View allAll Photos Tagged ABHK
D-ABHK - Airbus A-320-214 - NIKI (operated by Air Berlin)
at Duesseldorf Intrnational Airport (DUS)
c/m 4581 - built in 2011 for NIKI - operated as OE-LEG -
transferred to Air Berlin 02/2017 -
still in NIKI-col.
(Photo: G. Dickmann)
May 2017 - [DUS/EDDL] Düsseldorf - International
'AIR BERLIN 63VA' taxiing in after the flight from Arlanda.
cn 4581, delivered as OE-LEG in 2011.
Air Berlin
Airbus A320-214
Reg.: D-ABHK
*Niki* livery
@ Germany, Berlin-Tegel (EDDT/TXL)
-> Videos: www.Aircraftlovers.com
D-ABHK - Airbus A-320-214 - NIKI (operated by Air Berlin)
at Duesseldorf International Airport (DUS)
c/n 4581 - built in 2011 for NIKI as OE-LEC -
registered to Air Berlin in May 2017, currently parked
Aus gegebenem Anlass ....
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Volkswagen has been trending for a while in the social media sphere in recent years. Their retro vans and beetles have been remixed to unrecognisable magical form. So to see this at Art Basel is a surprise. The higher echelon of the art world often feel somewhat dated, filled with “old people” hiding behind the gates in their ivory towers. It is unclear if this means that they are rebranding, or perhaps simply that Asia is the “new world” in art as California is in the world of wines.
This work is by Indonesian artist Ichwan Noor (b. 1963), an artist born in Jakarta and studied at the Indonesian Art Institute, Yogyakarta. He got his idea of this piece from his personal perception that objects are products of a “transportation culture,” which induced hints and signs of spiritual emotion.
For this sculpture / installation, real parts from VW Beetle '53 is used as raw materials, and combined with aluminium and polyester to form this majestic sphere measuring 180 x 180 x 180 cm. Exposure to Indonesian contemporary artworks is a first for me at Art Basel Hong Kong, and I am seriously considering traveling to Indonesia for more.
Seriously. Crazyisgood. SML Love. VW lovers rejoice!
Ichwan Noor
Beetle Sphere, 2013
Aluminium, polyester, real parts from VW beetle '53, paint
180 x 180 x 180 cm
# Ichwan Noor
www.artbaselhongkong-online.com/?Action=showProduct&i...
www.mondecor.com/kuratorial/ichwan-noor-solo-exhibition-e...
# Art:1 by Mondecor Gallery
Jl. Rajawali Selatan Raya no. 3
Jakarta 10720
Indonesia
# SML Data
+ Date: 2013-05-23T17:48:05+0800
+ Dimensions: 5118 x 3570
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 19 mm
+ ISO: 500
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14135
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Ichwan Noor (b. 1963): Beetle Sphere, 2013 (Aluminium, polyester, real parts from VW beetle '53, paint)” / Art:1 by Mondecor Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14135
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #IchwanNoor #MondecorGallery #Indonesia #WTF #Beetle #VW #Volkswagen #installation
OE-IZD - Airbus A-320-211 - easyJet Europe
(leased from GECAS)
at Duesseldorf International Airport (DUS)
c/n 4581 - built for Air Berlin - D-ABHK -
also operated by NIKI as IE-LEG -
operated by easyJet since 02/2018
(Photo: G. Dickmann)
Charming typographic installation with motion activated sensors. That said, I am personally a bit tired of seeing them. They mostly remind me of Edward Ruscha’s paintings with big type, except with added technology. When these first appeared in the art world I do like them but unfortunately not anymore. They become almost formulaic these days, but they are popular because obviously _some_ people love them.
Peter Liversidge (born 1973, Lincoln, England) is a British contemporary artist notable for his diverse artistic practice and use of proposals.
Over the course of the last 12 years, using an Olivetti typewriter, Liversidge has created proposals for exhibitions that range from the simple to the impossible. He experiments with what he describes as the "notion of creativity", often realised as objects, performances, or happenings over the course of an exhibition.
