View allAll Photos Tagged ABHK
Born Ralf Winkler in Dresden, Germany in 1939, A.R. Penck is the pseudonym for the artist, a name he used as he attempted to go under the radar to exhibit his artworks for the international audience while being actively pursued by the East Germany communist regime. His relationship with Galerie Michael Werner is significant, as it was this gallery where Penck would have his first public one-man show in 1969.
Penck’s paintings are known by its flat and pictographic imagery of human figures seen in Egyptian hieroglyphs—what the critics called “neo-primitivist”—and other totemic forms. His early works suggest influence from Picasso, but having been turned down by academies in Dresden and East Berlin in his academic years, his work is different than those with more formal attitudes.
Besides art, Penck also has his love for jazz music. A keen drummer, he took every opportunity to play with the best jazz musicians of the late 1980s. His love for music has obvious influence, as his paintings also often feature lively improvisation of forms and compositions.
A.R. Penck lives and works in Berlin, Düsseldorf, Dublin and New York.
A.R. Penck
City of Memories, 2005
Acrylic on canvas
63 x 78 3/4 inches
160 x 200 cm
# A.R. Penck
en.wikipedia.org/wiki/A._R._Penck
www.moma.org/collection/artist.php?artist_id=4546
# Michael Werner Gallery
4 East 77th Street
New York, NY 10075
USA
22 Upper Brook Street
London W1K 7PZ
United Kingdom
# SML Data
+ Date: 2013-05-23T16:11:00+0800
+ Dimensions: 3663 x 2938
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 36 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13897
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by A.R. Penck (Ralf Winkler): City of Memories, 2005 (Acrylic on canvas)” / Michael Werner Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13897
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #painting #acrylic #ARPenck #Penck #MichaelWerner #GalerieMichaelWerner #Germany #DE
A series of sculptures using ink, silkscreen, spray paint and enamel on wood with painted aluminum base seen at Michael Werner at Art Basel Hong Kong recently.
These works are not really my cup of tea—but it might have to do with the fact that they are placed against such an overwhelming wall of psychedelic paint.
Individally I do like the pieces, which appear out of the cubist paintings of Picasso, with the medium referencing that of street art. But in this installation view the peripherals stand to distract more so than to add.
Thoughts?
Aaron Curry
Fuzzy Mut, 2013
Ink, silkscreen, spray paint and enamel on wood with painted aluminum base
197 x 125.5 x 117 cm
Aaron Curry
Headdd, 2013
Ink, silkscreen, spray paint and enamel on wood with painted aluminum base
273 x 80 x 66.5 cm
Aaron Curry
Nut Job, 2013
Ink, silkscreen, spray paint and enamel on wood with painted aluminum base
237 x 103 x 81 cm
# Aaron Curry
1972 Born in San Antonio, Texas
2002 BFA, School of the Art Institute of Chicago, Illinois
2005 MFA, Art Center College of Design, Pasadena, California
2010 Fellow, The American Academy in Berlin
Aaron Curry lives and works in Los Angeles.
www.michaelwerner.com/artist_26_bio.htm
# Michael Werner
4 East 77th Street
New York, NY 10075
USA
22 Upper Brook Street
London W1K 7PZ
United Kingdom
# SML Data
+ Date: 2013-05-23T16:27:44+0800
+ Dimensions: 5476 x 1743
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 17mm
+ ISO: 125
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Panorama FOV: 162 degree horizontal, 78 degree vertical
+ Panoramic Projection: Cylindrical
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13903-SML.20130523.6D.13907-Pano.Cylindrical.162x78
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013, 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Sculptures Installation by Aaron Curry (b. 1972, US): Fuzzy Mut, 2013 + Headdd, 2013 + Nut Job, 2013” / Michael Werner Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13903-SML.20130523.6D.13907-Pano.Cylindrical.162x78
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Pano #SMLPano
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #sculpture #installation AaronCurry #MichaelWerner #LA #US
Two life-sized nude figures with long braided hair stand in front of a table on top of a Persian rug. A feast is served. It is that of a giant fish killed by arrows. The figures appear like tribal natives, but one is holding an umbrella in the modern era. The only thing that can summarize what is seen best is WTF?! This is the kind of works which I adore—things which although my logical unit cannot process, but I know I would love to live with it over time.
This installation is by Indonesian artist Entang Wiharso (b. 1967). There is not much written about him, except that his intention is “to combine personal, Western and Indonesian mythologies and cast a critical eye on the socio-political conditions of his country” — as with most art reviews, not entirely useful unfortunately.
If I have unlimited budget and can bring home any five items from Art Basel Hong Kong though, this would definitely be one of them. But I can’t quite reason why except that crazyisgood!
…Ironically my other favorite artist from the show, Chiharu Shiota, is also represented by ARNDT — trust that if I am ever in the market for some good works, they will be the one for me to visit.
(please see link below for the official description by the gallerists)
Entang Wiharso
Feast Table: Undeclared Perceptions, 2012
Cast aluminum, cast brass, Persian carpet
200 x 400 x 300 cm
78.74 x 157.48 x 118.11 in
Edition 1 of 2 in brass and aluminium
(+ 1 artist proof in graphite and resin)
# Entang Wiharso
id.wikipedia.org/wiki/Entang_Wiharso
www.arndtberlin.com/website/artist_8558
# ARNDT
Potsdamer Strasse 96
10785 Berlin
Germany
Lock Road 22 #01-35
108939 Singapore
Singapore
# SML Data
+ Date: 2013-05-23T16:28:55+0800
+ Dimensions: 5053 x 3368
+ Exposure: 1/400 sec at f/4.0
+ Focal Length: 19 mm
+ ISO: 125
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13954
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Entang Wiharso. Feast Table: Undeclared Perceptions, 2012 (Cast aluminum, cast brass, Persian carpet)” / ARNDT / Art Basel Hong Kong 2013 / SML.20130523.6D.13954
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #EntangWiharso #ARNDT #sculpture #installation #WTF
I have often formed the opinion that artworks which you cannot relate is not the artwork for you. In usual fashion, I am drawn to works which I find to be slightly bizarre.
From the espresso maker which I am planning to buy, an “object and its unreliable witnesses,” the “talking clock” to the witty form juxtaposed near one”s belly, I find this piece of work to be a feast to the eye.
I haven’t had a chance to speak to the gallerists so I can only respond to this as candidly as I can. I am certain that there will be far more “high-brow” mumbo-jumbo which you can chow down on various art sites. The links are below. Meanwhile as a layman this South African piece is calling to me in more ways than one.
(Note: You do much prefer my nonsensical analysis more so than the impossible-to-read essays written by people who get As in English from Yale, right?)
Seriously WTF. Crazyisgood. SML Love. Highly recommended.
# Art Info
William Kentridge & Marguerite Stephens
Self Portrait as a Coffee Pot, III, 2012
Mohair Tapestry
283 x 230 cm
# William Kentridge
William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.
en.wikipedia.org/wiki/William_Kentridge
www.goodman-gallery.com/artists/williamkentridge
# Goodman Gallery
Goodman Gallery is at the forefront of contemporary art in South Africa. Its focus is on artists – from South Africa, the greater African Continent, and other countries – who engage in a dialogue with the African context.
163 Jan Smuts Ave, Parkwood
2193 Johannesburg
South Africa
# SML Data
+ Date: 2013-05-23T14:02:11+0800
+ Dimensions: 3456 x 4137
+ Exposure: 1/125 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03944
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“William Kentridge & Marguerite Stephens. Self Portrait as a Coffee Pot, III, 2012. Mohair tapestry (Detail). Edition of 6” / Goodman Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03944
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #WilliamKentridge #MargueriteStephens #Coffee #WTF #LOL #GoodmanGallery #SouthAfrica #opinions
What happens when you string hundreds of hexagonal pieces of mirrors with vibrant concentric stripes together? A magical 3D kaleidoscope, it seems.
This installation titled “Supertaster” by Los Angeles-based artist Pae White is nothing short of being magical. With each step that viewer takes, the sculpture seems to change. And perhaps even more incredible is that its appearance changes depending on where the work was installed, as its myriads of mirrors reflect the sights from its surrounding.
