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Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, and video, within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
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“pain and love have no borders,
even if we raise walls not to see the pain
and we put boundaries to not recognize love.”
(Enzo Bianchi)
“il dolore e l'amore non hanno frontiere,
anche se noi alziamo muri per non vedere il dolore
e mettiamo confini per non riconoscere l'amore.”
(Enzo Bianchi)
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or…. Press the “L” button to zoom in the image;
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oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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Questo è un racconto fotografico, realizzato in due giornate nel maggio di quest'anno 2023, nel paese di Limina, in provincia di Messina (lo stesso Santo è celebrato nel paese di Calatabiano, in provincia di Catania, con una spettacolare corsa in discesa !), si realizzano così due tipiche feste religiose tradizionali siciliane che hanno in comune la devozione verso questo santo, San Filippo: egli viene raffigurato di colore “nero” poiché una leggenda lo vede protagonista di una lotta negli Inferi contro Lucifero, dalla cui lotta ne viene fuori ricoperto di fuliggine. San Filippo è un santo molto festeggiato non solo in Sicilia, ma lo è anche nel Salernitano, in Calabria (questi culti si realizzano seguendo il suo percorso fatto in vita) fino ad arrivare al suo culto nell’isola di Malta. La vicinanza con Taormina (paese nel quale abito e lavoro) dei paesi di Calatabiano e Limina, mi facilita certamente il compito di realizzare fotografie di queste feste tradizionali, compatibilmente coi miei turni lavorativi; in entrambi i paesi le feste si svolgono in due giornate; in quel di Limina durante la prima giornata il Santo viene portato in spalla da una chiesa posta in lieve periferia nel paese di Limina fino “al borgo Murazzo”, che dista circa 8 chilometri, sono così 8 Km che vengono percorsi correndo ininterrottamente (tranne una breve sosta di raccoglimento in località “Durbi”); poi ad otto giorni di distanza (la cosiddetta “ottava”) il Santo esce portato in spalla con una corsa “sfrenata-indiavolata” che inizia da un’altra chiesa nel centro di Limina, giungendo poi dopo una ripidissima e faticosissima salita in cima al “Monte Calvario”, poi ridiscende e girovaga tra i quartieri del paese, (ed oltre, fino alla contrada "Durbi", per poi ritornare in paese): non si tratta di un semplice girovagare, in momenti ben stabiliti, il Santo viene “fatto ballare” con uno sfrenato andirivieni su percorsi rettilinei alternato ad un movimento rotatorio vorticoso su se stesso: questa è una differenza sostanziale con la vara di Calatabiano (quest’ultima è pesantissima, circa 12 quintali, percorre un percorso impervio, molto ripido e scosceso in discesa, con “gradoni” in pietra molto alti in parte mancanti , questo è un antico percorso realizzato per giungere al castello Normanno), sicché in Calatabiano la “parodia” con gli esorcismi compiuti dal Santo Nero, consiste nella relativa velocità impressa al Santo durante il percorso, invece a Limina, la vara essendo più leggera, consente ai devoti andature rapide, rettilinee e vorticose, moviemnti anch’essi che rievocano i movimenti convulsi compiuti dagli indemoniati sottoposti agli esorcismi del Santo (un certo rischio di capovolgimento è insito in entrambe le vare). Nel paese di Calatabiano San Filippo acquista l’appellativo di “Siriaco”, cioè proveniente dalla Siria, mentre nel paese di Limina Egli acquista l’appellativo “d’Agira”, dal nome del paese, in provincia di Enna, dove egli morirà: è sempre lo stesso santo (cambia un pochino la fisionomia del volto), in entrambe le statue la mano destra è alzata ad inviare una benedizione, oppure ad effettuare un esorcismo, la mano sinistra stringe un libro (è il documento “apotropaico” che gli diede San Pietro, per consentirgli di vincere le forze del Male). Aggiungo qualche breve cenno sulla vita di questo santo, anche per cercare di capire come nasce il suo culto in Sicilia, come anche in altri paesi al di fuori dell'isola. Le fonti che parlano di San Filippo sono due, chiamate “le Cronache di Eusebio d’Agira” e “le Cronache di Atanasio”, queste cronache tra loro sono in buona parte discordanti, tranne le descrizioni sulle sue caratteristiche di sacerdote e di taumaturgo, sulle sue capacità di compiere esorcismi scacciando i demoni dagli impossessati. Egli nacque probabilmente in Tracia (regione sud-orientale della penisola balcanica nel 40 d.C. (?), all’epoca era una provincia romana, ai tempi d’Arcadio, imperatore romano d’Oriente, nato da padre siriano e da madre romana, nella sua infanzia fu educato ai principi del Cristianesimo che andava propagandosi anche in quelle terre. Egli giunge dalla Tracia a Roma, viene ordinato sacerdote da Pietro, ed è proprio da Lui che viene mandato in Sicilia (terra pagana sotto il dominio Romano), col compito di evangelizzare quei luoghi e compiere esorcismi; sbarca a Capo Faro a Messina iniziando fin da subito il suo mandato, poi percorre la fascia orientale della Sicilia dirigendosi a sud verso l’Etna (ecco che Limina e Calatabiano, interessati dal suo passaggio, grazie alle sue capacità di guaritore ed esorcista, gli divengono devote); giunge così al paese di Agira (Enna), dove lì muore dopo quarant’anni di Apostolato nell’isola.
