Karathala Raktharaktha:
Abhrastho Nayanamareechi Neelaneelo
Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'. Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called ), has also helped the literature of Kathakali sound more transparent for the average audience. As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.
Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to
Bhumau Talcharana Naghamshu Gaurgaura:
Meaning One ball looks like three balls. When it is in the hands of the juggler, it takes the redness of the hands, when it goes up it takes the blueness of the eyes, when it strikes the ground it becomes white from the whiteness of the leg nails. Once a juggled ball falls down. Then she, the juggler, somehow manages to proceed and remarks "See.. how I can do it".
At one time a garment slips from a lady's body and she adjusts the cloth showing shameful shyness (Lajja). Then the ladies go in for a Kummi dance. As Arjuna was enjoying this dance, suddenly somebody calls him. Arjuna feels scared. "Oh God, where am I?" he says and beats a hasty retreat.
TAPAS ATTAM: RAVANA IN RAVANA ULBHAVAM
[Background: Mali, Sumali and Malyavan were three brothers ruling Sri Lanka. During a war between them and Indra, Indra requested help from Lord Vishnu and as a consequence Lord Vishnu killed Mali. Sumali and Malyavan escaped to Patala. Kaikasi was the daughter of Sumali. She wandered in the forest. She belong three boys through a great sage called Vishravassu. (Vishravassu had an earlier son called Vaishravana who became the richest among all people.) The eldest boy of Kaikasi was Ravana followed by Kumbhakarna and Vibhishana.]
SCENE 1
When Ravana was a young boy (Kutti Ravana vesham), one day he was sleeping on his mothers lap in a place called madhuvanam. At that time Kaikasi sees Vaishravana flying overhead in his vimana (mythical aeroplane). She thinks “Oh, that is Vaishravana, technically a brother of my son who is sleeping on my lap. He is rich and strong. My son is so poor and weak. While thinking thus a drop of tear from her eyes drops on Ravana’s face. Ravana suddenly wakes up and sees his mother crying. When he knew the reason he could not bear it. He says he is going to do tapas to Brahma to get boons so that he will be strong and rich.
SCENE 2
(The tapas itself is shown as a part of autobiographical narration of adult ravana)
Ravana (adult Ravana, not kutti Ravana) is sitting on a stool. He thinks “Why am I so happy? How did I become so rich and strong? Oh yes. It is because of the tapas I did. What made me do the tapas? When I was a young boy, one day I was sleeping on my mother’s lap in a place called Madhuvanam. A drop of tear from her eyes falls on my face. I asked her why she was crying. She said she saw Vaishravana flying overhead in his vimana (plane). She told me Vaishravan was a brother of mine now flying in a plane. He is rich and strong. I am so poor and weak. When I heard this comparison between me and my brother, I could not bear it. I am going to do tapas to Brahma to get boons so that I will be strong and rich.
I made five different types of fires (while doing tapas gods are approached through Agni the god of fire). Then I started my tapas. I asked my brothers to stand guard and also keep the fires burning. Then I fully concentrated on tapas. Time passed but Brahma did not appear. I looked. Why is Brahma not appearing? I doubled my concentration. Time passed. Brahma is not appearing. Still not appearing? I cut one of my heads and put it in the fire. Waited, Brahma did not come. One more head rolls. Still no Brahma comes. Heads roll and roll. No Brahma. Only one head is left. First I thought of stopping my tapas. But no! Never! That will be an insult to me and my family. It is better to die than stop. Also when I die Brahma will be judged as being partial. With great determination I swung the sword at my last neck, when, lo and behold, suddenly Brahma appeared and caught my hand. I looked at him with still un-subsided, but gradually subsiding anger. Brahma asked me what boons I wanted. I asked for a boon that I should win all the worlds and have all the wealth and fame and that I should not be killed except by man. I also asked him to give boons for my brothers.
In the next scene Ravana asks Kumbhakarna and Vibhishana what boons they got. Unfortunately Kumbhakarna’s tongue got twisted while asking for boon and he got ‘sleep’ instead of becoming the ‘king of gods’. Ravana laughed it off. As for Vibhishana, he being a bhaktha of Vishnu, asked for Vishnu’s blessings and got it. Ravana laughs it off and also decides to conquer all the worlds and starts preparing his grand army for the big conquest of the worlds.
[This method of presentation with a peculiar sequence has a tremendous dramatic affect. The main actor redoes a small part of what happened to kutti Ravana vesham, and this gives a view of the high contrast between the boy and the man Ravana. Similarly the presence of Kumbhakarna and Vibhishana in the subsequent scene offers a good smile on the face of the viewer at the end of the play.]
KAILASA UDDHARANAM: RAVANA IN BALI VIJAYAM
[Background and Previous scene: After receiving the boons, and widening his kingdom in all directions, Ravana lives in Sri Lanka with great pomp and splendor. One day he sees Saint Narada approaching his palace singing songs in praise of him ‘Jaya jaya Ravana, Lanka Pathe’. Happily he receives Narada and seats him next to him. After telling Narada about the victory of his son Indrajith on Indra, Ravana tells Narada “Now there is nobody on earth or other worlds who can fight with me”. To this Narada replies “ Very true indeed, but there is one huge monkey called Bali who says he can defeat you. He even said that you are just like a blade of grass to him. Well let him say what he wants. You are unbeatable.” Then Narada says ‘let us go there and see him’. Both decide to go. But Ravana takes his famous sword called “Chandrahasam”. Then Narada asks the history of this sword. Ravana’s Attam Starts.]
Ravana says “I received this sword from Lord Siva. It happened thus. Once when I was conquering new places and expanding my empire I happened to be going across the Kailasa mountain. The plane got stuck on the mountain unable to move forward. I got down from the plane and looked at the mountain. (Looks from one end to the other first horizontally and then vertically.) So huge it was. Then I decided to lift it with my bare hand and keep it aside and move forward. I started sticking my hands under it one by one. Then I tried to lift it. It doesn’t move. I put more force and more force. It moved just a bit. I pushed harder and harder, slowly it started moving then again and again and it moved easily. Then I lifted it up with my hands and started juggling it (exaggeration evident).
“At that particular time Lord Siva was quarreling with his wife Parvathi. Why did they fight? The story is as follows. Parvathi had gone for enjoying swimming and bathing in some beautiful pond. At that time Siva opened his jata (disheveled long hair) and called Ganga for some entertainment after asking Ganapathi and Subramania to go for some errands. Somehow becoming suspicious, right at that time, Parvathi came back in a hurry with wet clothes and saw Siva with Ganga. Siva was wondering what to do and it was at that time that Ravana started lifting the Kailasa. When Kailasa started shaking Parvathi got scared and ran to Siva and hugged him. So the quarrel ended and Siva was happy. “As a reward Siva called me and gave me this famous Chandrahasa sword.”
Then Narada and Ravana leave to meet Bali. Ravana wanted to take the sword along with him, but Narada suggested that the sword is not required for teaching a lesson to Bali who is after all an unarmed monkey.
WIKIPEDIA
I hate light power. Although exceptions are sometimes made. Having given up seeing anything west of Bradley I was sailing along Highway 8 on one of the short stretches where the tracks are right next to the road when a big orange SD suddenly appeared to my left. This calls for a quick u-turn to intercept them at the tiny hamlet of Brantwood. I just haven't seen enough of these J units to take them for granted, light power or not. February 16, 2013.
As a keen fan of the mechanically outrageous, I have read many an article about the Guy Wulfrunian but I have to confess that until last weekend, I had never actually seen one in the flesh. That was rectified at the Dewsbury Bus Museum's November Running Day - my first visit to this establishment too. Although access on to the bus was not actually possible I was pleased to see quite a bit of technical stuff through the windows. Enough to make me think that apart from the unfortunate bulk of the engine, everything else should have worked if it had been developed properly. After all, the Leyland Atlantean was originally intended to have independent front suspension and the many driveline failures experienced by those that embraced rear engines suggests that Guy were wise to consider a relatively conventional layout. Guy parts aside I was intrigued to realise that not only does the Roe body have removable panels for access to the front of the engine, but the whole offside front, windscreen and all is on hinges and is a useful door for getting to all sorts of things in the cab area that require maintenance. Usually one requires the services of a double jointed small boy for that sort of thing. Some will point to the later Volvo Ailsa as evidence that all could have been well, but the fact is that the Wulfrunian was in production for a number of years and Guy still didn't get it right. True, their thoughts were probably several thousand miles away in Africa. Ah well, you can't change history now. For Guy, what a pity.
As the end of the university year approaches, it's time for student elections. Taken outside the Student Union Building at Dalhousie University, Halifax.
As I said before, proper Comic-Con costuming is all about being a cute girl. I think that's half the battle.
Vasco da Gama, 1st Count of Vidigueira, (Portuguese pronunciation: [ˈvaʃku ðɐ ˈɣɐmɐ]; c. 1460s – 23 December 1524) was a Portuguese explorer. He was the first European to reach India by sea, linking Europe and Asia for the first time by ocean route, as well as the Atlantic and the Indian oceans entirely and definitively, and in this way, the West and the Orient. This was accomplished on his first voyage to India (1497–1499).
