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Como la playa en soledad, más pura
luce su desnudez, y como el pájaro
más melodioso vuela si más solo,
así este paraíso de ternura
no pide verso para ser cantado.
Jose Luis Cano
MAR MENOR - MURCIA - ESPAÑA
Todos los derechos reservados - All rights reserved
This shot has it all!!
Here they are taking a break from shooting to enjoy the sunrise. I've always found it vitally important to 'put the camera' down at some point during a sunrise or sunset ... so as to thoroughly 'be in the moment.'
I had so much fun dragging them out in the sweltering humidity at 3 AM. I thank them for indulging me. When you are in good company, you can endure anything ... and that includes the early hour, the heat ... and the vicious flies!!
Thanks for inviting me, for the good wine, the fabulous dinner but most of all for the good time, the laughter and the companionship!
Dati Tecnici
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a) Hasselblad FlexBody + Magazzino 6x6/120 + Pentaprisma Esposimetrico Hasselblad PME 45;
b) Carl Zeiss Sonnar T* 180mm f. 4,0 CFI + Hasselblad Tubo Prolunga 8mm;
c) Lettura Esposimetrica Angolo 3° con Sekonic DualSpot F-L-778 (effettuate 5 misurazioni con metodo del Sistema Zonale di Ansel Adams) a luce riflessa; la prima sulla superficie del muro in basso (la porzione triangolare prima dei coprimuretti di Argilla cotta) , la seconda sulla piccola porzione della montagna (quella più luminosa a destra del fotogramma, in basso), la terza sulle tegole del tetto (quelle fra il cagnolino e il bordo del fotogramma in basso), la quarta sulla schiena del bimbo. La lettura media ottenuta è stata confrontata con la quinta lettura effettuata sulla fronte del bimbo (la luminanza è stata posta sulla zona V del Grigio Medio al 18%. Per le prime quatto esposizioni (visto la differenza zonale di circa 8/9 zone) ho intenzionalmente imposto e compresso la scala di n-2 per avere una maggiore corposità dei neri (poi in fase di sviluppo ho compensato con la diluizione e i tempi di sviluppo. Il totale è stato sovraesposto di n+2/3 per evitare che l’esposizione finale impostata non penalizzasse le alte luminanze delle “zone IX” che sarebbero risultate prive di dettaglio (visto che la luce, data dal sole mentre stava sorgendo “temperatura cromatica 6800°k”) o le basse luci (le luci in ombra e quelle sul muretto basso erano troppo basse stimate in 2100°K/2200°K);
d) Esposizione Tempo 1/125s con apertura a f.4,0 su stativo Manfrotto;
e) Negativo Agfa APX 25 Asa Professional (esposta a 64 Asa);
f) Scansione del negativo con Agfa Duoscan T2500 Pro su supportoi mobile orizzontale (porta SCASI);
g) Prima Post-Produzione per effettuare un minimo intervento del bilanciamento tonale nelle varie aree scure del corpo del bimbo e nelle ampie zone dei neri (zone posteriori il capo e parte inferiore in basso “porzione del muretto a triangolo”) nonché nei grigi e/o bianchi per (luce proveniente dal sorgere del sole, sul pelo del cagnolino e sul profilo delle braccia, volto e capelli del bimbo) per compensare la temperatura cromatica della luce con Nikon Capture NX 2. (differenza di f/stop fra le zone chiare esterne e le zone scure interne di 9,5 diaframmi in forte controluce);
h) Seconda Post-Produzione con Adobe Photoshop CS3 per il bilanciamento della compensazione dell’Esposizione con le zone d’ombra;
i) Post-Produzione di completamento con Nikon Capture NX 2 per il completamento zonale delle aree...
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2018/2025 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2018/2025 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means
Without prior permission
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"Lion and the Unicorn- Cecilia".
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Italiano
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Questa immagine fa parte di una ricerca /reportage che ho in fase di preparazione finalizzato nella ricerca di quei antichi mestieri che stanno scomparendo, altri oramai estinti o non più esercitati, che descrivono e documentano l’attività svolta nei loro ambienti, con i loro strumenti, con i vecchi utensili spesso costruiti a mano o personalizzati. Immagini e volti che esprimono particolari sensazioni, scene di particolare enfasi ambientale, di sentimenti profondi trasmessi attraverso i gesti ed espressioni.
