View allAll Photos Tagged ARTIST
Concours Gymnastique artistique (GAM/GAF) de la Fête Cantonale Vaudoise de Gymnastique, 19.06.2022. ©Serge Widmann
Artemisia Gentileschi
Self-portrait as the Allegory of Painting (La Pittura) [1638-39]
Royal Collection Windsor Castle
Une intéressante exposition attend les visiteurs à la Galerie du Château de Sigean de 10 août jusqu'au 26 août 2012.
Venez découvrir à la Galerie du Château à Sigean l'interaction, le face-à-face entre l'œuvre de Jurgen Borgers et neuf artistes internationaux, car Jurgen Borgers est en perpétuelle pensée : tant dans sa culture que dans sa frénésie de créer, de rechercher, de faire penser. Penser voilà le vrai mot, celui qui convient bien à l'artiste. Réfléchir et faire réfléchir caractérise son œuvre. Face à la peinture-réflexe où le visiteur subit et reconnaît des codes, des symboles, des "habitudes" propres à l'art, il y a la peinture-réflexion de Borgers où la pensée est prise, rejetée, mise en contradiction, perdue, cernée.
Jurgen Borgers, peintre hollandais, s'expose ainsi face à une dizaine de tableaux de sa collection privée parmi une sélection de peintres, tous aussi dessinateurs et sculpteurs, hollandais, américain, suisse, espagnol et tchèque. Tous sont auteurs de nombreuses expositions à travers l'Europe et le monde mais sont surtout des artistes contemporain à la fois abstraits et non-figuratifs ou bien réalistes abstraits.
Cette exposition sera donc l'occasion de présenter les œuvres des artistes Felix van de Beek(1940) et Fons Haagmans(1942) anciens professeurs de l'Académie Royale des Beaux Arts à Maastricht aux Pays Bas pendant la période où Jurgen Borgers suivait sa formation de plasticien. Ensuite Harrie Gerritz (1939), Jef Diederen(1920-2009) et Frank van den Broeck(1950) autre artistes contemporain Néerlandais, et pour finir la vidéo cinéaste Suisse Franziska Megert(1950,Thun,Schweiz), l'Espagnol José Maria Sicilia(1954 Madrid, Espagne), le designer Thèque Borek Sipek (1949 Prague, Tchéquie) et l'Américain Terry Thompson(1949 Texas, USA).
A aller trop vite, on ne sait ni voir, ni entendre et il y a chez l'artiste la nécessité d'une autre forme de perception visuelle ou auditive qu'il voudrait réveiller dans chaque visiteur.
Le travail de Jurgen Borgers s'inscrit dans un contexte de notre temps. La peinture et la sculpture, et plus récemment, l'exploration photographique font objet de sa recherche. Il choisit de ne pas privilégier un médium. Le contenu émotionnel, psychologique de ses créations est la façon dont le corps exprime son dialogue, son émotion. Cela contextualise les concepts de la dualité et de la signification des œuvres.
Son style est l'expression de sa philosophie qui devient un langage, à l'aide des mouvements expressionniste, surréaliste et contemporain. Il exprime sa profonde prise de conscience par rapport des enjeux mondiaux. Le tout est contrebalancé avec son patrimoine culturel.
Le vernissage samedi 11 aout à 19h00 à Sigean.
My artist wife Marianne having great fun drawing a scene at MacGregor Point Park ☼
Thank you Caro's Lines for the wonderful free texture
Artiste en résidence : Megan McPherson (Melbourne, Australie) - 3 mars au 2 avril 1992
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Megan McPherson a participé à plus de 30 expositions solo et de groupe en Australie et Europe. Ses œuvres font partie de collections de plusieurs institutions publiques. L'artiste et candidate au doctorat en arts visuels vit et travaille à Melbourne, en Australie.
Copyright © Megan Mc Pherson - ENGRAMME 1992-1993
Artist Ken Speer getting ready for an April 1st art exhibit and sale, The Tree Connection, Whatcom Land Trust office, Bellingham Washington
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
Camille Claudel -
Étude (I) pour Sakountala [1886]
Sakuntala, also known as Sakountala or Çacountala , is a sculpture by the French artist Camille Claudel, made in several versions in different media from 1886, with a marble version completed in 1905, and bronze castings made from 1905. The sculpture depicts a young couple, with a kneeling man embracing a woman leaning towards him. It was named after the play Shakuntala by the 4th-5th century Indian poet Kālidāsa, and is inspired by the moment when the title character Shakuntala is reunited with her husband Dushyanta after a long separation.