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This is a photographic story, taken over two days in May of this year 2023, in the town of Limina, in the province of Messina (the Saint himself is celebrated in the town of Calatabiano, in the province of Catania, with a spectacular downhill race! ), two typical traditional Sicilian religious festivals are thus held which have in common the devotion towards this saint, San Filippo: he is depicted as "black" in color since a legend sees him as the protagonist of a fight in the Underworld against Lucifer, from whose fight he it comes out covered in soot. San Filippo is a much celebrated saint not only in Sicily, but also in the Salerno area, in Calabria (these cults are carried out following the path he followed in life) up to the cult of him on the island of Malta. The proximity of the towns of Calatabiano and Limina to Taormina (the town where I live and work) certainly facilitates the task of taking photographs of these traditional festivals, compatibly with my work shifts; in both countries the celebrations take place over two days; in Limina, during the first day, the Saint is carried on his shoulders from a church located on the outskirts of the town of Limina to "the village of Murazzo", which is about 8 kilometers away, thus 8 km which are covered by running continuously (except for one short rest stop in the “Durbi” area); then eight days later (the so-called "octave") the Saint comes out carried on his shoulder with a "wild-desperate" run that starts from another church in the center of Limina, arriving after a very steep and tiring climb to the top of the “mountain Calvario”, then descends again and wanders through the districts of the town (and beyond, up to the "Durbi" district, to then return to the town): it is not a simple wandering, at well-established moments, the Saint comes " made to dance" with an unbridled coming and going on straight paths alternating with a swirling rotary movement on itself: this is a substantial difference with the Calatabiano launch (the float is very heavy, around 12 quintals, and travels along an impervious, very steep and steep path downhill, with very high stone "steps" partly missing, this is an ancient route built to reach the Norman castle), so that in Calatabiano the "parody" with the exorcisms performed by the Black Saint consists in the relative speed given to the Saint during the journey, however, in Limina, the launch being lighter, allows the devotees rapid, straight and whirling gaits, movements which also recall the convulsive movements performed by the demoniacs subjected to the Saint's exorcisms (a certain risk of capsizing is inherent in both floats). In the town of Calatabiano San Filippo acquires the name of "Siriaco", that is, coming from Syria, while in the town of Limina he acquires the name "from Agira", from the name of the town, in the province of Enna (Sicily), where he died: it is always the same saint (the physiognomy of the face changes a little), in both statues the right hand is raised to send a blessing, or to carry out an exorcism, the left hand holds a book (it is the "apotropaic" document that gave Saint Peter, to allow him to defeat the forces of Evil). I add some brief information on the life of this saint, also to try to understand how the cult of him was born in Sicily, as well as in other countries outside the island. There are two sources that speak of Saint Philip, called "the Chronicles of Eusebius of Agira" and "the Chronicles of Athanasius", these chronicles are largely discordant with each other, except for the descriptions of his characteristics as a priest and a miracle worker, on his ability to perform exorcisms by expelling demons from those possessed. He was probably born in Thrace (south-eastern region of the Balkan peninsula in 40 AD (?), at the time it was a Roman province, at the time of Arcadius, Eastern Roman emperor, born to a Syrian father and a Roman mother, in In his childhood he was educated in the principles of Christianity which was also spreading in those lands. He came from Thrace to Rome, was ordained a priest by Peter, and it was by him that he was sent to Sicily (a pagan land under Roman rule), with the task to evangelize those places and carry out exorcisms; he lands at Capo Faro in Messina, starting his mandate immediately, then travels along the eastern strip of Sicily heading south towards Etna (here Limina and Calatabiano, affected by his passage, thanks to the his abilities as a healer and exorcist become devoted to him); he thus reaches the town of Agira (Enna), where he dies after forty years of apostolate on the island.