In this stunning work, the insignificant becomes extraordinary. Highly recommended.
Pae White
Supertaster, 2013
Two-sided mirror, paper and cable
101 x 211 cm
199 strands, height variable
# Pae White (b. 1963 Pasadena, California, USA)
Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California.
# neugerriemschneider
Linienstrasse 155
10115 Berlin
Germany
# SML Data
+ Date: 2013-05-23T16:25:43+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 28mm
+ ISO: 500
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13942
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Pae White: Supertaster, 2013
(Two-sided mirror, paper and cable)” / neugerriemschneider / Art Basel Hong Kong 2013 / SML.20130523.6D.13942
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PaeWhite #neugerriemschneider #sculpture #installation #mixedmedia #kaleidoscope #mirror
Since 1975, the BMW Art Car project has been inviting an international roster of artists to utilise their automobiles as canvas for art.
The project was introduced by the French racecar driver and auctioneer Hervé Poulain, starting with Alexander Calder and the CSL 3.0, which Poulain himself raced in the 1975 Le Mans endurance race. Although the cars were intended to be race in the beginning, these days it has shifted the focus somewhat to position BMW as a player in the arts as luxury global brands have been seen to sponsor many art programs.
Pictured is the BMW Art Car #10 seen at Art Basel Hong Kong recently. It was painted by César Manrique, art artist and architect born in Arrecife, Lanzarote, and grew up in the area of San Ginés lagoon. It was painted in 1990 on a BMW 730i.
César Manrique (1919-04-24 to 1992-09-25)
BMW Art Car #10: 730i
1990
# César Manrique
César Manrique (pronounced: [ˈθesar manˈrike]) (24 April 1919 - 25 September 1992) was an artist and an architect.
en.wikipedia.org/wiki/César_Manrique
# BMW Art Car
en.wikipedia.org/wiki/BMW_Art_Car
# SML Data
+ Date: 2013-05-23T17:04:55+0800
+ Dimensions: 4501 x 3000
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 400
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14070
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“BMW Art Car #10 by César Manrique, 1990 (730i)” / BMW Art Car / Art Basel Hong Kong 2013 / SML.20130523.6D.14070
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #CésarManrique #CesarManrique #BMWArtCar #BMW #cars
For over 30 years, Los Angeles and Brooklyn based artist Kenny Scharf has been creating sparkly, pop-ed and monstrous paintings, sculptures and installations featuring imagery from animated cartoons in his childhood.
This particular character is called “Squirtz,” one of the artist’s “classic guys.” The one shown recently at Art Basel Hong Kong 2013 is a red one, though recently an 8-ft tall blue version can be spotted in New York at Paul Kasmin Gallery, The Standard, High Line when the artist has a solo show called “Kolors”.
The juxtaposition between the cheery sculpture and the gallerists show that the line which used to divide street art and fine art is becoming very blurry these days. Sparkly!
Kenny Scharf
Squirtz (Red), 2013
enamel, rhinestone and fiberglass
48 1/8 x 37 1/4 x 24 1/8 in
122.2 x 94.6 x 61.3 cm
PK 17313
# Kenny Scharf
Born 1958 in Los Angeles, CA
Based in LA and Brooklyn
1980 B.F.A., School of Visual Arts, New York, NY
en.wikipedia.org/wiki/Kenny_Scharf
# Paul Kasmin Gallery
293 Tenth Avenue
New York, NY 10001
USA
# SML Data
+ Date: 2013-05-23T16:57:20+0800
+ Dimensions: 3212 x 4818
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 125
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14057
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by Kenny Scharf: Squirtz (Red), 2013 (enamel, rhinestone and fiberglass)” / Paul Kasmin Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14057
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #KennyScharf #PaulKasminGallery #US #NYC #sculpture #WTF #LOL #pop
Sometimes when you are little it is hard to get noticed, but fear not, if you are good, you will still be spotted despite the noise around you.
This painting by UK artist Julie Roberts caught my eye because unlike most artworks which are screaming loudly to me, it is a world within its own. It is painted with oil, but the strokes it makes resemble one which looks like markers—with fine lines, accented with dots, rings and bubbles.
I recognize what is depicted almost immediately—it is that of a boys’ boarding school. There is something decidedly British about the scenery, and all have a child-like wonders to them in the distant past. It appears that going through historic archives is part of her process, and it really does show through.
Fine and exquisite. SML Love.
Julie Roberts (b. 1963, UK)
Workhouse / Boys Ward (study), 2013
Oil on linen
56.5 x 71.6 cm
# Julie Roberts
Born 1963 in Flint, North Wales, UK
Lives and works in Glasgow, UK
# Andréhn-Schiptjenko
Hudiksvallsgatan 8
11330 Stockholm
Sweden
# SML Data
+ Date: 2013-05-23T16:37:17+0800
+ Dimensions: 2878 x 2161
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 40mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13978
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Julie Roberts (b. 1963, UK): Workhouse / Boys Ward (study), 2013 (Oil on linen)” / Andréhn-Schiptjenko / Art Basel Hong Kong 2013 / SML.20130523.6D.13978
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JulieRoberts #AndrehnSchiptjenko #oil #paintings #Glasgow #UK
Context gives new understanding to modern lingo…
Newell Harry
Untitled (THIS/DAM/MAD/SHIT), 2013
Tongan Ngatu (bark cloth), ink
279 x 118 cm
Newell Harry
Untitled (MILF/FILM/LAME/MALE), 2013
Tongan Ngatu (bark cloth), ink
279 x 118 cm
# Newell Harry
+ 1972: Born Sydney, Australian: South African/Mauritian ancestry
+ 1993-1995: Diploma of Fine Arts, The National Art School, East Sydney Technical College
+ 1997-2000: Bachelor of Fine Arts (Hons.1), College of Fine Arts, University of New South Wales, Sydney
+ 2001-2004: Master of Fine Arts, College of Fine Arts, University of New South Wales, Sydney
+ 2010-2013: Sessional Lecturer, COFA UNSW, Sydney
# Rosly Oxley9 Gallery
# SML Data
+ Date: 2013-05-23T16:45:18+0800
+ Dimensions: 4930 x 3286
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 32 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14009
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Newell Harry (b.1972 Australia): Untitled (THIS/DAM/MAD/SHIT), 2013 + Untitled (MILF/FILM/LAME/MALE), 2013 (Tongan Ngatu (bark cloth), ink)” / Rosly Oxley9 Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14009
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #SMLTypography #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #NewellHarry #RoslyOxley9 #people #WTF #LOL #typography
A 6-meter tall installation marks the entrance at the 3rd level at Art Basel Hong Kong 2013. This latest work by artist Haegue Yang is created using colourful venetian blinds to create an organic forms compositions through utilitarian materials.
Haegue Yang (Hangul: 양혜규) was born in 1974 in Seoul in South Korean. She represented South Korea in the 53rd Venice Biennale in 2009. She is currently based in Seoul and Berlin.
No additional official information was provided about the installation.
# Kukje Gallery
54 Samcheong-ro, Jongno-gu
110-200 Seoul
Korea, Republic Of
# SML References
+ Haegue Yang (Hangul: 양혜규; born 1971 in Seoul, South Korea) is a visual artist. Yang represented South Korea in the 53rd Venice Biennale in 2009. She has exhibited at Portikus, Frankfurt and Walker Art Center (Brave New Worlds), she also participated in the 2006 Sao Paulo Biennial. en.wikipedia.org/wiki/Haegue_Yang
+ Blouin Art Info: Art Basel Hong Kong 2013: Time Remembered in Haegue Yang’s Encounters Installation: hk.blouinartinfo.com/news/story/905665/art-basel-hong-kon...
+ Kukje Gallery: Haegue Yang: www.kukjegallery.com/KJ_artists_view_4.php?a_no=176&v=4
# SML Data
+ Date: 2013-05-23T13:53:35+0800
+ Dimensions: 3330 x 4994
+ Exposure: 1/30 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03939
+ Series: 新聞攝影 Photojournalism, SML Fine Art
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Haegue Yang: Journal of Mundane and Uncertain Days, 2012” / Kukje Gallery, Seoul / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03939
/ #新聞攝影 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #文化 #Culture #Art #FineArt #ArtBasel #ABHK #installation #mixedmedia #HaegueYang #KukjeGallery #Seoul #Korea
Here is another mixed media installation by Chiharu Shiota (塩田千春 Shiota Chiharu b. 1972 Osaka, Japan), the artist I knew nothing about but fell in love with after my brief visit to Art Basel Hong Kong 2013 recently.
