View allAll Photos Tagged AI-driven
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
There can't be a bigger story in tech this year - other than the self-inflicted destruction of many aspects of the tech sector through hubris, arrogance, and fraud - than what has happened with AI.
That's why trend #11 of my '23 Trends for 2023' series is The Massive Velocity of A.I.
Tech this year? It's a horror show! While Facebook implodes with an ill-conceived virtual reality headset future, Elon Musk has suddenly become the new poster child for hateful arrogance & racism, proving you can go from hero to zero in but a heartbeat! Cryptocurrency? It's become a flaming mound of stinking effluent, a world of entirely precipitable fraud and deceit - it's the new Enron! (I am on the record with this prediction!) And while the year began with over-the-top hype about NFTs, Web3, tokenization, and other lofty-sounding ideas, it ended with many in the world stunned by the sudden and rapid advance with AI, particularly with technologies like StableDiffusion and ChatGPT.
Indeed, the advances in artificial intelligence this year have been staggering and impressive. While anyone who tracks the future has always kept an eye on the slow and steady advance of AI technologies, the sudden acceleration this year fit the main theme of how we track the future - in that 'the future happens slowly and then, all at once.'
AI happened slowly, and then this year, all at once! And so we end up with a year in which we can ask a computer to draw us a picture of futurist watching fireworks while welcoming in 2023
Or we can ask a different computer to tell us why AI is the most important tech story of the year, and it offers up a fairly plausible yet somewhat modest paragraph:
--
Tell me why AI is the most important tech story of the year
AI is not necessarily the most important tech story of the year. It is a rapidly developing field that has the potential to revolutionize many industries and aspects of our lives, but there are many other important tech stories and developments to consider as well. Some examples of other important tech stories might include the proliferation of 5G technology, the growth of the Internet of Things, or the increasing use of automation and robotics in a variety of industries. Ultimately, the significance of any particular tech story will depend on how it affects people and society as a whole.
--
The implications of AI, both good and bad, have long been known.
And yet, this year, the rapid advances seen with these two technologies have made crystal clear the upside and downsides of A.I. Artists and creative industries are hugely impacted by the arrival of complex new creative engines; teachers and professors will be challenged with students submitting AI-generated term papers and reports; the dumbing down of society will accelerate with massive new text and image generating engines that will further blur the boundary between reality and fantasy. Much of this won't end well, and I've been stressing that we as a society don't know how to deal with it all.
And yet, at the same time, the opportunities are impressive and far-reaching. AI has and will play a continuously growing role in medical diagnosis and research; the world of construction and manufacturing will accelerate through the continuous deployment of intelligent, connected AI-driven smart robotic technology; the very nature of scientific research will be forever changed.
This conundrum of good and bad is nothing new - and has been with us as long as there has been a future. I wrote this in 1997 in my book Surviving the Information Age:
Not only have we grown up with a skepticism about technology and computers due to failed forecasts, but we have developed a sense of suspicion and fear about its impact.
It’s clear that we had a sense of wonder in the 1950s and 1960s when it came to technology, but soon we began to encounter the darker side of what technology could do when we were introduced to HAL, the computer in the movie 2001: A Space Odyssey. Here at last, in the midst of the uproar and confusion that surrounded us in the 1960s, we had the perfect understanding of what a computer could be. It would be a faithful tool, with a level of intelligence on par with humans, if not exceeding them. It could speak, think and play a mean game of chess. The voice of HAL was soothing, relaxing and about as conversant as any other person.
The “computer as a life form” image was complete! HAL didn’t seem like a machine; rather, “he” was a partner on the voyage, strong, knowing and ever-present. So while watching the movie, we were at first reassured and fascinated. The future role of the computer in our lives could be quite positive, after all! Or so we thought.
As 2001: A Space Odyssey progressed, we became aware of an evil side to HAL; at the same time that “he” was smart, he was evil, to the extent that he was capable of committing the ultimate act of murder. We were stunned! Computers might not be simple electronic brains, about to deliver us into a world of the shortened work week! Instead, they could be evil, nasty devices, technology gone amuck!
Looking back, we can see that the duplicity of HAL heralded a new era, one that involved a changing attitude towards technology. It wasn’t just HAL but many other things, perhaps most importantly, what we witnessed with the horror of technology gone mad in the Vietnam war. We became skeptical of the wonders of technology in general.
