And
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B52 - Love Shack
www.youtube.com/watch?v=9SOryJvTAGs
If you see a faded sign at the side of the road that says
"15 miles to the Love Shack"
Love Shack, yeah, yeah
I'm heading down the Atlanta highway
Looking for the love getaway
Headed for the love getaway
I got me a car, it's as big as a whale
And we're headin' on down to the Love Shack
I got me a Chrysler, it seats about 20
So hurry up and bring your jukebox money
The love shack is a little old place where
We can get together
Love Shack, baby (the Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Sign says (woo), "Stay away, fools"
'Cause love rules at the Love Shack
Well, it's set way back in the middle of a field
Just a funky old shack and I gotta get back
Glitter on the mattress
Glitter on the highway
Glitter on the front porch
Glitter on the highway
The Love Shack is a little old place where
We can get together
Love Shack, baby (Love Shack, baby)
Love Shack, that's where it's at
Love Shack, that's where it's at
Hugging and a-kissing
Dancing and a-loving
Wearing next to nothing 'cause it's hot as an oven
The whole shack shimmies
Yeah, the whole shack shimmies
The whole shack shimmies when everybody's moving around
And around and around and around
Everybody's moving, everybody's grooving, baby
Folks linin' up outside just to get down
Everybody's moving, everybody's grooving, baby
Funky little shack
Funky little shack!
Hop in my Chrysler
It's as big as a whale and it's about to set sail
I got me a car, it seats about 20
So come on and bring your jukebox money
The Love Shack is a little old place where
We can get together
Love Shack, baby (the Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at, yeah)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Bang, bang, bang, on the door, baby
Knock a little louder, baby
Bang, bang, bang, on the door, baby
I can't hear you
Bang, bang, bang, on the door, baby
Knock a little louder, sugar
Bang, bang, bang, on the door, baby
I can't hear you
Bang, bang, bang, on the door, baby (knock a little louder)
Bang, bang, bang, on the door, baby (knock a little louder)
Bang, bang (on the door, baby)
Bang, bang (on the door)
Everybody's moving, everybody's grooving, baby
Bang, bang
You're what?
Tin roof, rusted
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at, yeah)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
At the Love Shack
Patreek Kuhad - Be At Ease
www.youtube.com/watch?v=MuJpX0Pla3Y
I'm glaring wildly at traces of love
Staring blankly at signs from above
Breathe under the sun, living without kin or kith
We are all looking for someone to be at ease with
And wined and dined, a trollop at nine
Believe it or not, she's doing fine
Often, everything we know turns out a myth
We are all looking for someone to be at ease with
Ease, to be at ease
To be at ease
To be at ease
To be at ease with
A drop of luck, a pinch of fate
Lift your heart, it's never too late
Sow your blood, reap your flesh, hold steady your scythe
We are all looking for someone to be at ease
And we are all looking for someone to be at peace
To be at peace
That's my attempt at signing "Recycle."
I wanted to have an Earth Day inspired photo. :]
It's better viewed large, I think.
And my bracelet it's 99% recycled, or something like that, so it was appropriate.
Thanks to Heather for checking that my signing wasn't way off, as I was simply looking at a piece of paper with the letters on it, haha.
blog │ facebook│ become a Patron
Self-portrait At Ocotillo Moons
(November 7th, 2020)
Terlingua, Texas, U.S.A.
After the first encounter last year, I returned there again. I had to because it was love at first sight. The desert is not a landscape that shouts. It whispers, inviting you to look closer. I think I found my place on Earth. The Chihuahuan desert, the largest desert in North America and the third most diverse in the world, is where I went for a 10-day road trip in November. It was a peak season, but I was able to find my solitude, rebuild harmony, and feed my soul. Aride and alive, the fascinating paradox about the Chihuahuan could be the metaphor of my poor existence in this world.
I took this mirrored self-portrait at my new place called 'Ocotillo Moons' where I moved to for next four days. It was a secluded luxuary barn sitting on 40 acres of beautiful desert landscape. It made me really sad seeing quite a comfortable lodging that I didn't expect with a spacious bathroom, a separate bedroom, a well equipped kitchen, a little rest area and an incredible covered patio. Even the refrigerator was giving natural water after pressing a proper button, or if you wanted potable water with glace straight to your cup! Gosh! All this made me feel bad and guilty. I started missing my Ghost Town Ruin where I stayed for the first three days, and all the hard work I had to do in order to wash dirty dishes, get potable water or a cup of tea. Such life makes you humble, and only this way you start understanding better the desert. Well, in fact, it was at Ocotillo Moons where I took two showers, my only ones during a 10-day road trip. Still, there was no a bathub, and everywhere I looked at, signs with conserving water, so I thought quite a bit before I decided to use it.
After a day or so of my stay there, I started slowly liking this place more and more. It's because I figured out its name, and fell in love with a new desert plant: ocotillo. It was so amazing looking at so many flourishing ocotillos surrounding the barn. To me they were like a synonyme of the essence of the Chihuahuan desert aride and alive. For most of the year the ocotillo appears devoid of life, but its dry, woody, thorny stems sprout small green leaves in spring and after heavy rains, followed by a cluster of bright red flowers.
I was able to take some self-portraits only twice at this place. First photoshoot was focused on ocotillos of course (sadly, I lost my mind dancing at the Golden Hour in the desert, and completely forgot to take a mirrored self-portrait for my project), the second one- on yucca trees. All these belong to the project "My Life Is a Picture" documenting my life.
---
About the project:
I wish to look at myself in all reflected streets and places I will be passing by. These self-portraits are inspired by Vivian Maier's self-portraiture: www.vivianmaier.com
blog │ facebook│ become a Patron
Self-portrait At Ocotillo Moons II
(November 8 th, 2020)
Terlingua, Texas, U.S.A.
After the first encounter last year, I returned there again. I had to because it was love at first sight. The desert is not a landscape that shouts. It whispers, inviting you to look closer. I think I found my place on Earth. The Chihuahuan desert, the largest desert in North America and the third most diverse in the world, is where I went for a 10-day road trip in November. It was a peak season, but I was able to find my solitude, rebuild harmony, and feed my soul. Aride and alive, the fascinating paradox about the Chihuahuan could be the metaphor of my poor existence in this world.
I took this mirrored self-portrait at my new place called 'Ocotillo Moons' where I moved to for next four days. It was a secluded luxuary barn sitting on 40 acres of beautiful desert landscape. It made me really sad seeing quite a comfortable lodging that I didn't expect with a spacious bathroom, a separate bedroom, a well equipped kitchen, a little rest area and an incredible covered patio. Even the refrigerator was giving natural water after pressing a proper button, or if you wanted potable water with glace straight to your cup! Gosh! All this made me feel bad and guilty. I started missing my Ghost Town Ruin where I stayed for the first three days, and all the hard work I had to do in order to wash dirty dishes, get potable water or a cup of tea. Such life makes you humble, and only this way you start understanding better the desert. Well, in fact, it was at Ocotillo Moons where I took two showers, my only ones during a 10-day road trip. Still, there was no a bathub, and everywhere I looked at, signs with conserving water, so I thought quite a bit before I decided to use it.
After a day or so of my stay there, I started slowly liking this place more and more. It's because I figured out its name, and fell in love with a new desert plant: ocotillo. It was so amazing looking at so many flourishing ocotillos surrounding the barn. To me they were like a synonyme of the essence of the Chihuahuan desert aride and alive. For most of the year the ocotillo appears devoid of life, but its dry, woody, thorny stems sprout small green leaves in spring and after heavy rains, followed by a cluster of bright red flowers.
I was able to take some self-portraits only twice at this place. First photoshoot was focused on ocotillos of course (sadly, I lost my mind dancing at the Golden Hour in the desert, and completely forgot to take a mirrored self-portrait for my project), the second one- on yucca trees. All these belong to the project "My Life Is a Picture" documenting my life.
---
About the project:
I wish to look at myself in all reflected streets and places I will be passing by. These self-portraits are inspired by Vivian Maier's self-portraiture: www.vivianmaier.com
We need to know! (Warning: rude words)
At the request of the Real Richard Herring...
Lighting: 580EXII with snoot pointing at sign, fired by ST-E2. Face side light provided by the sun.
MONSTER MASH HUNT (1L if you hunt OR 25L buy at sign) Oct 1-31st
HINT: Ooohh, tell me all the gory details!!!
I “Heart” P-O-L-A-R-O-I-D :)
I’ve been working on this project for the past 2.5 months. This is what I decided to do with my last 2 boxes of SX-70 film. I have to say I’m both sad and glad I have finished it finally. It can get kind of dangerous after a while driving around constantly looking at signs for the “perfect” letters. Just glad I never had any wrecks… LOL I went through some pretty crazy ordeals to take a few of these: spent a ton of $ in gas driving around every lunch break I got and weekend, had to explain the project to a few folks that I wanted to ask permission from so I could shoot their signs without beginning to cry over the whole death of POLAROID film that is about to take place, a couple of these I had to drive right up next to the sign and do some sort of contortionist act while hanging out my truck door to get the shot and I even sat right next to a smelly dumpster on a very hot day for another… PU stinky! But it’s all for the sake of art and Polaroid, my favorite film!
Although this is the last of my SX-70 film, never fear I’ve got more Polaroid film in the fridge. It ain’t over ‘til the fat lady sings right? :)
They discontinued the SX-70 film 3 months after I got my camera and of course I instantly fell in love with it, but…now my SX-70 Polaroid Camera will have to R. I. P. :(
Anyways “God Bless Edwin H. Land” and happy Friday everyone! :)
All content posted in the Blogtrepreneur Flickr Photostream is available for use under the Creative Commons Attribution License.
Please provide attribution via a link to howtostartablogonline.net
You get convenient access to this free original image in exchange for a simple attribution.
Many thanks for the visits, faves and comments. Cheers
Banded Lapwing
Scientific Name: Vanellus tricolor
Description: The Banded Lapwing is a large plover with a broad black breast band and white throat. The upperparts are mainly grey-brown with white underparts. There is a black cap and broad white eye-stripe, with a yellow eye-ring and bill and a small red wattle over the bill. The legs are pinkish-grey. These lapwings have an upright stance and a slow walk, breaking into a faster trot when alarmed. They fly with quick, clipped wing-beats - giving them the name 'lapwing'.
Similar species: The Banded Lapwing is much smaller than the Masked Lapwing,Vanellus miles, with a longer tail and shorter legs. The u-shaped breast band is diagnostic.
Distribution: Banded Lapwings are endemic to (found only in) Australia in the east, south and west of the mainland and in Tasmania. They are rarely found in northern Australia.
Habitat: Banded Lapwings prefer open, short grasslands such as heavily grazed paddocks, agricultural lands and saline herblands in dry and semi-arid regions.
Seasonal movements: Banded Lapwings are nomadic, flying considerable distances at night to find suitable conditions of food and water.
Feeding: Banded Lapwings chase insects with short runs and darts and may eat seeds in dry times. They prefer areas with very short grass, to find insects, worms, spiders and molluscs (snails and slugs).
Breeding: Banded Lapwings need rain before breeding. The nest is a scrape on the ground, lined with dry grass and even sheep droppings. The eggs and chicks are speckled and well-camouflaged. They freeze and keep quite still at sign of danger. The parents defend their nest and young with great courage and will fly at human intruders, often with a distraction display, pretending to drag a broken wing.
Calls: Loud strident calls when alarmed or for contact - a plaintive three-note call, descending in pitch: 'a-chee-chee-chee'.