For her “State of being” series, a physical object—a boy’s kimono in this case—is suspended in air with black threads. Some have mentioned that they look like charcoal drawings, and they definitely do have that feel to it. Except that it is just a web of threads affixed to a metal frame.
It reminds one of an old precious long-forgotten item found inside the attic, memories which are trapped somehow—unreachable, but there.
Stunning at its simplicity but masterful in its execution. It is suspended between reality and surrealism. Highly recommended.
Chiharu Shiota b. 1972
State of Being: Boy’s Kimono, 2013
Metal, kimono, black thread
150 x 100 x 80 cm
59 x 39 3/8 x 31 1/2 in
# Chiharu Shiota
Chiharu Shiota (塩田 千春 Shiota Chiharu) is a Japanese installation artist born in 1972 in Osaka. She has been living and working in Berlin since 1996.She studied at the Seika University in Kyoto and at various schools in Germany and is represented by ARNDT in Berlin and Galerie Daniel Templon in Paris.
en.wikipedia.org/wiki/Chiharu_Shiota
# Galerie Daniel Templon
Founded in 1966
30, rue Beaubourg
75003 Paris
France
# SML Data
+ Date: 2013-05-23T16:53:14+0800
+ Dimensions: 3112 x 4661
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 29 mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14043
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by 塩田千春 Chiharu Shiota (b. 1972 Japan): State of Being: Boy’s Kimono, 2013 (Metal, kimono, black thread)” / Galerie Daniel Templon / Art Basel Hong Kong 2013 / SML.20130523.6D.14043
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ChiharuShiota #塩田千春 #GalerieDanielTemplon #Japan #Kimono #installation #sculpture #mixedmedia
During Art Basel Hong Kong this year, Mayoral Galeria D’Art from Barcelona gave a solo show to Joan Miró, arguably one of the most important artists in Spanish history.
Born to the families of a goldsmith and a cabinet-maker, he grew up in the Barri Gòtic neighborhood of Barcelona. Miró initially went to business school as well as art school. His father is unsupportive of his art education, and when he had his first solo show at the Dalmal Gallery, his work was ridiculed and defaced.
But as you can see now, he is now universally recognised as a significant influence on late-20th century art. In 1954 he was given the Venice Biennale print making prize, in 1958 the Guggenheim International Award, and in 1980 he received the Gold Medal of Fine Arts from King Juan Carlos of Spain.
Hard work and perseverance usually pay off if you keep at it. Just do what you love.
Joan Miró
(Bacelona, 1893 - Palma, 1983)
Femme oiseaux (1978)
Signed ‘Miró’ (lower right); dated and titled ’III/78. Femme, oiseaux’ (on the reverse)
Oil and pencil on board
72 x 55 cm
28.3 x 21.7 in
# Joan Miro
Joan Miró i Ferrà (Catalan pronunciation: [ʒuˈam miˈɾo]) (April 20, 1893 – December 25, 1983) was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city in 1975.
Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting.
en.wikipedia.org/wiki/Joan_Miró
# Provenance
Galerie Maeght, Paris.
The Schulhof Collection.
Acquired from the above by the present owner, 1979.
# Literature
J. Dupin and A. Lelong-Mainaud, Joan Miró, Catalogue raisonné. Paintings VI, 1976-1981, Paris, 2004, p. 116, No. 1866 (illustrated in colour).
# Mayoral Galeria D’Art
Consell de Cent, 286
08007 Barcelona
Spain
# SML Data
+ Date: 2013-05-23T16:49:20+0800
+ Dimensions: 1623 x 2128
+ Exposure: 1/200 sec at f/4.0
+ Focal Length: 37 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14027
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Joan Miró: Femme oiseaux, 1978 (Oil and pencil on board)” / Mayoral Galeria D’Art / Art Basel Hong Kong 2013 / SML.20130523.6D.14027
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JoanMiró #Miro #MayoralGaleria #galeriamaroyal #Spain #Barcelona #surrealism
It is rare for me to remember any artist’s name after seeing their work only once, but El Anatsui is one of those very rare exceptions. I saw his work last at The Armory Show 2010 in New York [1], and I distinctively remember him mainly because of the transmutative properties of the medium which he chooses.
Anatsui’s sculptures look like a sort of abstract expressionist tapestry made out of fabric, but are in fact a knit of thousands of discarded aluminium bottle tops threaded together with copper wires.
Fluidity of form is a significant quality inherent to his sculptures. The artist insists that his hangings be draped rather than hung flat, and allow museums and galleries to do the draping themselves, thus leaving their actual appearance differ from each show adding a unfixed quality into the sculptural practice.
Anatsui was born in Anyako, and trained at the College of Art, University of Science and Technology, in Kumasi, in central Ghana. He began teaching at the University of Nigeria, Nsukka, in 1975, and has become affiliated with the Nsukka group.
El Anatsui
Earth developing more roots, 2011
Aluminium (bottle caps) and copper wire
129 x 141 inches
# El Anatsui (b. 1944, Ghana)
en.wikipedia.org/wiki/El_Anatsui
# Sakshi Gallery
6/19, 2nd Floor, Grants Building, Arthur Bunder Road, Colaba
400 005 Mumbai
India
# Notes
1. Sculpture (Detail) by El Anatsui / Jack Shainman Gallery / The Armory Show 2010 / SML.20100305.7D.03932: www.flickr.com/photos/seeminglee/4420429650/
# SML Data
+ Date: 2013-05-23T17:41:57+0800
+ Dimensions: 4700 x 3393
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 28 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14115
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by El Anatsui: Earth developing more roots, 2011 (Aluminium bottle caps, copper wire)” / Sakshi Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14115
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ElAnatsui #Anatsui #SakshiGallery #Ghana #Africa #metal #sculpture #Abstract
As an interaction designer, I love art works which uses technology and are interactive. I also love truly crazy ideas. So this piece by japanese collective Chim↑Pom is a by-chance encounter of pure awesomeness.
This work intends to provide an alternative source to energy by converting “libido” to electricity. Chim↑Pom inserted tiny erotic ads in newspaper to solicit calls from “needy” male adults. When they call this number, the machine will convert radio waves into electricity by an optical sensor with a relay. This “invention” is currently patent-pending, apparently.
When this work is shown at Art Basel Hong Kong, a similar ad was placed in a newspaper in Hong Kong. To figure out how this works, I called the number—if you zoom into the photo you will see my number on the iPhone. When it rings, the light bulb lights up through the machine. The calls are real, also — as the director of the gallery told me that quite a few people called multiple times thinking that it is a legit number.
Crazyisgood. SML Love.
Chim ↑ Pom an artist group formed in August 2005 in Tokyo and is consisted of six members: Erii, Ryuta Ushiro, Yasutaka Hayashi, Toshinori Mizuno, Takashi Okada, and Inaoka.
Chim↑Pom
Libido-Electricity Conversion Machine “EROKITEL” third and practical model “KIBOU”, 2011
Mixed media, sports paper ad
# Chim↑Pom（チン↑ポム）
Chim↑Pom（チン↑ポム）は、2005年8月、東京で結成されたアーティスト集団。メンバーはエリイ、卯城竜太、林靖高、水野俊紀、岡田将孝、稲岡求の6人編成。
ja.wikipedia.org/wiki/Chim↑Pom
# Mujin-to Production
2-12-6 Miyoshi Koto-ku
Tokyo 135-0022
Japan
# SML Data
+ Date: 2013-05-23T16:44:22+0800
+ Dimensions: 3648 x 5472
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 32 mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14290
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
‘Interactive Installation by Chim↑Pom: Libido-Electricity Conversion Machine “EROKITEL” third and practical model “KIBOU”, 2011 (Mixed media, sports paper ad)’ / Mujin-to Production / Art Basel Hong Kong 2013 / SML.20130523.6D.14290
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ChimPom #チンポム #MujintoProduction #Japan #WTF #interactive #mixedmedia #installation
Here is the side view of the sculpture seen previously [1]. As you can see, the sculpture is formed by four curvatures, and from this view it appears as a bent square.