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Limina, S. Filippo torna a correre dopo due anni di pandemia. E’ la rievocazione dei miracoli
Limina. San Filippo d'Agira, il film della festa 2022
Festeggiamenti di San Filippo d’Agira - Limina 11 maggio parte 1
PROMO San Filippo D'Agira - Limina (ME) 2022
Festeggiamenti in onore di San Filippo d’Agira - Limina 21 maggio 2022 parte 2
Festeggiamenti in onore di San Filippo d’Agira - Limina 21 maggio 2022 parte 3
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The Other Son | Official US Trailer
The Other Son | "Joseph meets with his Rabbi" | Official Clip
Mehdi Dehbi in the Making of The Other Son
IL FIGLIO DELL' ALTRA - Clip 7
IL FIGLIO DELL' ALTRA - Clip 2
IL FIGLIO DELL' ALTRA - Clip 5
Il figlio dell'altra - Trailer
IL FIGLIO DELL' ALTRA - Clip 6
IL FIGLIO DELL' ALTRA - Clip 9
IL FIGLIO DELL' ALTRA - Clip 4
IL FIGLIO DELL' ALTRA - Clip 3
IL FIGLIO DELL'ALTRA, trailer italiano, regia di Lorraine Lévy
Ephemeral Visions | www.about.me/luisadejesusr | Straglen
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Desfile de Arcadio Dominguez en la Pasarela Swimwear Fashion Week de Gran Canaria Moda Cálida 2017
Fotografía; Marcos Rivero Fotografía
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Ephemeral Visions | www.about.me/luisadejesusr | Straglen
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
.................................................................................
“pain and love have no borders,
even if we raise walls not to see the pain
and we put boundaries to not recognize love.”
(Enzo Bianchi)
“il dolore e l'amore non hanno frontiere,
anche se noi alziamo muri per non vedere il dolore
e mettiamo confini per non riconoscere l'amore.”
(Enzo Bianchi)
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click to activate the small icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream (it means the monitor);
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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Questo è un racconto fotografico, realizzato in due giornate nel maggio di quest'anno 2023, nel paese di Limina, in provincia di Messina (lo stesso Santo è celebrato nel paese di Calatabiano, in provincia di Catania, con una spettacolare corsa in discesa !), si realizzano così due tipiche feste religiose tradizionali siciliane che hanno in comune la devozione verso questo santo, San Filippo: egli viene raffigurato di colore “nero” poiché una leggenda lo vede protagonista di una lotta negli Inferi contro Lucifero, dalla cui lotta ne viene fuori ricoperto di fuliggine. San Filippo è un santo molto festeggiato non solo in Sicilia, ma lo è anche nel Salernitano, in Calabria (questi culti si realizzano seguendo il suo percorso fatto in vita) fino ad arrivare al suo culto nell’isola di Malta. La vicinanza con Taormina (paese nel quale abito e lavoro) dei paesi di Calatabiano e Limina, mi facilita certamente il compito di realizzare fotografie di queste feste tradizionali, compatibilmente coi miei turni lavorativi; in entrambi i paesi le feste si svolgono in due giornate; in quel di Limina durante la prima giornata il Santo viene portato in spalla da una chiesa posta in lieve periferia nel paese di Limina fino “al borgo Murazzo”, che dista circa 8 chilometri, sono così 8 Km che vengono percorsi correndo ininterrottamente (tranne una breve sosta di raccoglimento in località “Durbi”); poi ad otto giorni di distanza (la cosiddetta “ottava”) il Santo esce portato in spalla con una corsa “sfrenata-indiavolata” che inizia da un’altra chiesa nel centro di Limina, giungendo poi dopo una ripidissima e faticosissima salita in cima al “Monte Calvario”, poi ridiscende e girovaga tra i quartieri del paese, (ed oltre, fino alla contrada "Durbi", per poi ritornare in paese): non si tratta di un semplice girovagare, in momenti ben stabiliti, il Santo viene “fatto ballare” con uno sfrenato andirivieni su percorsi rettilinei alternato ad un movimento rotatorio vorticoso su se stesso: questa è una differenza sostanziale con la vara di Calatabiano (quest’ultima è pesantissima, circa 12 quintali, percorre un percorso impervio, molto ripido e scosceso in discesa, con “gradoni” in pietra molto alti in parte mancanti , questo è un antico percorso realizzato per giungere al castello Normanno), sicché in Calatabiano la “parodia” con gli esorcismi compiuti dal Santo Nero, consiste nella relativa