Minimum Size: 25cm
Maximum Size: 29cm
Average size: 27cm
Average weight: 190g
Breeding season: June to November, varies with rainfall.
Clutch Size: 3 to 4 eggs
Incubation: 28 days
(Source: www.birdsinbackyards.net)
© Chris Burns 2016
__________________________________________
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Not photoshopped; took a brakestand while shooting thru the windshield. Yes, those are bullet dents/holes. Twits still shoot at signs.
To view more of my images, of Birds of Prey, please click
"here" !
Please, no group invites; thank you!
The Red Kite (Milvus milvus) is a medium-large bird of prey in the family Accipitridae, which also includes many other diurnal raptors such as eagles, buzzards, and harriers. The species is currently endemic to the Western Palearctic region in Europe and northwest Africa, though formerly also occurred just outside in northern Iran. It is resident in the milder parts of its range in western Europe and northwest Africa, but birds from northeastern and central Europe winter further south and west, reaching south to Turkey. Vagrants have reached north to Finland and south to Israel, Libya and Gambia. Red kites are 60 to 70 cm long with a 175–179 cm wingspan; males weigh 800–1,200 g, and females 1,000–1,300 g. It is an elegant bird, soaring on long wings held at a dihedral, and long forked tail, twisting as it changes direction. The body, upper tail and wing coverts are rufous. The white primary flight feathers contrast with the black wing tips and dark secondaries. Apart from the weight difference, the sexes are similar, but juveniles have a buff breast and belly. Its call is a thin piping sound, similar to but less mewling than the common buzzard. There is a rare white leucistic form accounting for approximately 1% of hatchlings in the Welsh population but is at a disadvantage in the survival stakes The red kite's diet consists mainly of small mammals such as mice, voles, shrews, young hares and rabbits. It feeds on a wide variety of carrion including sheep carcasses and dead game birds. Live birds are also taken and occasionally reptiles and amphibians. Earthworms form an important part of the diet, especially in spring. As scavengers, red kites are particularly susceptible to poisoning. Illegal poison baits set for foxes or crows are indiscriminate and kill protected birds and other animals. There have also been a number of incidents of red kites and other raptors being targeted by wildlife criminals. Although adult red kites are sedentary birds, occupying their breeding home range all year in most cases, populations from Central and Northern Europe—although not the United Kingdom—may migrate south to areas such as Spain and the Iberian peninsula during colder winters. Each nesting territory can contain up to five nest sites. Both male and female birds build the nest on a main fork or a limb high in a tree, 12–20 m above the ground. The nest is made of twigs and lined with grass or other vegetation and sheep’s wool. At signs of danger, a mother will signal the young who will "play dead" when a predator is near. Red kites inhabit broadleaf woodlands, valleys and wetland edges, to 800 metres. They are endemic to the western Palearctic, with the European population of 19,000–25,000 pairs encompassing 95% of its global breeding range. It breeds from Spain and Portugal east into central Europe and Ukraine, north to southern Sweden, Latvia and the UK, and south to southern Italy. There is a population in northern Morocco. Northern birds move south in winter, mostly staying in the west of the breeding range, but also to eastern Turkey, northern Tunisia and Algeria. The three largest populations (in Germany, France and Spain, which together hold more than 75% of the global population) declined between 1990 and 2000, and overall the species declined by almost 20% over the ten years. The main threats to red kites are poisoning, through illegal direct poisoning and indirect poisoning from pesticides, particularly in the wintering ranges in France and Spain, and changes in agricultural practices causing a reduction in food resources. Other threats include electrocution, hunting and trapping, deforestation, egg-collection (on a local scale) and possibly competition with the generally more successful black kite M. migrans.
© Ben Heine || Facebook || Twitter || www.benheine.com
_______________________________________________
Enlarge HERE (the third detail is a small part of his nose)
Made with thousands of "@" symbols (the common "At sign" typographic character). It took me a few days of work. I applied each character one by one and used several references for the accuracy of the portrait. Each symbol is made of a single color and tone. (I left the portrait unfinished on purpose, I think it's better this way).
"@" like "@mbitious", "@ctivism" and "@ssange"... Julian is a courageous man fighting for Justice and Democracy despite many criticisms...
Julian Paul Assange is the founder, spokesperson and editor in chief of WikiLeaks (a whistleblower website and conduit for news leaks). He is also an Australian publisher, journalist, software developer and Internet activist.
_______________________________________________
For more information about my art: info@benheine.com
_______________________________________________
© Ben Heine || Facebook || Twitter || www.benheine.com
_______________________________________________
Enlarge HERE
Made with thousands of "@" symbols (the common "At sign" typographic character). It took me a few days of work. I applied each character one by one and used several references for the accuracy of the portrait. Each symbol is made of a single color and tone. (I left the portrait unfinished on purpose, I think it's better this way).
"@" like "@mbitious", "@ctivism" and "@ssange"... Julian is a courageous man fighting for Justice and Democracy despite many criticisms...
Julian Paul Assange is the founder, spokesperson and editor in chief of WikiLeaks (a whistleblower website and conduit for news leaks). He is also an Australian publisher, journalist, software developer and Internet activist.
_______________________________________________
For more information about my art: info@benheine.com
_______________________________________________
Prints | FB | Soundcloud | Insta | Twitter | G+ | Blog | © Ben Heine
Buy prints, canvases and posters of this artwork HERE.
View the work in progress at this link and some close details here.
Made with thousands of "@" symbols (the common "At sign" typographic character). It took me a few days of work. I applied each character one by one and used several references for the accuracy of the portrait. Each symbol is made of a single color and tone. (I left the portrait unfinished on purpose, I think it's better this way).
"@" like "@ctivist" and "@ssange"... Julian is a courageous man fighting for Justice and Democracy despite many criticisms...
Julian Paul Assange is the founder, spokesperson and editor in chief of WikiLeaks (a whistleblower website and conduit for news leaks). He is also an Australian publisher, journalist, software developer and Internet activist.
For more info about my projects, contact: info@benheine.com
Tomb of Nefertari, burial chamber: East wall, fifth portal
The eastern walls portrays Chapter 146 of the Book of the Dead. This is Nefertari's passage through twenty-one portals (each guarded by a single keeper) of the domain of Osiris. Each of the portals is represented in the same way, a simple door frame topped with a uraeus frieze. Inside each is the keeper, sitting on a green dais in the form of a Ma'at sign, holding a knife to his knees.
The doorkeeper of the fifth portal is a strange figure of a naked child with a malformed head. Unlike the other keepers, he does not hold a knife on her knees, but holds two (one in each hand) across her chest.
SCOUT: “Hhhmmm…” *Ponders as he peers over the top of a rose.* “Hhhmmm… no.”
PADDY: *Watches Scout with mild bemusement.*
SCOUT: “Hhhmmm…” *Lifts petals with paw.* “Hhhmmm… no, not that either.”
PADDY: “Hullo Scout!”
SCOUT: “Oh! Hullo Paddy.” *Distracted.* “Hhhmmm… I wonder.” *Peers between petals.* “Hhhmmm… no, not that either.”
PADDY: “Scout, what on earth are you doing?”
SCOUT: “Paddy? How can you tell?”
PADDY: “Tell what, Scout?”
SCOUT: “How can you tell whether a rose is a lady or a man?”
PADDY: “I beg your pardon, Scout?” *Perplexed.*
SCOUT: “How can you tell whether a rose is a lady rose, or a man rose, Paddy?”
PADDY: “Why on earth are you asking that, Scout?”
SCOUT: “Well, I was taking to Daddy when we were looking at these roses before, and he told me that they are lady roses. I’ve been looking at this rose for ages now, and I can’t tell any difference between it and any other rose. How can Daddy tell that it’s a lady rose?”
PADDY: “Well Scout it might…”
SCOUT: “Oh! Is it because it is because it as apricot pink colour, Paddy? Is that why?”
PADDY: “Well no, Scout. It’s actually bec…”
SCOUT: “That’s such a relief, Paddy!”
PADDY: “Why is that such a relief, Scout?”
SCOUT: “Well, because I like to wear an apricot pink scarf sometimes, but I’m a boy, not a girl! I don’t want to be categ… categori… I don’t want to be called a girl just because I like to wear apricot pink.”
PADDY: “Oh Daddy would never categorise you, Scout. No Daddy identif…”
SCOUT: “Is it because the rose is all ruffly, like a tutu. Paddy?”
PADDY: “Well no, Scout. Daddy actuall…”
SCOUT: “Oh that’s a big relief too!”
PADDY: “And why is that such a big relief, Scout?”
SCOUT: “Well, I would have thought that was obvious, Paddy! It’s because I like to wear tutus sometimes.”
PADDY: “You can wear your tutus as much as you like, Scout. It’s fine. Nobear has called you a girl because you wear tutus, have they?”
SCOUT: *Thinks for a moment. “Well no, Paddy.”
PADDY: “Exactly.”
SCOUT: “So how does Daddy know this is a lady rose and not a man rose then, Paddy?”
PADDY: “Well, if you’d just let me finish, Scout,” *Frustrated.* “I’ll tell you!”
SCOUT: “Well, there is no need to shout, Paddy. I’m not ancient and deaf, like some bears I know… who I would like to point out remain nameless to protect your… err, I mean… their identity.”
PADDY: “Ahem! I am not deaf, Scout… nor ancient, as I keep telling you.”
SCOUT: “Paddy!” *Offended.* “I never said it was you I was talking about… even if it was you I was talking about.”
PADDY: *Frowns.* “Do you want to know how Daddy knows that this is a lady rose or not, Scout?”
SCOUT: “Well of course I do, Paddy! That’s why I am asking you. I hope you aren’t suffering from heatstroke from the sun.”
PADDY: *Nonplussed.* “The reason how Daddy knows that this is a lady rose is because he read it off the sign down there.” *Points to a sign imbedded into the brick garden edging.*
SCOUT: “Oh why didn’t you just say so, Paddy?”
PADDY: “But I just did, Scout.”
SCOUT: “Humph!” *Huffs.* “There is no need to be so literal, Paddy.”
PADDY and SCOUT: *Walk over and looks at sign.*
SCOUT: “What does it say, Paddy?”
PADDY: “You can read it, Scout! You know enough of your letters to at least try reading it.”
SCOUT: *Reads aloud.* “Rosa ‘The Lady’.”
PADDY: “Well done, Scout. I’m proud of you. It’s a hybrid tea rose.”
SCOUT: “Ooooh! So that’s how Paddy knew this rose was a lady!” *Sighs.* “It’s because her name is Rosa!”
PADDY: *Perplexed.* “I don’t think you have the right idea, Scout.” *Sighs.*
My Paddington Bear came to live with me in London when I was two years old (many, many years ago). He was hand made by my Great Aunt and he has a chocolate coloured felt hat, the brim of which had to be pinned up by a safety pin to stop it getting in his eyes. The collar of his mackintosh is made of the same felt. He wears wellington boots made from the same red leather used to make the toggles on his mackintosh.
He has travelled with me across the world and he and I have had many adventures together over the years. He is a very precious member of my small family.
Scout was a gift to Paddy from my friend. He is a Fair Trade Bear hand knitted in Africa. His name comes from the shop my friend found him in: Scout House. He tells me that life was very different where he came from, and Paddy is helping introduce him to many new experiences. Scout catches on quickly, and has proven to be a cheeky, but very lovable member of our closely knit family.