Da Gama's discovery was significant and opened the way for an age of global imperialism and for the Portuguese to establish a long-lasting colonial empire in Asia. The route meant that the Portuguese would not need to cross the highly disputed Mediterranean nor the dangerous Arabian Peninsula, and that the whole voyage would be made by sea. The sum of the distances covered in the outward and return voyages made this expedition the longest ocean voyage ever made until then, far longer than a full voyage around the world by way of the Equator.
One century after the discovery, European powers such as England, the Netherlands and France were finally able to challenge and break Portugal's monopoly and naval supremacy in the Cape Route around Africa, the Indian Ocean and in the Far East, opening a new era of European imperialism in the East.
After decades of sailors trying to reach the Indies with thousands of lives and dozens of vessels lost in shipwrecks and attacks, da Gama landed in Calicut on 20 May 1498. Reaching the legendary Indian spice routes unopposed helped the Portuguese Empire improve its economy that, until da Gama's discovery, was based mainly on trading along northern and coastal West Africa. The spices obtained were mostly pepper and cinnamon at first, but soon included other products, all new to Europe and leading to a commercial monopoly for several decades.
Da Gama led two of the armadas destined for India, the first and the fourth, which was the largest and made only four years after his return from the first one. For his contributions he was appointed the Governor of India in 1524, under the title of Viceroy, and given the newly created County of Vidigueira in 1519. Vasco da Gama remains a leading figure in the history of exploration to this day. Numerous homages have been made worldwide to celebrate his explorations and accomplishments. The Portuguese national epic, Os Lusíadas, was written in his honour. His first trip to India is widely considered a milestone in world history as it marked the beginning of the first wave of global multiculturalism.
EARLY LIFE
Vasco da Gama was born 1460 or 1469 in Sines, on the southwest coast of Portugal, probably in a house near the church of Nossa Senhora das Salas. Sines, one of the few seaports on the Alentejo coast, consisted of little more than a cluster of whitewashed, red-tiled cottages, tenanted chiefly by fisherfolk.
Vasco da Gama's father was Estêvão da Gama, who had served in the 1460s as a knight of the household of Infante Ferdinand, Duke of Viseu and went on to rise in the ranks of the military Order of Santiago. Estêvão da Gama was appointed alcaide-mór (civil governor) of Sines in the 1460s, a post he held until 1478, and continued as a receiver of taxes and holder of the Order's commendas in the region.
Estêvão da Gama married Isabel Sodré, a daughter of João Sodré (also known as João de Resende), scion of a well-connected family of English origin. Her father and her brothers, Vicente Sodré and Brás Sodré, had links to the household of Infante Diogo, Duke of Viseu and were prominent figures in the military Order of Christ.
Vasco da Gama was the third of five sons of Estêvão da Gama and Isabel Sodré – in (probable) order of age: Paulo da Gama, João Sodré, Vasco da Gama, Pedro da Gama and Aires da Gama. Vasco also had one known sister, Teresa da Gama (who married Lopo Mendes de Vasconcelos).
Little is known of da Gama's early life. The Portuguese historian Teixeira de Aragão suggests that he studied at the inland town of Évora, which is where he may have learned mathematics and navigation. It has even been claimed (although dubiously) that he studied under the astrologer and astronomer, Abraham Zacuto.
Around 1480, da Gama followed his father (rather than the Sodrés) and joined the Order of Santiago. The master of Santiago was Prince John, who would ascend to the throne in 1481 as King John II of Portugal. John II doted on the Order, and the da Gamas' prospects rose accordingly.
In 1492, John II dispatched da Gama on a mission to the port of Setúbal and to the Algarve to seize French ships in retaliation for peacetime depredations against Portuguese shipping – a task that da Gama rapidly and effectively performed.
EXPLORATION BEFORE DA GAMA
From the earlier part of the 15th century, Portuguese expeditions organized by Prince Henry the Navigator had been crawling down the African coastline, principally in search of west African riches (notably, gold). They had greatly extended Portuguese maritime knowledge, but had little profit to show for the effort. After Henry's death in 1460, the Portuguese crown showed little interest in continuing and, in 1469, sold off the neglected African enterprise to a private Lisbon merchant consortium led by Fernão Gomes. Within a few years, Gomes's captains expanded Portuguese knowledge across the Gulf of Guinea, doing business in gold dust, Melegueta pepper, ivory and slaves. When Gomes's charter came up for renewal in 1474, Prince John (future John II), asked his father Afonso V of Portugal to pass the African charter to him.
Upon becoming king in 1481, John II of Portugal set out on many long reforms. To break the monarch's dependence on the feudal nobility, John II needed to build up the royal treasury, and saw royal commerce as the key to it. Under John II's watch, the gold and slave trade in west Africa was greatly expanded. He was eager to break into the highly profitable spice trade between Europe and Asia. At the time, this was virtually monopolized by the Republic of Venice, who operated overland routes via Levantine and Egyptian ports, through the Red Sea across to the spice markets of India. John II set a new objective for his captains: to find a sea route to Asia by sailing around the African continent.
By the time Vasco da Gama was in his 20s, these plans were coming to fruition. In 1487, John II dispatched two spies, Pero da Covilhã and Afonso de Paiva, overland via Egypt, to East Africa and India, to scout the details of the spice markets and trade routes. The breakthrough came soon after when John II's captain Bartolomeu Dias returned from rounding the Cape of Good Hope in 1488, having explored as far as the Fish River (Rio do Infante) in modern-day South Africa and having verified that the unknown coast stretched away to the northeast.
It remained for an explorer to prove the link between the findings of Dias and those of da Covilhã and de Paiva and to connect these separate segments into a potentially lucrative trade route into the Indian Ocean.
FIRST VOYAGE
On 8 July 1497 Vasco da Gama led a fleet of four ships with a crew of 170 men from Lisbon. The distance traveled in the journey around Africa to India and back was greater than around the equator. The navigators included Portugal's most experienced, Pero de Alenquer, Pedro Escobar, João de Coimbra, and Afonso Gonçalves. It is not known for certain how many people were in each ship's crew but approximately 55 returned, and two ships were lost. Two of the vessels were as naus or newly built for the voyage, possibly a caravel and a supply boat. The four ships were:
The São Gabriel, commanded by Vasco da Gama; a carrack of 178 tons, length 27 m, width 8.5 m, draft 2.3 m, sails of 372 m².
The São Rafael, whose commander was his brother Paulo da Gama; similar dimensions to the São Gabriel
The caravel Berrio, slightly smaller than the former two (later renamed São Miguel), commanded by Nicolau Coelho
A storage ship of unknown name, commanded by Gonçalo Nunes, later lost near the Bay of São Brás, along the east coast of Africa
JOURNEY TO THE CAPE
The expedition set sail from Lisbon on 8 July 1497. It followed the route pioneered by earlier explorers along the coast of Africa via Tenerife and the Cape Verde Islands. After reaching the coast of present-day Sierra Leone, da Gama took a course south into the open ocean, crossing the Equator and seeking the South Atlantic westerlies that Bartolomeu Dias had discovered in 1487. This course proved successful and on 4 November 1497, the expedition made landfall on the African coast. For over three months the ships had sailed more than 10,000 kilometres of open ocean, by far the longest journey out of sight of land made by that time.
By 16 December, the fleet had passed the Great Fish River (Eastern Cape, South Africa) – where Dias had turned back – and sailed into waters previously unknown to Europeans. With Christmas pending, da Gama and his crew gave the coast they were passing the name Natal, which carried the connotation of "birth of Christ" in Portuguese.
MOZAMBIQUE
Vasco da Gama spent 2 to 29 March 1498 in the vicinity of Mozambique Island. Arab-controlled territory on the East African coast was an integral part of the network of trade in the Indian Ocean. Fearing the local population would be hostile to Christians, da Gama impersonated a Muslim and gained audience with the Sultan of Mozambique. With the paltry trade goods he had to offer, da Gama was unable to provide a suitable gift to the ruler and soon the local populace became suspicious of da Gama and his men. Forced by a hostile crowd to flee Mozambique, da Gama departed the harbor, firing his cannons into the city in retaliation.
MOMBASA
In the vicinity of modern Kenya, the expedition resorted to piracy, looting Arab merchant ships that were generally unarmed trading vessels without heavy cannons. The Portuguese became the first known Europeans to visit the port of Mombasa from 7 to 13 April 1498, but were met with hostility and soon departed.
MALINDI
Vasco da Gama continued north, arriving at the friendlier port of Malindi on 14 April 1498 – whose leaders were then in conflict with those of Mombasa – and there the expedition first noted evidence of Indian traders. Da Gama and his crew contracted the services of a pilot whose knowledge of the monsoon winds allowed him to bring the expedition the rest of the way to Calicut, located on the southwest coast of India. Sources differ over the identity of the pilot, calling him variously a Christian, a Muslim, and a Gujarati. One traditional story describes the pilot as the famous Arab navigator Ibn Majid, but other contemporaneous accounts place Majid elsewhere, and he could not have been near the vicinity at the time. Also, none of the Portuguese historians of the time mention Ibn Majid. Vasco da Gama left Malindi for India on 24 April 1498.