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Anche queste immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi di ripresa e le particolari condizioni sceniche ambientali.
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English
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This image is part of a research/report that I have in preparation aimed in search of those ancient crafts are disappearing, some now extinct or no longer practiced, which describe and document the activity in their environments, with their instruments with the old tools are often built or customized by hand. Images and faces that express particular feelings, scenes of environmental emphasis, of deep feeling communicated through gestures and expressions.
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Although these images are collected in a "Technical Guide Artistic Photo" which will be described in the special filming techniques, materials used, the camera equipment, filming locations and the particular environmental conditions stage.
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© all rights reserved by B℮n
Please take your time... to View it large on black
Venice is a city in northeast Italy sited on a group of 118 small islands separated by canals and linked by bridges. It is located in the marshy Venetian Lagoon which stretches along the shoreline between the mouths of the Po and the Piave Rivers. Venice is renowned for the beauty of its setting, its architecture and its artworks.The city in its entirety is listed as World Heritage Site, along with its lagoon. The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. For centuries gondolas were the chief means of transportation and most common watercraft within Venice. In modern times the iconic boats still have a role in public transport in the city, serving as traghetti -ferries over the Grand Canal. They are also used in special regattas rowing races held amongst gondoliers. The gondola is propelled like punting, except an oar is used instead of a pole. Their primary role today, however, is to carry tourists on rides at fixed rates. There can be six people in a gondola and a ride of 40 minutes during the day according to the official rate costs € 80 euros and evening EUR 100. Additional money if the gondolier sing a song! But you can have a very short, short gondola ride to the traghetto, a public gondola that in a few places to cross the Grand Canal makes. Such a trip costs only 50 cents!
Photo of a young girl in Venice dressed already as a traditional Gondolier in red white. On the background you can see the San Giorgio on Isola do San Giorgio Maggiore. In August 2010, Giorgia Boscolo became Venice's first female gondolier. Perhaps this young girl will become a Gondolier too.
Venetië is een stad in het noordoosten van Italië. Venetië is wereldwijd bekend om het historische centrum met zijn vele wateren en heeft een belangrijke rol gespeeld in de wereldgeschiedenis. Sinds 1987 staan Venetië en zijn lagune op de Werelderfgoedlijst van de UNESCO. De Venetianen vestigden zich in de 6e eeuw na Christus op de eilanden van de lagune bij het tegenwoordige Venetië, opdat barbaren hen niet konden bereiken. De lagune bestond uit kleine eilanden met een netwerk van smalle kanalen, niet diep genoeg voor de grote zeeschepen van de barbaren. Het leven op de lagune werd mogelijk gemaakt door het gebruik van een smalle, lichte boot die mensen en goederen kon vervoeren. Deze Gondel boot werd bestuurd door een enkele roeier die op de achterkant van de boot stond, zodat hij goed zicht had. Venetië bezoeken zonder een tochtje in een gondel te maken kan natuurlijk best, want lopend en met de vaporetti kun je overal komen, maar misschien is het toch beter een bedrag te reserveren om Venetië te bekijken zoals het bekeken moet worden: langzaam voortglijdend door stille grachten tussen hoge huizen, begeleid door het geplons van de riem in het water. Houd er rekening mee dat de gondeliers een soort maffia vormen, waarvan een aantal leden er niet voor terugdeinst toeristen te bedonderen, dus maak tevoren duidelijke afspraken over de tocht en probeer flink af te dingen. Er kunnen zes personen in een gondel en een tochtje van 40 minuten kost overdag volgens het officiële tarief € 80 euro en 's avonds 100 euro; elke 20 minuten langer kost € 40 of € 50 meer. Laat je de gondelier een lied zingen, kost dat veel extra geld! Maar je kunt een heel kort, goedkoop gondeltochtje maken met de traghetto, een openbare gondel die op enkele plaatsen de oversteek over het Canal Grande maakt. Zo'n tochtje kost slechts 50 cent!
#1 in interestingness (on 2012-07-06)
© All rights reserved. Do not use without written permission from photographer.