The St Kilda Botanical Gardens are a very beautiful place to visit, not least for all for their wonderful array of roses found in the Alister Clarke Rose Garden. This was where In took Paddy and Scout a few weeks ago.
Bred in the United Kingdom by Gareth Fryer in 1985 from a cross between 'Pink Parfait' and 'Redgold', "The Lady" is a mildly fragrant apricot pink hybrid tea rose with dark green foliage, which is named after Britain’s oldest women’s weekly magazine ‘The Lady’, which has been in publication since 1885.
The site of the St Kilda Botanical Gardens were established in the 1800's. The municipal council petitioned the Department of Lands and Survey to make this segment of land bordered by Dickens Street, Tennyson Street and Blessington Street a Botanic Garden. The gardens were formally established in 1859 when a boundary fence was erected. By 1907 significant donations of money and plant material had led to the establishment of a rosary, extensive flower beds and a nursery. Exotic forest trees were planted during the 1870s and Australian species were included in 1932. In the 1950s the Alister Clarke Rose Garden was established and a Sub-Tropical Rain-forest conservatory added in the early 1990's.
tokyo, japan
1973
the city at night
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Photomontage and digital painting.
My Deviantart: embrisionarts.deviantart.com/
My Facebook: www.facebook.com/EmbrisionArts
Credits and resources:
Background 1: Purchased at dreamstime
background 2: Purchased at dreamstime
Background 3: www.renderosity.com/mod/bcs/variant-star-zeta-/61998
Rainbows: Painted.
Man: Purchased at dreamstime
Sign: Purchased at dreamstime
Pot of Gold: Purchased at dreamstime
Bird at sign: Purchased at dreamstime
Bird sky: Own
Birds sky: sd-stock.deviantart.com/art/Birds-Brush-83904581
Treasuremap: ravenarcana.deviantart.com/gallery/#/d575jsx
Some elements painted.
Created with Photoshop Elements, CS 5 extended, PSP X4 and tablet.
Copyright © 2010-2020 ~ Embrisionarts
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
Lake Ontario is one of the five Great Lakes of North America. It is surrounded on the north, west, and southwest by the Canadian province of Ontario, and on the south and east by the U.S. state of New York, whose water boundaries, along the international border, meet in the middle of the lake.
The Canadian cities of Toronto, Kingston, Mississauga, and Hamilton are located on the lake's northern and western shorelines, while the American city of Rochester is located on the south shore. In the Huron language, the name Ontarí'io means "great lake". Its primary inlet is the Niagara River from Lake Erie. The last in the Great Lakes chain, Lake Ontario serves as the outlet to the Atlantic Ocean via the Saint Lawrence River, comprising the eastern end of the Saint Lawrence Seaway. The Moses-Saunders Power Dam regulates the water level of the lake.
Lake Ontario is the easternmost of the Great Lakes and the smallest in surface area (7,340 sq mi, 18,960 km2), although it exceeds Lake Erie in volume (393 cu mi, 1,639 km3). It is the 13th largest lake in the world. When its islands are included, the lake's shoreline is 712 miles (1,146 km) long. As the last lake in the Great Lakes' hydrologic chain, Lake Ontario has the lowest mean surface elevation of the lakes at 243 feet (74 m) above sea level; 326 feet (99 m) lower than its neighbor upstream. Its maximum length is 193 statute miles (311 kilometres; 168 nautical miles), and its maximum width is 53 statute miles (85 km; 46 nmi). The lake's average depth is 47 fathoms 1 foot (283 ft; 86 m), with a maximum depth of 133 fathoms 4 feet (802 ft; 244 m). The lake's primary source is the Niagara River, draining Lake Erie, with the Saint Lawrence River serving as the outlet. The drainage basin covers 24,720 square miles (64,030 km2). As with all the Great Lakes, water levels change both within the year (owing to seasonal changes in water input) and among years (owing to longer-term trends in precipitation). These water level fluctuations are an integral part of lake ecology and produce and maintain extensive wetlands. The lake also has an important freshwater fishery, although it has been negatively affected by factors including overfishing, water pollution and invasive species.
Baymouth bars built by prevailing winds and currents have created a significant number of lagoons and sheltered harbors, mostly near (but not limited to) Prince Edward County, Ontario, and the easternmost shores. Perhaps the best-known example is Toronto Bay, chosen as the site of the Upper Canada capital for its strategic harbor. Other prominent examples include Hamilton Harbour, Irondequoit Bay, Presqu'ile Bay, and Sodus Bay. The bars themselves are the sites of long beaches, such as Sandbanks Provincial Park and Sandy Island Beach State Park. These sand bars are often associated with large wetlands, which support large numbers of plant and animal species, as well as providing important rest areas for migratory birds. Presqu'ile, on the north shore of Lake Ontario, is particularly significant in this regard. One unique feature of the lake is the Z-shaped Bay of Quinte which separates Prince Edward County from the Ontario mainland, save for a 2-mile (3.2 km) isthmus near Trenton; this feature also supports many wetlands and aquatic plants, as well as associated fisheries.
Major rivers draining into Lake Ontario include the Niagara River, Don River, Humber River, Rouge River, Trent River, Cataraqui River, Genesee River, Oswego River, Black River, Little Salmon River, and the Salmon River.
The name Ontario is derived from the Huron word Ontarí'io, which means "great lake". In Colonial times, the lake was also called Cataraqui, a French spelling of the Mohawk Katarokwi. The lake was a border between the Huron people and the Iroquois Confederacy in the pre-Columbian era. In the 15th century, the Iroquois drove out the Huron from southern Ontario and settled the northern shores of Lake Ontario. When the Iroquois withdrew and the Anishnabeg / Ojibwa / Mississaugas moved in from the north to southern Ontario, they retained the Iroquois name. Artifacts believed to be of Norse origin have been found in the area of Sodus Bay, indicating the possibility of trading by the indigenous peoples with Norse explorers on the east coast of North America.
It is believed the first European to reach the lake was Étienne Brûlé in 1615. As was their practice, the French explorers introduced other names for the lake. In 1632 and 1656, the lake was referred to as Lac de St. Louis or Lake St. Louis by Samuel de Champlain and cartographer Nicolas Sanson respectively (likely for Louis XIV of France) In 1660, Jesuit historian Francis Creuxius coined the name Lacus Ontarius. In a map drawn in the Relation des Jésuites (1662–1663), the lake bears the legend "Lac Ontario ou des Iroquois" with the name "Ondiara" in smaller type. A French map produced in 1712 (currently in the Canadian Museum of History), created by military engineer Jean-Baptiste de Couagne, identified Lake Ontario as "Lac Frontenac" named after Louis de Buade, Comte de Frontenac et de Palluau. He was a French soldier, courtier, and Governor General of New France from 1672 to 1682 and from 1689 to his death in 1698.
In the 17th century, reports of an alleged creature named Gaasyendietha, similar to the so-called Loch Ness Monster, being sighted in the lake. The creature is described as large with a long neck, green in colour, and generally causes a break in the surface waves.
A series of trading posts were established by both the British and French, such as Fort Frontenac in 1673, Fort Oswego in 1722, and Fort Rouillé in 1750. As the easternmost and nearest lake to the Atlantic seaboard of Canada and the United States, population centres here are among the oldest in the Great Lakes basin, with Kingston, Ontario, formerly the capital of Canada, dating to the establishment of Fort Frontenac in 1673.
After the French and Indian War, all forts around the lake were under British control. The United States took possession of the forts along the American side of the lake at the signing of the Jay Treaty in 1794. Permanent, non-military European settlement began during the American Revolution with the influx of Loyalist settlers. During the War of 1812, the Royal Navy and US Navy had fought in several engagements for control of Lake Ontario. The Great Lakes, including Lake Ontario, were largely demilitarized after the Rush–Bagot Treaty was ratified in 1818.
The lake became a hub of commercial activity following the War of 1812 with canal building on both sides of the border and heavy travel by lake steamers. Steamer activity peaked in the mid-19th century before competition from railway lines.
In the late 19th and early 20th centuries, a type of scow known as a stone hooker was in operation on the northwest shore, particularly around Port Credit and Bronte. Stonehooking was the practice of raking flat fragments of Dundas shale from the shallow lake floor of the area for use in construction, particularly in the growing city of Toronto.
New York, sometimes called New York State, is a state in the Northeastern and Mid-Atlantic regions of the United States. It borders New Jersey and Pennsylvania to its south, New England and the Canadian provinces of Ontario and Quebec to its north, and the Atlantic Ocean to its east. With almost 19.6 million residents, it is the fourth-most populous state in the United States and eighth-most densely populated as of 2023. New York is the 27th-largest U.S. state by area, with a total area of 54,556 square miles (141,300 km2).
New York has a varied geography. The southeastern part of the state, known as Downstate, encompasses New York City, the most populous city in the United States, Long Island, the most populous island in the United States, and the lower Hudson Valley. These areas are the center of the New York metropolitan area, a sprawling urban landmass, and account for approximately two-thirds of the state's population. The much larger Upstate area spreads from the Great Lakes to Lake Champlain, and includes the Adirondack Mountains and the Catskill Mountains (part of the wider Appalachian Mountains). The east–west Mohawk River Valley bisects the more mountainous regions of Upstate, and flows into the north–south Hudson River valley near the state capital of Albany. Western New York, home to the cities of Buffalo and Rochester, is part of the Great Lakes region and borders Lake Ontario and Lake Erie. Central New York is anchored by the city of Syracuse; between the central and western parts of the state, New York is dominated by the Finger Lakes, a popular tourist destination. To the south, along the state border with Pennsylvania, the Southern Tier sits atop the Allegheny Plateau, representing the northernmost reaches of Appalachia.
New York was one of the original Thirteen Colonies that went on to form the United States. The area of present-day New York had been inhabited by tribes of the Algonquians and the Iroquois Confederacy Native Americans for several thousand years by the time the earliest Europeans arrived. Stemming from Henry Hudson's expedition in 1609, the Dutch established the multiethnic colony of New Netherland in 1621. England seized the colony from the Dutch in 1664, renaming it the Province of New York. During the American Revolutionary War, a group of colonists eventually succeeded in establishing independence, and the former colony was officially admitted into the United States in 1788. From the early 19th century, New York's development of its interior, beginning with the construction of the Erie Canal, gave it incomparable advantages over other regions of the United States. The state built its political, cultural, and economic ascendancy over the next century, earning it the nickname of the "Empire State." Although deindustrialization eroded a significant portion of the state's economy in the second half of the 20th century, New York in the 21st century continues to be considered as a global node of creativity and entrepreneurship, social tolerance, and environmental sustainability.
The state attracts visitors from all over the globe, with the highest count of any U.S. state in 2022. Many of its landmarks are well known, including four of the world's ten most-visited tourist attractions in 2013: Times Square, Central Park, Niagara Falls and Grand Central Terminal. New York is home to approximately 200 colleges and universities, including two Ivy League universities, Columbia University and Cornell University, and the expansive State University of New York, which is among the largest university systems in the nation. New York City is home to the headquarters of the United Nations, and it is sometimes described as the world's most important city, the cultural, financial, and media epicenter, and the capital of the world.
The history of New York begins around 10,000 B.C. when the first people arrived. By 1100 A.D. two main cultures had become dominant as the Iroquoian and Algonquian developed. European discovery of New York was led by the Italian Giovanni da Verrazzano in 1524 followed by the first land claim in 1609 by the Dutch. As part of New Netherland, the colony was important in the fur trade and eventually became an agricultural resource thanks to the patroon system. In 1626, the Dutch thought they had bought the island of Manhattan from Native Americans.[1] In 1664, England renamed the colony New York, after the Duke of York and Albany, brother of King Charles II. New York City gained prominence in the 18th century as a major trading port in the Thirteen Colonies.