A terracotta study c.1886 is held by the Musée d'Orsay in Paris, an 1888 completed plaster version is held by the Musée Bertrand [fr] in Châteauroux,[1] a marble version completed in 1905 and renamed Vertumnus et Pomona is held by the Musée Rodin in Paris, and several bronzes were cast for Eugène Blot [fr] from 1905 entitled L'Abandon ("The Abandonment").[2][3] L'Abandon has been described as "one of the most famous and recognised masterpieces created by Camille Claudel".
Source: wikiwand
As seen at the Architectural Digest Home Design Show.
I was walking around shooting, so in many cases, I did not get the names or websites of the artists displaying their work. If anyone can provide me with the name or a url for this artist, I will be glad to post it.
Video Vulture tackled a subject near and dear to my heart this week: insane artist movies.
I picked 3 of my faves for this cartoon: Walter Paisley (the legendary Dick Miller) in "A Bucket of Blood", Bill Kerwin in the Canuxploitation classic "The Playgirl Killer", and Adam Sorg from H.G. Lewis's "Color Me Blood Red" (Gordon Oas-Heim - credited as Don Joseph). Read the full terrifying tale here:
www.ffwdweekly.com/article/screen/video-vulture/the-art-o...
Artist's Drive rises up to the top of an alluvial fan fed by a deep canyon cut into the Black Mountains. Artist's Palette is an area on the face of the Black Mountains noted for a variety of rock colors. These colors are caused by the oxidation of different metals (iron compounds produce red, pink and yellow, decomposition of tuff-derived mica produces green, and manganese produces purple).
en.wikipedia.org/wiki/Places_of_interest_in_the_Death_Val...
Biographie artistique
SORIN EMMANUEL
Professeur de danse et choregraphe
Directeur et fondateur L'Académie de Danse J.E.S.S -B.H.P(Ballet Haïtien de Paris).
Concepteur et créateur des Ballets, face a la mecque, l'illusion,haiti 200 ans
SORIN a créé plus d'une trantaine de choregraphies portant sur des themes varies.
Il a egalement mis sur point la technique Emmece, conçue pour faciliter la maitrice du corps et
l'appentissage rapide de la danse afro Haitien, afro Jazz, Hip-Hop jazz.
Né à Port -au -Prince Haïti, dès son plus jeune âge il se passionne pour la danse et la musique, Sa carrière a débuté à l'âge de 10 ans avec un petit troupe nommé AZAKA un peu de temps il a trouvé un bouse pour les plus connus d'école de danse en Haïti suivant assidûment les cours des Académies de danse de Port au Prince, dont :« Institut de danse Viviane GAUTHIER» « Haïti an American Academy » « R. M. T. Académie» Régine Mont-Rozier Trouillot.
Formé en danse folklorique Haitienne par Viviane GAUTHIER, en ballet jazz et la danse moderne par Nathalie Trouillot, il a également étudié avec Nicole LUMARQUE, fondatrice et directrice artistique du Ballet folklorique haïtien, (B.F.H.).
Compagnie de danse de L'institut français Haïti tchaka, avec Christine DUPUIS, joué et tournée avec la Compagnie, (Bahamas, Martinique, la France et l'Espagne).
Il a joué avec la R.T.M. et La Compagnie des Jeunes de la danse comprennant : Bal de graduation, Don Quichotte, la Petite Sirène.
SORIN Emmanuel, joué avec Eddy Toussaint qui a été le fondateur et directeur artistique de G.B.H. (Grand Ballet d'Haïti) et Les Grands Ballets du Canada.
IL a été comme danseur Invité par institut de dance lynn william Rouzier.
Remarqué lors de différentes manifestations de danse pour ses talents évidents de danseur mais aussi de chorégraphe, il obtient en 1988 une bourse d’étude.
Il perfectionne sa technique d’Afro jazz, Afro haïtienne, à différentes écoles de danse, à la Jamaïque puis à New York.