6146080585_5de9999b0f_oc
Cousin Greg launching 4th of July fireworks bottle rocket over one of Minnesota's 10,000 lakes.
I’ve been getting a few questions on how this was done so here's the full story: We did this one over a long 4th of July Holiday stay at the lake cabin on a windy night with a close to full moon. 3 People were involved; 1 model, 1 person to light the bottle rocket, and 1 cameraman (me). I was using a DSLR (Sony A77) at the time that let me set Shutter Speed, ISO and Aperture independently in Manual Mode (kind of a 'duh' for you Flickr Pro's but those were the questions I was getting). I put the camera on a tripod, attached a wide angle lens (11-16mm) and had a remote shutter release cable attached so I could take a picture without touching the camera and potentially shaking and blurring the image. We shot off a test bottle rocket and counted ("one one thousand, two one thousand . ." ) how long it took from lighting the fuse, till it flew and exploded – the total time was 5 seconds – so that is what I set my camera Shutter Speed. We launched some more test rockets off and worked at adjusting the launch angle against the wind trying to get in the entire arch and explosion into the picture frame (easier to do with the wide angle lens). I also took a couple of test pictures and played with Aperture and ISO settings and checking how those effected the exposure (shutter was set to 5 seconds). I settled on an Aperture of f/5 because it seemed to get everything around the launch area and model in focus and it helped to keep the ISO low. ISO was at 400. The Histogram was on the dark side but it looked good in the camera. I positioned the model on the back side of the rocket from the camera so he would get illuminated by the sparks. It also looked better if he had his hands out otherwise he was just a floating face in the dark. It was very dark out so I shined a flashlight on the model to set the camera's Auto Focus and then I switched the camera to manual focus so it would not hunt for focus during the shot. Time to take the picture: I had the model freeze and try not to move for the entire 5 second exposure. My helper lit the bottle rocket and as soon as he got out of the way, I pressed the remote camera shutter, the rocket took off and exploded and my shutter clicked shut. We did it in one take and then ran out of there cuz the mosquitoes were eating us alive. On the computer in Photoshop; I cropped the picture, adjusted the colors and saturation a little, used a program called Noiseware Pro to reduce noise, used a program call Topaz Adjust to make the red orange sparks ‘pop’ a little and then gave the entire image a little overall sharpening. That's it – thanks for looking.
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** Let's connect on INSTAGRAM: @dan.anderson.photos **
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Nanga Parbat, the ninth highest peak in the world in the back ground. All stars and everything else is real. Nothing added in PP.
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July 2012,
Nikon D800,
Nikkor 14-24 f/2.8@19mm,
f/3.5, 30s, 1250 ISO
GP-1 GPS Module Attached
Un día cualquiera, a la hora azul, las luces pueden ser maravillosas.
The blue lights of the time can be magical.
Thanks for your visit and comments.
Gracias por tu visita y comentarios.
The famous dune 45 and one of the most popular and one of the most climbed dunes in the Namib-Naukluft Park, Namibia.
It is located at km 45 from the entrance of the park, (its name isn't a fate!).
it is composed of 5 million year old sand that is detritus accumulated by the Orange River from the Kalahari Desert and then blown here.
I was looking for an image in my Seattle Archive to show my friend Jonathan or Dialed-In when I came across an image of the Columbia Center Building and started to fool with it. The B&W tile version became the starter image and while I was in the archive drive other cities wanted in, before I knew it I had my Sunday Slider. Las Vegas is represented and this was the last of the Red Lip Girls from the Christmas display of Bergdorf Goodman in New York City, it also has a bit of Blairstown, New Jersey in the view of the clouds.
Made for Slider Sunday - HSS
Texture by: Skeletalmess
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O lendário e valoroso Castelo de Montemor-o-Velho domina, do seu alto monte, a extensa e bela planície de arrozais do Baixo Mondego. Aqui se acolheram diferentes povos e culturas, existindo sinais materiais da passagem dos Romanos, como o testemunham alguns dos cilhares de pedra integrados na base da torre de menagem desta fortaleza medieval. Vivendo os tempo conturbados das invasões bárbaras e, posteriormente, do mais calmo reinado visigótico, Montemor-o-Velho seria ocupada no século VIII pelos muçulmanos, que deixaram nesta região uma forte impressão da sua cultura. Reconquistada em 848 para as armas cristãs, através de Ramiro I de Leão e do seu tio, o abade João, este castelo do Baixo Mondego mudaria de mãos por diversas vezes até ao século XI. Numa dessas razias, a fortaleza foi particularmente afectada pela acção militar desencadeada pelo impetuoso exército árabe de Almançor.