Liversidge says of his proposals that: “.. it’s important that some of the proposals are actually realized, but no more so that the others that remain only as text on a piece of A4 paper. In a sense they are all possible and the bookwork that collates the proposals allows the reader to curate their own show, and because of its size and scale the bookwork allows an individual to interact with each of the proposals on their own terms, one to one.”
Peter Liversidge
Hello, 2013
58 Light bulbs, powder coated steel, motion activated sensor
Unique at this size
53.5 x 267.9 x 18 cm
# Peter Liversidge
www.inglebygallery.com/artists/peter-liversidge/
en.wikipedia.org/wiki/Peter_Liversidge
# Ingleby Gallery
15 Calton Road
Edinburgh EH8 8DL
United Kingdom
# SML Data
+ Date: 2013-05-23T14:06:37+0800
+ Dimensions: 4017 x 2678
+ Exposure: 1/200 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03963
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Peter Liversidge: Hello, 2013 (58 Light bulbs, powder coated steel, motion activated sensor)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03963
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PeterLiversidge #typography #installation #InglebyGallery #UK
At first I thought that this work was by Tony Oursler, who is the only artist I like who integrates videos in his work with other media. But it would appear that I have found someone I should keep an eye on—in China no less.
周啸虎 Zhou Xiaohu (b. 1960, Changzhou, Jiangsu Province) was one the of the first contemporary artists in China to work experimentally with sculptural ideas of video and animation. With a background in sculpture, oil painting and graphic design, Zhou’s work is a dynamic combination of these mediums, reflecting a world in which technology rules and the media is the pinnacle of propaganda and public influence.
Titled “America Loves Me”, this oil painting on aluminium plate comes come with an animated video as part of the piece which runs for 1 min 6 sec. It shows almost the same image as the painting, except that the shovel was seen digging dirt out from the tent.
As with the best contemporary artworks which I like, I found myself saying “WTF” out loud continuously for almost a minute. I have no idea what it is intended to say. Some day I would love to meet this guy. For now, my tiny brain is off to a reboot.
ZHOU Xiaohu 周啸虎
America Loves Me
2012
Oil painting on aluminium plate, animation video
217 x 122 cm
Animation video: 1 min 6 sec
Edition 2/2
# Zhou Xiaohu 周啸虎 (周嘯虎)
b. 1960, Changzhou, Jiangsu Province, China
www.longmarchspace.com/artist/list_7_brief.html
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# SML Data
+ Date: 2013-05-23T15:39:41+0800
+ Dimensions: 4798 x 2725
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 40mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13936
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by ZHOU Xiaohu 周啸虎 (周嘯虎): America Loves Me, 2012 (Oil painting on aluminium plate, animation video)” / Long March Space 长征空间 (長征空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13936
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ZHOUXiaohu #周啸虎 #周嘯虎 #LongMarchSpace #长征空间 #WTF #installation #oil
Whereas having a chiseled body may be a physical ideal in the modern times, being fat was once considered a natural beauty in China. As early as Han Dynasty, the rounded figures used to be desired. And in the early to mid 1900s, when wars were fought across the nation, being fat was once considered a sign of being “well fed,” even though this notion has slowly dissipated.
The “Fatty” sculptural series by Chinese artist 牟柏岩 Mu Boyan (b. 1976) depicts a naked male figure in unimaginable position. Here he is seen hanging onto a ledge and would not let go. Some art critics see the figure as that of sumo wrestler, though I highly doubt that at Chinese artist would be referencing sports culture from Japan.
Similar to the laughing men of 岳敏君 Yue Minjun, you either love it or hate it, but the one thing you cannot do is forget about it. And in that sense it is a successful piece.
Truly demented. Crazyisgood. Just the kind of art I love.
