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Hello everyone, we are looking for active good blogguers to join our official bloguers team this year! If it does interest you, please fill the online application here:
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A fun and exciting event is about to happen! Today, we are happy to announce that we are opening up designer applications for our new monthly event Aenigma! Opening up on February 23rd, the opening round will offer a fun twist on the Valentines theme. If you are a content creator on Second Life, head on over to the event page and fill out the application. We look forward to hearing from you soon!
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Speakeasy Bloggers Application Is Now Open!
// Looking for talented active bloggers that would love to be apart of the Speakeasy Team!
// Rules are available to read on application!
// Applications will close April 30th.
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I&R Fun With Hunts is taking applications for their Dec hunt Reindeer Games. Hunters get two options for the hunt. They can hunt and get the prize for 1L or shop and get the same prize for 25L.
Street shooter or travel(ing) photographer? Click through to DearSusan - a Web site specifically for travellers and street shooters. That means lots of urban images, some landscapes and the latest camera and lens reviews.
Also on DearSusan you will find the InSight city guides; informative where-to-go and what-to-see PDF-based books for the travelling photographer. If you're planning to visit London, Tokyo, Singapore, Amsterdam, Copenhagen, Cape Town, George Town (Penang) or Istanbul, these guides are available for immediate sale/download and show you a city the tourists don't see. Coming soon are Paris and Edinburgh. The InSight Guides are here: www.dearsusan.net/dearsusan-insight-guides/
Press L to view on a black background.
You can see more on my Flickr Photostream or on my Web site.
This image is mine. You may not use it anywhere or for any project without my express permission. Rates for commercial applications are available on request.
Please contact me if you would like to buy a print of this photograph.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Chromolithographic patterns from La Plante et ses Applications Ornementales (1896) by Maurice Pillard Verneuil (1869–1942), French artist and decorator in the Art Nouveau and Art Deco movement. Verneuil studied and developed his style from Eugène Grasset, a Franco-Swiss pioneer of Art Nouveau design. Inspired by Japanese art, nature and particularly the sea. He is known for his contributions to the Art Deco movement through the use of bold floral designs on ceramic tiles, wallpapers, textiles, and posters. We have digitally enhanced the decorative illustrations from La Plante et ses Applications Ornementales (1896) for you to download for free under the creative commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1267418/la-plante-et-ses-applications-ornementales-free-cc0-ornamental-designs
LIGHT
Three speedlites: 1st in a brollybox (as main), 2nd and 3rd as kickers from left background and right background (one with a fstopperrs flashdisc, one with a piece of paper as some sort of Rogue Flashbender or bouncecard or so)
EXIF
5d3, with 70-200 f/2.8 at f/5.6, 100 mm, 1/125 sec, ISO 100. Raw.
TRICKS
I had no boom arm available, so I mounted a lightweight lightstand on a sturdy one, using a Manfrotto Superclamp. Worked really well :-)
Applications for Halloweentown 2025 are now open!
Join us for the 16th year of spooky shopping, hunts, games, and more!!
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Photographed August 2019 / MPP MICROCORD MK1 TLR camera with Ross Xpres 77.5mm/3.5 lens. Film was ILFORD HP5+ metered ASAA 200 developed in PMK PYRO (5ml A + 10ml B > 600ml, 7min 40sec, 20*C). Negative was scanned via a Pentax k3 DSLR fitted with an EL-NIKKOR 63mm/2.8 enlarging lens on an adjustable length helicoid extension. The image was edited using the Snap Seed application on an iPad mini.
Et hop, another day, another icon. This time for an application called "Architect".
Both Façade and Architect works together, so I tried to link them both by the shape, while separate them by the color. Hope you'll like :)
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Whether it's a cozy nook, a vibrant party scene, or a chic outdoor space, we want to see how you bring our creations to life. As a BackBone blogger, you'll get exclusive early access to our newest releases and the opportunity to be featured on our social media channels.
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1. Build a base using a plate and two bricks leaving a 2 stud wide gap in between.