It is so minimal yet so magical at the same time. Genius—I wish more art is like this.
Troika (Eva Rucki b. 1976 Germamny, Conny Freyer b. 1976 Germany, Sebastien Noel, b. 1977 France)
Squaring a Circle
2013
Mirror, steel, matte black flock
77.5 (D) x 139 (H) x 139 (W) cm
# Description
Constructed from steel and wrapped in a dense black flock flannel that absorbs light, 'Squaring the Circle' challenges the viewers sensibilities: on entering the room they see a black circular sculpture, but in the huge mirror opposite their ‘impossible reflection’ reveals them viewing a black square. 'Squaring the Circle' argues that if every method of inquiry reveals a particular facet of the truth or the nature of reality; their seemingly antithetical forms should find reconciliation in the knowledge, that ‘one-ness’ has a plurality of embodiments.
'Squaring the Circle' was premiered at OMR as one of 5 new works shown in Troika's solo exhibtion 'The far side of reason' in April 2013.
troika.uk.com/squaringthecircle
# Troika
Eva Rucki b. 1976 Germamny
Conny Freyer b. 1976 Germany
Sebastien Noel, b. 1977 France
Troika is a London based studio founded by Eva Rucki, Conny Freyer and Sebastien Noel who are known for their experimental practise and projects that employ a cross-disciplinary approach and intersect between sculpture, architecture, and contemporary installation.
They met while studying at the Royal College of Art and subsequently started their studio in 2003, emerging as an integrated practice that creates work collectively through detailed research, dialogue and experiment.
Often merging technology with their projects as a point of departure paired with a particular interest in perception and the spatial experience, their work explores the intersection of rational thought, observation and the changing nature of reality and human experience.
And while their work is often filled with polarities — solitude and interaction, transition and permanence, the artificial and the natural — their interest lies within man's resolve to synthesize these opposites.
Since establishing the studio in 2003 Troika's work has been exhibited, amongst others, at the Victoria & Albert Museum London, The Art Institute of Chicago, Tate Britain and MoMA New York. In 2010 Troika were selected to create three art installations for the UK Pavilion at the World Expo Shanghai. Troika's work is represented in the permanent collections of the Israel Museum Jerusalem, British Council, The Art Institute of Chicago, Victoria and Albert Museum and the Museum Of Modern Art New York.
Troika has authored 'Digital by Design', Thames and Hudson, 2008; and, in 2009, won the D&AD Yellow Pencil for their digital sculpture 'Cloud' in London Heathrow Terminal 5 and ‘Palindrome’ at the Victoria & Albert Museum in 2011.
# Galería OMR
Plaza Río de Janeiro 54, Colonia Roma
06700 Mexico City
Mexico
# Notes
1. “Installation by Troika (Eva Rucki b. 1976 Germamny, Conny Freyer b. 1976 Germany, Sebastien Noel, b. 1977 France): Squaring a Circle, 2013 (Mirror, steel, matte black flock)” / Galería OMR / Art Basel Hong Kong 2013 / SML.20130523.6D.13962.SQ: www.flickr.com/photos/seeminglee/8994001483/
# SML Data
+ Date: 2013-05-23T16:31:11+0800
+ Dimensions: 5148 x 3432
+ Exposure: 1/60 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13964
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation (side view) by Troika (Eva Rucki b. 1976 Germany, Conny Freyer b. 1976 Germany, Sebastien Noel, b. 1977 France): Squaring a Circle, 2013 (Mirror, steel, matte black flock)” / Galería OMR / Art Basel Hong Kong 2013 / SML.20130523.6D.13964
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #Troika #GaleriaOMR #Mexico #Forms #sculpture #installation #genius
Using thousands of yellow plastic straws as raw materials, Italian artist Francesca Pasquali created a landscape like no others. It matters not if you can paint or not, if you have the will to create, magic always follows.
In her own words, “Even if plastic is a new material, the technique of interlacing it in pre-constituted nets is connected to the past. It makes it live again in the shape of sculpture, which spreads out towards the space around, creating various texturised effects. Observing nature itself, I transfer the essential being of it. The interlacing forms transform the industrial material into soft and sensual shapes.”
Francesca Pasquali
Light Yellow Straws
2013
# Francesca Pasquali
# Tornabuoni Art
16 Avenue Matignon
75008 Paris
France
# SML Data
+ Date: 2013-05-23T16:47:12+0800
+ Dimensions: 2970 x 4158
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 40 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14022
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Francesca Pasquali: Light Yellow Straws, 2013” / Tornabuoni Art / Art Basel Hong Kong 2013 / SML.20130523.6D.14022
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #FrancescaPasquali #TornabuoniArt #yellow #plastic #straw #installation #Italy
This work by Chinese artist Xu Zhen 徐震 (b.1977, Shanghai) is titled “Jiang Shan 江山”. The English translation said that means “land” but there is much more to that word. 江 is the lake, 山 is mountains. On the surface it just says mountains + lakes, but it is in fact the word used by Chinese emperors to describe the kingdom which they own.
With that in mind it would be easier to understand why there is a warrior in seen with a horse in this collage which looks more like a sculpture (mostly because it is). Although the landscape resembles that of China, the warrior’s outfit is nothing that of Chinese origin, but appears more like that they originated from Europe. This reminded me of 八國聯軍 Eight-Nation Alliance [1], the joint alliance of Austria-Hungary, France, Germany, Italy, Japan, Russia, the United Kingdom, and the United States, whose military forces invaded China in 1900.
Countless wars happened in the beginning of 1900s in China to take hold of the “Jiang Shan 江山” of China all in the name of “democracy”. The same wars are being fought in the Middle East where third parties intervene in the name of “good” but there is only evil as I see it.
I do not know what is intended by the artist. I would love to know his intention, but art as a form of communication is rarely linear and is somewhat magical that way.
Xu Zhen 徐震 (Produced by MadeIn Company)
Jiang Shan 江山 (Land), 2011
Collage on canvas
167 x 300 cm
65 3/4 x 118 1/8 inches
# Notes about the artist attribution
Almost all well known living artists no longer make art on their own, though most artists will try to hide this fact so it is interesting to see that Chinese artist provide credits to his team of minions for works produced this way.
Xu Zhen 徐震 is a Chinese artist born in 1977 in Shanghai. MadeIn Company 没顶公司 (沒頂公司) is an art production company created by him to produce artworks.
# Xu Zhen 徐震
b. 1977. Lives and works in Shanghai
en.wikipedia.org/wiki/Xu_Zhen_(artist)
www.shanghartgallery.com/galleryarchive/artists/name/xuzhen
# Galerie Nathalie Obadia
18, rue du Bourg-Tibourg
75004 Paris
France
8, rue Charles Decoster
1050 Brussels
Belgium
# Notes
1. Eight-Nation Alliance: en.wikipedia.org/wiki/Eight-Nation_Alliance
八國聯軍: zh.wikipedia.org/wiki/八國聯軍
# SML Data
+ Date: 2013-05-23T16:40:08+0800
+ Dimensions: 4887 x 2767
+ Exposure: 1/30 sec at f/8
+ Focal Length: 24 mm
+ ISO: 1250
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13986
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Xu Zhen 徐震 (Produced by MadeIn Company): Jiang Shan 江山 (Land), 2011 (Collage on canvas)” / Galerie Nathalie Obadia / Art Basel Hong Kong 2013 / SML.20130523.6D.13986
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #徐震 #XuZhen #GalerieNathalieObadia #Collage #Landscape #warrior #WTF
Here is a side view of Zhu Jinshi 朱金石’s abstract painting of the great white shark [1], where you can see that his oil paints fly off the canvas and blur the lines between abstract gestures and the very realistic sculptural portrayal of his landscapes.
Judging from the style and thickness of paint, the abstract work on the far end appears to be also his but I am unsure as I did not take a closer look. This is a great example of why you really need to see artworks in person to best experience them—photographs of them rarely do artworks justice in my experience.