New York played a pivotal role during the American Revolution and subsequent war. The Stamp Act Congress in 1765 brought together representatives from across the Thirteen Colonies to form a unified response to British policies. The Sons of Liberty were active in New York City to challenge British authority. After a major loss at the Battle of Long Island, the Continental Army suffered a series of additional defeats that forced a retreat from the New York City area, leaving the strategic port and harbor to the British army and navy as their North American base of operations for the rest of the war. The Battle of Saratoga was the turning point of the war in favor of the Americans, convincing France to formally ally with them. New York's constitution was adopted in 1777, and strongly influenced the United States Constitution. New York City was the national capital at various times between 1788 and 1790, where the Bill of Rights was drafted. Albany became the permanent state capital in 1797. In 1787, New York became the eleventh state to ratify the United States Constitution.
New York hosted significant transportation advancements in the 19th century, including the first steamboat line in 1807, the Erie Canal in 1825, and America's first regularly scheduled rail service in 1831. These advancements led to the expanded settlement of western New York and trade ties to the Midwest settlements around the Great Lakes.
Due to New York City's trade ties to the South, there were numerous southern sympathizers in the early days of the American Civil War and the mayor proposed secession. Far from any of the battles, New York ultimately sent the most soldiers and money to support the Union cause. Thereafter, the state helped create the industrial age and consequently was home to some of the first labor unions.
During the 19th century, New York City became the main entry point for European immigrants to the United States, beginning with a wave of Irish during their Great Famine. Millions came through Castle Clinton in Battery Park before Ellis Island opened in 1892 to welcome millions more, increasingly from eastern and southern Europe. The Statue of Liberty opened in 1886 and became a symbol of hope. New York boomed during the Roaring Twenties, before the Wall Street Crash of 1929, and skyscrapers expressed the energy of the city. New York City was the site of successive tallest buildings in the world from 1913 to 1974.
The buildup of defense industries for World War II turned around the state's economy from the Great Depression, as hundreds of thousands worked to defeat the Axis powers. Following the war, the state experienced significant suburbanization around all the major cities, and most central cities shrank. The Thruway system opened in 1956, signaling another era of transportation advances.
Following a period of near-bankruptcy in the late 1970s, New York City renewed its stature as a cultural center, attracted more immigration, and hosted the development of new music styles. The city developed from publishing to become a media capital over the second half of the 20th century, hosting most national news channels and broadcasts. Some of its newspapers became nationally and globally renowned. The state's manufacturing base eroded with the restructuring of industry, and the state transitioned into service industries.
The first peoples of New York are estimated to have arrived around 10,000 BC. Around AD 800, Iroquois ancestors moved into the area from the Appalachian region. The people of the Point Peninsula complex were the predecessors of the Algonquian peoples of New York. By around 1100, the distinct Iroquoian-speaking and Algonquian-speaking cultures that would eventually be encountered by Europeans had developed. The five nations of the Iroquois League developed a powerful confederacy about the 15th century that controlled territory throughout present-day New York, into Pennsylvania around the Great Lakes. For centuries, the Mohawk cultivated maize fields in the lowlands of the Mohawk River, which were later taken over by Dutch settlers at Schenectady, New York when they bought this territory. The Iroquois nations to the west also had well-cultivated areas and orchards.
The Iroquois established dominance over the fur trade throughout their territory, bargaining with European colonists. Other New York tribes were more subject to either European destruction or assimilation within the Iroquoian confederacy. Situated at major Native trade routes in the Northeast and positioned between French and English zones of settlement, the Iroquois were intensely caught up with the onrush of Europeans, which is also to say that the settlers, whether Dutch, French or English, were caught up with the Iroquois as well. Algonquian tribes were less united among their tribes; they typically lived along rivers, streams, or the Atlantic Coast. But, both groups of natives were well-established peoples with highly sophisticated cultural systems; these were little understood or appreciated by the European colonists who encountered them. The natives had "a complex and elaborate native economy that included hunting, gathering, manufacturing, and farming...[and were] a mosaic of Native American tribes, nations, languages, and political associations." The Iroquois usually met at an Onondaga in Northern New York, which changed every century or so, where they would coordinate policies on how to deal with Europeans and strengthen the bond between the Five Nations.
Tribes who have managed to call New York home have been the Iroquois, Mohawk, Mohican, Susquehannock, Petun, Chonnonton, Ontario and Nanticoke.
In 1524, Giovanni da Verrazzano, an Italian explorer in the service of the French crown, explored the Atlantic coast of North America between the Carolinas and Newfoundland, including New York Harbor and Narragansett Bay. On April 17, 1524, Verrazzano entered New York Bay, by way of the Strait now called the Narrows. He described "a vast coastline with a deep delta in which every kind of ship could pass" and he adds: "that it extends inland for a league and opens up to form a beautiful lake. This vast sheet of water swarmed with native boats". He landed on the tip of Manhattan and perhaps on the furthest point of Long Island.
In 1535, Jacques Cartier, a French explorer, became the first European to describe and map the Saint Lawrence River from the Atlantic Ocean, sailing as far upriver as the site of Montreal.
On April 4, 1609, Henry Hudson, in the employ of the Dutch East India Company, departed Amsterdam in command of the ship Halve Maen (Half Moon). On September 3 he reached the estuary of the Hudson River. He sailed up the Hudson River to about Albany near the confluence of the Mohawk River and the Hudson. His voyage was used to establish Dutch claims to the region and to the fur trade that prospered there after a trading post was established at Albany in 1614.
In 1614, the Dutch under the command of Hendrick Christiaensen, built Fort Nassau (now Albany) the first Dutch settlement in North America and the first European settlement in what would become New York. It was replaced by nearby Fort Orange in 1623. In 1625, Fort Amsterdam was built on the southern tip of Manhattan Island to defend the Hudson River. This settlement grew to become the city New Amsterdam.
The British conquered New Netherland in 1664; Lenient terms of surrender most likely kept local resistance to a minimum. The colony and New Amsterdam were both renamed New York (and "Beverwijck" was renamed Albany) after its new proprietor, James II later King of England, Ireland and Scotland, who was at the time Duke of York and Duke of Albany The population of New Netherland at the time of English takeover was 7,000–8,000.
Thousands of poor German farmers, chiefly from the Palatine region of Germany, migrated to upstate districts after 1700. They kept to themselves, married their own, spoke German, attended Lutheran churches, and retained their own customs and foods. They emphasized farm ownership. Some mastered English to become conversant with local legal and business opportunities. They ignored the Indians and tolerated slavery (although few were rich enough to own a slave).
Large manors were developed along the Hudson River by elite colonists during the 18th century, including Livingston, Cortlandt, Philipsburg, and Rensselaerswyck. The manors represented more than half of the colony's undeveloped land. The Province of New York thrived during this time, its economy strengthened by Long Island and Hudson Valley agriculture, in conjunction with trade and artisanal activity at the Port of New York; the colony was a breadbasket and lumberyard for the British sugar colonies in the Caribbean. New York's population grew substantially during this century: from the first colonial census (1698) to the last (1771), the province grew ninefold, from 18,067 to 168,007.
New York in the American Revolution
Further information: John Peter Zenger, Stamp Act Congress, Invasion of Canada (1775), New York and New Jersey campaign, Prisoners of war in the American Revolutionary War, and Intelligence in the American Revolutionary War
New York played a pivotal role in the Revolutionary War. The colony verged on revolt following the Stamp Act of 1765, advancing the New York City–based Sons of Liberty to the forefront of New York politics. The Act exacerbated the depression the province experienced after unsuccessfully invading Canada in 1760. Even though New York City merchants lost out on lucrative military contracts, the group sought common ground between the King and the people; however, compromise became impossible as of April 1775 Battles of Lexington and Concord. In that aftermath the New York Provincial Congress on June 9, 1775, for five pounds sterling for each hundredweight of gunpowder delivered to each county's committee.
Two powerful families had for decades assembled colony-wide coalitions of supporters. With few exceptions, members long associated with the DeLancey faction went along when its leadership decided to support the crown, while members of the Livingston faction became Patriots.
New York's strategic central location and port made it key to controlling the colonies. The British assembled the century's largest fleet: at one point 30,000 British sailors and soldiers anchored off Staten Island. General George Washington barely escaped New York City with his army in November 1776; General Sir William Howe was successful in driving Washington out, but erred by expanding into New Jersey. By January 1777, he retained only a few outposts near New York City. The British held the city for the duration, using it as a base for expeditions against other targets.
In October 1777, American General Horatio Gates won the Battle of Saratoga, later regarded as the war's turning point. Had Gates not held, the rebellion might well have broken down: losing Saratoga would have cost the entire Hudson–Champlain corridor, which would have separated New England from the rest of the colonies and split the future union.
Upon war's end, New York's borders became well–defined: the counties east of Lake Champlain became Vermont and the state's western borders were settled by 1786.
Many Iroquois supported the British (typically fearing future American ambitions). Many were killed during the war; others went into exile with the British. Those remaining lived on twelve reservations; by 1826 only eight reservations remained, all of which survived into the 21st century.
The state adopted its constitution in April 1777, creating a strong executive and strict separation of powers. It strongly influenced the federal constitution a decade later. Debate over the federal constitution in 1787 led to formation of the groups known as Federalists—mainly "downstaters" (those who lived in or near New York City) who supported a strong national government—and Antifederalists—mainly upstaters (those who lived to the city's north and west) who opposed large national institutions. In 1787, Alexander Hamilton, a leading Federalist from New York and signatory to the Constitution, wrote the first essay of the Federalist Papers. He published and wrote most of the series in New York City newspapers in support of the proposed United States Constitution. Antifederalists were not swayed by the arguments, but the state ratified it in 1788.
In 1785, New York City became the national capital and continued as such on and off until 1790; George Washington was inaugurated as the first President of the United States in front of Federal Hall in 1789. The United States Bill of Rights was drafted there, and the United States Supreme Court sat for the first time. From statehood to 1797, the Legislature frequently moved the state capital between Albany, Kingston, Poughkeepsie, and New York City. Thereafter, Albany retained that role.
In the early 19th century, New York became a center for advancement in transportation. In 1807, Robert Fulton initiated a steamboat line from New York to Albany, the first successful enterprise of its kind. By 1815, Albany was the state's turnpike center, which established the city as the hub for pioneers migrating west to Buffalo and the Michigan Territory.
In 1825 the Erie Canal opened, securing the state's economic dominance. Its impact was enormous: one source stated, "Linking the Atlantic Ocean and the Great Lakes, the canal was an act of political will that joined the regions of the state, created a vast economic hinterland for New York City, and established a ready market for agricultural products from the state's interior." In that year western New York transitioned from "frontier" to settled area. By this time, all counties and most municipalities had incorporated, approximately matching the state's is organized today. In 1831, the Mohawk and Hudson Railroad started the country's first successful regularly–scheduled steam railroad service.
Advancing transportation quickly led to settlement of the fertile Mohawk and Gennessee valleys and the Niagara Frontier. Buffalo and Rochester became boomtowns. Significant migration of New England "Yankees" (mainly of English descent) to the central and western parts of the state led to minor conflicts with the more settled "Yorkers" (mainly of German, Dutch, and Scottish descent). More than 15% of the state's 1850 population had been born in New England[citation needed]. The western part of the state grew fastest at this time. By 1840, New York was home to seven of the nation's thirty largest cities.