2. Place a minifig torso, with arms removed, in between these bricks leaving a one stud gap from the edge of the plate.
3. Cut the decal with sharp scissors very close the edge of the printing, ensuring you cut a good flat edge at the bottom.
4. Remove the clear glossy sheet on the glossy side and place the decal sticky side towards the torso in the gap between the torso and studs on the plate.
5. You can align the decal now and ensure the bottom is flat with the plate.
6. Simply push the decal up like a hinge into the torso where it will stick. Rub with your nails across the decal until the edges turn white.
7. Peel off the plastic protective layer and you have your torso - If there's any excess decal fold it around the side of the torso.
IT IS ALSO RECOMMENDED THAT AFTER A FEW DAYS WHEN THE DECALS HAVE HARDENED A LIGHT COATING OF CLEAR ACRYLIC SPRAY IS APPLIED TO PROTECT THE DECALS FROM HANDLING AND MOISTURE.
This guide is to accompany the word guide already on my photostream which is included with any decal order.
Being no secret to the inner city traveler in any way, shape, size or form, this absolutely decrepit building - - left to rack and ruin - - once served the community as a automobile service station.
Its reported that the owner of the defunct building passed away several years ago. Other locals report the builing has been in this state of neglect and decay for at least twenty years.
The current owner was denied a development application to transform the property into apartments which meant the former service station was abandoned, sitting in silence along King Street.
Source: The Daily Telegraph.
We are looking for talented designers for our 6th Edition in December, the application is still open !
Interested in participating? Read our rules and fill out your form here 👉 forms.gle/p5HVojwcBqFzF1Rv5
I absolutely adore spending time enjoying and experimenting with my feminine transformation. And application of my lipstick is a part of that transformation which I particularly adore.
Apply, blot.. Re-apply, blot.. and repeat, in a carefully choreographed regime of feminine indulgence
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint) and electronic drawing.
A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.
In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman.[2]
Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.
Madame Palmyre with Her Dog, 1897. Henri de Toulouse-Lautrec
Galileo Galilei. Phases of the Moon. 1616.
Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.
There are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).
A quick, unrefined drawing may be called a sketch.
In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.
History[edit]
Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.
Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]
The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.
Drawing Outside the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[20] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.
Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[21] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.
Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.
Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.
The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.
Technique[edit]
Raphael, study for what became the Alba Madonna, with other sketches
Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[22]
Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.
The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[23] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[24]
Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.
Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.
Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.
Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[25]
Tone[edit]
Line drawing in sanguine by Leonardo da Vinci
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.
Form and proportion[edit]
Pencil portrait by Ingres
Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.
When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[26]
A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.
Perspective[edit]
Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.
Two-point perspective drawing
When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[27] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.
Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.
Artistry[edit]
Chiaroscuro study drawing by William-Adolphe Bouguereau
The composition of the image is an important element in producing an interesting work of artistic merit. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.
The illumination of the subject is also a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.
When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the negative space, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.
Drawing process in the Academic Study of a Male Torso by Jean-Auguste-Dominique Ingres (1801, National Museum, Warsaw)
A study is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.
Process[edit]
Individuals display differences in their ability to produce visually accurate drawings.[28] A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail”.[29]
Investigative studies have aimed to explain the reasons why some individuals draw better than others. One study posited four key abilities in the drawing process: perception of objects being drawn, ability to make good representational decisions, motor skills required for mark-making and the drawer's own perception of their drawing.[29] Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.
Motor function Motor function is an important physical component in the 'Production Phase' of the drawing process.[30] It has been suggested that motor function plays a role in drawing ability, though its effects are not significant.[29]
Perception It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.[29] This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.[31]
This evidence acted as the basis of Betty Edwards' how-to drawing book, Drawing on the Right Side of the Brain.[32] Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.
Furthermore, the influential artist and art critic John Ruskin emphasised the importance of perception in the drawing process in his book The Elements of Drawing.[33] He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".