Zhu Jinshi 朱金石
Great White Shark No. 1, 2012
Oil on canvas
70 7/8 x 63 inches
180 x 160 cm
# Zhu Jinshi 朱金石 (b. 1954 Beijing, China)
www.blumandpoe.com/exhibitions/zhu-jinshi
# Blum & Poe
2727 S. La Cienega Boulevard
Los Angeles, CA 90034
USA
# Notes
1. “Painting by 朱金石 Zhu Jinshi: Great White Shark No. 1, 2012 (oil on canvas)” / Blum & Poe / Art Basel Hong Kong 2013 / SML.20130523.6D.13919: www.flickr.com/photos/seeminglee/8876417085/
# SML Data
+ Date: 2013-05-23T16:15:53+0800
+ Dimensions: 4691 x 3332
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 25 mm
+ ISO: 400
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13917
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting (Detail) by 朱金石 Zhu Jinshi: Great White Shark No. 1, 2012 (oil on canvas)” / Blum & Poe / Art Basel Hong Kong 2013 / SML.20130523.6D.13917
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #朱金石 #ZhuJinshi #Blumandpoe #paintings #oil #abstract #Shark #Beijing
Well known for her use of polka dots and her thematic interest in psychedelic colors in environmental installations, the artworks by Japanese artist Yayoi Kusama (草間 彌生 or 弥生, Kusama Yayoi) is hard to miss. Although she is well in her 80s (b. 1929), her work has a child-like curiosity which is like no other.
These larger-than-life flowers bear more resemblance to one which could be found on video games like Mario Brothers than reality, but it is precisely their magical qualities which made them so appealing to the masses. It is thus no wonder that Kusama’s work has consistently performed strongly in the art market world wide and is considered one of the most important living artists today.
# Art Info
Yayoi Kusama
Flowers that Bloom Tomorrow, 2012
FRP (Fibre-reinforced plastic), metal, paint
H200 x 200 x 426 cm
78 3/4 x 78 3/4 x 167 3/8 in
# Yayoi Kusama
Yayoi Kusama (草間 彌生 or 弥生 Kusama Yayoi, born March 22, 1929) is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, sculpture, performance art and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol and Claes Oldenburg. Although largely forgotten after departing the New York art scene in the early 1970s, Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the avant-garde
en.wikipedia.org/wiki/Yayoi_Kusama/
# Ota Fine Arts
Established in Tokyo in 1994, over the past nineteen years Ota Fine Arts has defined itself as a pioneer of Japanese contemporary art. Since its foundation, the gallery has promoted diverse Japanese artists, including the internationally acclaimed Yayoi Kusama and Hiraki Sawa.
Over the last few years, Ota Fine Arts has injected its programs with more regional character, originality, and qualities prevalent in the Asian cultural belt. The gallery has held exhibitions by various artists from Korea, China, Southeast Asia, and Iran. It opened a new space in Singapore in 2012.
For Art Basel in Hong Kong 2013, Ota Fine Arts is presenting a solo show of Yayoi Kusama, in collaboration with Victoria Miro Gallery.
47 Malan Road, #01-23 Gillman Barracks
Singapore 109444
Singapore
3F Piramide Building, 6-6-9 Roppongi, Minato-ku
Tokyo 106-0032
Japan
# SML Data
+ Date: 2013-05-23T15:37:47+0800
+ Dimensions: 3422 x 5201
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 160
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13836
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Yayoi Kusama: Flowers that Bloom Tomorrow, 2012 (FRP, metal, paint)” / Ota Fine Arts / Art Basel Hong Kong 2013 / SML.20130523.6D.13836
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #MixedMedia #YayoiKusama #OtaFineArts #Japan #草間彌生 #sculpture #installation
Car is the new canvas? Just when you thought that mixed media cannot get more insane, Korean artist Inkie Whang (b. 1951) proves that WTF is the darling in contemporary works.
It is a scenery of Chinese (Korean?) traditional painting, but with the aid of computers, Inkie Whang digitalise and pixelated the essence and turn them into an abstract work of the original. Although he works with computer to create the template, the artist applies his building blocks—plastic circles in this case—onto the canvas (or car?!) by hand, which shows crafts and workmanship like no others.
Crazyisgood. SML Love.
Inkie Whang
An Old Breeze 13-3-2, 2013
Mixed media
144 x 133 cm
# Inkie Whang
1951 born in Korea
1971 Seoul National University, College of Engineering
1975 Seoul National university, College of fine Art (BA)
1981 Pratt institute (MFA)
2007 Professor at SungKyunKwan University
Whang, Inkie depicts traditional landscape views by employing various materials in his works including Swarovski crystals, silicon and plastic blocks (Legos). He paints the wooden background with thick layers and digitalizes the oriental landscape into small pixels, which is created with no outer lines but only with the materials. The process of authoritative craftsmanship through computer-aided manipulation alters the image that causes the abstract effect of the original image. Through his experimental style, the works connects the contemporary life with Korean traditional history, which is to modernize Korean identity and Korean aesthetics. He represented for the Korean Pavilion of Venice Biennale in 2003.
www.galleryihn.com/at/whang/bio.html
# Gallery Ihn
73 Cheongwadae-ro Jongno-gu
110 - 220 Seoul
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T16:43:02+0800
+ Dimensions: 4599 x 3066
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 27 mm
+ ISO: 500
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14001
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Inkie Whang (b. 1951 Korea): An Old Breeze 13-3-2, 2013 (Mixed media)” / Gallery Ihn / Art Basel Hong Kong 2013 / SML.20130523.6D.14001
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #InkieWhang #GalleryIhn #Korea #mixedmedia #car #WTF
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More WTF artworks which short-circuited my logical unit—Mickey and gas masks. Kata Legrady’s art work is a chance encounter between objects from two distinct universes: weapons of mass destruction vs that of childhood memories.
This work speaks to me mostly because I am very against warfare in the international arena—politicians candy-coating messages to instil suffer and pains to others and treating everything as child’s play. Another messaging I see is that messaging with political agenda is being inserted into mainstream media with questionable ethics. Whether these are the artist’s original intentions is unclear, but what is clear is that it summarises the current state of affairs very well.
Kata Legrady was born in 1974 at Bacs in Hungary. She studied music and singing at the Pecs Conservatoire before finally opting for the plastic arts. She lives and works in Hanover, Germany.
(Pardon the reflection. Nothing I can do about it)
Kata Legrady (b. 1974, Barcs, Hungary)
Disney – Mickey, Pearl Harbor 8, 2013
Disney Paper Mask Fitted On Original Gasmask
C – print, on diasec
125 x 174 x 2.8 cm / 180 x 250 x 2.8 cm
2011
Edition 5 / Edition 3
# Pékin Fine Arts
No. 241 Cao Changdi Village, Cui Ge Zhuang Xiang, Chaoyang District
100015 Beijing
China
# SML Data
+ Date: 2013-05-23T17:37:42+0800
+ Dimensions: 2212 x 3076
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 40 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14101
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Photography by Kata Legrady. Disney – Mickey, Pearl Harbor 8, 2013 (Disney Paper Mask Fitted On Original Gasmask, C – print, on diasec)” / Pékin Fine Arts / Art Basel Hong Kong 2013 / SML.20130523.6D.14101
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #KataLegrady #PekinFineArts #Mickey #Disney #gasmask #WTF
The works by Asian artists continue to delight. This metal sculpture titled “Pixelated Heaven” by Thai artist Tawatchai Puntusawasdi (b. 1971) references something old and something new.
The sculpture appears to be that of the roofs seen in many Buddhist temples in Thailand, while the pixelated image references that of modern age.
The pixel-art movement has gone on for a while now, and it is nice to see them in sculptural form. Crazyisgood.