velocità impressa al Santo durante il percorso, invece a Limina, la vara essendo più leggera, consente ai devoti andature rapide, rettilinee e vorticose, moviemnti anch’essi che rievocano i movimenti convulsi compiuti dagli indemoniati sottoposti agli esorcismi del Santo (un certo rischio di capovolgimento è insito in entrambe le vare). Nel paese di Calatabiano San Filippo acquista l’appellativo di “Siriaco”, cioè proveniente dalla Siria, mentre nel paese di Limina Egli acquista l’appellativo “d’Agira”, dal nome del paese, in provincia di Enna, dove egli morirà: è sempre lo stesso santo (cambia un pochino la fisionomia del volto), in entrambe le statue la mano destra è alzata ad inviare una benedizione, oppure ad effettuare un esorcismo, la mano sinistra stringe un libro (è il documento “apotropaico” che gli diede San Pietro, per consentirgli di vincere le forze del Male). Aggiungo qualche breve cenno sulla vita di questo santo, anche per cercare di capire come nasce il suo culto in Sicilia, come anche in altri paesi al di fuori dell'isola. Le fonti che parlano di San Filippo sono due, chiamate “le Cronache di Eusebio d’Agira” e “le Cronache di Atanasio”, queste cronache tra loro sono in buona parte discordanti, tranne le descrizioni sulle sue caratteristiche di sacerdote e di taumaturgo, sulle sue capacità di compiere esorcismi scacciando i demoni dagli impossessati. Egli nacque probabilmente in Tracia (regione sud-orientale della penisola balcanica nel 40 d.C. (?), all’epoca era una provincia romana, ai tempi d’Arcadio, imperatore romano d’Oriente, nato da padre siriano e da madre romana, nella sua infanzia fu educato ai principi del Cristianesimo che andava propagandosi anche in quelle terre. Egli giunge dalla Tracia a Roma, viene ordinato sacerdote da Pietro, ed è proprio da Lui che viene mandato in Sicilia (terra pagana sotto il dominio Romano), col compito di evangelizzare quei luoghi e compiere esorcismi; sbarca a Capo Faro a Messina iniziando fin da subito il suo mandato, poi percorre la fascia orientale della Sicilia dirigendosi a sud verso l’Etna (ecco che Limina e Calatabiano, interessati dal suo passaggio, grazie alle sue capacità di guaritore ed esorcista, gli divengono devote); giunge così al paese di Agira (Enna), dove lì muore dopo quarant’anni di Apostolato nell’isola.
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This is a photographic story, taken over two days in May of this year 2023, in the town of Limina, in the province of Messina (the Saint himself is celebrated in the town of Calatabiano, in the province of Catania, with a spectacular downhill race! ), two typical traditional Sicilian religious festivals are thus held which have in common the devotion towards this saint, San Filippo: he is depicted as "black" in color since a legend sees him as the protagonist of a fight in the Underworld against Lucifer, from whose fight he it comes out covered in soot. San Filippo is a much celebrated saint not only in Sicily, but also in the Salerno area, in Calabria (these cults are carried out following the path he followed in life) up to the cult of him on the island of Malta. The proximity of the towns of Calatabiano and Limina to Taormina (the town where I live and work) certainly facilitates the task of taking photographs of these traditional festivals, compatibly with my work shifts; in both countries the celebrations take place over two days; in Limina, during the first day, the Saint is carried on his shoulders from a church located on the outskirts of the town of Limina to "the village of Murazzo", which is about 8 kilometers away, thus 8 km which are covered by running continuously (except for one short rest stop in the “Durbi” area); then eight days later (the so-called "octave") the Saint comes out carried on his shoulder with a "wild-desperate" run that starts from another church in the center of Limina, arriving after a very steep and tiring climb to the top of the “mountain Calvario”, then descends again and wanders through the districts of the town (and beyond, up to the "Durbi" district, to then return to the town): it is not a simple wandering, at well-established moments, the Saint comes " made to dance" with an unbridled coming and going on straight paths alternating with a swirling rotary movement on itself: this is a substantial difference with the Calatabiano launch (the float is very heavy, around 12 quintals, and travels