Visual memory has also been shown to influence one's ability to create visually accurate drawings. Short-term memory plays an important part in drawing as one’s gaze shifts between the object they are drawing and the drawing itself.[34]
The SS Daniel Adamson was built in 1903 and is a twin-screw steam tug boat for use on large inland waterways. Ordered by the Shropshire Union Canal & Railway Company, she was named SS Ralph Brocklebank and worked on that Company's system until 1935 when she was sold to the Manchester Ship Canal company, who renamed her after their Chairman, Daniel Adamson.
Retired to the Ellesmere Port boat museum, she was sadly neglected and heavily vandalised and almost went for scrap, but eventually a trust was formed to preserve her and through a successful Heritage Lottery Fund application, £3.6M of work was carried out (largely by Cammell-Laird on the Mersey) to bring her back in to traffic. This included restoring the magnificent Art Deco-style Directors' Saloons.
Our cruise took us up river from Sutton Weaver, near Frodsham, to Anderton, near Northwich which took around four hours.
WOMENSTUFF HUNT APPLICATION
Attention Bloggers!
Get ready for an extraordinary event this July – the Womenstuff Hunt! 🌟
We’re thrilled to announce that our annual Womenstuff Hunt event is just around the corner, and we want YOU to be a part of it!
Don't miss out on this unique opportunity to showcase your talent and be a part of something truly special.
Key Dates:
Event Start: July 1st
Event End: July 31st
Sign up now and let’s make this event unforgettable together!
Thank you in advance for your enthusiasm and participation.
Let's hunt and have fun!
Scrabble with words Occupation, Application, Resume, Hiring
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Chromolithographic patterns from La Plante et ses Applications Ornementales (1896) by Maurice Pillard Verneuil (1869–1942), French artist and decorator in the Art Nouveau and Art Deco movement. Verneuil studied and developed his style from Eugène Grasset, a Franco-Swiss pioneer of Art Nouveau design. Inspired by Japanese art, nature and particularly the sea. He is known for his contributions to the Art Deco movement through the use of bold floral designs on ceramic tiles, wallpapers, textiles, and posters. We have digitally enhanced the decorative illustrations from La Plante et ses Applications Ornementales (1896) for you to download for free under the creative commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1267418/la-plante-et-ses-applications-ornementales-free-cc0-ornamental-designs
Shot with three large Neewer LED panels, nothing else, no light formers .... seems like I start to like LED light (never would have guessed that).
EXIF
5d3 with EF 70-200 f/2.8 II at f/3.5 and at 145 mm,, ISO 320, Av-Mode, Raw., WB on flash.
Job application with pen and glasses
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
I took this photo a while ago and thought I had posted it but I didn't.
Basically it shows how I apply my stickers. Using this technique it allows me to line up the bottom of the sticker with the bottom of the torso. The only issue that i have sometimes is getting it centered but if you only stick the bottom then you can check the alignment before you place it all the way.
I hope that this helps some of you.
Professional, unique, quality bloggers wanted.
Aesthetic: Asian, cyber, futuristic, fantasy.
Items: Accessories, gadgets, clothing, props.
Application -
SEKAI
📣 Last Call for Blogger Applications! 📣
MadPea is still on the hunt for creative & diverse bloggers to join our team! ✨ If you’re passionate about blogging and love our products & experiences, we want to hear from you! Whether you excel at capturing compelling screenshots , creating engaging videos 🎥, or sharing your finds on social media 🌟, we’re interested!
Apply by September 27th at the Blogotex sign behind the desk in the main store to become part of the MadPea blogger community and start your blogging journey with us: bit.ly/40GDDn9
Designer application is open again!
We are happy to invite you to Commotion Event June round !
If you wish to follow us into this journey, please consider checking our rules and apply here:
Kind Regards ♥
Commotion Team
Building an application in Facebook is a really different experience from normal interaction design as you are constrained by the Facebook developer toolkit. Not that it is a bad thing, just a different way of designing a solution. This concept is now launched as an application for the Danish charity Folkekirkens Nødhjælp (Danish Church Aid) apps.facebook.com/bliv_indsamler/