Tawatchai Puntusawasdi
Pixelated Heaven
2013
hand-tooled, cut and lead-welded galvanised sheet metal
300 x 160 x 180 cm approx. (H x W x D)
# Tawatchai Puntusawasdi
b. 1971 Bangkok, Thailand
+ 1993: BFA Sculpture, Faculty of Fine Arts, Chiangmai University, Thailand
+ 2001: MFA Sculpture, Silpakorn University, Bangkok
Tawatchai Puntusawasdi (b. 1971) pursued his art education at Chiangmai University (BFA), and then Silpakorn University (MFA). Based in Chiangmai, he produces architectural three-dimensional sculpture in hard-wood, slate, organic fibres, and various types of metal. In his Tilted series, ongoing since 2002, the artist plays with visual perception and physical balance to challenge audiences’ understanding of volume and space. In so doing, Tawatchai prods his viewers to consider philosophical and spiritual questions, his sculpture/installations translating complex ideas about uncertainty and transcendence into tangible form. His works also revolve around concepts of reality, so tangentially referencing Buddhist thinking. A student of the seminal Thai artist Montien Boonma (1953-2000), Tawatchai marshals formal elegance and grandiose scale to produce works that are simultaneously cerebral and visually seductive. Tawatchai has exhibited in Japan, the United States, Europe, Australia, Taiwan, and wider Southeast Asia. He has participated in both the Venice and Sydney Biennales and has twice been awarded a Pollock-Krasner Foundation Grant.
www.10chancerylanegallery.com/artists/main/Tawatchai_Punt...
# 10號贊善裡畫廊 10 Chancery Lane Gallery
www.10chancerylanegallery.com/
G/F, 10 Chancery Lane
Hong Kong, SoHo, Central
China
# SML Data
+ Date: 2013-05-23T18:33:09+0800
+ Dimensions: 2936 x 4404
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 21 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14249
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Sculpture by Tawatchai Puntusawasdi (b. 1971 Thailand): Pixelated Heaven, 2013 (hand-tooled, cut and lead-welded galvanised sheet metal) / 10號贊善裡畫廊 10 Chancery Lane Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14249
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #TawatchaiPuntusawasdi #10ChanceryLaneGallery #sculpture #metal #WTF #pixel #Thailand
More work by Julie Roberts (b. 1963, UK) seen recently at Art Basel Hong Kong 2013, which features British boarding school life from bygone years.
Much like her oil painting seen earlier [1], her indian ink work features very fine lines accented with dots, rings and bubbles. In some ways, her paintings appear to get its style from strokes mostly associated with markers (which I believe this is — even though it was cryptically designated as “indian ink”).
Some true gems in small sizes.
(pardon the reflection, as always I wish that they would just frame with matte glass)
Julie Roberts (b. 1963, UK)
The Kinder Transport, Journey’s End, 2012
Indian ink on Fabriano paper
48.7 x 41.5 cm
# Julie Roberts
Born 1963 in Flint, North Wales, UK
Lives and works in Glasgow, UK
# Andréhn-Schiptjenko
Hudiksvallsgatan 8
11330 Stockholm
Sweden
# Notes
1. “Painting by Julie Roberts (b. 1963, UK): Workhouse / Boys Ward (study), 2013 (Oil on linen)” / Andréhn-Schiptjenko / Art Basel Hong Kong 2013 / SML.20130523.6D.13978: www.flickr.com/photos/seeminglee/8889103801/
# SML Data
+ Date: 2013-05-23T16:38:20+0800
+ Dimensions: 3161 x 4052
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 31mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13981
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Drawing by Julie Roberts (b. 1963, UK): The Kinder Transport, Journey’s End, 2012 (Indian ink on Fabriano paper)” / Andréhn-Schiptjenko / Art Basel Hong Kong 2013 / SML.20130523.6D.13981
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JulieRoberts #AndrehnSchiptjenko #drawings #school #kids #UK #ink
Here is another sculpture of “Goni” by Indonesian artist Samsul Arifin (b. 1979) seen earlier [1]. According to the gallery, Goni is quite well known in Indonesia, though this is the first time they are showing his work in the international stage.
When I first these works, I was reminded of Gumby [2], the green clay humanoid character created and modelled by Art Clokey.
Titled “Pembajak Seni Rupa” or “Art hijackers” in English, Goni is seen here with artist tools ready to take on the world.
Samsul Arifin
Pembajak Seni Rupa #1
2013
resin, wood, steel
210 x 60 x 60 cm
# Samsul Arifin
b. March 5, 1979 in Malang, Indonesia
# Nadi Gallery
Based in Jakarta, Nadi Gallery is an art gallery founded by Biantoro Santoso, a young collector of Indonesian art. The Indonesian word nadi means "aorta", "artery", "vein" that evokes the idea of signaling pulsation. Without pulsation, the aorta soon looses its significance for life. As the name indicates, the Gallery's principal programs of exhibitions have been aspiring to present the pulses of recent developments in contemporary art in Indonesia.
Jl. Kembang Indah III Blok G3 no. 4-5 Puri Indah
Jakarta 11610
Indonesia
# Notes
1. “Mixed Media Sculpture by Samsul Arifin (b.1979): Musafir Artist #1, 2013 (“Goni”: Resin, leather, jute, steel, wood)” / Nadi Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13970: www.flickr.com/photos/seeminglee/8909814961/
2. Gumby is a green clay humanoid character created and modeled by Art Clokey, who also created Davey and Goliath. Gumby has been the subject of a 233-episode series of American television as well as a feature-length film and other media. Since the original series' run, he has become well known as an example of stop motion clay animation and an influential cultural icon, spawning many tributes and parodies, including a video game and toys. en.wikipedia.org/wiki/Gumby
# SML Data
+ Date: 2013-05-23T14:29:14+0800
+ Dimensions: 3406 x 5109
+ Exposure: 1/125 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03999
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Sculpture by Samsul Arifin (b. 1979 Indonesia): Pembajak Seni Rupa #1, 2013 (resin, wood, steel)” / Nadi Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03999
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #SamsulArifin #NadiGallery #Indonesia #Goni #sculpture #mixedmedia
A woman sits on top of a strange planet formed by organic found objects and strange landscape. Inside a hole, a demanding person wills with a commanding voice. A tiny figure was seen working near the surface.
This new video installation by Tony Oursler is so WTF funny that I am mostly amused by how the “art world people” look at it with a “serious straight face”.
The “planet” is situated on top of a steel stand, whereas the strange gadget in the background is a mini DLP video projector which projects video directly on top of the sculpture. It is wacky and crazy. Just the type of work for me.
See also Oursler’s previous video projection work at www.flickr.com/photos/seeminglee/4422162363/ and vimeo.com/10068688 (with video interview).
Tony Oursler
Predome Plateau, 2012
163.8 x 20.3 x 52.1 cm
64.5 x 8 x 20.5 inches
Steel stand, projection and mixed media
# Tony Oursler (b. 1957)
+ 1957: born New York City
+ 1979: BFA, California Institute for the Arts, Valencia, California
Lives and works in New York.
en.wikipedia.org/wiki/Tony_Oursler
# Galerie Hans Mayer
Grabbeplatz 2
40213 Dusseldorf
Germany
# SML Data
+ Date: 2013-05-23T16:02:362+0800
+ Dimensions: 3362 x 3362
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 40 mm
+ ISO: 320
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13874.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed media video projection installation by Tony Oursler
Predome Plateau, 2012 (Steel stand, projection and mixed media)” / Galerie Hans Mayer / Art Basel Hong Kong 2013 / SML.20130523.6D.13874.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #TonyOursler #GalerieHansMayer #video #projection #installation #sculpture #WTF #LOL
As usual I find it strange to photograph photography, so here is a capture of the people visiting the Atlas Gallery booth at Art Basel Hong Kong 2013 instead.
Works from left to right:
1. Jeremy Hunter
50,000 teenagers prepare for ARIRANG
Pyongyang, North Korea, August 2010, 2010
Digital C-type
Signed and numbered by artist
101.6 x 127 cm
Edition of 8
2. Jeremy Hunter
Perfect Synchronisation 50,000 teenagers with flip-charts create this mosaic.
Red is the colour of the Working Class.
ARIRANG. Pyongyang, August 2010, 2010
Digital C-type
Signed and editioned by the artist
76.2 x 101.6 cm
Edition of 12
3. René Burri
São Paulo, Brazil, 1960, printed 2012
Gelatin silver print
Signed, numbered and dated by artist
Limited edition
131.76 x 189.5 cm
4. René Burri
Former Summer Palace, Dead Lotus Flowers on the Kunming Lake, Beijing, China, 1964, printed 2012
Gelatin silver print
Signed, numbered and dated by artist
Limited edition
110.5 x 163.8 cm
# Atlas Gallery
Founded in 1994 by director and owner Ben Burdett, Atlas Gallery is London’s foremost fine art photography gallery specializing primarily in classic and modern twentieth-century vintage photography, photojournalism, and fashion photography, in addition to representing an exclusive group of highly influential contemporary photographers.