Ralph Nader entered our consciousness, with his indications that something was wrong with the technology of the world. And over time, the future held for us not the exciting glow of wonderful technology but of nuclear plant meltdowns at Chernobyl and Three Mile Island. We saw the Apollo 1 mission burn on the pad with the loss of three lives and sat in terrorized silence when Challenger exploded in the sky.
We became skeptical of the benefits of all of this new technology and began to challenge the views of the scientists who pronounced it to be good.
There is a lesson to be learned from all of this: our attitude towards technology will always be one of enthusiasm balanced by skepticism.
As they say, what is old is new again. Welcome to the future!
In light of the rapid acceleration of A.I., I went back and read that section of the book. It's pretty good. You can find the entire chapter right here!
And check the closing comment in that chapter from my book:
Arthur C. Clarke, the author of 2001: A Space Odyssey and many other science fiction books, perhaps said it best: “all attempts to predict the future in any detail appear ludicrous within a few years.” It’s good to keep an open mind.
That's our future right there! The sudden massive velocity of AI? Stay tuned and buckle in!
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
In this image, Duncan Rawlinson brilliantly blurs the lines between photography and modern AI-powered image generation tools to produce a visually captivating portrayal of OpenAI's ChatGPT.
Rawlinson starts with his signature photographic method, leveraging his prowess in capturing the nuances of his subjects. His choice of the Phase One XF IQ4 150MP Camera ensures an unmatched level of detail, a testament to his commitment to quality.
From this photographic foundation, Rawlinson skillfully transitions to the digital art realm. The AI's "head" and its complex neural network are not captured through the lens, but through the precise and calculated application of AI image generation tools. These tools allow him to visualize an abstract concept like a neural network, converting it into tangible lines and nodes, interweaving through the AI's head.
The creation process is thus a symbiotic dance between high-resolution photography and AI-driven digital art. Rawlinson marries the tactile realism of photography with the boundless possibilities of AI-powered graphic design. The result is a unique hybrid image, demonstrating how AI can be used as an artistic tool to bring abstract concepts to life.
By creating the image in his signature style, Rawlinson adds a layer of artistic interpretation to the AI's representation. He invites the viewer to appreciate not only the AI's intricate complexity but also the novel way in which traditional photography can be elevated by modern AI tools. This image stands as a testament to the intersection of art, technology, and human creativity.
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
Ann Aerts, Head, Novartis Foundation, Switzerland; Johanna Benesty, Senior Partner and Managing Director; Global Leader for Global Health, Boston Consulting Group (BCG), USA; Nils Reich, Chief Executive Officer, Global Health, AXA, France; Osama Alswailem, Deputy Chief Executive Officer, King Faisal Specialist Hospital and Research Centre, Saudi Arabia; Shyam Bishen, Head, Centre for Health and Healthcare; Member of the Executive Committee, World Economic Forum; speaking in Investing in the Future: AI-Driven Strategies for Healthcare’s Innovation Race session at the Annual Health Roundtable 2025 in Geneva, Cologny, Switzerland, 20/5/2025, 09:00 – 10:00 at World Economic Forum Headquarters - Mont Blanc ABCD. Plenary. Copyright: World Economic Forum / Pascal Bitz
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
Ann Aerts, Head, Novartis Foundation, Switzerland; Johanna Benesty, Senior Partner and Managing Director; Global Leader for Global Health, Boston Consulting Group (BCG), USA; Nils Reich, Chief Executive Officer, Global Health, AXA, France; Osama Alswailem, Deputy Chief Executive Officer, King Faisal Specialist Hospital and Research Centre, Saudi Arabia; Shyam Bishen, Head, Centre for Health and Healthcare; Member of the Executive Committee, World Economic Forum; speaking in Investing in the Future: AI-Driven Strategies for Healthcare’s Innovation Race session at the Annual Health Roundtable 2025 in Geneva, Cologny, Switzerland, 20/5/2025, 09:00 – 10:00 at World Economic Forum Headquarters - Mont Blanc ABCD. Plenary. Copyright: World Economic Forum / Pascal Bitz
Thanks for stopping by and viewing this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2023 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
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The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
Auburn University will host the conference, “Envisioning 2050 in the Southeast: AI-driven Innovations in Agriculture,” March 9-11, 2022, at The Hotel at Auburn University and Dixon Conference Center. Pictured are doctoral student Rafael Bidese Puhl, left, and Assistant Professor of Biosystems Engineering Yin Bao.