牟柏岩 Mu Boyan (b. 1976 Yunan, China)
Dot
2013
Color on Stainless steel
142 x 37 x 42 cm
# 牟柏岩 Mu Boyan
b. 1976
+ 1993-1997: 中央美术学院 China Central Academy of Fine Arts
+ 1997-2002: BFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获学士学位
+ 2002-2005: MFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获硕士学位。
+ 2005: Teaches at China Central Academy of Fine Arts 中央美术学院
# Aye Gallery
Rm 601, Unit 3, Yonghe Garden, Yard 3, Dongbinhe Road, Dongcheng District
Beijing 100013
China
# SML Data
+ Date: 2013-05-23T18:33:48+0800
+ Dimensions: 3545 x 5252
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 29 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14253
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Sculpture by 牟柏岩 Mu Boyan (b. 1976 China): Dot (Fatty series), 2013 (Color on Stainless steel) / Aye Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14253
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #牟柏岩 #MuBoyan #sculpture #WTF #LOL #sculpture #fat #figure
A red sculptural doll lies happily on the flat and two-dimensional canvas filled with black and white characters drawn with lines waiting to come out.
Korean artist Eddie Kang’s mixed media piece is yet another fine example of WTF work seen recently at Art Basel Hong Kong 2013 which short-circuited my tiny brain.
As always, I am further WTF’ed up by the gallery description, which you are free to read below. Korean pop art at its heights. The artist got his art education in film and animation at RISD, which might explain the style which he paints with.
Crazyisgood.
Eddie Kang
In the middle of
2013
mixed media on canvas
130 x 130 cm
# Eddie Kang
2003 Rhode Island School of Design (BFA in Fine Art: Film/Animation/Video)
Eddie Kang thematically centered on memories (reminiscences) continuously when he had expressed his works. To express the psychological status of the fiction space (Comic series), he adjusts the frame and juxtaposes the characters with the realities of life that has structural limits and develops an unfamiliar space time. Hereafter, the process of recalling his childhood illusion or series of events is to reconstruct the memories and combine (“Absorbing”, “KARMA” series) them together which is similar as the memory of systematic reconstruction. In places, the collision of reality and inner narrative exposes in his artworks. The behavior of sewing emblem that indulges the cherished objects’ absence during the artist’s childhood and studying abroad, while the subject of dolls and in between their relationship and the overwhelming robots that symbolize the external world events not only deployed as a symbolic placement but by narration which renders a distinctive structure. This description that continues the process of the stories’ context does not exist, but which suits with fiction that evolves to a positive result. The individual characters exist by themselves and continuously arouse hybridization, transmutation that proliferates and might be evidence of the past memories that harmonize with the reality; the process of recalling.
www.galleryihn.com/at/eddie/bio.html
# Gallery Ihn
73 Cheongwadae-ro Jongno-gu
110 - 220 Seoul
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T16:42:01+0800
+ Dimensions: 2985 x 2985
+ Exposure: 1/80 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13996.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Eddie Kang: In the middle of, 2013 (mixed media on canvas)” / Gallery Ihn / Art Basel Hong Kong 2013 / SML.20130523.6D.13996.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #EddieKang #GalleryIhn #mixedmedia #WTF #LOL #popart #KR
Korean artist Insook Kim discovered the hotel by accident, just as it was being finished. Standing about third meters away in complete darkness, the she observed the lively activity inside the hotel after dark when the guests arrived.
With its panoramic windows, the guest see themselves as being anonymous in the dark, and so they are unaware that they are in fact taking part in a very public presentation for all to see. Given a bed and some mood lights, a musician was seen playing a cello while some explicit coupling can be clearly observed.
Human nature at its finest. At crowdy neighbourhoods in urban areas you often can see similar happenings in the dark, though I live in the middle of nowhere so I am unable to produce similar shots — I am somewhat ethically bound by my own creation. But here-in I salute the photographer who found this wonderland on a saturday night many winters ago.
This is one of my favorite photography works seen at ABHK recently.