A la Jamaïque (Kingston), il se perfectionne dans les danses traditionnelles caraïbéennes à l'école des beaux arts Edna Manley (Edna Manley College of the Visual and performing Arts).
A New York, à l'école des beaux arts de l'Université de New York (Tisch School of the arts), SORIN se perfectionne dans la danse contemporaine post-moderne et, à ce titre, interprète les œuvres de célèbres chorégraphes tels David Dorfman, Ronald K.
Toujours à New York, à l'école de danse contemporaine Martha Graham, SORIN suit le programme indépendant dans lequel il se perfectionne dans la technique Graham. Dans le cadre de ce programme, il performe une de ses chorégraphies, Dèy (deuil), à Cape May (New Jersey) lors d'un spectacle de danse animé par les danseurs du Martha Graham Ensemble, la compagnie Martha Graham junior.
Ses études lui laissent le temps d’enseigner le Afro-jazz, Afro Haitien, Hip Hop jazz en France et en Haïti.
SORIN Emmanuel assure la chorégraphie et danse sur un thème moderne et AFRO. Les compagnies et les écoles de danse d’Haïti font souvent appel à lui pour enseigner, monter des chorégraphies et danser dans des spectacles dont le dernier « Roi Christophe » en décembre 1997 à Port au Prince avec le ballet Folklorique d’Haïti.(B.F.H) Au Ritz Kînam II il a dansé « Nég Marron » un extrait du ballet Toussaint Louverture en décembre 2000.
Sélectionné parmi les meilleurs danseurs en afro Haitien à Paris. On le remarque au Casino de Paris, en 2004 pour ses talents de danse afro Haitien dans : « let move the Haitian rate/rhythm » sur une chorégraphie de NAGO. Similaire à Arès dans la mythologie grecque, Ogou, dieu de la guerre, est puissant, fort et vaillant. Il confère le courage et la force à ceux qui luttent et est plus particulièrement reconnu pour avoir implanté l'idée de la révolte chez les esclaves d'Haïti et leur avoir transmis le pouvoir qui les a mené à la liberté.
Referans des Concept
Wutao Emmece Zoa (W.E.Z)
Eveillez l'âme du corps
Le Wutao Emmece Zoa ( W.E.Z ) est né au cours de l’année 2000 du métissage des expériences de SORIN EMMANUEL : Afro Haitien, Afro jazz, Hip-Hop, Qi Gong, Danse, et Bio-énergie occidentale, le tout revisité et réinventé à travers l’exploration du mouvement.
En chinois, Wutao s’écrit avec deux idéogrammes : « Wu » signifiant « danse » et « Tao » « voie, chemin ». Ainsi Wutao pourrait-il être traduit par « la Voie de la danse de la vie ».
La pratique se concentre sur le déploiement d’une onde déclenchée par le relâchement du bassin, à partir de laquelle se décline tout un ensemble de mouvements réalisés dans un profond respect de l’être et de sa corporalité. Les principes du Emmece Wutao Zoa restent au plus près de la sensibilité du sentiment pour insuffler de l’émotion à notre gestuelle. Car la douceur et la sensibilité sont les qualités que notre organisme accueille le plus efficacement.
Les différentes étapes de progression du Emmece Wutao Zoa:
Candid photo of an artist at work during the recent "Chalk It Up" event in San Antonio. This was actually one of my favorite drawings of the entire event.
Tamira Powell is an artist who teaches Silk Painting Workshops. Silva maintain a studio at Cakewalk Artists' Co-op, cakewalkcoop.org/ on Central Avenue on St Petersburg, Florida. Facebook page is www.facebook.com/profile.php?id=100000941297998
West Coast Photography Group was there to conduct a photo shoot, www.meetup.com/West-Coast-Photo-Group-of-Florida/
RSC_5120
Have somebody said Artist???
Hehehe, I am an artist!!!
They call me ARTIST!
In my tag there's the word ARTIST... look at the not, it's true, I'm not lieing!!! So if my tag says Artist, then I am an Artist!!!
I AM AN ARTIST!!!!
/me laughs as a crazy becouse she cant' diferenciate where finish her proudnes and where starts ther preassure... She is happly overwhelmed.
Mickey Mouse running with an ice cream Sunday design detail in the Neon Eggs Diner Insert. Disney’s Mickey Mouse Neon Eggs Coloring Kit! About 1993, revised version in the Andy Warhol Style! Features Mickey’s Neon Diner Insert!