Ann Aerts, Head, Novartis Foundation, Switzerland; Johanna Benesty, Senior Partner and Managing Director; Global Leader for Global Health, Boston Consulting Group (BCG), USA; Nils Reich, Chief Executive Officer, Global Health, AXA, France; Osama Alswailem, Deputy Chief Executive Officer, King Faisal Specialist Hospital and Research Centre, Saudi Arabia; Shyam Bishen, Head, Centre for Health and Healthcare; Member of the Executive Committee, World Economic Forum; speaking in Investing in the Future: AI-Driven Strategies for Healthcare’s Innovation Race session at the Annual Health Roundtable 2025 in Geneva, Cologny, Switzerland, 20/5/2025, 09:00 – 10:00 at World Economic Forum Headquarters - Mont Blanc ABCD. Plenary. Copyright: World Economic Forum / Pascal Bitz
The video journey wants to create a dialog between the artworks by the artist and AI-driven technologies in the process of making and creating. On the one hand, the scenario shows the environment the artist is working in with technologies as a tool that affect his artworks. On the other hand, it shows how these tools shape and manipulate his creative output. By doing so, he would like to show how machines were introduced to optimize the working processes, save time or increase accuracy,and open the question of how we became so dependent on them that we often forget what they actually do. Instead of hyping or damning the technology, he would like to invite visitors to reflect on the meaning and modes of existence of technology in a critical and sober way.
Credit: Simon Weckert
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
In this image, Duncan Rawlinson brilliantly blurs the lines between photography and modern AI-powered image generation tools to produce a visually captivating portrayal of OpenAI's ChatGPT.
Rawlinson starts with his signature photographic method, leveraging his prowess in capturing the nuances of his subjects. His choice of the Phase One XF IQ4 150MP Camera ensures an unmatched level of detail, a testament to his commitment to quality.
From this photographic foundation, Rawlinson skillfully transitions to the digital art realm. The AI's "head" and its complex neural network are not captured through the lens, but through the precise and calculated application of AI image generation tools. These tools allow him to visualize an abstract concept like a neural network, converting it into tangible lines and nodes, interweaving through the AI's head.
The creation process is thus a symbiotic dance between high-resolution photography and AI-driven digital art. Rawlinson marries the tactile realism of photography with the boundless possibilities of AI-powered graphic design. The result is a unique hybrid image, demonstrating how AI can be used as an artistic tool to bring abstract concepts to life.
By creating the image in his signature style, Rawlinson adds a layer of artistic interpretation to the AI's representation. He invites the viewer to appreciate not only the AI's intricate complexity but also the novel way in which traditional photography can be elevated by modern AI tools. This image stands as a testament to the intersection of art, technology, and human creativity.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
Last night, it seemed like most of the Summerside population turned out to line the streets of downtown for the annual Christmas Parade. I went with my wife, my daughter and my granddaughter, all of whom kept me busy and engaged. I did, however, manage to nab a few quick images using the Canon EOS R and my Laowa Argus 35mm FFII f/0.95 lens at f/0.95. I was shotting handheld so having fast glass was imperative. I also quite enjoy the challenge of manual focus in dim conditions. In this case, I was successful in capturing a colourful old vehicle bedecked with Christmas lights and bows. While it was very dark out, I was still able to focus on the people in the car as it drove past.
This is not an AI generated image, however, I did use Lightroom's AI driven noise reduction algorithm to eliminate some of the image noise from the original raw file. The photo was shot at 3200 ISO, f/0.95, and 1/60th of a second. The lack of image stabilization in the EOS R didn't help matters. In retrospect, I probably would have been better served by the Olympus E-M1 with its 25mm f/1.2 Pro. I have generally gotten better results from the Olympus in similar situations in the past. That said, I do like the "character" offered up by the Laowa lens and I enjoyed the challenge.
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
"Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
In the AI-driven series of artworks by Duncan Rawlinson, vivid hues and organic forms converge to create a symphony of color and shape. Across this collection, swirling patterns emerge in striking shades of red, blue, pink, and white, each one infused with a vibrant energy that seems to dance off the canvas.