During this period, towns established academies for education, including for girls. The western area of the state was a center of progressive causes, including support of abolitionism, temperance, and women's rights. Religious enthusiasms flourished and the Latter Day Saint movement was founded in the area by Joseph Smith and his vision. Some supporters of abolition participated in the Underground Railroad, helping fugitive slaves reach freedom in Canada or in New York.
In addition, in the early 1840s the state legislature and Governor William H. Seward expanded rights for free blacks and fugitive slaves in New York: in 1840 the legislature passed laws protecting the rights of African Americans against Southern slave-catchers. One guaranteed alleged fugitive slaves the right of a jury trial in New York to establish whether they were slaves, and another pledged the aid of the state to recover free blacks kidnapped into slavery, (as happened to Solomon Northup of Saratoga Springs in 1841, who did not regain freedom until 1853.) In 1841 Seward signed legislation to repeal a "nine-month law" that allowed slaveholders to bring their slaves into the state for a period of nine months before they were considered free. After this, slaves brought to the state were immediately considered freed, as was the case in some other free states. Seward also signed legislation to establish public education for all children, leaving it up to local jurisdictions as to how that would be supplied (some had segregated schools).
New York culture bloomed in the first half of the 19th century: in 1809 Washington Irving wrote the satirical A History of New York under the pen name Diedrich Knickerbocker, and in 1819 he based Rip Van Winkle and The Legend of Sleepy Hollow in Hudson Valley towns. Thomas Cole's Hudson River School was established in the 1830s by showcasing dramatic landscapes of the Hudson Valley. The first baseball teams formed in New York City in the 1840s, including the New York Knickerbockers. Professional baseball later located its Hall of Fame in Cooperstown. Saratoga Race Course, an annual summer attraction in Saratoga Springs, opened in 1847.
A civil war was not in the best interest of business, because New York had strong ties to the Deep South, both through the port of New York and manufacture of cotton goods in upstate textile mills. Half of New York City's exports were related to cotton before the war. Southern businessmen so frequently traveled to the city that they established favorite hotels and restaurants. Trade was based on moving Southern goods. The city's large Democrat community feared the impact of Abraham Lincoln's election in 1860 and the mayor urged secession of New York.
By the time of the 1861 Battle of Fort Sumter, such political differences decreased and the state quickly met Lincoln's request for soldiers and supplies. More soldiers fought from New York than any other Northern state. While no battles were waged in New York, the state was not immune to Confederate conspiracies, including one to burn various New York cities and another to invade the state via Canada.
In January 1863, Lincoln issued the Emancipation Proclamation, which freed the slaves in states that were still in rebellion against the union. In March 1863, the federal draft law was changed so that male citizens between 20 and 35 and unmarried citizens to age 45 were subject to conscription. Those who could afford to hire a substitute or pay $300 were exempt. Antiwar newspaper editors attacked the law, and many immigrants and their descendants resented being drafted in place of people who could buy their way out. Democratic Party leaders raised the specter of a deluge of freed southern blacks competing with the white working class, then dominated by ethnic Irish and immigrants. On the lottery's first day, July 11, 1863, the first lottery draw was held. On Monday, July 13, 1863, five days of large-scale riots began, which were dominated by ethnic Irish, who targeted blacks in the city, their neighborhoods, and known abolitionist sympathizers. As a result, many blacks left Manhattan permanently, moving to Brooklyn or other areas.
In the following decades, New York strengthened its dominance of the financial and banking industries. Manufacturing continued to rise: Eastman Kodak founded in 1888 in Rochester, General Electric in Schenectady, and Endicott-Johnson Shoe Company in the Triple Cities are some of the well-known companies founded during this period. Buffalo and Niagara Falls attracted numerous factories following the advent of hydroelectric power in the area. With industry blooming, workers began to unite in New York as early as the 1820s. By 1882, the Knights of Labor in New York City had 60,000 members. Trade unions used political influence to limit working hours as early as 1867. At the same time, New York's agricultural output peaked. Focus changed from crop-based to dairy-based agriculture. The cheese industry became established in the Mohawk Valley. By 1881, the state had more than 241,000 farms. In the same period, the area around New York harbor became the world's oyster capital, retaining that title into the early twentieth century.
Immigration increased throughout the latter half of the 19th century. Starting with refugees from the Great Famine of Ireland in the 1840s, New York became a prominent entry point for those seeking a new life in the United States. Between 1855 and 1890, an estimated 8 million immigrants passed through Castle Clinton at Battery Park in Manhattan. Early in this period, most immigrants came from Ireland and Germany. Ellis Island opened in 1892, and between 1880 and 1920, most immigrants were German and Eastern European Jews, Poles, and other Eastern and Southern Europeans, including many Italians. By 1925, New York City's population outnumbered that of London, making it the most populous city in the world. Arguably New York's most identifiable symbol, Liberty Enlightening the World (the Statue of Liberty), a gift from France for the American centennial, was completed in 1886. By the early 20th century, the statue was regarded as the "Mother of Exiles"—a symbol of hope to immigrants.
New York's political pattern changed little after the mid–19th century. New York City and its metropolitan area was already heavily Democrat; Upstate was aligned with the Republican Party and was a center of abolitionist activists. In the 1850s, Democratic Tammany Hall became one of the most powerful and durable political machines in United States history. Boss William Tweed brought the organization to the forefront of city and then state politics in the 1860s. Based on its command of a large population, Tammany maintained influence until at least the 1930s. Outside the city, Republicans were able to influence the redistricting process enough to constrain New York City and capture control of the Legislature in 1894. Both parties have seen national political success: in the 39 presidential elections between 1856 and 2010, Republicans won 19 times and Democrats 20 times.
By 1901, New York was the richest and most populous state. Two years prior, the five boroughs of New York City became one city. Within decades, the city's emblem had become the skyscraper: the Woolworth Building was the tallest building in the world from 1913, surpassed by 40 Wall Street in April 1930, the Chrysler Building in 1930, the Empire State Building in 1931, and the World Trade Center in 1972 before losing the title in 1974.
The state was serviced by over a dozen major railroads and at the start of the 20th century and electric Interurban rail networks began to spring up around Syracuse, Rochester and other cities in New York during this period.
In the late 1890s governor Theodore Roosevelt and fellow Republicans such as Charles Evans Hughes worked with many Democrats such as Al Smith to promote Progressivism. They battled trusts and monopolies (especially in the insurance industry), promoted efficiency, fought waste, and called for more democracy in politics. Democrats focused more on the benefits of progressivism for their own ethnic working class base and for labor unions.
Democratic political machines, especially Tammany Hall in Manhattan, opposed woman suffrage because they feared that the addition of female voters would dilute the control they had established over groups of male voters. By the time of the New York State referendum on women's suffrage in 1917, however, some wives and daughters of Tammany Hall leaders were working for suffrage, leading it to take a neutral position that was crucial to the referendum's passage.
Following a sharp but short-lived Depression at the beginning of the decade, New York enjoyed a booming economy during the Roaring Twenties. New York suffered during the Great Depression, which began with the Wall Street crash on Black Tuesday in 1929. The Securities and Exchange Commission opened in 1934 to regulate the stock market. Franklin Delano Roosevelt was elected governor in 1928, and the state faced upwards of 25% unemployment. His Temporary Emergency Relief Agency, established in 1931, was the first work relief program in the nation and influenced the national Federal Emergency Relief Administration. Roosevelt was elected President in 1932 in part because of his promises to extend New York–style relief programs across the country via his New Deal. In 1932, Lake Placid was host to the III Olympic Winter Games.
As the largest state, New York again supplied the most resources during World War II. New York manufactured 11 percent of total United States military armaments produced during the war and suffered 31,215 casualties. The war affected the state both socially and economically. For example, to overcome discriminatory labor practices, Governor Herbert H. Lehman created the Committee on Discrimination in Employment in 1941 and Governor Thomas E. Dewey signed the Ives-Quinn Act in 1945, banning employment discrimination. The G.I. Bill of 1944, which offered returning soldiers the opportunity of affordable higher education, forced New York to create a public university system since its private universities could not handle the influx; the State University of New York was created by Governor Dewey in 1948.
World War II constituted New York's last great industrial era. At its conclusion, the defense industry shrank and the economy shifted towards producing services rather than goods. Returning soldiers disproportionately displaced female and minority workers who had entered the industrial workforce only when the war left employers no other choice. Companies moved to the south and west, seeking lower taxes and a less costly, non–union workforce. Many workers followed the jobs. The middle class expanded and created suburbs such as the one on Long Island. The automobile accelerated this decentralization; planned communities like Levittown offered affordable middle-class housing.
Larger cities stopped growing around 1950. Growth resumed only in New York City, in the 1980s. Buffalo's population fell by half between 1950 and 2000. Reduced immigration and worker migration led New York State's population to decline for the first time between 1970 and 1980. California and Texas both surpassed it in population.
New York entered its third era of massive transportation projects by building highways, notably the New York State Thruway. The project was unpopular with New York City Democrats, who referred to it as "Dewey's ditch" and the "enemy of schools", because the Thruway disproportionately benefited upstate. The highway was based on the German Autobahn and was unlike anything seen at that point in the United States. It was within 30 miles (50 km) of 90% of the population at its conception. Costing $600 million, the full 427-mile (687 km) project opened in 1956.
Nelson Rockefeller was governor from 1959 to 1973 and changed New York politics. He began as a liberal, but grew more conservative: he limited SUNY's growth, responded aggressively to the Attica Prison riot, and promulgated the uniquely severe Rockefeller Drug Laws. The World Trade Center and other profligate projects nearly drove New York City into bankruptcy in 1975. The state took substantial budgetary control, which eventually led to improved fiscal prudence.
The Executive Mansion was retaken by Democrats in 1974 and remained under Democratic control for 20 years under Hugh Carey and Mario Cuomo. Late–century Democrats became more centrist, including US Senator Daniel Patrick Moynihan (1977–2001) and New York City Mayor Ed Koch (1978–1989), while state Republicans began to align themselves with the more conservative national party. They gained power through the elections of Senator Alfonse D'Amato in 1980, Mayor Rudolph Giuliani in 1993, and Governor George Pataki in 1994. New York remained one of the most liberal states. In 1984, Ronald Reagan was the last Republican to carry the state, although Republican Michael Bloomberg served as New York City mayor in the early 21st century.
In the late 20th century, telecommunication and high technology industries employed many New Yorkers. New York City was especially successful at this transition. Entrepreneurs created many small companies, as industrial firms such as Polaroid withered. This success drew many young professionals into the still–dwindling cities. New York City was the exception and has continued to draw new residents. The energy of the city created attractions and new businesses. Some people believe that changes in policing created a less threatening environment; crime rates dropped, and urban development reduced urban decay.
This in turn led to a surge in culture. New York City became, once again, "the center for all things chic and trendy". Hip-hop and rap music, led by New York City, became the most popular pop genre. Immigration to both the city and state rose. New York City, with a large gay and lesbian community, suffered many deaths from AIDS beginning in the 1980s.
New York City increased its already large share of television programming, home to the network news broadcasts, as well as two of the three major cable news networks. The Wall Street Journal and The New York Times became two of the three "national" newspapers, read throughout the country. New York also increased its dominance of the financial services industry centered on Wall Street, led by banking expansion, a rising stock market, innovations in investment banking, including junk bond trading and accelerated by the savings and loan crisis that decimated competitors elsewhere in New York.