CALICUT, INDIA
The fleet arrived in Kappadu near Calicut, India, on 20 May 1498. The King of Calicut, the Samudiri (Zamorin), who was at that time staying in his second capital at Ponnani, returned to Calicut on hearing the news of the foreign fleets's arrival. The navigator was received with traditional hospitality, including a grand procession of at least 3,000 armed Nairs, but an interview with the Zamorin failed to produce any concrete results. The presents that da Gama sent to the Zamorin as gifts from Dom Manuel - four cloaks of scarlet cloth, six hats, four branches of corals, twelve almasares, a box with seven brass vessels, a chest of sugar, two barrels of oil and a cask of honey - were trivial, and failed to impress. While Zamorin's officials wondered at why there was no gold or silver, the Muslim merchants who considered da Gama their rival suggested that the latter was only an ordinary pirate and not a royal ambassador. Vasco da Gama's request for permission to leave a factor behind him in charge of the merchandise he could not sell was turned down by the King, who insisted that da Gama pay customs duty - preferably in gold - like any other trader, which strained the relation between the two. Annoyed by this, da Gama carried a few Nairs and sixteen fishermen (mukkuva) off with him by force. Nevertheless, da Gama's expedition was successful beyond all reasonable expectation, bringing in cargo that was worth sixty times the cost of the expedition.
RETURN
Vasco da Gama left Calicut on 29 August 1498. Eager to set sail for home, he ignored the local knowledge of monsoon wind patterns which were still blowing onshore. The fleet initially inched north along the Indian coast, and then anchored in at Anjediva island for a spell. They finally struck out for their Indian Ocean crossing on 3 October 1498. But with the winter monsoon yet to set in, it was a harrowing journey. On the outgoing journey, sailing with the summer monsoon wind, it had taken da Gama's fleet only 23 days to cross the Indian Ocean; now, on the return trip, sailing against the wind, it took 132 days.
Da Gama saw land again only on 2 January 1499, passing before the coastal Somali city of Mogadishu, then under the influence of the Ajuran Empire in the Horn of Africa. The fleet did not make a stop, but passing before Mogadishu, the anonymous diarist of the expedition noted that it was a large city with houses of four or five storeys high and big palaces in its center and many mosques with cylindrical minarets.
Da Gama's fleet finally arrived in Malindi on 7 January 1499, in a terrible state – approximately half of the crew had died during the crossing, and many of the rest were afflicted with scurvy. Not having enough crewmen left standing to manage three ships, da Gama ordered the São Rafael scuttled off the East African coast, and the crew re-distributed to the remaining two ships, the São Gabriel and the Berrio. Thereafter, the sailing was smoother. By early March, they had arrived in Mossel Bay, and crossed the Cape of Good Hope in the opposite direction on 20 March, reaching the west African coast by 25 April.
The diary record of the expedition ends abruptly here. Reconstructing from other sources, it seems they continued to Cape Verde, where Nicolau Coelho's Berrio separated from Vasco da Gama's São Gabriel, and sailed on by itself. The Berrio arrived in Lisbon on 10 July 1499 and Nicolau Coelho personally delivered the news to King Manuel I and the royal court, then assembled in Sintra. In the meantime, back in Cape Verde, da Gama's brother, Paulo da Gama had fallen grievously ill. Da Gama elected to stay by his side on Santiago island, and handed the São Gabriel over to his clerk, João de Sá, to take home. The S. Gabriel under Sá arrived in Lisbon sometime in late July or early August. Da Gama and his sickly brother eventually hitched a ride with a Guinea caravel returning to Portugal, but Paulo da Gama died en route. Da Gama got off at the Azores to bury his brother at the monastery of São Francisco in Angra do Heroismo, and lingered there for a little while in mourning. He eventually took passage on an Azorean caravel and finally arrived in Lisbon on 29 August 1499 (according to Barros)., or early September (8th or 18th, according to other sources). Despite his melancholic mood, da Gama was given a hero's welcome, and showered with honors, including a triumphal procession and public festivities. King Manuel wrote two letters in which he described Vasco da Gama's first voyage, in July and August 1499, soon after the return of the ships. Girolamo Sernigi also wrote three letters describing da Gama's first voyage soon after the return of the expedition.
The expedition had exacted a large cost – one ship and over half the men had been lost. It had also failed in its principal mission of securing a commercial treaty with Calicut. Nonetheless, the spices brought back on the remaining two ships were sold at an enormous profit to the crown. Vasco da Gama was justly celebrated for opening a direct sea route to Asia. His path would be followed up thereafter by yearly Portuguese India Armadas.
The spice trade would prove to be a major asset to the Portuguese royal treasury, and other consequences soon followed. For example, da Gama's voyage had made it clear that the east coast of Africa, the Contra Costa, was essential to Portuguese interests; its ports provided fresh water, provisions, timber, and harbors for repairs, and served as a refuge where ships could wait out unfavorable weather. One significant result was the colonization of Mozambique by the Portuguese Crown.
REWARDS
In December 1499, Vasco da Gama was rewarded by King Manuel I of Portugal with the town of Sines as a hereditary fief (the very town which his father, Estêvão, had once held as a commenda). This turned out to be a rather complicated affair, for Sines still belonged to the Order of Santiago. On the face of it, it should not have been a problem for Jorge de Lencastre, the master of the Order, to endorse the reward – after all, da Gama was a Santiago knight, one of their own, and a close associate of Lencastre himself. But the fact that Sines was awarded by the king's hand, provoked Lencastre to refuse out of principle – lest it encourage the king to make other donations of the Order's properties. Da Gama would spend the next few years attempting to take hold of Sines – an effort which would estrange him from Lencastre and eventually prompt da Gama to abandon his beloved Order of Santiago, switching over to the rival Order of Christ in 1507.
In the meantime, Vasco da Gama made do with a substantial hereditary royal pension of 300,000 reis. He was awarded the noble title of Dom (lord) in perpetuity for himself, his siblings and their descendants. On 30 January 1502, da Gama was awarded the title of Almirante dos mares de Arabia, Persia, India e de todo o Oriente ("Admiral of the Seas of Arabia, Persia, India and all the Orient") – an overwrought title reminiscent of the ornate Castilian title borne by Christopher Columbus (evidently, Manuel must have reckoned that if Castile had an 'Admiral of the Ocean Seas', then surely Portugal should have one too). Another royal letter, dated October 1501, gave da Gama the personal right to intervene and exercise a determining role on any future India-bound fleet.
Around 1501, Vasco da Gama married Catarina de Ataíde, daughter of Álvaro de Ataíde, the alcaide-mór of Alvor (Algarve), and a prominent nobleman connected by kinship with the powerful Almeida family (Catarina was a first cousin of D. Francisco de Almeida).
SECOND VOYAGE
The follow-up expedition, the Second India Armada launched in 1500, was placed under the command Pedro Álvares Cabral, with the mission of making a treaty with the Zamorin of Calicut and setting up a Portuguese factory in the city. However, Pedro Cabral entered into a conflict with the local Arab merchant guilds, with the result that the Portuguese factory was overrun in a riot and up to 70 Portuguese killed. Cabral blamed the Zamorin for the incident and bombarded the city. Thus war broke out between Portugal and Calicut.
Vasco da Gama invoked his royal letter to take command of the 4th India Armada, scheduled to set out in 1502, with the explicit aim of taking revenge upon the Zamorin and force him to submit to Portuguese terms. The heavily armed fleet of fifteen ships and eight hundred men left Lisbon on 12 February 1502. It was followed in April by another squadron of five ships led by his cousin, Estêvão da Gama (the son of Aires da Gama), which caught up to them in the Indian Ocean. The 4th Armada was a veritable da Gama family affair. Two of his maternal uncles, Vicente Sodré and Brás Sodré, were pre-designated to command an Indian Ocean naval patrol, while brothers-in-law Álvaro de Ataíde (brother of Vasco's wife Catarina) and Lopo Mendes de Vasconcelos (betrothed to Teresa da Gama, Vasco's sister) captained ships in the main fleet.
Along the way, on the outgoing voyage, da Gama's fleet opened contact with the East African gold trading port of Sofala, and reduced the sultanate of Kilwa to tribute, extracting a substantial sum of gold. On reaching India in October 1502, da Gama's fleet set about capturing any Arab vessel he came across in Indian waters, most notoriously the Miri, a pilgrim ship from Mecca, whose passengers he massacred in open water. He then appeared before Calicut, demanding redress for the treatment of Cabral. While the Zamorin was willing to sign a new treaty, da Gama made a call to the Hindu king to expel all Muslims from Calicut before beginning negotiations, which was turned down. The Portuguese fleet then bombarded the city for nearly two days from the sea shore, severely damaging the unfortified city. He also captured several rice vessels and cut off the crew's hands, ears and noses, dispatching them with an insulting note to the Zamorin.