O castelo de Montemor-o-Velho está implantado num local que apresenta vestígios de ocupação muito antiga, provavelmente pré-histórica, todavia é certa a ocupação romana, atestada pelas pedras utilizadas na base da Torre de Menagem. As primeiras referências a este castelo, dão conta da sua reconquista aos árabes por volta de 848, mas cairia de novo nas mãos dos muçulmanos em 990, com uma nova reconquista cristã por volta do ano de 1006, para voltar à posse árabe em 1026, e este alternar de conquistas e reconquistas só viria a estabilizar por volta de 1064, quando Fernando Magno reconquista toda a região, empurrando os árabes para lá do Mondego. Este castelo em conjunto com os de Miranda, Penela, Soure e Santa Eulália formava, no período da consolidação da independência do Condado Portucalense, a cintura defensiva da cidade de Coimbra. Palco de muitas lutas, não só com os árabes, mas também devido às disputas entre os príncipes e reis de Portugal, e até nas invasões francesas, foi sendo reparado, ampliado e modificado ao logo dos séculos, mas se alguma coisa marca a história desta fortaleza, é o facto nela ter sido decidida a morte de Inês de Castro.
Ao longo dos anos, a quebra progressiva do interesse militar deste tipo de estruturas, foi ditando o abandono ou a sua utilização com outros fins, neste caso chegou a existir no seu interior, um cemitério, junto à igreja da Alcáçova, que foi retirado em meados do século XX. A partir de 1936 tem vindo a ser conservado, foram reconstruídas muralhas, foi colocada instalação eléctrica e criada uma casa de chá no que resta do chamado, Paço das Infantas. Para além do que este castelo tem para ver, da sua grande estrutura defensiva, no seu interior encontram-se as ruínas do antigo paço senhorial, a Igreja de Santa Maria da Alcáçova, a Capela de Santo António, a Igreja da Madalena e as ruínas da Capela de São João. Mais recentemente em1994 fizeram-se algumas obras de recuperação e consolidação das muralhas. Foram também ajardinadas algumas partes interiores. O castelo foi classificado como Monumento Nacional pelo Decreto de 16-06-1910.
O Castelo de Montemor-o-Velho e a Lenda das Arcas
Já diziam os antigos que no castelo de Montemor-o-Velho estão enterradas duas arcas, uma cheia de ouro e a outra cheia de peste. A sua origem remonta ao tempo dos Mouros quando era alcaide naquela cidade um viúvo austero que tinha uma única filha, a qual guardava longe dos olhares de todos como se fosse o maior tesouro do mundo. Um dia, quando a jovem era já uma mulher, um dos seus fiéis cavaleiros apaixonou-se por ela, mas o alcaide nem queria ouvir falar de tal possibilidade. Quando o cavaleiro insistiu, o alcaide resolveu prendê-lo e condenou-o à morte. Assim que a jovem soube da tragédia em que involuntariamente estava envolvida, ainda tentou interceder mas o pai permaneceu insensível às suas súplicas. A jovem que até então não fazia ideia do grande amor que o cavaleiro lhe dedicava, resolveu visitá-lo em segredo nas masmorras. Este amor devia estar já talhado no livro do destino, pois a jovem logo se apaixonou pelo cavaleiro e ambos fugiram do castelo. Porem, a sua captura foi fácil e logo foram levados a presença do irascível alcaide, este ainda ficou mais furioso quando soube que a sua filha tinha casado com o cavaleiro. Então, por vingança, resolveu dar-lhes uma prenda maldita: duas arcas, uma com ouro e a outra com a peste. Os jovens que prezavam mais a sua vida e o seu amor que todo o ouro do mundo fugiram do louco alcaide, deixando para trás as duas arcas que nunca ninguém ousou abrir e que ainda hoje estão enterradas nas muralhas do velho castelo. Muitos, movidos pela audácia ou pelo desespero de tempos difíceis, aproximaram-se das arcas e em épocas de crise muitos foram os que se juntaram para abrir a arca da fortuna… Mas… logo paravam atónitos e perplexos, petrificados com o medo de abrir a arca da peste pois esta se aberta traria ainda mais desgraça e miséria… E assim, as arcas lá continuam à espera de um dia alguém ter a ousadia de as procurar e a imprudência de as abrir...