Upstate did not fare as well as downstate; the major industries that began to reinvigorate New York City did not typically spread to other regions. The number of farms in the state had fallen to 30,000 by 1997. City populations continued to decline while suburbs grew in area, but did not increase proportionately in population. High-tech industry grew in cities such as Corning and Rochester. Overall New York entered the new millennium "in a position of economic strength and optimism".
In 2001, New York entered a new era following the 9/11 attacks, the worst terrorist attack ever to take place on American soil. Two of the four hijacked passenger jets crashed into the Twin Towers of the World Trade Center, destroying them, and killing almost 3,000 people. One flew into the Pentagon demolishing the walls. The final one was almost taken back over by the passengers aboard and crashed into an open grassland with 296 out of the 500 people dead. Thousands of New Yorkers volunteered their time to search the ruin for survivors and remains in the following weeks.
Following the attacks, plans were announced to rebuild the World Trade Center site. 7 World Trade Center became the first World Trade Center skyscraper to be rebuilt in five years after the attacks. One World Trade Center, four more office towers, and a memorial to the casualties of the September 11 attacks are under construction as of 2011. One World Trade Center opened on November 3, 2014.
On October 29 and 30, 2012, Hurricane Sandy caused extensive destruction of the state's shorelines, ravaging portions of New York City, Long Island, and southern Westchester with record-high storm surge, with severe flooding and high winds causing power outages for hundreds of thousands of New Yorkers, and leading to gasoline shortages and disruption of mass transit systems. The storm and its profound effects have prompted the discussion of constructing seawalls and other coastal barriers around the shorelines of New York City and Long Island to minimize the risk from another such future event. Such risk is considered highly probable due to global warming and rising sea levels.
Prints | Facebook | Twitter | G+ | Blog | Music | © Ben Heine
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Enlarge HERE. Also view this Flickr set with my past exhibitions.
Here is a photo report of a recent exhibition at The Event Lounge
via Exhi-B in Brussels, Belgium. Portrait of Julian Assange made
with thousands of "@" symbols (genuine Diasec print). There was
also a fun electro after party. Nice memories for me! I hope I can
also play electronic music at this annual event in the near future!
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For more information about my works: info@benheine.com
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tokyo, japan
1973
the city at night
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
QR National's 2303 and 2172F on a Southbound Intermodal Service Passes Sunshine Station, Brisbane, bound for Acacia Ridge...
The sign on the right explains to drivers, driving wrong road, must stop at sign and wait till the booms are in Horizontal position, before continuing...
I thought I was doing pretty well since I hadn't purchased any of the mainline dolls from the Poppy line this year, but sure enough, 10 of them still snuck in here in 2018!
Poppy dolls that left the island this year include Model Living, Big Eyes, Paper Doll, Where It's At, Sign of the Times Brunette, Go See, and Mood Changers Raven.
©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©
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This photograph was taken at an altitude of Six hundred and thirty nine metres, at 20:09pm on Thursday 12th May 2016 off 2nd Avenue on the shoreline of the Yukon River in Whitehorse,the capital and largest city of Yukon territory and the largest city in Northern Canada.
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Nikon D800 Focal length: 45mm Shutter speed: 1/2500s Aperture: f/2.8 iso100 RAW (14Bit) Hand held. Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Nikon DK-17M 1.2x Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC card. Lowepro Transporter camera strap. Lowepro Vertex 200 AW Photo/ 15.4" Notebook Backpack camera bag. Nikon GP-1 GPS unit.
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LATITUDE: N 60d 43m 46.70s
LONGITUDE: W 135d 3m 34.93s
ALTITUDE: 639.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 14.13MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
Frank from Donnie Darko as black- & dotwork tattoo by Mike Cuke (cukeink) at Signs & Wonders Tattoo Berlin. (Dec 2016)
I was invited to participate in the Series 2 of the Chubby Books by Pinkghost.
Artist Chubby Books are 250 page Hardcover books including 10 artist designed postcards, 100 lined pages and 150 sketch pages.
Series 2 will be officially released Saturday, September 18, 2010 at Pinkghost.
I will be signing copies at the Pinkghost release party on Saturday September 18 at 7pm.
Chubby Books at signings include a pinkghost keychain while supplies last. Yay!
Kit Kat Cafe
currently residing at
Sign Products Inc.
1425 Monad Rd.
Billings, MT 59101
formerly at
633 Main St.
Billings, MT 59105
It's amazing that I've lived a huge portion of my life in this city and seen this tunnel way too many times on DVP commutes... but never walked through it. Today was the day. I remember as a kid this seemed so special and inaccessible... like part of some fairy land.
I can't say it was quite so magical now as an adult but it's still iconic.
Here's some background: www.blogto.com/city/2012/11/sunday_supplement_the_don_val...
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Redline Buses MK63 XAS is seen at Signs Express having its Green Route 4 branding added. Redline Buses take over the route on the 2nd September 2013 from Arriva the Shires.
Lamp, found at a garage sale, and presented to me by the purchaser, a long timer friend.
She said she ran across it at a garage sale and immediately asked if it could be plugged in. Seeing it worked, she purchased it, stuffed it in an old beer box and brought it by in the evening.
Shot a young teenage singer for your her try at signing with a music label
davidyoung-wolff.blogspot.com/
© 2012 David Young-Wolff
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
tokyo, japan
1973
the city at night
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
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I was originally enrolled into the GETTY IMAGES collection as a contributor on April 9th 2012, and when links with FLICKR were terminated in March 2014, I was retained and signed up via a second contract, both of which have proved to be successful with sales of my photographs all over the world now handled exclusively by them.
On November 12th 2015 GETTY IMAGES unveiled plans for a new stills upload platform called ESP (Enterprise Submission Platform), to replace the existing 'Moment portal', and on November 13th I was invited to Beta test the new system prior to it being rolled out to the general public in December. (ESP went live on Tuesday December 15th 2015).
With visits now in excess of 17.088 Million to my FLICKR site, used primarily these days as a platform to reach friends and family, prospective clients and fellow Flickerinos, I would like to say a huge and heartfelt 'THANK YOU' to FLICKR, GETTY IMAGES and everyone who drops by.
***** Selected for sale in the GETTY IMAGES COLLECTION on August 11th 2016
CREATIVE RF gty.im/586342654 MOMENT OPEN COLLECTION**
This photograph became my 2,235th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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This photograph was taken in the Golden Hour around sunset at an altitude of Six hundred and forty three metres, at 20:20pm on Thursday 12th May 2016 off the Alaska Highway 1, and 2nd Avenue on the shoreline of the Yukon River in Whitehorse,the capital and largest city of Yukon territory and the largest city in Northern Canada.
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Nikon D800 24mm 1/160s f/10.0 iso100 RAW (14Bit) Hand held. Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance. Nikon AF fine tune on (+9)
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Nikon DK-17M 1.2x Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC card. Lowepro Transporter camera strap. Lowepro Vertex 200 AW Photo/ 15.4" Notebook Backpack camera bag. Nikon GP-1 GPS unit.
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LATITUDE: N 60d 43m 37.33s
LONGITUDE: W 135d 3m 13.26s
ALTITUDE: 643.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 21.62MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
tokyo, japan
1973
the city at night
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
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"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
A return to St Dunstan, but on another dull and overcast day, many shots did not come out, so a third visit is required, this time with self timer and a tripod. However, it is still glorious.
-------------------------------------------------------------
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Church Today
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
www.stdunstaninthewest.org/history
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
St Dunstan-in-the-West is the only church in England to share its building with the Romanian Orthodox community. The chapel to the left of the main altar is closed off by an iconostasis, formerly from Antim Monastery in Bucharest, dedicated in 1966.
Peculiarities of American Cities by Captain Willard Glazier
PHILADELPHIA: HUBBARD BROTHERS, PUBLISHERS, No. 723 Chestnut Street. 1886
CHAPTER II.
BOSTON.
Geographical Location of Boston.—Ancient Names.—Etymology of the Word Massachusetts.—Changes in the Peninsula.—Noted Points of Interest.—Boston Common.—Old Elm.—Duel Under its Branches.—Soldiers' Monument.—Fragmentary History.—Courtship on the Common.—Faneuil Hall and Market.—Old State House.—King's Chapel.—Brattle Square Church.—New State House.—New Post Office.—Old South Church.—Birthplace of Franklin.—"News Letter."—City Hall.—Custom House.—Providence Railroad Station.—Places of General Interest.
Boston sits like a queen at the head of her harbor on the Massachusetts coast, and wears her crown of past and present glory with an easy and self-satisfied grace. Her commercial importance is large; her ships float on many seas; and she rejoices now in the same uncompromising spirit of independence which controlled the actions of the celebrated "Tea Party" in the pioneer days of '76. Her safe harbor is one of the best on the Atlantic seaboard, and is dotted with over a hundred islands. On some of these, garrisoned forts look grimly seaward.
Boston is built on a peninsula about four miles in circumference, and to this fact may be attributed the origin of her first name, Shawmutt, that word signifying in the Indian vocabulary a peninsula. Its second name, Tremount, took its rise from the three peaks of Beacon Hill, prominently seen from Charlestown by the first settlers there. Many of the colonists were from old Boston, in Lincolnshire, England, and on the seventh of September, 1630, this name supplanted the first two.
BOSTON, AS VIEWED FROM THE BAY.
[Pg 39]
In this connection may be given the etymology of the word Massachusetts, which is somewhat curious. It is said that the red Sachem who governed in this part of the country had his seat on a hill about two leagues south of Boston. It lay in the shape of an Indian arrow's head, which in their language was called Mos. Wetuset, pronounced Wechuset, was also their name for a hill, and the Sachem's seat was therefore named Mosentuset, which a slight variation changed into the name afterwards received by the colony. Boston, as the centre of this colony, began from the first to assume the importance of the first city of New England. Its history belongs not only to itself, but to the country at large, as the pioneer city in the grand struggle for constitutional and political liberty. A large majority of the old landmarks which connected it with the stormy days of the past, and stood as monuments of its primeval history, are now obliterated by time and the steady march of improvements. The face of the country is changed. The three peaks of Beacon Hill, which once lifted themselves to the height of a hundred and thirty feet above the sea, are now cut down into insignificant knolls. The waters of the "black bay" which swelled around its base have receded to give place to the encroachments of the city. Made lands, laid out in streets and set thick with dwellings, supplant the mud flats formerly covered by the tide. Thousands of acres which were once the bed of the harbor are now densely populated.