The violent treatment meted out by da Gama quickly brought trade along the Malabar Coast of India, upon which Calicut depended, to a standstill. But the Zamorin nonetheless refused to submit to Portuguese terms, and even ventured to hire a fleet of strong warships to challenge da Gama's armada (which da Gama managed to defeat in a naval battle before Calicut harbor). Da Gama loaded up with spices at Cochin and Cannanore, small nearby kingdoms, half-vassal and half-at-war with the Zamorin, whose alliances had been secured by prior Portuguese fleets. The 4th armada left India in early 1503. Da Gama left behind a small squadron of caravels, under the command of his uncle, Vicente Sodré, to patrol the Indian coast, to continue harassing Calicut shipping, and to protect the Portuguese factories at Cochin and Cannanore from the Zamorin's inevitable reprisals.
Vasco da Gama arrived back in Portugal in September 1503, effectively having failed in his mission to bring the Zamorin to submission. This failure, and the subsequent more galling failure of his uncle Vicente Sodré to protect the Portuguese factory in Cochin, probably counted against any further rewards. When the Portuguese king Manuel I of Portugal decided to appoint the first governor and viceroy of Portuguese India in 1505, da Gama was conspicuously overlooked, and the post given to Francisco de Almeida.
PILGRIM SHIP INCIDENT
On his second voyage, Vasco da Gama inflicted acts of cruelty upon competing traders and local inhabitants, which sealed his notoriety in India. During his second voyage to Calicut, da Gama intercepted a ship of Muslim pilgrims at Madayi travelling from Calicut to Mecca. Described in detail by eyewitness Thomé Lopes and chronicler Gaspar Correia, da Gama looted the ship with over 400 pilgrims on board including 50 women, locked in the passengers, the owner and an ambassador from Egypt and burnt them to death. They offered their wealth which 'could ransom all the Christian slaves in the Kingdom of Fez and much more' but were not spared. Da Gama looked on through the porthole and saw the women bringing up their gold and jewels and holding up their babies to beg for mercy.
After demanding the expulsion of Muslims from Calicut to the Hindu Zamorin, the latter sent the high priest Talappana Namboothiri (the very same person who conducted da Gama to the Zamorin's chamber during his much celebrated first visit to Calicut in May 1498) for talks. Da Gama called him a spy, ordered the priests' lips and ears to be cut off and after sewing a pair of dog's ears to his head, sent him away.
INTERLUDE
For the next two decades, Vasco da Gama lived out a quiet life, unwelcome in the royal court and sidelined from Indian affairs. His attempts to return to the favor of Manuel I (including switching over to the Order of Christ in 1507), yielded little. Almeida, the larger-than-life Afonso de Albuquerque and, later on, Albergaria and Sequeira, were the king's preferred point men for India.
After Ferdinand Magellan defected to the Crown of Castile in 1518, Vasco da Gama threatened to do the same, prompting the king to undertake steps to retain him in Portugal and avoid the embarrassment of losing his own "Admiral of the Indies" to Spain. In 1519, after years of ignoring his petitions, King Manuel I finally hurried to give Vasco da Gama a feudal title, appointing him the first Count of Vidigueira, a count title created by a royal decree issued in Évora on 29 December, after a complicated agreement with Dom Jaime, Duke of Braganza, who ceded him on payment the towns of Vidigueira and Vila dos Frades. The decree granted Vasco da Gama and his heirs all the revenues and privileges related, thus establishing da Gama as the first Portuguese count who was not born with royal blood.
THIRD VOYAGE AND DEATH
After the death of King Manuel I in late 1521, his son and successor, King John III of Portugal set about reviewing the Portuguese government overseas. Turning away from the old Albuquerque clique (now represented by Diogo Lopes de Sequeira), John III looked for a fresh start. Vasco da Gama re-emerged from his political wilderness as an important adviser to the new king's appointments and strategy. Seeing the new Spanish threat to the Maluku Islands as the priority, Vasco da Gama advised against the obsession with Arabia that had pervaded much of the Manueline period, and continued to be the dominant concern of Duarte de Menezes, then-governor of Portuguese India. Menezes also turned out to be incompetent and corrupt, subject to numerous complaints. As a result, John III decided to appoint Vasco da Gama himself to replace Menezes, confident that the magic of the his name and memory of his deeds might better impress his authority on Portuguese India, and manage the transition to a new government and new strategy.
By his appointment letter of February 1524, John III granted Vasco da Gama the privileged title of "Viceroy", being only the second Portuguese governor to enjoy that title (the first was Francisco de Almeida in 1505). His second son, Estêvão da Gama was simultaneously appointed Capitão-mor do Mar da Índia ('Captain-major of the Indian Sea', commander of the Indian Ocean naval patrol fleet), to replace Duarte's brother, Luís de Menezes. As a final condition, Gama secured from John III of Portugal the commitment to appoint all his sons successively as Portuguese captains of Malacca.
Setting out in April 1524, with a fleet of fourteen ships, Vasco da Gama took as his flagship the famous large carrack Santa Catarina do Monte Sinai on her last journey to India, along with two of his sons, Estêvão and Paulo. After a troubled journey (four or five of the ships were lost en route), he arrived in India in September. Vasco da Gama immediately invoked his high viceregent powers to impose a new order in Portuguese India, replacing all the old officials with his own appointments. But Gama contracted malaria not long after arriving, and died in the city of Cochin on Christmas Eve in 1524, three months after his arrival. As per royal instructions, da Gama was succeeded as governor of India by one the captains who had come with him, Henrique de Menezes (no relation to Duarte). Vasco's sons Estêvão and Paulo immediately lost their posts and joined the returning fleet of early 1525 (along with the dismissed Duarte de Menezes and Luís de Menezes).
Vasco da Gama's body was first buried at St. Francis Church, which was located at Fort Kochi in the city of Kochi, but his remains were returned to Portugal in 1539. The body of Vasco da Gama was re-interred in Vidigueira in a casket decorated with gold and jewels.
The Monastery of the Hieronymites, in Belém, which would become the necropolis of the Portuguese royal dynasty of Aviz, was erected in the early 1500s near the launch point of Vasco da Gama's first journey, and its construction funded by a tax on the profits of the yearly Portuguese India Armadas. In 1880, da Gama's remains and those of the poet Luís de Camões (who celebrated da Gama's first voyage in his 1572 epic poem, The Lusiad), were moved to new carved tombs in the nave of the monastery's church, only a few meters away from the tombs of the kings Manuel I and John III, whom da Gama had served.
MARRIAGE AND ISSUE
Vasco da Gama and his wife, Catarina de Ataíde, had six sons and one daughter:
- Dom Francisco da Gama, who inherited his father's titles as 2nd Count of Vidigueira and the 2nd "Admiral of the Seas of India, Arabia and Persia". He remained in Portugal.
- Dom Estevão da Gama, after his abortive 1524 term as Indian patrol captain, he was appointed for a three-year term as captain of Malacca, serving from 1534 to 1539 (includes the last two years of his brother Paulo's term). He was subsequently appointed as the 11th governor of India from 1540 to 1542.
- Dom Paulo da Gama, captain of Malacca in 1533–34, killed in a naval action off Malacca.
- Dom Cristovão da Gama, captain of Malacca fleet from 1538 to 1540; nominated to succeed in Malacca, but executed by Ahmad ibn Ibrahim during the Ethiopian-Adal war in 1542.
- Dom Pedro da Silva da Gama, appointed captain of Malacca from 1548 to 1552.
- Dom Álvaro d'Ataide da Gama appointed captain of Malacca fleet in the 1540s, captain of Malacca itself from 1552 to 1554.
- Dona Isabel d'Ataide da Gama, only daughter, married Ignacio de Noronha, son of the first Count of Linhares.
His male line issue became extinct in 1747, though the title went through female line.
TITLES, STYLES AND HONOURS
Over his numerous years serving the Portuguese crown, da Gama was rewarded with many different titles, distinctions, and offices:
- Admiral of the Seas of Arabia, Persia, India and all the Orient – Title as chief of the Portuguese India Armadas
- 2nd Viceroy of India – Title of office as colonial head of Portuguese India
- 1st Count of Vidigueira – Title of Portuguese nobility
LEGACY
Vasco da Gama is one of the most famous and celebrated explorers from the Age of Discovery. As much as anyone after Henry the Navigator, he was responsible for Portugal's success as an early colonising power. Beside the fact of the first voyage itself, it was his astute mix of politics and war on the other side of the world that placed Portugal in a prominent position in Indian Ocean trade. Following da Gama's initial voyage, the Portuguese crown realized that securing outposts on the eastern coast of Africa would prove vital to maintaining national trade routes to the Far East.
However, his fame is tempered by such incidents and attitudes as displayed in the notorious Pilgrim Ship Incident previously discussed.
The Portuguese national epic, the Lusíadas of Luís Vaz de Camões, largely concerns Vasco da Gama's voyages.
The 1865 grand opera L'Africaine: Opéra en Cinq Actes, composed by Giacomo Meyerbeer from a libretto by Eugène Scribe, prominently includes the character of Vasco da Gama. The events depicted, however, are fictitious. Meyerbeer's working title for the opera was Vasco da Gama. A 1989 production of the opera by the San Francisco Opera featured noted tenor Plácido Domingo in the role of da Gama. The 19th-century composer Louis-Albert Bourgault-Ducoudray composed an eponymous 1872 opera based on da Gama's life and exploits at sea.