(it is clear to me by now that galleries put up these very reflective frames so photojournalists cannot go and snap a high res photo for print, obviously. But interesting is how this reflective framing also allows me to photograph the people behind me… which is voyeuristic in its very own way)
Insook Kim
Saturday Night, 2007
C-print, diasec
230 x 370 cm
# Insook Kim 金仁淑（キム・インスク）
b. 1978 Osaka, Japan
based in Seoul Korea
+ 2000: BFA Fashion, Osaka Shoin Women's College, Osaka, Japan
+ 2002: Photography, Visual Arts College, Osaka, Japan
+ 2005: MFA in Painting, Photography & images, Hansung University Graduate School of Arts, Seoul, Korea
# 313 Art Project
313 Dosan Daero, Gangnam-gu
Seoul 135-895
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T17:50:22+0800
+ Dimensions: 4951 x 3038
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 2000
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14141
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Photography by 金仁淑 Insook Kim (b. 1978 Japan): Saturday Night, 2007 (C-print, diasec) / 313 Art Project / Art Basel Hong Kong 2013 / SML.20130523.6D.14141
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #金仁淑 #InsookKim #313ArtProject #Japan #Korea #WTF #LOL #people #humans
Photo taken by Wilhelm Hell, scan kindly provided by him for inclusion on this page.
München-Riem
June 1983
SU-BBX "Ibis"
Boeing 737-266/Adv
21193 / 453
EgyptAir
SU-BBX is taxiing to runway 07 with a Pan Am 737, Lufthansa 737 (D-ABHK) and LTU TriStar visible behind (the tail of a Denver Ports of Call 707 can also be made out).
This airframe had been noted at Riem as SU-AYJ with EgpytAir on 7 January 1977 and also as SU-BBX on 8 June 1980 and 31 May 1985 (there were probably many more visits throughout the 1980s).
Information from airhistory.net - thanks to Paul Seymour:
Delivered to Egyptair as SU-AYJ in 1976. To Transavia as PH-TVN in 1977. Back to Egyptair as SU-BBX in 1980. To Kenya Airways as 5Y-KHV in 1992. To LAPA as N193GP in 1997. Reregistered as LV-PNI then LV-YBS in 1998. To Southern Winds in 2003. Withdrawn from use in 2005, possibly at Buenos Aires-Ezeiza, there were some derelict Southern Winds 737s there in 2016 and they are still there on satellite image in 2021.
Registration details for this airframe:
www.planelogger.com/Aircraft/Registration/SU-BBX/504433
This airframe as PH-TVN with Transavia at CIA in October 1978:
www.airhistory.net/photo/428411/PH-TVN
This airframe as 5Y-BHV at NBO in May 1997:
imgproc.airliners.net/photos/airliners/7/9/5/1329597.jpg
5Y-BHV with LAPA at DUB in November 1997:
www.flickr.com/photos/53277566@N06/12937516804
This airframe as LV-YBS with LAPA at AEP in March 2000:
www.flickr.com/photos/aero_icarus/8479704811
LV-YBS with Southern Winds at BRC in March 2004:
www.flickr.com/photos/propfreak/19196757195/in
LV-YBS derelict at EZE in October 2021:
imgproc.airliners.net/photos/airliners/1/8/2/6772281.jpg
Scan from Kodachrome slide (on Kodak Photo CD).
Amazing work which looks like lenticular images by Brazilian artist Abraham Palatnik (b. 1928).
This genre of work is known as “kinechromatic,” a term coined in 1951 by Mario Pedrosa in an article in Tribuna da Imprensa in reference to Palatnik’s work. The artist initially created electro-mechanical devices, based on the kaleidoscopic principle, which projected a constantly changing pattern of coloured light on a screen.
This is not such device, but an acrylic on canvas painting, but it is no doubt that one influence another.
Love this.