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All images and texts are copyrighted, with all rights reserved. Please do not use, copy or edit any of my images or text without my written permission. If you want to use my texts or photographs please contact this address. asousacar@clix.pt
*===***===* Todos os direitos reservados ==***== Todos los derechos reservados ==***== All rights reserved ==**== Tutti i diritti riservati ==**== Alle Rechte vorbehalten ==**== Tous droits réservés =**=
48/365
Outtake from day 44.
Today I have been kind of sick. I have not been feeling well at all. headache, dizziness. all that stuff. For once I have ideas, but no energy to do them. Hopefully I will feel better tomorrow :)
And I'm not sure if my uploads are getting worse or if I am settling with the fact that, not every photo in a 365 can be good.
Like on Facebook, Tumblr, Formspring , Instagram; sophiaalexis
El Faro de Ponta da Piedade, en Lagos, fue construido entre 1912 y 1913, entrando en servicio el 1 de julio de 1913. La lámpara original era de petróleo; en diciembre de 1923 la luz pasa a ser de ocultaciones, con una cadencia de 2,5 segundos cada 69,5 segundos.
En 1953 el faro fue electrificado con grupos electrógenos, y se sustituyó la lámpara de petróleo por una eléctrica, con un alcance original de 15 millas, que aumentó posteriormente a 18 y finalmente a 20, el alcance actual
Fue completamente automatizado en 1983.
El faro tiene como peculiaridad estar flanqueado por dos enormes palmeras, y la zona en que se ubica, a unos 2 kilómetros de Lagos, es muy visitada por sus acantilados y cuevas horadadas por la acción del mar.
Espero sea de vuestro agrado
Mejor ver en grande sobre fondo negro
© Todos los derechos reservados
Have received a few requests to post together Orvieto's and Siena's cathedral. Here they are. You can see the many similarities between one and the other. But it is still unclear which one influenced the other. What is certain form an architectonic point of view is that Orvieto's is built all in the same style while Siena's started in Florence's style (see lower part) and ended up like Orvieto's (upper part).
The first time this rather cool Veyron has been seen on the road in the UK!
Highest position: 23 on Saturday, June 30, 2012
The view from Ardnamurchan over to the small isles of Muck, Eigg and Rùm, on what turned out to be a very rare, fine summer's morning (might look better larger).
This one's taken near the end of my little photographic expedition, 25 secs at f20 around 4.30am - the layers of colour and clarity over to the islands has stuck firmly in my mind ever since - despite only having around 2 hours sleep, I left Ardnamurchan thinking "this was exactly what the doctor ordered!"
If you want to see more of this trip I've put togther a little slideshow at vimeo.com/43952135
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On my way down to Wagga, I made a diversion to a place called Laurel Hill, just outside Batlow. In a minute section of the Bago State Forest, sits the Sugar Pine Walk. These sugar pines, which are native to the USA, reach into the sky and makes for a enchanting place. A pathway has been created so that you can comfortably immerse yourself in this almost ethereal location.
Venus en las Híades y Júpiter cerca a las Pléyades.
- Junio 22 de 2012
- 5:07 a.m. (GMT -5)
- Popayán, Colombia
- Lat: 2° 23' 38" N
- Lon: 76° 36' 23" W
- Alt. 1850 mts.
I know Phacelia (Scorpionweed) already a long time. Many species are cultivated as garden plants and honey plants. I love this wonderful flower which attracts bees and bumblebees.
Now I saw it for the first time planted between the wine rows and like the blue colour between the green lines. I think the wingrowers use it as green manure how I used to do in my own garden many years. This vineyard is in Kleinheppach (Region Stuttgart, Germany).