along an impervious, very steep and steep path downhill, with very high stone "steps" partly missing, this is an ancient route built to reach the Norman castle), so that in Calatabiano the "parody" with the exorcisms performed by the Black Saint consists in the relative speed given to the Saint during the journey, however, in Limina, the launch being lighter, allows the devotees rapid, straight and whirling gaits, movements which also recall the convulsive movements performed by the demoniacs subjected to the Saint's exorcisms (a certain risk of capsizing is inherent in both floats). In the town of Calatabiano San Filippo acquires the name of "Siriaco", that is, coming from Syria, while in the town of Limina he acquires the name "from Agira", from the name of the town, in the province of Enna (Sicily), where he died: it is always the same saint (the physiognomy of the face changes a little), in both statues the right hand is raised to send a blessing, or to carry out an exorcism, the left hand holds a book (it is the "apotropaic" document that gave Saint Peter, to allow him to defeat the forces of Evil). I add some brief information on the life of this saint, also to try to understand how the cult of him was born in Sicily, as well as in other countries outside the island. There are two sources that speak of Saint Philip, called "the Chronicles of Eusebius of Agira" and "the Chronicles of Athanasius", these chronicles are largely discordant with each other, except for the descriptions of his characteristics as a priest and a miracle worker, on his ability to perform exorcisms by expelling demons from those possessed. He was probably born in Thrace (south-eastern region of the Balkan peninsula in 40 AD (?), at the time it was a Roman province, at the time of Arcadius, Eastern Roman emperor, born to a Syrian father and a Roman mother, in In his childhood he was educated in the principles of Christianity which was also spreading in those lands. He came from Thrace to Rome, was ordained a priest by Peter, and it was by him that he was sent to Sicily (a pagan land under Roman rule), with the task to evangelize those places and carry out exorcisms; he lands at Capo Faro in Messina, starting his mandate immediately, then travels along the eastern strip of Sicily heading south towards Etna (here Limina and Calatabiano, affected by his passage, thanks to the his abilities as a healer and exorcist become devoted to him); he thus reaches the town of Agira (Enna), where he dies after forty years of apostolate on the island.
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Limina, S. Filippo torna a correre dopo due anni di pandemia. E’ la rievocazione dei miracoli
Limina. San Filippo d'Agira, il film della festa 2022
Festeggiamenti di San Filippo d’Agira - Limina 11 maggio parte 1
PROMO San Filippo D'Agira - Limina (ME) 2022
Festeggiamenti in onore di San Filippo d’Agira - Limina 21 maggio 2022 parte 2
Festeggiamenti in onore di San Filippo d’Agira - Limina 21 maggio 2022 parte 3
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The Other Son | Official US Trailer
The Other Son | "Joseph meets with his Rabbi" | Official Clip
Mehdi Dehbi in the Making of The Other Son
IL FIGLIO DELL' ALTRA - Clip 7
IL FIGLIO DELL' ALTRA - Clip 2
IL FIGLIO DELL' ALTRA - Clip 5
Il figlio dell'altra - Trailer
IL FIGLIO DELL' ALTRA - Clip 6
IL FIGLIO DELL' ALTRA - Clip 9
IL FIGLIO DELL' ALTRA - Clip 4
IL FIGLIO DELL' ALTRA - Clip 3
IL FIGLIO DELL'ALTRA, trailer italiano, regia di Lorraine Lévy
Ephemeral Visions | www.about.me/luisadejesusr | Straglen
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
"Fue entonces cuando entendió el círculo vicioso de los pescaditos de oro del coronel Aureliano Buendía. El mundo se redujo a la superficie de su piel, y el interior quedó a salvo de toda amargura. Le dolió no haber tenido aquella revelación muchos años antes, cuando aún fuera posible purificar los recuerdos y reconstruir el universo bajo una luz neuva, y evocar sin estremecerse el olor de espliego de Pietro Crespi al atardecer, y rescatar a Rebeca de su salsa de miseria, no por odio ni por amor, sino por la comprensión sin medidas de la soledad".
Ephemeral Visions | www.about.me/luisadejesusr | Straglen
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, and video, within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
A queixaría foi fundada por Arcadio Coroas no ano 1955.