Abraham Palatnik
W-427
2012
Acrylic on wood
110 x 170 cm
# Abraham Palatnik
Abraham Palatnik (born 1928) is a Brazilian artist and inventor whose innovations include kinechromatic art. He is Jewish and of Russian descent.
en.wikipedia.org/wiki/Abraham_Palatnik
# Galeria Nara Roseler
Av Europa 655
São Paulo 01449-001
Brazil
# SML Data
+ Date: 2013-05-23T14:38:58+0800
+ Dimensions: 3777 x 2460
+ Exposure: 1/50 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.04006
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Abraham Palatnik (b. 1928 Brazil): W-427, 2012 (Acrylic on wood)” / Galeria Nara Roseler / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04006
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #AbrahamPalatnik #GaleriaNaraRoseler #kinechromatic #abstract #forms #painting #acrylic
This abstract oil painting by Chinese artist Liu Wei 刘韡 (劉韡) caught by eye as they look like computer circuit boards.
The series “Truth Dimension” were painted with the help of a computer. He first draws an image with the house, and then a computer program is used to “find and create new images” randomly into the artist’s own randomness [1].
It feels a bit of a cop-out to me, but one has to admit that this work is mostly amazing because it has left the computer screen and became a painting in oil. In this regard I see this mostly as an oil reproduction of the computer screen—and so perhaps it is hyperrealistic in that regard?
When the medium travels into another realm, they often feel more interesting. But what does it really say if the image itself may not really be considered a work of art before it was “transferred” to the oil medium?
LIU Wei
Truth Dimension No 7
2013
Oil on canvas
189 x 399 cm
# Liu Wei 刘韡 (劉韡)
1972 Born in Beijing, China
1996 BFA, China National Academy of Fine Arts, Oil Painting Department, Hangzhou
Lives and works in Beijing.
en.wikipedia.org/wiki/Liu_Wei_(artist)
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# Notes
1. Lehmann Maupin: Press Release: www.lehmannmaupin.com/exhibitions/2013-02-28_liu-wei/pres...
# SML Data
+ Date: 2013-05-23T16:22:44+0800
+ Dimensions: 4464 x 2684
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 26 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13932
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
“Painting by LIU Wei 刘韡 (劉韡): Truth Dimension No 7, 2013 (oil on canvas)” / Long March Space 长征空间 (長征空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13932
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #LIUWei #刘韡 #LongMarchSpace #长征空间 #Painting #Oiloncanvas #oil #abstract
More goodies from Yayoi Kusama—a gigantic stainless steel pumpkin in this case. Ota Fine Arts decided to give her a solo show at the event in collaboration with Victoria Miro Gallery so closed to 40 of her pieces were shown.
Here behind the sculpture you can also see some of her printmaking works, which are silkscreen on canvas. In the far back the yellow organic forms from wonderland far far away is a mixed media sculpture formed with stuffed fabric.
Yayoi Kusama
Pumpkin, 2010
Stainless steel
H220 x diameter 220 cm
H86 5/8 x diameter 65 5/8 in
# Yayoi Kusama
Yayoi Kusama (草間 彌生 or 弥生 Kusama Yayoi, born March 22, 1929) is a Japanese artist and writer.
en.wikipedia.org/wiki/Yayoi_Kusama/
# Ota Fine Arts
3F Piramide Building, 6-6-9 Roppongi, Minato-ku
Tokyo 106-0032
Japan
47 Malan Road, #01-23 Gillman Barracks
Singapore 109444
Singapore
# Victoria Miro
16 Wharf Road
London N1 7RW
United Kingdom
# SML Data
+ Date: 2013-05-23T16:44:22+0800
+ Dimensions: 3474 x 3474
+ Exposure: 1/50 sec at f/4.0
+ Focal Length: 22 mm
+ ISO: 10
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13830.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Yayoi Kusama: Pumpkin, 2010 (stainless steel)” / Ota Fine Arts + Victoria Miro / Art Basel Hong Kong 2013 / SML.20130523.6D.13830.SQ
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/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #草間彌生 #YayoiKusama #OtaFineArts #VictoriaMiro #Japan #sculpture #installation