The house on Harrison avenue where the writer is at present domiciled is located on the spot which once was occupied by one of the best wharves in the city. The largest ocean craft moored to this wharf, on account of the great depth of water flowing around it.[Pg 40] The land has steadily encroached on the water, until the peninsula that was is a peninsula no longer, and its former geographical outlines have dropped out of sight in the whirl and rush of the populous and growing city. A few old landmarks of the past, however, still remain, linking the now and thethen, and among the most prominent of these are Faneuil Hall, the Old South Church, which was founded in 1660, King's Chapel, the Old Granary Burying-ground, Brattle Square Church, quite recently demolished, the old State House, and Boston Common. The Common antedates nearly all other special features of the city, and is the pride of Bostonians. Here juvenile Boston comes in winter to enjoy the exciting exercise of "coasting," and woe to the unwary foot passenger who may chance to collide with the long sleds full of noisy boys which shoot like black streaks from the head of Beacon street Mall, down the diagonal length of the Common, to the junction of Boylston and Tremont streets. This winter (1874-5), owing to several unfortunate accidents to passers-by across the snowy roads of the coasters, elevated bridges have been erected, to meet the wants of the people without interfering with the rights of the boys. The Common was originally a fifty-acre lot belonging to a Mr. Blackstone. This was in 1633. It was designed as a cow pasture and training ground, and was sold to the people of Boston the next year, 1634, for thirty pounds. The city was taxed for this purpose to the amount of not less than five shillings for each inhabitant. Mr. Blackstone afterwards removed to Cumberland, Rhode Island, where he died, in the spring of 1675. It is said that John Hancock's cows were pastured on the Common in the days of the Revolution. On the tenth of May,[Pg 41] 1830, the city authorities forbade the use of the Common for cows, at which time it was inclosed by a two-rail fence. The handsome iron paling which now surrounds the historic area has long since taken the place of the ancient fence.
Perhaps the most noticeable, certainly the most famous object on Boston Common, is the Great Tree, or Old Elm, which stands in a hollow of rich soil near a permanent pond of water, not far from the centre of the enclosure. It is of unknown age. It was probably over a hundred years old in 1722. Governor Winthrop came to Boston in 1630, but before that period the tree probably had its existence. It antedates the arrival of the first settlers, and it seems not unlikely that the Indian Shawmutt smoked the pipe of peace under its pendent branches. In 1844 its height was given at seventy-two and a half feet—girth, one foot above the ground, twenty-two and a half feet. The storms of over two centuries have vented their fury upon it and destroyed its graceful outlines. But in its age and decrepitude it has been tenderly nursed and partially rejuvenated. Broken limbs, torn off by violent gales, have been replaced by means of iron clamps, and such skill as tree doctors may use. In the last century a hollow orifice in its trunk was covered with canvas and its edges protected by a mixture of clay and other substances. Later, in 1854, Mr. J. V. C. Smith, Mayor of the city, placed around it an iron fence bearing the following inscription:—
"The Old Elm."
"This tree has been standing here for an unknown period. It is believed to have existed before the settlement of Boston, being full-grown in 1722. Exhibited[Pg 42] marks of old age in 1792, and was nearly destroyed by a storm in 1832. Protected by an iron inclosure in 1854."
What a long array of exciting events has this tree witnessed! In the stirring days of the Revolution the British army was encamped around it. In 1812 the patriot army occupied the same place, in protecting the town against the invasion of a foreign foe. Tumultuous crowds have here assembled on election and Independence days, and its sturdy branches have faced alike the anger of the elements and the wrath of man. Public executions have taken place under its shadow, and witches have dangled from its branches in death's last agonies. Here, in 1740, Rev. George Whitfield preached his farewell sermon to an audience of thirty thousand people; and here, also, at an earlier date, old Matoonas, of the Nipmuck tribe, was shot to death by the dusky warriors of Sagamore John, on a charge of committing the first murder in Massachusetts Colony. An incident of still more romantic interest belongs to the history of the Old Elm. On July third, 1728, this spot was the scene of a mortal combat between two young men belonging to the upper circle of Boston society. The cause of dispute was the possession of an unknown fair one. The names of the young men were Benjamin Woodbridge and Henry Phillips, both about twenty years old. The time was evening, the weapons rapiers, and Woodbridge was fatally dispatched by a thrust from the rapier of his antagonist. Phillips fled to a British ship of war lying in the harbor, and was borne by fair breezes to English shores. He did not long survive his opponent, however, dying, it is said, of despair, shortly after his arrival in England.[Pg 43]
Frog Pond, or Fountain Pond, near the Old Elm, has been transformed from a low, marshy spot of stagnant water, to the clear sheet which is now the delight of the boys. October twenty-fifth, 1848, the water from Cochituate Lake was introduced through this pond, and in honor of the occasion a large procession marched through the principal streets of the city to the Common. Addresses, hymns, prayers, and songs, were the order of the day, and when the pure water of the lake leaped through the fountain gate, the ringing of bells and boom of cannon attested the joy of the people.
Near the Old Elm and the Frog Pond, on Flagstaff Hill, the corner-stone of a Soldiers' Monument was laid, September eighteenth, 1871. Some idea of the style of the monument may be gathered from the following description:—"Upon a granite platform will rest the plinth, in the form of a Greek cross, with four panels, in which will be inserted bas-reliefs representing the Sanitary Commission, the Navy, the Departure for the War and the Return. At each of the four corners will be a statue, of heroic size, representing Peace, History, the Army, and the Navy. The die upon the plinth will also be richly sculptured, and upon it, surrounding the shaft in alto-relievo, will be four allegorical figures representing the North, South, East and West. The shaft is to be an elegant Doric column, the whole to be surmounted by a colossal statue of America resting on a hemisphere, guarded by four figures of the American eagle, with outspread wings. 'America' will hold in her left hand the national standard, and in her right she will support a sheathed sword, and wreaths for the victors. The extreme height of the monument will be ninety feet. The artist is Martin Millmore, of Boston."[Pg 44]
In the year 1668, a certain Mr. Dunton visited Boston, and wrote the following letter to his friends in England. It will serve to show the custom of Bostonians on training day, and recall some of the scenes which transpired over two hundred years ago on the historic Common. "It is a custom here," he says, "for all that can bear arms to go out on a training day. I thought a pike was best for a young soldier, so I carried a pike; 'twas the first time I ever was in arms. Having come into the field, the Captain called us into line to go to prayer, and then prayed himself, and when the exercise was done the Captain likewise concluded with a prayer. Solemn prayer upon a field, on training day, I never knew but in New England, where it seems it is a common custom. About three o'clock, our exercises and prayers being over, we had a very noble dinner, to which all the clergymen were invited."
In 1640, Arthur Perry was Town Drummer for all public purposes. There being no meeting-house bell in town, he called the congregation together with his drum. "He joined the Ancient and Honorable Artillery Company in that capacity, for which yearly service he received five pounds. The second additional musical instrument was a clarionet, performed on by a tall, strapping fellow with but one eye, who headed the Ancient and Honorable a few strides." The first band of music used in Boston was in 1790, at the funeral of Colonel Joseph Jackson. Yearly, for a period of between two and three hundred years, this military company has appeared on the Common, to be received by the Governor of the State, with his aides, who appointed the new commissions for the year to come and received those for the year just past. Their anniversary occurs on the first Monday in June.[Pg 45]
The Brewer Fountain, the Deer Park and the Tremont and Beacon Street Malls complete the list of conspicuous attractions on the Common. The Beacon Street Mall is perhaps the finest, being heavily shaded by thickly-set rows of American elms. A particular portion of this mall is described as the scene of at least one courtship, and how many more may have transpired in the neighborhood history or tradition tells us not!
The "Autocrat of the Breakfast-table" loved the schoolmistress who partook of her daily food at the same board with himself and listened quietly to his wise morning talks, with only an occasional sensible reply. The schoolmistress returned his passion, but the young Autocrat, uncertain of his fate, rashly determined that if she said him "nay" to this most important question of his life, he would take passage in the next steamer bound for Liverpool, and never look upon her face again. The fateful hour which was to decide his fate approached, and the Autocrat proposed a walk. They took the direction of the Beacon Street Mall, and what happened next his own charming pen-picture best describes:
"It was on the Common that we were walking. The mall or boulevard of our Common, you know, has various branches leading from it in different directions. One of these runs down from opposite Joy street, southward, across the length of the whole Common, to Boylston street. We called it the long path, and were fond of it.
"I felt very weak indeed (though of a tolerably robust habit) as we came opposite the head of this path on that morning. I think I tried to speak twice without making myself distinctly audible. At last I got out the question:—'Will you take the long path with me?'[Pg 46]
"'Certainly,' said the schoolmistress, 'with much pleasure.'
"'Think,' I said, 'before you answer; if you take the long path with me now, I shall interpret it that we are to part no more!' The schoolmistress stepped back with a sudden movement, as if an arrow had struck her.
"One of the long, granite blocks used as seats was hard by, the one you may still see close by the Ginko tree. 'Pray, sit down,' I said.
"'No, no,' she answered softly, 'I will walk the long path with you.'"
Propositions to convert the Common into public thoroughfares have ever met with stout resistance from "we the people"—the Commoners of Boston—and only this winter a meeting was held in Faneuil Hall for the purpose of protesting against this causeless desecration. The occasion of the meeting was a clique movement to have a street-car track run through the sacred ground. One of the speakers—a workingman—waxed eloquent on the theme of the "poor man's park, where in summer a soiled son of labor might buy a cent apple and lounge at his ease under the shady trees."
In 1734, by vote of the town, a South End and North End Market were established. Before this the people were supplied with meats and vegetables at their own doors. In 1740, Peter Faneuil offered to build a market-house at his own expense, and present it to the town. His proposition was carried by seven majority. Faneuil Hall, the "Cradle of Liberty," was first built two stories high, forty feet wide, and one hundred feet in length. It was nearly destroyed by fire in 1761, and in 1805 it was enlarged to eighty feet in width and twenty feet greater elevation. "The Hall is never let for[Pg 47] money," but is at the disposal of the people whenever a sufficient number of persons, complying with certain regulations, ask to have it opened. The city charter of Boston contains a provision forbidding the sale or lease of this Hall. For a period of over eighty years—from the time of its erection until 1822—all town meetings were held within its walls. It is "peculiarly fitted for popular assemblies, possessing admirable acoustic properties."
The capacity of the Hall is increased by the absence of all seats on the floor—the gallery only being provided with these conveniences. Portraits cover the walls. Healy's picture of Webster replying to Hayne hangs in heavy gilt, back of the rostrum. Paintings of the two Adamses, of General Warren and Commodore Preble, of Edward Everett and Governor Andrew, adorn other portions of the Hall. Nor are Washington and Lincoln forgotten. The pictured faces of these noble patriots of the past seem to shed a mysterious influence around, and silently plead the cause of right and of justice. The words which echoed from this rostrum in the days before the Revolution still ring down from the past, touching the present with a living power whenever liberty needs a champion or the people an advocate.
Faneuil Hall Market, or Quincy Market, as it is popularly called, grew out of a recommendation by Mayor Quincy, in 1823. Two years later the corner-stone was laid, and in 1827 the building was completed. It is five hundred and thirty-five feet long, fifty feet wide, and two stories high. Its site was reclaimed from the tide waters, and one hundred and fifty thousand dollars were expended in its erection.[Pg 48]
The capital for its construction was managed in such a judicious way that not only the market was built, but six new streets were opened and a seventh enlarged, without a cent of city tax or a dollar's increase of the city's debt.