49 Dorset Street
London W1U 7NF
United Kingdom
# SML Data
+ Date: 2013-05-23T16:40:50+0800
+ Dimensions: 4900 x 3267
+ Exposure: 1/60 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13990
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Photography + Photojournalism by Jeremy Hunter + René Burri” / Atlas Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13990
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JeremyHunter #RenéBurri #ReneBurri #AtlasGallery #UK
These tongue-in-cheek paintings by Indian artist Paribartana Mohanty would put a smile on any Mac cultist’s face. Titled “Different Jobs,” they feature Apple’s founder Steve Jobs working in different professions—that of a shoemaker in this case. Will Steve Jobs be as well known should he choose to pursue the field of shoemaking in India? Is that an Indian Jobs?
Seriously WTF. Crazyisgood. SML Love.
(I am not particularly drawn to this style of painting, though it feels like that they are referencing the traditional portrait painting for royals in India. That said, perhaps my Indian friends can appreciate this better than I do.)
P.S. This is the first artist shown at Art Basel who has a Vimeo account!
Paribartana Mohanty
Different Jobs - I
2013
Oil on canvas
54 x 36 in
# Paribartana Mohanty
2006M.A. (History of Art), National Museum Institute, New Delhi
2004B.F.A. (Printmaking), Dhauli College of Art & Craft, Bhubaneshwar, Orissa
# Vadehra Art Gallery
D-53 Defence Colony
110 024 New Delhi
India
# SML Data
+ Date: 2013-05-23T14:08:12+0800
+ Dimensions: 2135 x 3211
+ Exposure: 1/100 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03988
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Paribartana Mohanty: Different Jobs - I, 2013 (Oil on canvas)” / Vadehra Art Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03988
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ParibartanaMohanty #VadehraArtGallery #SteveJobs #WTF #LOL #Apple #portrait #India
A 1953 VW Beetle Formed into a Perfect Sphere
This work is by Indonesian artist Ichwan Noor (b. 1963), an artist born in Jakarta and studied at the Indonesian Art Institute, Yogyakarta. He got his idea of this piece from his personal perception that objects are products of a transportation culture, which induced hints and signs of spiritual emotion.
Ichwan Noor
Beetle Sphere, 2013
Aluminium, polyester, real parts from VW beetle '53, paint
180 x 180 x 180 cm
# Ichwan Noor
www.artbaselhongkong-online.com/?Action=showProduct&i...
www.mondecor.com/kuratorial/ichwan-noor-solo-exhibition-e...
# Art:1 by Mondecor Gallery
Jl. Rajawali Selatan Raya no. 3
Jakarta 10720
Indonesia
A busy time for Lufthansa at Heathrow.
D-ABHL is closest to the camera on turnaround from Dusseldorf (LH1634) for Cologne Bonn (LH1641).
In the middle is D-ABHK having arrived from Hannover (LH1628) to Hamburg (LH1621).
The 727 at the back is D-ABKB which had arrived from Hamburg (LH1620) and would return to Dusseldorf (LH1635)
Lufthansa
Boeing 737-230(A), c/n 22136/783, "Bayreuth"
Later TF-ABY, D-ABHK, PK-RIM. Written off at Medan (MES/WIMK), Indonesia 5.9.2005
Helsinki/Vantaa (HEL/EFHK) 30.10.1993
You either love it or you hate it, but one thing is clear—it is impossible to not notice Chinese artist 岳敏君 Yue Minjun’s works, which depict men frozen in laughters.
The large sculpture in the foreground is part of a series titled “The Tao of Laughter,” which was previously on view in Hong Kong at Harbour City in 2012. They were inspired by Chinese traditional philosophical text 道德經 Tao Te Ching [1] written by 老子 Laozi, which supports the power of laughter as a path to inner peace.
Yue is commonly associated with the “Cynical Realism” by art critics. The painting in the background can be seen earlier in the stream [2].
岳敏君 YUE Minjun (b. 1962 China)
The Tao of Laughter No. 4, 2012
Stainless Steel
# Yue Minjun
Yue Minjun (Chinese: 岳敏君; born 1962) is a contemporary Chinese artist based in Beijing, China. He is best known for oil paintings depicting himself in various settings, frozen in laughter. He has also reproduced this signature image in sculpture, watercolour and prints.
en.wikipedia.org/wiki/Yue_Minjun
# Galerie Daniel Templon
Founded in 1966
30, rue Beaubourg
75003 Paris
France
# Notes
1. The Tao Te Ching, Daodejing, or Dao De Jing (道德經: 道 dào "way"; 德 dé "virtue"; 經 jīng "classic" or "text") also simply referred to as the 老子 Laozi, is a Chinese classic text. According to tradition, it was written around the 6th century BC by the sage Laozi (or Lao Tzu, "Old Master"), a record-keeper at the Zhou Dynasty court, by whose name the text is known in China.
en.wikipedia.org/wiki/Tao_Te_Ching
2. “Painting by 岳敏君 Yue Minjun: 自由的天空 Free Sky No. 1, 2012 (Oil on canvas)” / Galerie Daniel Templon / Art Basel Hong Kong 2013 / SML.20130523.6D.14035: www.flickr.com/photos/seeminglee/8923407982/
# SML Data
+ Date: 2013-05-23T16:56:21+0800
+ Dimensions: 3588 x 5383
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 1250
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14053
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by 岳敏君 YUE Minjun (b. 1962 China): The Tao of Laughter No. 4, 2012 (Stainless Steel)” / Galerie Daniel Templon / Art Basel Hong Kong 2013 / SML.20130523.6D.14053
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #岳敏君 #YueMinjun #WTF #LOL #GalerieDanielTemplon #sculpture #laughter
Richard Patterson (born 1963 in Leatherhead, Surrey) is an English artist and one of the Young British Artists (YBAs).
YBA is essentially a collective born out of a group show which successfully got its relevant media attention because of various marketing strategy of getting “important people” to notice them. Before the age of Internet / social media, getting “taste makers” to give a positive review appears to jump start your career quite nicely.
So what is the significance to his green butt of a toy minotaur figure? If you somehow fell in love with the YBAs many years ago then you would love it regardless what is on the paint. For the recently initiated, I do not see much in this judging purely from a singular art work point of view.
It is cute. That’s about it. If you are looking to art as a financial investment though, it is worth a look.
Richard Patterson
‘Half Minotaur’, 2000
Oil on canvas
38 1/8 x 38 1/8 in
97 x 97 cm
# Richard Patterson
en.wikipedia.org/wiki/Richard_Patterson_(artist)
# Timothy Taylor Gallery
15 Carlos Place
London W1K 2EX
United Kingdom
# SML Data
+ Date: 2013-05-23T17:40:56+0800
+ Dimensions: 3085 x 3085
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 36 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14113.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Richard Patterson: Half Minotaur, 2000 (Oil on canvas)” / Timothy Taylor Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14113.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #RichardPatterson #TimothyTaylorGallery #WTF #Toys #bokeh #YBA
Joel Shapiro (born September 27, 1941 New York City, New York) is an American sculptor renowned for his dynamic work composed of simple rectangular shapes. He grew up in Sunnyside, Queens, New York. When he was twenty-two he lived in India for two years while in the Peace Corps.
While serving his Peace Corp time in India, Shapiro saw many Indian art works, and has said that “India gave me the sense of … the possibility of being an artist.” In India “Art was pervasive and integral to the society”, and he has said that “the struggle in my work to find a structure that reflects real psychological states may well use Indian sculpture as a model.”
His early work is characterized by some by its small size, but Shapiro has discounted this perception, describing his early works as, “all about scale and the small size was an aspect of their scale”.
His later works (pictured) can have the appearance of flying, falling, being impossibly suspended in space, and/or defying gravity. He has said about this shift in his work that he “wanted to make work that stood on its own, and wasn’t limited by architecture and by the ground and the wall and right angles.”