The composition pulls from a playful palette of cartoonish illustrations and minimalist abstractions, while the curvilinear patterns echo the fluidity and constant motion of the natural world. Organic forms blend seamlessly with the abstract, punctuated by the playful dotted patterns and irregular shapes, each evoking a sense of dynamic motion, almost as if the artwork were alive.
Rendered in the unique aspect ratio of 6:17, the series creates immersive landscapes that invite observers into a whimsical world of color and form. Abstract yet evocative of real-world elements, each piece harmoniously melds the familiarity of nature-inspired imagery with the ethereal quality of abstraction.
Rawlinson's exploration of AI as an artistic tool provides a refreshing perspective on abstraction-création, challenging traditional boundaries while embracing the limitless possibilities of digital artistry. With each piece, he transports viewers to an enchanting landscape of vivid color, playful patterns, and organic, nature-inspired forms.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
In this image, Duncan Rawlinson brilliantly blurs the lines between photography and modern AI-powered image generation tools to produce a visually captivating portrayal of OpenAI's ChatGPT.
Rawlinson starts with his signature photographic method, leveraging his prowess in capturing the nuances of his subjects. His choice of the Phase One XF IQ4 150MP Camera ensures an unmatched level of detail, a testament to his commitment to quality.
From this photographic foundation, Rawlinson skillfully transitions to the digital art realm. The AI's "head" and its complex neural network are not captured through the lens, but through the precise and calculated application of AI image generation tools. These tools allow him to visualize an abstract concept like a neural network, converting it into tangible lines and nodes, interweaving through the AI's head.
The creation process is thus a symbiotic dance between high-resolution photography and AI-driven digital art. Rawlinson marries the tactile realism of photography with the boundless possibilities of AI-powered graphic design. The result is a unique hybrid image, demonstrating how AI can be used as an artistic tool to bring abstract concepts to life.
By creating the image in his signature style, Rawlinson adds a layer of artistic interpretation to the AI's representation. He invites the viewer to appreciate not only the AI's intricate complexity but also the novel way in which traditional photography can be elevated by modern AI tools. This image stands as a testament to the intersection of art, technology, and human creativity.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
Echoes of Tomorrow" is a visual ode to a future where artificial intelligence and robotics seamlessly integrate with human aspirations. This series delves into the potentialities of architecture, design, and daily life, transformed by the limitless creativity and precision of AI. It captures a world where physical constraints persist, yet human ingenuity is amplified through the vast possibilities offered by technology. These images offer a glimpse into a plausible future where constructions and landscapes are crafted with a detail and scale currently unimaginable - a tribute to the unforeseen ahead.
Poem:
In the glow of gilded domes agleam,
Where the wheels of time ignite their spark,
She stands, a relic of a bygone dream,
Gazing forth at dawn's impending arc.
She watches robots weave thoughts and steel,
In a choreography of code's own verse,
Where the line betwixt creator and creation
Is blurred in technology's harmonious curse.
We don ourselves in dreams' attire,
Forge bridges from lucid streams of data,
In a world where AI's breath infuses life
Into abodes we cherish, ever fonder.
Haiku:
Golden domes rise high,
Dreams of AI gently bloom,
New dawn, hope descends.
In 2022, I had the privilege of contributing to the Coachlity App (coachlity.com), where I worked on a variety of design projects, including web design, graphic design, and copywriting. My work aimed at creating an engaging and user-friendly experience, directly impacting Coachlity's brand presence and user engagement.
Visit my website: benheine.com/
As a seasoned digital marketing expert with a Master's in Communication and e-Marketing and over 20 years of experience, I offer a comprehensive and results-driven skill set to help brands achieve their full potential online.
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The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info
The Hidden Human Labor In AI-Driven Capitalism
To explore this issue, the Berliner Gazette organizes in November 2020 an exhibition with accompanying program such as artist talks, a three-day conference with workshops and talks, and a text series published on berlinergazette.de and our international media partners. On January 31st the Berliner Gazette organized a kick off event at the transmediale with presentations by media artist and filmmaker Benjamin Heisenberg and philosopher Janina Loh. The images above were taken at that kick-off event.
Photo: Andi Weiland | berlinergazette.de | CC BY-NC-SA 2.0
Further info about SILENT WORKS please find here: silentworks.info