The port city of Vasco da Gama in Goa is named after him, as is the crater Vasco da Gama on the Moon. There are three football clubs in Brazil (including Club de Regatas Vasco da Gama) and Vasco Sports Club in Goa that were also named after him. There exists a church in Kochi, Kerala called Vasco da Gama Church, and a private residence on the island of Saint Helena. The suburb of Vasco in Cape Town also honours him.
A few places in Lisbon's Parque das Nações are named after the explorer, such as the Vasco da Gama Bridge, Vasco da Gama Tower and the Centro Comercial Vasco da Gama shopping centre. The Oceanário in the Parque das Nações has a mascot of a cartoon diver with the name of "Vasco", who is named after the explorer.
Vasco da Gama was the only explorer on the final pool of Os Grandes Portugueses. Although the final shortlist featured other Age of Discovery related people, they were not actually explorers nor navigators for any matter.
The Portuguese Navy has a class of frigates named after him. There are three Vasco da Gama class frigates in total, of which the first one also bears his name.
South African musician Hugh Masekela recorded an anti-colonialist song entitled "Vasco da Gama (The Sailor Man)", which contains the lyrics "Vasco da Gama was no friend of mine". He later recorded another version of this song under the name "Colonial Man".
Vasco da Gama appears as an antagonist in the Indian film Urumi. The film, directed by Santosh Sivan, depicts a failed assassination attempt on da Gama by an Indian.
WIKIPEDIA
The Volkswagen K70 (pronounced as "ka siebzig" in German) is a sedan automobile developed by NSU and sold by Volkswagen from 1970 till February 1975. The K70 was the first VW to have a front-mounted watercooled engine and the first to have front wheel drive.
(Wikipedia)
- - -
Der VW K 70 war der erste Volkswagen mit einem Reihenmotor in Front, Frontantrieb und Wasserkühlung. Er kam 1970 auf den Markt und markierte den ersten großen Umbruch in der Fahrzeugtechnik bei Volkswagen. Entwickelt wurde er von NSU.
(Wikipedia)
As it gets colder in Canada i'm really going to miss these sunset sends
Leave your feedback in the comments below!
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Taken by Patrick Younger @illashootxr
All Rights Reserved - Toronto, ON. Patrick Younger 2020
Saiba como ajudar os desabrigados da chuva na Região Serrana do Rio
Prefeituras criaram contas bancárias para receber doações.
Supermercados, abrigos e postos da PRF também aceitam donativos.
Do G1 RJ
imprimir
Postos rodoviários, supermercados e abrigos estão recebendo donativos para ajudar as vítimas da chuva na Região Serrana do Rio. Os desabrigados e desalojados precisam de doações de água potável, alimentos, roupas, cobertores, colchonetes e itens de higiene pessoal, como sabonete, pasta de dente e fralda descartável.
DOAÇÃO DE SANGUE
O HemoRio montou um esquema especial de atendimento. Para doar é preciso estar bem de saúde, ter entre 18 e 65 anos e pesar mais de 50 kg. Não é necessário estar em jejum. A única recomendação é evitar alimentos gordurosos antes da coleta. Interessados devem se apresentar com um documento de identidade. Quem preferir, pode agendar um horário para fazer a doação no telefone 0800 282-0708. O HemoRio fica na Rua Frei Caneca 8, no Centro, e funciona de segunda a domingo, das 7h às 18h.
CONTAS PARA DOAÇÃO EM DINHEIRO
Prefeitura de Teresópolis
Banco: Banco do Brasil
Agência: 0741-2
Conta: 110000-9 (nome “SOS Teresópolis – Donativos”)
Banco: Caixa Econômica Federal
Agência: 4146
Conta: 2011-1
O CNPJ da Prefeitura é 29.138.369/0001-47.
Prefeitura de Nova Friburgo
Banco: Banco do Brasil
Agência: 0335-2
Conta: 120.000-3
Prefeitura de São José do Vale do Rio Preto
Banco: Banco do Brasil
Agência: 0080-9
Conta: 77000-0
Defesa Civil – RJ
Banco: Caixa Econômica Federal
Agência: 0199
Operação: 006
Conta: 2011-0
Fundo Estadual de Assistência Social do Estado do Rio de Janeiro
CNPJ 02932524/0001-46
Banco: Itaú
Agência: 5673
Conta: 00594-7
OAB-RJ
Banco: Banco do Brasil
Agência: 2234-9
Conta: 1000-6
Campanha SOS Sudeste (CNBB e Cáritas Brasileira)
Banco: Caixa Econômica Federal
Agência: 1041
Operação: 003
Conta: 1490-8
ou
Banco: Banco do Brasil
Agência: 3475-4
Conta: 32.000-5
POSTOS PARA DOAÇÕES - PREFEITURAS
Teresópolis
A Prefeitura de Teresópolis informou que as pessoas interessadas em trabalhar como voluntárias para ajudar no atendimento às vítimas das chuvas devem se cadastrar na sede da Defesa Civil, e não mais no Ginásio Pedrão. A Defesa Civil funciona na Rua Júlio Rosa, 444, na Tijuca.
No Ginásio Pedrão (Rua Tenente Luiz Meirelles 211, no bairro Várzea), permanece o cadastro de desabrigados e desalojados e a entrega de doações de mantimentos. Já as doações de medicamentos devem ser encaminhadas para a Secretaria de Saúde (Av. Feliciano Sodré, 675 – 3º piso Centro – Prefeitura).
Doações de móveis vão para o galpão próximo ao Pedrão, localizado na Rua Garcia Menezes de Aragão, 51, Várzea, Centro. A Secretaria de Obras está aceitando doações de galochas, capas de chuva, pás, enxadas, lonas pretas, que devem ser entregues na Rua Fritz Weber, Várzea, próximo a rodoviária e ao mercado popular.
Petrópolis
A Prefeitura de Petrópolis está solicitando que todas as doações sejam encaminhadas para o CIEP de Corrêas e não mais para o CIEP de Itaipava que já está com sua capacidade de armazenamento lotada. As doações devem ser entregues na Estrada União e Indústria, 2.822, em frente ao terminal de transporte público, em Corrêas.
A Prefeitura de Petrópolis solicita que as pessoas que desejam fazer doações ao município, enviem mantimentos, material de limpeza e higiene pessoal, lençois e roupa de cama. Não há mais necessidade de roupas. O número de roupas doadas já ultrapassa a necessidade dos moradores afetados pelas chuvas na região de Itaipava.
DEMAIS POSTOS PARA DOAÇÕES
Museu Imperial
O Museu Imperial montou um posto de coleta de donativos. Além disso, os visitantes poem opatar por pagar a entrada com uma doação diretamente na bilheteria. O item de maior urgência é água potável, que pode ser trocada pelo ingresso com uma doação de, no mínimo, 1,5 litro. Também são recebidos itens de higiene pessoal, roupas, alimentos não perecíveis, roupa de cama, cobertores, colchonetes e toalhas. O ponto de coleta do museu é no prédio da biblioteca, no saguão em frente à sala multimídia, com acesso pelo bosque do imperador (praça do Cenip). Para trocas de doações por ingressos, os visitantes devem se dirigir diretamente à bilheteria.
Polícia Militar
Todos os batalhões da PM do Rio de Janeiro vão receber doações a partir desta quinta-feira (13). Os comandantes dos batalhões recomendam a doação de água mineral, alimentos não perecíveis e material de higiene pessoal.
Em São Paulo, todos os batalhões da Capital e do interior receberão alimentos não perecíveis, roupas, lençóis, cobertores, colchões, colchonetes, materiais de limpeza e higiene, água potável e remédios.
Rodoviária
A Rodoviária Novo Rio recebe doações para a Cruz Vermelha. Os donativos serão recebidos no piso de embarque inferior, das 9h às 17h.
Cruz Vermelha
A Cruz Vermelha está cadastrando voluntários para ajudar na triagem do material arrecadado para vítimas das chuvas na Região Serrana. Quem quiser colaborar deve procurar a sede da entidade no Rio, na Praça da Cruz Vermelha 10, no Centro.
Segundo o presidente da filial Rio, Luiz Alberto Lemos Sampaio, o mais importante agora é coletar alimentos não perecíveis, água, leite, além de roupa de cama e banho. Os donativos podem ser entregues no posto instalado na Rodoviária Novo Rio, na sede da Cruz Vermelha e nos quartéis do Corpo de Bombeiros.
Estádios
A Secretaria estadual de Esporte e Lazer montou uma rede de solidariedade. Os estádios do Maracanãzinho e Caio Martins (em Niterói) recolhem doações. As contribuições podem ser: garrafas de água potável, fraldas, material de higiene pessoal, colchonetes, alimentos não perecíveis, roupas e agasalhos. O Maracanãzinho recebe doações das 8h às 20h - Entrada pelo portão 12A. No Caio Martinns, o horário é o mesmo e a entrada é pelo portão principal na Avenida Roberto Silveira, em Icaraí.