The Old State House was located on the site of the first public market, at the head or western end of State street. It was commenced with a bequest of five hundred pounds from Robert Keayne, the first commander of the "Ancient and Honorable Artillery Company." It was known as the Town House, and was erected about the year 1670. The present Old State House was built in 1748, on the same site. Its vicinity is historic. The square in State street below the Old State House, was the scene of the Boston massacre, March fifth, 1770. "The funeral of the victims of the massacre was attended by an immense concourse of people from all parts of New England." About the same year also, in front of this Town House, occurred the famous battle of the broom, between a fencing master just arrived from England and Goff, the regicide. This English fencer erected an elevated platform in front of the Town House and paraded, sword in hand, for three days, challenging all America for a trial of his skill. At this time three of the judges who signed the death warrant for beheading Charles the First, of England, had escaped to Boston, and were concealed by the people of Massachusetts and Connecticut. Their names were Goff, Whalley and Dixwell, for whom, dead or alive, Parliament offered one hundred pounds each. The fencing master made such a stir about his skill that Goff, hearing of it at his place of concealment in the woods of Hadley, came to Boston and confronted the wordy hero.[Pg 49] His sword was a birch broom, his shield a white oak cheese slung from his arm in a napkin. After he had soaked his broom in a mud-puddle he mounted the platform for battle. The fencing master ordered him off, but Goff stood his ground and neatly parried the first thrust of the braggart. The battle then commenced in earnest, and the cheese three times received the sword of the fencing master. Before it could be withdrawn, Goff each time daubed the face of his antagonist with the muddy broom, amid the huzzas of the crowd which had gathered from all quarters to witness the contest. At the third lunge into the huge cheese the swordsman threw aside his small blade, and, unsheathing a broadsword, rushed furiously upon Goff.
"Stop, sir!" exclaimed Goff; "hitherto, you see, I have only played with you, and have not attempted to hurt you, but if you come at me with the broadsword, know that I will certainly take your life!"
"Who can you be?" replied the other; "you are either Goff, Whalley or the devil, for there was no other man in England could beat me!"
Goff immediately retired, amid the plaudits of the crowd, and the subdued fencing master slunk away with chagrin.
The interior arrangement of the Old State House has been entirely remodeled, and is now used exclusively for business.
King's Chapel, at the corner of Tremont and School streets, is another noteworthy point of interest. The corner-stone was laid in 1750, and four years were occupied in its construction, the stone for the building material being imported. Its church-yard was Boston's first burial-ground, and some of the tombstones date[Pg 50] back as far as 1658. Mr. Isaac Johnson, one of the founders of Boston, is said to have here found his last resting place. John Winthrop, his son and grandson—all governors of Connecticut, lay in the same family tomb in this yard. Four pastors of the "First Church of Christ in Boston" are also buried here. The body of General Joseph Warren was placed in King's Chapel before it was re-interred at Cambridge, and "dust to dust" has been pronounced over many other distinguished men at this stone church. The edifice is constructed in a peculiar way, with Doric columns of gray stone, and is sure to attract the attention of the stranger. It was the first Episcopal, as well as the first Unitarian church in Boston, and its pulpit is now the exponent of Unitarian doctrine, added to the Church of England service.
Going down Washington street towards Charlestown, we come to the famous Brattle Square, and its church, which once consecrated the spot. Here Edward Everett preached to his listening flock, and here, on July thirtieth, 1871, Dr. S. K. Lothrop pronounced the last sermon within its walls. Its ancient bell has ceased to ring, and the old-fashioned pulpit echoes no more to the tread of distinguished men.
The first Brattle Square Church was built in 1699. It was torn down in 1772, and the next year rebuilt on the same site, the dedication taking place July twenty-fifth.
On the night of March sixteenth, 1776, the British under Lord Howe were encamped in this neighborhood, some of the regiments using Brattle Square Church as a barrack. A cannon ball, fired from Cambridge, where the American army was then stationed, struck the church, and was afterwards built into the wall of the historic edifice, above the porch. On the next night[Pg 51] ten thousand of Lord Howe's troops embarked from Boston. In 1871 the building was sold by the society, and a handsome granite block now takes its place.
The new State House on Beacon street is one of the most prominent geographical points in all Boston, and the view from its cupola is second only to that obtained from the glorious height of Bunker Hill monument. Its gilded dome is a conspicuous object far and near, and glitters in the sunlight like veritable gold. The land on which the State House stands was bought by the town from Governor Hancock's heirs, and given to the State. The corner-stone was laid July fourth, 1793, the ceremony being conducted by the Freemasons, Paul Revere, as Grand Master, at their head. The massive stone was drawn to its place by fifteen white horses, that being the number then of the States in the Union. Ex-Governor Samuel Adams delivered the address. The Legislature first convened in the new State House in January, 1798. In 1852 it was greatly enlarged, and in 1867 the interior was entirely remodeled. Chantry's statue of Washington, the statues of Webster and Mann, busts of Adams, Lincoln and Sumner, and that beautiful piece of art in marble, the full-length statue of Governor Andrew, in the Doric Hall—all attract the attention of the visitor. In this rotunda there are also copies of the tombstones of the Washington family of Brington Parish, England, presented by Charles Sumner, and the torn and soiled battle-flags of Massachusetts regiments, hanging in glass cases. In the Hall of Representatives and the Senate Chamber, relics of the past are scattered about, and the walls are adorned with portraits of distinguished men. The eastern wing of the State House is occupied with the State Library[Pg 52] Large numbers of visitors yearly throng the building and climb the circular stairways for the fine view of Boston to be obtained from the cupola.
The new Post Office is accounted one of the finest public buildings in New England. It has a frontage on Devonshire street, of over two hundred feet and occupies the entire square between Milk and Water streets. It was several years in building, being occupied this winter for the first time since the great fire. Its cost was something like three millions of dollars. Its style of architecture is grand in the extreme. Groups of statuary ornament the central projections of the building, and orders of pilasters, columns, entablatures and balustrades add to it their elegant finish. Its roof is an elaboration of the Louvre and Mansard styles, and the interior arrangement cannot be surpassed for beauty or convenience. It has three street façades, from one of which a broad staircase leads to the four upper stories. On these floors are located important public offices. The Post Office corridor is twelve feet in height and extends across two sides of the immense building. At the time of the great fire of 1872 this structure was receiving its roof, and became a barrier against the onward sweep of the flames. The massive granite walls were cracked and split, but they effectually stopped the work of the fire fiend.
In the heart of the city, at the corner of Milk and Washington streets, stands one of the most famous buildings in Boston, and perhaps the most celebrated house of religious worship in the United States. It was founded in 1669, and received the name of the Old South Church. The first building was made of cedar, and stood for sixty years. In 1729 it was taken down, and the present building erected on the same spot. The[Pg 53] interior arrangement is described as having been exceedingly quaint, with its pulpit sounding board, its high, square pews, and double tier of galleries. During the Revolution it was frequently used for public meetings, and Faneuil Hall assemblies adjourned to the Old South whenever the size of the crowd demanded it. Here the celebrated "Tea Party" held their meetings, and discussed the measures which resulted in consigning the British tea, together with the hated tax, to the bottom of Boston Harbor. Here Joseph Warren delivered his famous oration on the Boston Massacre, drawing tears from the eyes of even the British soldiery, sent there to intimidate him. In 1775 the edifice was occupied by the British as a place for cavalry drill, and a grog-shop was established in one of the galleries. In 1782 the building was put in repair, and has stood without further change until the present time, nearly a hundred years. In 1872 it was occupied as a Post Office, and has only been vacated this winter. Its day of religious service is doubtless over. It will probably be used for business purposes, but never again as a society sanctuary.
Opposite the south front of the Old South Church, on Milk street, stood the house in which Benjamin Franklin was born. Here, on the seventeenth of January, 1706, the great philosopher was ushered into existence, and on the same day was christened at the Old South. When he was ten years old, he worked with his father in a candle manufactory, on the corner of Union and Hanover streets, at the sign of the Blue Bell. He was afterwards printer's devil for his brother James, and at eighteen established the fourth newspaper printed in this country. It was entitled "The New England Courant."
The first newspaper of Boston was also the first in the[Pg 54] colonies, and was printed on a half sheet of Pot paper, in small pica. It was entitled "The Boston News Letter. Published, by authority, from Monday, April seventeenth, to Monday, April twenty-fourth, 1704." John Campbell, a Scotchman and bookseller, was proprietor.
Now the Boston press stands in the front rank of the world's journalism, and is commodiously accommodated; as the elegant buildings of the Transcript, Globe, Journal, Herald and other papers, testify. The Advertiser is the oldest daily paper in the city.
It is impossible to properly describe Boston within the limits of so short a chapter, and only a glance at a few other points of interest will therefore be given.
The City Hall, on School street, is on the site of the house of Isaac Johnson, who lived here in 1630, and who has been styled the founder of Boston. The corner-stone of the new building was laid December twenty-second, 1672. It is of Concord granite, and is in the finest style of modern architecture. Here, under the arching roof of the French dome, the fire-alarm telegraph centres, and the sentinel who stands guard at this important point never leaves his post, night or day. The mysterious signal, though touched in the city's remotest rim, is instantly obeyed, and in less time than it takes to tell it the brave firemen are rushing to the rescue. A fine bronze statue of Benjamin Franklin stands in the inclosure in front of the building.
The Custom House, on State street, is built of granite, even to the roof. It is constructed in the form of a Greek cross, and is surrounded by thirty-two granite columns, a little over five feet in diameter. The site was reclaimed from the tide waters, and the massive building[Pg 55] rests upon about three thousand piles. Over a million dollars were expended in its erection.
The Old Granary Burying-ground, once a part of the Common, received its name from a public granary which formerly stood within its limits. Some of the most distinguished dust in history is consigned to its keeping. Paul Revere, Peter Faneuil, Samuel Adams, John Hancock, the victims of the Boston Massacre, the parents of Franklin, the first Mayor of Boston, and a long list of other names famed in their day and ours, lie buried within this ancient ground. Near by, between the Common and the Granary Cemetery, stands the celebrated Park Street Church, of which W. H. H. Murray, the brilliant writer and preacher, was, until lately, the pastor. It used to be known as "brimstone corner." This winter we attended Park Street Church on the same day with the brunette monarch, Kalakaua and suite.
One of the most commodious and elegant stations in New England, or this country, is that of the Boston and Providence Railroad. It is about eight hundred feet in length, and is built of brick, with two shades of sandstone. The track house is seven hundred feet long, covering five tracks, and has a span of one hundred and twenty-five feet. Its cost is somewhere in the neighborhood of six hundred thousand dollars. The interior arrangement is quite novel in style. The waiting-rooms open out of an immense central apartment with a balcony reaching around the entire inner circumference. Theatre tickets, flower and cigar stands, a billiard room and a barber shop, are some of the special features of the station. Refreshment rooms and dressing rooms, in oak and crimson, are also an integral part of the building.[Pg 56]
Hundreds of interesting places in this singular and devious city of Boston must go unnoticed in these pages. The beautiful Tremont Temple and its Sunday temperance lectures; Music Hall, with its big organ of six thousand pipes, through one of which Henry Ward Beecher is said to have crawled, before its erection; the Parker House, one of the crack hotels of the city; the Revere House, where all the distinguished people stop, with its special suite of rooms upholstered in blue satin, where King Kalakaua smoked his cigars in peace; the beneficent Public Library; the Boston Athenæum, home of art; the Boston Theatre, the new and elegant Globe Theatre, and the suburban limits, including Charlestown and famous Bunker Hill, Cambridge and Harvard University, Mt. Auburn, Dorchester Heights, Roxbury and East Boston, which was formerly known as Noddle's Island, and where now the Cunard line of steamers arrive and depart—all these tempt my pen to linger within their charmed localities. But it is a temptation to be resisted. When, after many weeks' sojourn in the intellectual "Hub," I was at last seated in the outward bound train, ticketed for the west, a regret, born of pleasant associations and a taste of Boston atmosphere, took possession of me. The farewells I uttered held an undertone of pain. But the train sped onward, unheeding, and the city of the harbor seemed to dissolve and disappear in the smoke of her thousand chimneys, like a dream of the night.
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