Daquela, o produto estrela era o queixo do país, é dicir, o artesán elaborado a man con leite cru de vaca, callo e sal. Arcadio acudía a unha morea de feiras, tanto na provincia da Coruña coma na provincia de Lugo, onde mercaba os produtos para a posterior venda na Praza de Abastos.
Os produtos que alí podíamos atopar eran esencialmente lácteos, sobre todo manteiga, requeixo, e queixo, non só artesáns de vaca, senón tamén unha variante de tetilla afumada, denominada “Queixo San Simón”. Por outra banda, outro queixo de leite cru puro, pero de ovella, coñecidos de xeito xeral como “queixos de Castilla”. Ningún deles tiñan etiquetaxes identificativas, xa que, daquela, non facían falla porque o establecemento daba as súas propias garantías.
Outro produto de moita venda, eran os ovos campeiros, que Arcadio Coroas poñía a disposición dos clientes. Traíaos das das feiras de Castro (Lugo).
Ao longo dos anos, estando aínda Arcadio Coroas á fronte do establecemento, incorporáronse numerosos produtos, por exemplo: queixos industrializados nacionais, mel puro de abella e iogures “Rueda” e “Larsa”.
No ano 1995, incorpóranse ao negocio familiar María Luísa Arias Viña e Jose Luis Coroas López, nora e fillo de Arcadio, que xa levaban anos acompañándoo a feiras e aprendendo a profesión.
Tras cinco anos traballando xuntos Arcadio xubílase, deixando o negocio á seguinte xeración, no ano 2000.
Depois desta renovación mantéñense os típicos produtos artesáns, tanto o mel coma o queixo... que xa tiña o fundador. Porén, incorpóranse novos artigos, sempre tendo en conta a calidade dos mesmos, como queixos de importación: Provolone, Pecorino, Mozzarela de búfala, Taleggio, Emmental, Feta, Gouda, Roquefort, Gorgonzola, Mascarpone, Parmesano, Raclette, Ricotta, Scamorza, Brie, Camembert, Edam, Mimolette, Gruyere... e un longo etcétera de queixos de importación.
Esta queixaría posúe os mellores queixos en canto a Denominación de Orixe se refire, citamos algúns deles: Arzúa-Ulloa, Cebreiro, San Simón, Cabrales, Torta del Casar, Idiazabal, Roncal, e as distintas D.O dos puro de ovella, así como queixos das illas Canarias e Baleares.
Outros queixos a destacar son os de cabra, de diferentes rexións coma Galicia, Asturias...etc. Por outra banda, as noces, as abelás, o pementón, o trigo, herbas...son novos ingredientes que empregan na elaboración dalgúns queixos que en Arcadio Coroas podedes atopar.
Este comercio tamén ofrece outro tipo de produtos, como os derivados do porco. Todos estes produtos son de cochos criados en liberdade nsa Nogais con alimentación natural.
Ademais, dispoñemos de conservas das Rías Galegas. Por outra banda véndense diversidade de produtos como: pastas italianas, pimentón D.O. de la Verá, aceite de oliva, así como tamén distintos licores galegos.
O produto estrela, segue sendo o queixo artesán de leite cru de vaca, callo e sal, elaborado tradicionalmente como dende hai centos de anos.
Para finalizar, podemos dicir que se trata dunha concorrida queixaría que ofrece un trato amable e personalizado aos seus clientes, aos que se lles ofrece variedade de produtos e queixos que dificilmente atoparan noutro establecemento.
Macondo es un pueblo ficticio descrito en la novela Cien años de soledad del colombiano, premio Nobel de literatura (1982), Gabriel García Márquez, así imagino yo ese lugar.
One Hundred Years of Solitude is a 1967 novel by Colombian author Gabriel García Márquez that tells the multi-generational story of the Buendía family, whose patriarch, José Arcadio Buendía, founds the town of Macondo, the metaphoric Colombia. I always though Macondo this way.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Ephemeral Visions | Straglen | About Me
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Ephemeral Visions | www.about.me/luisadejesusr | flâner
COPYRIGHT NOTICE All multimedia content, photographs, text, video, sound and music within this Flickr stream is copyright protected by Luis Arcadio de Jesus and are presented for web browser viewing only. No images are within public domain. Nothing contained within this Flickr stream may be reproduced, downloaded, stored, copied, manipulated or altered for broadcast or publication. Nothing may be redistributed directly or indirectly in any medium without prior written permission from Luis A. de Jesus. Using any image as the base for another illustration or graphic content, including photography, is a violation of copyright and intellectual property laws.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.