Viva Rio
O Programa de Voluntariado do Viva Rio também iniciou uma campanha de arrecadação de roupas e mantimentos para a região serrana do Rio de Janeiro, especialmente Nova Friburgo, Teresópolis e Petrópolis. Para ajudar, basta fazer a doação na sede do Viva Rio (Rua do Russel, 76, Glória) ou através de depósito bancário na conta do Viva Rio, no Banco do Brasil, agência 1769-8, conta-corrente 411396-9 e CNPJ: 00343941/0001-28. Para mais informações o Viva Rio disponibiliza os telefones (21) 2555-3750 e (21) 2555-3785.
A ONG também estará recebendo donativos em todas as unidades das Lojas Americanas no Rio e nas estações do metrô de General Osório, Siqueira Campos, Botafogo, Carioca, Glória, Largo do Machado, Catete, Central do Brasil, Saens Peña, Nova América e Pavuna
Rodovias
A Polícia Rodoviária Federal recebe doações nos seus 25 postos ao longo de 1.400 km de rodovias federais fluminsenses. Quem quiser colaborar pode ligar para o telefone 191, que funciona 24h, e saber onde fica o ponto mais próximo de sua casa. A PRF alerta que há maior necessidade por cuecas, calcinhas e sutiãs novos, material de limpeza, roupas e papinhas de bebê, além de alimentos enlatados prontos para consumo. Os donativos serão repassados à Cruz Vermelha.
A Concessionária Rio-Teresópolis (CRT) está recebendo doações de garrafas de água potável, remédios, alimentos não perecíveis, roupas, cobertores, colchonetes e itens de higiene pessoal como sabonete, pasta de dente e fralda descartável, nas cabines da Praça de Pedágio no km-133,5 da Rio-Teresópolis-Além Paraíba (BR-116/RJ), em Piabetá. Para grandes quantidades, os doadores devem dirigir-se ao Centro de Atendimento ao Usuário, que fica na pista sentido Rio a 300 metros da praça de pedágio.
Outros estados: .todos os 270 postos de fiscalização da PRF nas regiões Sul, Sudeste e Centro-oeste também funcionam como pontos de coleta de doações. De forma rápida e sem burocracia, o cidadão que quiser ajudar os desabrigados pelas chuvas na região Sudeste poderá doar alimentos não-perecíveis em qualquer unidade física da PRF instalada em 32 mil quilômetros de rodovias federais. A Polícia Rodoviária Federal não fará coleta de peças de vestuário nem de material de limpeza. Outro ponto que precisa ser observado é a data de validade dos alimentos. Não devem ser encaminhados à PRF donativos que vencerão antes de 30 dias.
BR-101
Autopista Fluminense, concessionária que administra a BR-101 Norte também abriu postos para o recolhimento de doações, na sede administrativa, da empresa, no KM 313, em São Gonçalo, na Região Metropolitano e na sede da Latina Manutenção, no Km 206, em Casimiro de Abreu .
Praça de pedágio:
Km 40 – Campos dos Goytacazes
Km 123 – Campos dos Goytacazes
Km 192 – Casimiro de Abreu
Km 252 – Rio Bonito
Km 299 – São Gonçalo
Bases operacionais:
Km 40 – Campos dos Goytacazes
Km 123 – Campos dos Goytacazes
Km 163 – Macaé
Km 235 – Silva Jardim
Km 282 – Itaboraí
Km 299 – São Gonçalo
Km 319 – Niterói
RJ-116
As quatro praças de pedágio da RJ-116 vão arrecadar donativos. Os locais são Itaboraí, Cachoeiras de Macacu, Nova Friburgo e Macuco. A Rota 116, que administra a via, está usando veículos da empresa para levar o material até as cidades atingidas.
MP
O Ministério Público do estado do Rio de Janeiro recebe doações na portaria do edifício-sede, na Av. Marechal Câmara, 370, no centro do Rio, de segunda a sexta-feira, das 10h às 17h.
Inea
A sede do Instituto Estadual do Ambiente recebe doações de alimentos não perecíveis, colchonete, material de higiene e limpeza, sobretudo fraldas, e principalmente água. O endereço é Av. Venezuela, 110, Praça Mauá - centro do Rio.
Escolas de samba
As escolas de samba do Rio também estã recebendo donativos. Há postos de coleta na Cidade do Samba e nos barracões das escolas, na Gamboa. O Salgueiro arrecada alimentos não perecíveis, água, roupas e cobertores. As doações podem ser levadas à quadra da escola, que fica na Rua Silva Teles, 104, no Andaraí.
Tijuca Tênis Clube
A sede do clube recebe doações. O endereço é Rua Conde do Bonfim, 451 -- Tijuca. IInformações pelo telefone: 3294-9300.
AMaLeblon
A Associação de Moradores do Leblon criou um posto de coleta de donativos, que podem ser entregues no 23º Batalhão, localizado na Av. Bartolomeu Mitre.
Estações do metrô
O Metrô Rio vai disponibilizar a partir de sexta-feira (14), pontos de arrecadação em 11 estações nas linhas 1 e 2. Água, alimentos e produtos de higiene pessoal podem ser doados nas estações Carioca, Central, Largo do Machado, Catete, Glória, Ipanema/General Osório, Pavuna, Saens Peña, Botafogo, Nova América/Del Castilho e Siqueira Campos.
Flamengo
A presidente do Flamengo, Patrícia Amorim, anunciou que o clube também receberá, na sede da Gávea, donativos para desabrigados pelas chuvas na Região Serrana.
FIA
A Fundação da Infância e Adolescência abriu dois postos de doação: Rua Voluntários da Pátria, 120, Botafogo e Rua General Castrioto, 589, Barreto, em Niterói. Desde ontem (12) a entidade enviou 60 toneladas de alimentos e dois mil colchões para a região.
Shoppings também vão receber donativos
Bangu Shopping - Rua Fonseca, 240 - Bangu. Tel.: 2430-5130.
Carioca Shopping - Av. Vicente de Carvalho, 909 - Vila da Penha. Tel.: 2430-5120.
Caxias Shopping - Rodovia Washington Luiz, 2895, Duque de Caxias. Tel: 2430-5110
Passeio Shopping - Rua Viúva Dantas 100 - Campo Grande. Tel.: 2414-0003.
Santa Cruz Shopping - Rua Felipe Cardoso 540 - Santa Cruz. Tel.: 2418-9400.
Shopping Grande Rio - Rodovia Presidente Dutra, 4.200 - São João de Meriti. Tel.: 2430-5111
Via Parque Shopping - Av. Ayrton Senna, 3.000 - Barra da Tijuca. Tel.: 2430-5100.
Shopping Leblon - Av. Afrânio de Melo Franco, 290 - Leblon. Tel.: 2430-5122.Boulevard Shopping São Gonçalo - doações no 1o andar do estabelecimento.
Center Shopping Rio - Avenida Geremário Dantas, 404 - Jacarepaguá
Fashion Mall - Estrada da Gávea, 899 - São Conrado.
Ilha Plaza - Av. Maestro Paulo e Silva, 400 - Ilha do Governador
NorteShopping - Av. Dom Hélder Câmara, 5474 - Cachambi
Plaza Shopping - Rua XV de Novembro, 8 - Centro, Niterói.
Rio Plaza Shopping - Rua General Severiano, 97 - Botafogo
Recreio Shopping - Av. das Américas, 19.019 - Recreio dos Bandeirantes
Shopping Tijuca - Av. Maracanã, 987 – Tijuca
West Shopping - Estrada do Mendanha, 555 - Campo Grande
Arquidiocese do Rio
A Cáritas Arquidiocesana do Rio recebe doações em dinheiro em duas contas: Bradesco, Agência 0814-1, conta corrente 48500-4 e Banco do Brasil, Agência 3114-3, conta corrente 30000-4. Doações em espécie podem ser deixadas na Catedral de São Sebastião (Avenida Chile 245, no Centro). Haverá pontos de recolhimento na Cáritas e também na entrada da igreja, de 9h às 18h.
Ponte Rio-Niterói
A concessionária que administra a Ponte Rio-Niterói colocou um container para receber doações junto à praça de pedágio, à direita de quem segue no sentido Niterói. Mais informações: (21) 2620-9333.
Sesc, Senac e Fecomércio
As unidades do Sesc Rio e Senac Rio e a sede do Sistema Fecomércio-RJ estão coletando água mineral, alimento não perecível, roupas de cama e banho, material de limpeza e de higiene pessoal e colchões para as vítimas das enchentes na região serrana. As unidades do Sesc receberão as doações de terça a domingo, das 9h às 17h. Os pontos de coleta são:
Sede do Sistema Fecomércio-RJ - Rua Marquês de Abrantes, 99, Flamengo, de segunda a sexta, das 9h às 18h
Sesc Copacabana – Rua Domingos Ferreira, 160
SescTijuca – Rua Barão de Mesquita, 539
Sesc Ramos – Rua Teixeira Franco, 38
Sesc Madureira – Rua Ewbanck da Câmara , 90
Sesc São Gonçalo – Avenida Presidente Kennedy, 755
Sesc Niterói – Rua Padre Anchieta, 56 – Centro
Sesc São João de Meriti – Avenida Automóvel Clube, 66 –
Sesc Nova Iguaçu – Rua Dom Adriano Hipólito, 10 – Moquetá
Sesc Teresópolis – Av. Delfim Moreira, 749 – Centro
Sesc Quitandinha (Petrópolis) – Avenida Joaquim Rolla, 2 – Quitandinha
Unidades Senac Rio:
Horários de coleta das 9h às 19h, de segunda a sexta. Aos sábados, das 9h às 12h.