He received a B.A. in 1964 and an M.A. in 1969 from New York University.
Shapiro is represented by The Pace Gallery in New York and Galerie Daniel Templon in Paris. He lives and works in New York City, with a summer house on the shore of Lake Champlain, in Westport, New York. He is married to the artist Ellen Phelan.
Joel Shapiro
Untitled
2012
Wood and casein
72.1 x 61.6 x 33.7 cm
28 1/2 x 24 1/4 x 13 1/4 in
# Joel Shapiro
en.wikipedia.org/wiki/Joel_Shapiro
# Galerie Karsten Greve
Drususgasse 1-5
50667 Cologne
Germany
5, rue Debelleyme
75003 Paris
France
# SML Data
+ Date: 2013-05-23T15:39:41+0800
+ Dimensions: 5288 x 3526
+ Exposure: 1/50 sec at f/4.0
+ Focal Length: 29mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13848
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by Joel Shapiro: Untitled, 2012 (Wood and casein)” / Galerie Karsten Greve AG St. Mortiz / Art Basel Hong Kong 2013 / SML.20130523.6D.13848
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JoelShapiro #Sculpture #GalerieKarstenGreve #Wood #Casein #Forms #Abstract
The first thing I thought of when I saw this painting was the special effects for texting seen at the UK british television series Sherlock, where each SMS typography was juxtaposed directly on the frame.
I have no idea who painted this as there are no visible titles anywhere. It is also closed to impossible to photograph it because it was situated at some really bizarre alley at the back of the gallery.
I do recognise the street though—it seems to be somewhere near Lan Kwai Fong in Hong Kong. The text appears to be mostly nonsensical Cantonese advertising, and I think that it is a commentary on the information-overload age that we are in, always surrounding us — posters, advertising, marketing messages everywhere but for the city dweller it is just a normal day as usual.
If you know the name of the artist please comment below. SML Thank You in advance!
# SML Data
+ Date: 2013-05-23T15:30:44+0800
+ Dimensions: 5209 x 3473
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 20 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13825
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Hyperrealist Painting by (?) about Hong Kong’s life” / Art Basel Hong Kong 2013 / SML.20130523.6D.13825
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #Hyperrealism #painting #people #street #urban #life
More works by Korean artist 양혜규 Haegue Yang (b. 1971 Seoul, South Korea).
In the foreground, “Feather Dew Point - Blue Orbit” is a mixed media installation featuring a cluster of insect-like creatures hovering around globes, light bulbs and wires. This appear to be part of the artist’s “Series of Vulnerable Arrangement” which was shown in 2009 at Kukje Gallery.
In the background titled “Kaleidoscopic Jewel Glow - Trustworthy #193” is a series of abstract paper collage construction using various envelope security patterns and grid paper.
Haegue Yang’s work has a more academic approach and follow a more western tradition despite her Korean upbringing. Not my favorite series from her, though I do love her window blind installation very much seen earlier in my stream [1].
Haegue Yang
Feather Dew Point - Blue Orbit
2013
Mixed media
197 x 85 x 87
Haegue Yang
Kaleidoscopic Jewel Glow - Trustworthy #193
2013
5 paper collages, various envelope security patterns, grid paper
270 x 270 cm
# Haegue Yang
Haegue Yang (Hangul: 양혜규; born 1971 in Seoul, South Korea) is a visual artist. Yang represented South Korea in the 53rd Venice Biennale in 2009. She has exhibited at Portikus, Frankfurt and Walker Art Center (Brave New Worlds), she also participated in the 2006 Sao Paulo Biennial.
en.wikipedia.org/wiki/Haegue_Yang
# Galerie Chantal Crousel
10, rue Charlot
75003 Paris
France
11F, rue Léon Jouhaux
75010 Paris
France
# Notes
1. “Mixed Media Installation by Haegue Yang: Journal of Mundane and Uncertain Days, 2012” / Kukje Gallery, Seoul / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03939: www.flickr.com/photos/seeminglee/8803569724/
# SML Data
+ Date: 2013-05-23T15:30:44+0800
+ Dimensions: 3389 x 5084
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 30 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13822
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“양혜규 Haegue Yang (b. 1971 South Korea): Feather Dew Point - Blue Orbit, 2013 (Mixed media) + Kaleidoscopic Jewel Glow - Trustworthy #193, 2013 (5 paper collages)” / Galerie Chantal Crousel / Art Basel Hong Kong 2013 / SML.20130523.6D.13822
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #양혜규 #HaegueYang #GalerieChantalCrousel #mixedmedia #installation #Korea #collage
Theaster Gates (born 1973 Chicago) is an American Installation artist Social Practice artist. He lives and works in Chicago, Illinois. Gates’ work has been shown at major museums and galleries internationally and deals with issues of urban planning, religious space, and craft. He is committed to the revitalization of poor neighborhoods through combining urban planning and art practices.
Theaster Gates (b. 1973)
Red line with black soot and enthusiasm, 2013
Decommissioned fire hose and wood
59 x 92 x 4.5 in
149 x 233 x 11 cm
KGG-3495
# Theaster Gates
en.wikipedia.org/wiki/Theaster_Gates
# Kavi Gupta
kavigupta.com/artist/theastergates
# SML Data
+ Date: 2013-05-23T18:31:42+0800
+ Dimensions: 5197 x 3632
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14240
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Theaster Gates (b. 1973): Red line with black soot and enthusiasm, 2013 (Decommissioned fire hose and wood)” / Kavi Gupta / Art Basel Hong Kong 2013 / SML.20130523.6D.14240
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #TheasterGates #KaviGupta #firehose #wood #mixedmedia #installation #foundobjects #Chicago
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Chih-Yuan Huang
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Chinese artist 李永斌 Li Yongbin’s “Face” paintings explore the concept of temporality and the ways and possibilities in which we perceive events unfolding. He records the reflection of his own face on a windowpane against a cityscape at the moment of sunset. As night falls, the reflection of his face gradually appears while the cityscape slowly fads into darkness.
The artist is self-taught, who started with paintings and progressively work towards using video as his medium. But in these photorealist / hyperrealist works he has infused the concept of time in an otherwise still image.
I am always amazed by paintings from the photorealist / hyperrealist genre, but often beyond the skills of the artists I see little to be desired from those works. But this painting allow me to see the artistry beyond just an amazing rendering of something photorealist, and it is that which I find most incredible of all.
Crazyisgood. SML Love.
李永斌 Li Yongbin (b. 1963 Beijing, China)
臉 Face
Acrylic on canvas
170x 195 cm
2006
# 李永斌 Li Yongbin
www.chengxindong.com/index.php?option=com_xdcsection&...
www.artspeakchina.org/mediawiki/Li_Yongbin_李永斌
# Xin Dong Cheng Space for Contemporary Art 程昕東國際當代藝術空間 程昕東国际当代艺术空间
Jiu Xian Qiao Lu No. 4, Chaoyang District
Beijing 100015
China
# SML Data
+ Date: 2013-05-23T15:39:41+0800
+ Dimensions: 3579 x 3108
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13841
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by 李永斌 Li Yongbin: 臉 Face, 2006 (Acrylic on canvas)” / 程昕東国际当代艺术空间 Xin Dong Cheng Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13841
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #李永斌 #LiYongbin #程昕東 #XinDongCheng #chengxindong #Photorealism #Hyperrealism
First flown with the Airbus test registration D-AXAP, this aircraft was delivered to a lessor, leased to Airberlin as OE-LEG and sub-leased to 'fly niki' (Niki Luftfahrt GmbH) in Jan-11. It was returned to Air Berlin as D-ABHK in Feb-17. The aircraft had been due to be sub-leased to Eurowings but that didn't happen and it entered service with Air Berlin in Mar-18 still in the old silver 'fly niki' livery. Air Berlin ceased operations at the end of Oct-17, the aircraft was returned to the lessor and initially stored at Munich. It was moved to Dusseldorf in Dec-17 and then to Woensdrecht (Netherlands) in Jan-18. In Feb-18 it was leased to easyJet Europe as OE-IZD and after extensive interior refurbishing and repainting it entered sevice in Apr-18. Current (Jul-18).