Concept, design and artwork by MiMo, Mike Mozart! for Sunhill! With punch out Neon Diner Insert featuring Mickey Mouse, Minnie Mouse, Donald Duck, Daisy Duck, Goofy and more! In a unique Andy Warhol inspired style! Add me on discord …. Real Mike Mozart#4030
All Flickr Pics by Mike Mozart!
Original MiMo Mike Mozart design! My Self Portrait Seasonal Christmas Nutcracker for Horizons East about 1998 as Michael Wolfe a modification of my real name Wolfgang Mikyáll Mozart! Was sold to Nordstrom and several other very high end retailers
MiMo, Mike Mozart created and designed Halloween Themed Nutcrackers, for Horizons East, signed Michael Wolfe! Over 1000 different products, Tree Decor, Wreaths, Candles, Metal wall art, poly resin seasonal figures and more were designed for Horizons East, most for High End Retailers Christmas Departments! The signature Michael Wolfe on many commercial lines, is an adaptation of his real name Wolfgang Mikyáll Mozart There eventually were over 1000 Different designs of high quality Nutcrackers sold to all the major retailers Worldwide!
A long and successful career, with his first children’s book sold at age 15 which continues to this day at age 60!
In the early 1980’s, MiMo, Mike Mozart, Co-hosted with TX Critter ( that developed into ALF), the classic KidsTime Express on UHF Channel 20, WTXX Waterbury CT TV Show. Paul Fusco, the original puppeteer and creator of the show went on to create the character and TV Show ALF!
Illustrated over 100 Childrens books, many licensed Walt Disney, Muppets, Looney Toons, Ninja Turtles, Uncle Scrooge McDuck and More!
Created thousands of Holiday and Seasonal
Products, many featuring the pantheon of Walt Disneys top licensed characters! Known for the exceptional designs of season Nutcrackers and sweeping product lines for major Retailers for Horizon’s East. And Christmas, Easter-and Halloween licensed character products for SunHill Industries. Massive product lines featuring the Mickey Mouse line of Basic Characters, Mickey, Minnie, Goofy, Pluto Donald Duck and Daisy Duck.
Disney’s Ducktales
Disney’s the Little Mermaid
Disney’s Aladdin
Disney’s Beauty and the Beast
Disney’s, Bambi
Disney’s Hunchback of Notre Dame
Disney’s 100 Dalmatians
Disney’s Chip and Dale Rescue Rangers
Also:
The Flintstones
Teletubbies
Looney Tunes
Crayola
Scooby Doo
The M&Ms Character Family
Universal Monsters
Assisted and wrote gags for top Newspaper comic strip cartoonists throughout the 1980’s, including Bob Weber of Moose and Molly fame, Guy Gilchrist artist of the Muppets Comic Strips, Jerry Marcus of the strip Trudy, Dik Brown of Hagar the Horrible and Hi and Lois, Orlando Busino of Gus, and many more!
A continuing Voice over talent for imported Japanese cartoons, TV Commercials and seasonal animated an sound products for Halloween and Christmas!
Appeared live on QVC and HSN for over a decade live presenting products of his invention and design. Created top selling infomercial items in the 1980’s and 1990’s!
Notable lawn and garden products, tools and household products.
Was a Top Twenty All Time Most viewed and Subscribed for the first 7 years of YouTube garnering more than a Half Billion Views! Many on TheToyChannel and Jeepersmedia on YouTube!
More Recently, A known fine artist having been the Ghost Artist Designer and Mentor to Alec Monopoly.
* My Twitch:
twitch.tv/MikeMozartJeepersmedia
* My TikTok:
* www.tiktok.com/@mimomikemozart
* My Discord:
Real Mike Mozart#4030
* My YouTube
youtube.com/Jeepersmedia
youtube.com/TheToyChannel
youtube.com/MikeMozart
* My Instagram
instagram.com/MikeMozart
* My Twitter
twitter.com/jeepersmedia
* My Creative Commons Flickr
Flickr.com/Jeepersmedia
Despues ahí se ubicó el CINE TIVOLI, El Violín Gitano es el auditorio radial de radio El Mercurio, todas las noches, entre las 21:30 y las 22:30 horas.