Niterói – Rua Almirante Teffé, 680 – Centro
Copacabana – Rua Pompeu Loureiro, 45
Marapendi – Avenida das Américas, 3959 – Barra da Tijuca
Faculdade Senac Rio – Rua Santa Luzia, 735 – Centro
Botafogo – Rua Bambina, 107
Sesi e Senai
O Sesi iniciou campanha de arrecadação de donativos para as vítimas das chuvas na Região Serrana, instalando postos de coletas e suas unidades no estado. O horário de funcionamento é das 8h às 17. Veja os endereços:
Sesi - Barra do Piraí - Av. Mário Salgueiro, 1.065 - Bairro Belvedere - Barra do Piraí
Senai - Barra do Piraí - Rua Alan Kardeck, s/nº - Muqueca - Barra do Piraí
Sesi - Barra Mansa - Av. Dário Aragão, 2 - Centro - Barra Mansa
Senai - Barra Mansa - Rua Senhor do Bonfim, 130 - Saudade - Barra Mansa
Sesi/Senai Benfica - Praça Natividade Saldanha, 19 - Benfica. Tel.: (21) 2587-4800
Senai - Campos - Rua Bruno de Azevedo, 37 - Pq. Tamandaré Campos dos Goytacazes
Sesi - Campos - Av. Deputado Bartolomeu Lysandro, 862 - Guarus – Campos dos Goytacazes
Sesi/Senai - Cinelândia - Rua Santa Luzia, 685 - 5º andar - Centro - Rio de Janeiro
SesiI - Duque de Caxias - Rua Artur Neiva, 100 - Bairro 25 de Agosto - Duque de Caxias
Senai - Duque de Caxias - Rua Arthur Goulart, 124 - Centro - Duque de Caxias
Sesi - Honório - Rua Loreto do Couto, 673 – Honório Gurgel
Sesi - Itaperuna - Av. Dep. José de Cerqueira Garcia, 883 - Bairro Presidente Costa e Silva - Itaperuna
Senai - Itaperuna - Av. Zulamith Bittencourt, 190 – 1º e 2º andar - Cidade Nova – Itaperuna
Sesi - Jacarepaguá - Av. Geremário Dantas, 342 - Tanque - Jacarepaguá - Tel.: (21) 3382-9999/9950
Senai - Jacarepaguá - Av. Geremário Dantas, 940 – Freguesia – Jacarepaguá
Sesi/Senai - Laranjeiras - Rua Esteves Júnior, 47 - Laranjeiras e Rua Ipiranga, 75 - Laranjeiras
Sesi - Macaé - Alameda Etelvino Gomes, 155 - Riviera Fluminense - Macaé
Senai - Macaé - Av. Prefeito Aristeu Ferreira da Silva, 70 - Novo Cavaleiro - Macaé
Senai - Maracanã - Rua São Francisco Xavier, 417 – Maracanã
Senai - Mendes - Rua Professor Paulo Sérgio Nader Pereira, nº 250 - Centro - Mendes
Senai - Niterói - Rua General Castrioto, 460 - Barreto - Niterói
Sesi/Senai - Nova Iguaçu - Rua Gerson Chernicharo, s/nº - Bairro da Luz - Nova Iguaçu
Sesi - Petrópolis - Av. Barão do Rio Branco, 2.564 - Centro - Petrópolis
Senai - Petrópolis - Rua Bingen, 130 - Bingen - Petrópolis
Sesi - Resende - Rua Marcílio Dias, 468 - Jardim Jalisco - Resende
Senai - Resende - Rua Sarquis José Sarquis, 156 - Jardim Jalisco - Resende
Sesi/Senai – Santa Cruz - Rua Felipe Cardoso, 713 – Santa Cruz
Senai -Solda - Rua São Francisco Xavier, 601 - Maracanã - Tel.: (21) 3978-8700
Sesi/Senai - Tijuca - Rua Morais e Silva, nº 53 - Tijuca - Rio de Janeiro
Sesi/Senai - Vicente de Carvalho - Av. Pastor Martin Luther King Jr. (antiga Av. Automóvel Clube), 6475 - Vicente de Carvalho - Rio de Janeiro
Sesi/Senai - São Gonçalo - Rua Nilo Peçanha, 134 – Centro - São Gonçalo
Sesi - Três Rios - Av. Tenente Enéas Torno, s/no Margem Esquerda - Centro - Três Rios
Senai - Três Rios - Rua Izaltino de Oliveira, 90 - Centro - Três Rios
Sesi/Senai - Santo Antônio de Pádua - Av. João Jazbik, S/N - Bairro 17 - Santo Antonio de Pádua
Senai - Valença - Rua Comendador Araújo Leite, 320 - Valença - Rio de Janeiro
Senai - Vassouras - Rua Nilo Peçanha, 85 - Vassouras - Rio de Janeiro
Sesi - Volta Redonda - Avenida Lucas Evangelista, 595 - Aterrado - Volta Redonda
Senai - Volta Redonda - Rua Nicanor Teixeira de Carvalho, 1 - Barreira Cravo - Volta Redonda
Secretaria de Estado de Educação
A Secretaria de Estado de Educação (SEEDUC) está recolhendo em suas unidades escolares da Capital e Região Metropolitana. A SEEDUC destaca a importância da doação de livros infantis, papel, lápis de cera e materiais do gênero para que as crianças desabrigadas possam utilizar, além de material de higiene pessoal e alimentos não perecíveis para as famílias necessitadas.
Colégio Mopi
O colégio Mopi montou postos de arrecadação e as doações podem ser feitas de segunda a sexta-feira, das 8 às 17 horas, em duas unidades da escola. Estão arrecadando alimentos não perecíveis, roupas e artigos de higiene pessoal. Endereços: Rua Almirante Cóchrane 66 – Tijuca e Estrada da Barra da Tijuca 600 – Itanhangá.
Escola Parque
A escola Parque está arrecadando alimentos não perecíveis, mantas, toalhas, material de higiene e medicamentos para curativo. As contribuições poderão ser feitas entre os dias 17 de janeiro e 4 de fevereiro nas sedes da Barra e da Gávea. Endereços: Rua Pedra de Itaúna 111 - Barra e Rua Marquês de São Vicente 355 - Gávea.
Espaços culturais
A Secretaria de Estado de Cultura (SEC) e os espaços culturais do governo recebem doações para vítimas das chuvas. Nos teatros, o horário para doação é o do respectivo espetáculo. São estes os espaços da SEC para doações:
Biblioteca Parque de Manguinhos - Avenida Dom Helder Camara, 1184 - Tel.: (21) 22348915 e (21) 22348917 - De terça a domingo - das 9h às 20h
Biblioteca Estadual Infantil Anísio Teixeira - Rua Lopes Trovão, s/nº - Campo de São Bento – Niterói - Tel: 3719-8385 - De segunda a sexta, das 9h às 17h
Casa de Cultura Laura Alvim - Av. Vieira Souto, 176 – Ipanema - Tel: 2332-2015 - De terça a domingo, das 13h às 21h
Casa de Oliveira Viana - Alameda São Boaventura, 41 – Fonseca – Niterói - Tel: 3601-8220
De terça a sexta, das 10h às 17h
Escola de Artes Visuais do Parque Lage - Rua Jardim Botânico, 414 – Jardim Botânico
- Tel.: 3257 1800 - Diariamente, das 10h às 17h.
Museu Carmem Miranda - Av. Rui Barbosa, s/nº - Parque do Flamengo - Tel: 2334-4293 - De segunda a sexta, das 10h às 17h. Sábados e feriados, das 13h às 17h
Museu do Primeiro Reinado - Av. Pedro II, 293 – São Cristóvão - Telefax: 2332-4513 / 4514 / 4512 - De terça a sexta, das 10h às 17h
Museu do Ingá - Rua Presidente Pedreira, 78 – Ingá – Niterói - Tel: 2717-2903 / 2919 / 2790 / 2893 - De terça a sexta, das 11h às 17h. Sábados, domingos e feriados, das 13h às 17h
Casa França-Brasil - Rua Visconde de Itaboraí, 78 – Centro - Tel; 2332-5120 / 5121
De terça a domingo, das 10h às 20h
Museu da Imagem e do Som - Rua Rui Barbosa, 1 – Centro - Tel: : 2332-9068 / 2332-9067
De segunda a sexta, das 11h às 17h
Theatro Municipal do Rio de Janeiro - Avenida Almirante Barroso, 14/16 - Centro - De segunda a sexta, de meio-dia às 18h
Teatro João Caetano - Praça Tiradentes, s/nº - Centro - Tel: 2332-9166
Teatro Armando Gonzaga - Av. Gal. Oswaldo Cordeiro de Farias, 511 – Marechal Hermes - Tel: 2332-1040
Teatro Arthur Azevedo - Rua Victor Alves, 454 – Campo Grande -Tel: 2332-7516
Teatro Glaucio Gill - Praça Cardeal Arcoverde, s/nº - Copacabana - Tel: 2332-7904
Escola de Música Villa-Lobos - Rua Ramalho Ortigão, 9 – Centro - Tel: 2232-6405 / 2224-2116 - De segunda a sexta, das 9h às 19h
Parada Solidária
Os sindicatos e empresas de transporte do também montaram postos para receber doações para as vítimas da tragédia da Região Serrana, no Rio, na Baixada Fluminense , em Niterói e em Petrópolis. Foram colocados ônibus para recolher alimentos, roupas, colchonetes e água. Veja onde os ônibus estarão posicionados, do dia 14 ao dia 21, das 8h às 20h.