Much better in Large On Black
© 2012 Ursula Sander - All rights reserved.
..little by little one walks far..
..this is my last image of my Morocco set, I enjoyed walking with you, thanks for the great company and all the laughs.. see you in a few days for the next adventure :-)
Thanks to all for your visits, comments, faves !!!!!
Have a wonderful day, cozy evening and dream night !!!
And remember, if you like it, you can share it!!!
My work is available for licensing in
Instagram!@nanihta
Twitter!@mrsnemesis
© 2012 Paul Newcombe. Don't use without permission.
Looking from Kinder Scout into Edale Valley
Taken a year ago. I remember it rained a lot that day then the skies cleared. I processed a different frame from the one at the time. This one includes Lose Hill in the distance. I've also fixed the colour balance. Not so easy with a jpg :o I thought I'd leave the original on Flickr.
Single shot 300 sec exposure with canon 20d astro modified , ef 50mm f/1.8@f/4.o, iso 1600
mounted on astrotrac TT320X-AG.
Enhanced with Photoshop to show more colour.
Thanks for looking !
Taken after a walk in towards the remote and beautiful " Fisherfield Forest " Showing the mountains L-R " Beinn A' Chlaidheimh ", " Beinn Dearg Mor " and " Beinn Dearg Bheag " in Wester Ross, Scotland.
( Away up west for a couple of weeks for a spot of fishing and maybe a couple of pictures :)
The Basilica houses 70 chapels, reflecting the origins of the Catholic immigrants and religious orders whose generosity erected them. Its Greek-styled interior is crowned with numerous domes decorated in mosaics, similar to the Basilica of St. Mark in Venice, Italy, but much larger.
Construction of this church, notable for its Neo-Byzantine architecture, began in 1920 under Philadelphia contractor John McShain and opened unfinished in 1959.
Todos los derechos reservados - All rights reserved - copyright © Pilar Azaña Talán
He comprendido que todo lo que vivimos es necesario, aunque sea increíblemente doloroso.
He aprendido a mirar la vida de otra manera.
He comprendido que los sueños pueden cumplirse.
Y especialmente he aprendido que mis sueños son los que me dan la vida...
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I have understood that everything what we live is necessary, though it is incredibly painful.
I have learned to look at the life otherwise.
I have understood that the dreams can be fulfilled.
And specially I have learned that my dreams are those that give me the life...
... and this is just one of them!
Well, that is probably a gross underestimate ... I just wanted to use that title! :-)
I can't even tell you how many shots I took on this day {maybe not quite eight million} ... but I've purged the folder so many times ... then repurged some more ... and then yet again! It's possible I was nearing that number. I'd bet that if the shots I took were added to the shots Irene took, it would've come pretty close!! LOL!! :-)
It's just that the light was spectacular! It was hard for us to leave, to turn our back on the light, the view ... the sea. So we lingered on until well after sunset ... much longer than we should have as it had been a really long day. But I have to say, it was the perfect finale. Thank you for hanging in there with me Irene. It was so much fun shooting with you and I can't wait till we are able to hang out again!!
I'd show you the originals so you can see my 'slide' but as it turns out I purged that folder a bit too aggressively! DOH! I hate when I do that!!
~Happy Sliders Sunday~
DOF © M.Al khaled 2012
للصبـآح لغه في جبين الكون ,
تؤججها نسمآت الصبآح المشرقه
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Don't forget to 'like' me on Facebook.
enjoy
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ISO 100
Exposure 1/125
Aperture f/4
Focal Length 70-200mm
34/365
“The free man is he who does not fear to go to the end of his thought.”
Found this new spot today.. I really like it there.
Inspired by Kiara Rose.
Boats moored in St Katharine Docks getting ready for the Diamond Jubilee Pageant down the Thames.
I watched with trepidation as the two very elderly ladies you can see at the side of the boat in the foreground made their way very precariously from the jetty to the first boat as I felt sure they were going to fall into the water. They then crossed to the second boat, then to the third so I thought phew, they've made it! Oh no, they had a good look round & then proceeded to make their way back! Don't think they had anything to do with the boats, they just decided to go out there for the view! I just couldn't watch their hazardous journey back so I moved on!