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before he started to dance ... ;-) ...
can you see it, can you hear it ?
man without hat www.youtube.com/watch?v=0QDKLglEP5Y
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Australian artwork by Carmel Marsden, featuring birds called Brolgas, set amongst the beautiful gardens at Mt. Coot-tha, on a perfect Winter day. The temperature was about 23 degrees Celsius, so it wasn't what one would call cold !!
Monitor lizards are lizards in the genus Varanus, the only extant genus in the family Varanidae. They are native to Africa, Asia, and Oceania, and one species is also found in the Americas as an invasive species. About 80 species are recognized. Wikipedia
Art - Texture applied to photo image.
Thanks to everyone that views and comments on my images - very much appreciated.
© ALL RIGHTS RESERVED. On all my images, Use without permission is illegal.
Sony ILCE-7RM4A
"Art is not a handicraft, it is the transmission of feeling the artist has experienced" - Leo Tolstoy
A macro portion of a watercolor painting on paper. Designed as a greeting card but is currently used as a piece of "refrigerator art." Watercolor on paper by pre-kindergarten child. Note: the black designs were already on the paper; the child provided the watercoloring.
Macro Mondays
Theme: Paper Art
August 16, 2021 (UTC)
Box-Art boxes stowe away art. // Art is art if it is seen as such. // Depends upon (be)longing.
(part of studio of poet / painter Lucebert (1924-1994)
photography at Museum Kranenburg, Bergen, NL
Leica M-P & Summilux-M 35mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
For Christmas I got an adult coloring book and a set of colored pencils; this is my first effort, and I'm pleased with the result.
An installation art inside a unit in the Cattle Depot Artist Village. It played with sunlight coming in from skylight window.
Cattle Depot Artist Village
is located on 63 Ma Tau Kok Road, Ma Tau Kok, Kowloon, Hong Kong, China. The site was originally used as a slaughterhouse from 1908 to 1999. It was renovated and developed into a village for artists in 2001. It is now home to around 20 art groups. (en.wikipedia.org/wiki/Cattle_Depot_Artist_Village)
It was my work displayed in April of 2017.
Pacific Fiction ...
Faithful to the heritage of conceptual art, fascinated by land art and especially by Robert Smithson, influenced by Olafur Eliasson’s teaching at the Institut für Raumexperimente in Berlin, Julian Charrière sets in motion research processes that give rise to performances, photographic records, films and installations.
His materials, including decaying organic matter, cryogenically frozen plants, sediment and salt bricks reflect particular times and spaces, both as tangible traces of what he calls a ‘geology of history’ and as explorations of humanity’s interdependent relationship with our environment.
Pacific Fiction – Study for Monument is one of a set of works created by Charrière following his exploration of the Marshall Islands and the Bikini atoll, part of his research into former nuclear testing sites as dystopian places par excellence.
The United States test-fired nearly seventy nuclear bombs in the Marshall Islands from 1946 to 1958, including Castle Bravo, the single most powerful H-bomb, which wiped two islands from the map.
Pacific Fiction, a pyramid of coconuts encased in lead, can be read as the model for a future memorial. The coconuts refer to the etymology of the Bikini atoll, which takes its name from the local Melanesian name ‘Pikinni’, ‘pik’ meaning ‘surface’ and ‘ni’ meaning ‘coconut palm’. The lead is used for its physical property of withstanding radiation. While the pile of coconuts echoes a stock of cannon balls, the work’s pyramid shape and its subtitle, Study for Monument, also conjure up images of a tomb, Egyptian pyramids, the architecture of the bunkers on the Bikini atoll shoreline, and the angular iron monoliths that slumber in the depths of the Pacific.
Deutsch
Pazifische Fiktion ...
Getreu dem Erbe der Konzeptkunst, fasziniert von der Land Art und insbesondere von Robert Smithson, beeinflusst von der Lehre Olafur Eliassons am Institut für Raumexperimente in Berlin, setzt Julian Charrière Forschungsprozesse in Gang, aus denen Performances, fotografische Aufzeichnungen, Filme und Installationen hervorgehen.
Seine Materialien, darunter verrottende organische Materie, kryogenisch gefrorene Pflanzen, Sedimente und Salzziegel, spiegeln bestimmte Zeiten und Räume wider, sowohl als greifbare Spuren dessen, was er eine "Geologie der Geschichte" nennt, als auch als Erkundungen der wechselseitigen Beziehung zwischen dem Menschen und seiner Umwelt.
Pacific Fiction - Study for Monument gehört zu einer Reihe von Werken, die Charrière im Anschluss an seine Erkundung der Marshallinseln und des Bikini-Atolls geschaffen hat, die Teil seiner Recherchen über ehemalige Atomtestgelände als dystopische Orte par excellence sind.
Die Vereinigten Staaten haben von 1946 bis 1958 auf den Marshallinseln fast siebzig Atombomben getestet, darunter Castle Bravo, die stärkste H-Bombe, die zwei Inseln von der Landkarte tilgte.
Pacific Fiction, eine mit Blei ummantelte Pyramide aus Kokosnüssen, kann als Modell für ein künftiges Mahnmal gelesen werden. Die Kokosnüsse beziehen sich auf die Etymologie des Bikini-Atolls, das seinen Namen von der lokalen melanesischen Bezeichnung "Pikinni" ableitet, wobei "pik" für "Oberfläche" und "ni" für "Kokospalme" steht. Das Blei wird wegen seiner physikalischen Eigenschaft, Strahlung zu widerstehen, verwendet. Während der Haufen Kokosnüsse an einen Vorrat an Kanonenkugeln erinnert, rufen die ursprüngliche Pyramidenform des Werks und sein Untertitel Study for Monument auch Bilder eines Grabes, ägyptischer Pyramiden, der Architektur der Bunker auf dem Bikini-Atoll und der kantigen Eisenmonolithen hervor, die in den Tiefen des Pazifiks schlummern.
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When visiting the amazing Aros art gallery recently in the centre of Aarhus, Denmark's second largest city, I was transfixed by a resident artist creating an impressive new art work in the moment. I was not the only one captivated by this. I think the couple in the 'front row' had been there for a while also enjoying the experience. I noticed they both wore glasses. I was waiting for the split second where you could follow both their sight with the direction of their glasses firmly at the artist. And it happened. A special moment.
Voyage au centre de la terre. Entre l'obscur et le vaste. Enseveli et investi comme un insecte dans un dédale funéraire. Puis quand tout l'illumine ce sont comme des rêves éveillés nourris d'extases jubilatoires. Le temps semble vaincu.
Puis on en ressort aveuglé, désorienté ... et la gorge sèche comme une pierre ponce.... Ce lieu s'appelle "Val d'enfer" !
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Journey to the Center of the Earth. Between the dark and vast. Buried and invested like an insect in a funeral maze. Then when all the lights are like waking dreams fed jubilant ecstasy. Time seems defeated.
Then in spring blinded, disoriented ... and throat dry as pumice .... This place is called "Valley of hell"!
love all kind of artwork, from time to time I write haiku's and make creative images but don't consider myself as an artist , the only real artist is nature itself, showing the most beautiful art , we only have to open our eyes to see it
Street art in Villanueva San Juan, Spain. It won first prize in the Graffiti Competition. El Puente de los Seis Ojos. Artist: Pedro Almeida