No Rio:
Largo da Carioca, Centro
Cinelândia (a partir de 2ª feira, dia 17, em frente à Câmara dos Vereadores)
Terminal Alvorada, Barra da Tijuca (a coleta não será feita em ônibus, mas na Administração)
Ilha do Governador – sede da Sub-Prefeitura em frente ao posto RioCard
Praça General Osório, Ipanema (a partir de sábado, dia 15)
Em Duque de Caxias e Magé:
Terminal Rodoviário Plínio Casado, Duque de Caxias
Terminal Rodoviário do Shopping Center, Duque de Caxias
Rodoviária de Piabetá, Magé
Praça da Prefeitura de Magé
Em Niterói:
Terminal João Goulart (em frente ao posto do Setrerj)
Em Petrópolis:
Sede do Setranspetro – Rua do Imperador, 100 - Centro
COB e Comitê Rio 2016
O posto montado na sede do Comitê Olímpico Brasileiro e do Comitê Organizador Rio 2016 está recebendo artigos de higiene e limpeza, roupas de cama e banho, alimentos não perecíveis e água mineral. Funciona de 8h às 18h, na Av. das Américas, 899 - Barra da Tijuca.
Legião da Boa Vontade (LBV)
Entidade recolhe e leva doações. Saiba mais em: www.lbv.org.br/
Secretaria de Ordem Pública
A Secretaria Especial de Ordem Pública (Seop) do Rio também está recebendo doações para as vítimas da tragédia na Região Serrana. O material deve ser levado até quarta-feira (19), no Batalhão da Guarda Municipal, na Avenida Pedro II, 111, em São Cristóvão, na Zona Norte do Rio.
Barcas
A concessionária Barcas S.A., com o apoio da Cruz Vermelha, está recolhendo material para ajudar as vítimas das chuvas Região Serrana, como água potável, alimentos não perecíveis, produtos de limpeza e de higiene pessoal, colchonetes. As doações podem ser feitas até dia 31 de janeiro nas estações.
Praça XV - Praça XV, 21, Centro do Rio
Araribóia - Praça Araribóia, números 6 e 8, Centro, Niterói
Charitas - Avenida Quintino Bocaiúva, s/nº, Charitas, Niterói
Cocotá - Parque Manoel Bandeira, s/nº, Cocotá, Ilha do Governador
Paquetá - Praça Pintor Pedro Bruno, nº 1, Ilha de Paquetá
SuperVia
Itens como alimentos não perecíveis, material de higiene, roupas, dentre outros, podem ser entregues no Balcão de Informações da estação Central do Brasil, que funciona nos dias úteis, das 7h às 17h. O material arrecadado será entregue a ONG Viva Rio que fará a devida distribuição.
Prefeitura de São João de Meriti
A Prefeitura de São João de Meriti está recebendo doações de água potável, roupas, colchonetes, cobertores, material de higiene e alimentos não-perecíveis para as vítimas das chuvas na Região Serrana do Rio. Informação e solicitação de recolhimento pelo telefone 2651-1049.
As doações podem ser entregues de segunda a sexta das 9h às 17h, nos postos abaixo:
Secretaria Municipal de Promoção Social - Avenida Presidente Lincoln, 899- térreo, em Vilar dos Teles
Centro de Assistência Social (Cras) de Éden- Rua Ana Brito da Silva, 2470, em Éden
Centro de Assistência Social (Cras) de Jardim Íris - Rua Copacabana, 50, em Jardim Íris
Centro de Assistência Social (Cras) de Vila São José- Avenida Comendador Teles, 3199, na Vila São José
Centro de Referência Especializada da Assistência Social (Creas) de Vilar dos Teles - Rua Aldenor Ribeiro, 125, sala 02-Shopping dos Jeans
CET-Meriti - Avenida Automóvel Clube, 1785-Parque Jardim Bonifácio
Meriti-Previ- Rua Defensor Público Zilmar Pinaud, 220, em Jardim Meriti
Estabelecimentos comerciais
O grupo de supermercados Pão de Açúcar montou postos de arrecadação em todas as 100 lojas da rede no estado do Rio. As doações podem ser feitas nos estabelecimentos Pão de Açúcar, ABC Compre Bem, Sendas , Extra Supermercados e Assaí. De acordo com o grupo, os donativos serão entregues até 26 de janeiro.
O supermercado Zona Sul também aceita doações durante o mês de janeiro em sua unidade Mega Box, localizada na Av. Brasil, 9.561 – Olaria. Quem quiser participar poderá contribuir com alimentos não perecíveis, roupas, sapatos, colchonetes, cobertores ou produtos de higiene. O Mega Box funciona de segunda a sexta, das 7h30m às 21h, e nos domingos e feriados, das 8h às 14h.
A rede de drogarias Tamoio recebe doações em todas as suas 42 lojas.
Toque a Campainha
Shopping Grande Rio - Rod. Pres. Dutra 42000 Km4, Loja 218 - São João de Meriti
Niterói - Rua Francisco da Cruz Nunes, 320 - Piratininga
São Gonçalo Shopping - Av. São Gonçalo 100, 1º piso
Shopping Tijuca - Av. Maracanã, 987 sl.2023/25/26
Suburbana - Av. Dom Helder Câmara 5273 - Pilares
Oswaldo Cruz - Rua João Vicente, 741 (em frente à estação)
Inhaúma / Loja de Saldos - Rua José dos Reis 2001 (próximo ao viaduto de Pilares)
Via Parque Shopping - Av. Ayrton Senna 3000, loja 1079, 1º andar - Barra da Tijuca
Recreio - Av. das Américas, 16.225
Jacarepaguá - Av. Geremario Dantas 1393
Botafogo - Rua São Clemente, 23
Copacabana - Rua Barão de Ipanema, 110
Copacabana II - Rua Barata Ribeiro, 334
New
Via Parque Shopping - 2º piso
Botafogo - Rua Voluntários da Pátria, 357
Recreio - Av. das Américas, 16.401 - Loja G
Copacabana - R. Barata Ribeiro, 752 Loja A
Dell Anno
Leblon - Rua Ataulfo de Paiva, 319
Casa Shopping - Av. Ayrton Senna, 2150 bloco B – lojas 101 a 103
Recreio - Av. Das Américas, 16.457
Tijuca - Rua Conde de Bonfim, 85
Maison Design
Av. Ayrton Senna, 2150 - 2º andar Bloco A, lojas 101 e 102
Lojas Renner
Todas as lojas da Renner localizadas no estado do Rio são postos de coleta de roupas e alimentos não perecíveis para ajudar as vítimas das chuvas.
Werner Coiffeur
Todas as 36 unidades do Werner Coiffeur no Rio estão recebendo doações de alimentos não perecíveis, água potável, material de limpeza e de higiene.
NET
A NET iniciou uma campanha nacional de arrecadação de doações. São 84 postos, localizados nas sedes regionais nas sedes da empresa, em todo o Brasil. A arrecadação ocorre até dia 26 de janeiro.
Ribeira
Salvador
Bahia
Brasil
A Ribeira é um antigo bairro das famílias de classe alta baianas e atual bairro da boemia, localizado na Cidade Baixa, em Salvador. A Ribeira é bastante conhecida por causa da famosa Sorveteria da Ribeira, além do lindo pôr-do-sol e seus barzinhos. É na Ribeira, especificamente na Enseada dos Tainheiros, que ocorrem há muitos anos as disputas de remo, entre as antigas equipes do Itapagipe, Vitória, São Salvador e Santa Cruz. Era ali naquele mesmo ponto que existia um hidroporto, em que antes da existência do aeroporto, desciam os aviões com políticos e artistas famosos em Salvador."
" As Praias Desertas
Vídeo: Maysa Matarazzo:
www.youtube.com/watch?v=hfpCdFcF8ZE
As praias desertas continuam
Esperando por nós dois
A este encontro eu não devo faltar
O mar que brinca na areia
Está sempre a chamar
Agora eu sei que não posso faltar
O vento que venta lá fora
O mato onde não vai ninguém
Tudo me diz
Não podes mais fingir
Porque tudo na vida há de ser sempre assim
Se eu gosto de você
E você gosta de mim
As praias desertas continuam
Esperando por nós dois "
As Valkyrie @Cos X with a sexy cos-player. Was there as an event girl of MovieMania which managed Cos X, a cos-play competition @TGX 12. Cos-play with me in my blog: TGX 12/Cos X & M1 4G Launch @Paragon