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I love cooking and I love taking food pictures. I made potato cauliflower soup and had fun dressing it up for a photoshoot.
Spent hours shooting in Harry's Barn last night - how come we've never done before I don't know, there was so much stuff worth painting!
Did a few on the Pool Table - Red & Green LED painted around edge and Red on the felt, Green LED used to paint up the balls and Red Gel fired off in background.
Nikon D300s
282 Seconds
f/8.0
ISO200
52 Weeks : The 2019 Edition, Week 8
Super(ish)moon (One day late)
Technically, we have a week for the assignment, so I'm good with it!
Mamiya 645, Sekor C 80mm 1:2.8
Agfa APX 100 with 35mm to 120 film spool adapter,
Rodinal 1:25
foto-scan on light table with EOS 6D, macro lens EF 100mm 1:2.8 L
post-processing with Photoshop Elements
contax g2
carl zeiss planar 45mm f/2 T*
kodak profoto 100
I am uploading this 2000dpi scan in full size, for this is a great example of what this lovely lens is capable of when shot wide open.
de Havilland Canada DHC-8-400Q Dash 8
Registration: N409QX
Portland International Airport (Portland, Oregon)
You can also follow my aviation photos on Facebook (but the pictures look better here...)
Free Diver taken with Sigma 8-16mm
Read the whole story and see more photos here: www.azur-diving.com/2012/04/22/back-in-action/
Created with fd's Flickr Toys.
1. eight, 2. 8, 3. 8, 4. 8, 5. 8, 6. 8, 7. 8, 8. 8, 9. Number eight
Blogged at life as orieyenta
Blogged at Ayumi's every other day
Blogged at A mountain dweller in the Thames Valley
Blogged at I'm rambling again
Das Jupiter-8 ist ein neugerechnetes Zeiss Sonnar 2/50. Nach dem Krieg wurde zunächst mit den Original-Zeiss-Gläsern das Sonnar in der UdSSR weitergebaut und ZK 2/50 mm ("Sonnar Kransogorsk") genannt. Da aber das russische Glas andere Eigenschaften hat als das deutsche Original, wurde die Optik neu gerechnet und seit ca. 1950 als Jupiter-8 geführt, sowohl mit M39-Gewinde als auch mit Contax-Bajonett.
A male Monarch Butterfly, Danaus plexippus, dries it's wings while resting on a swan plant (milkweed).
Photo 8 of 365.
A man transfer mobile phone to next man around Galata Bridge in Eminonu, Istanbul / Turkey at Sunday 18 December 2016.
Ertugrul Kilic | Copyright © 2017 - All rights reserved
In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth - something more terrifying than any of them could have imagined.
Naturally distorted and yet we find happiness in ignorance and simplicity. Live and love life in eclectic colours!
Mayday magnolias in the churchyard of St Simon & St Jude, Norwich.
Shot on with a Praktica BX20S, CZJ Prakticar 135mm f2.8, Fuji Velvia 100F, and digitised using a Nikon D90, Tokina AT-X Pro 100 f2.8, and a lightbox.
MTABU-8, Dilwara Temple; Mt. Abu; Rahjastan; India; 1985.
Pentax K2, 28mm. Fujichrome 100
Photography is now forbidden in the temples, I hear, so I'm posting my pics from 1985. The rest of the set is here:
I splurged on a new palette for my on-location sketch kit. I like the idea of having more mixing space (vs. my Altoids palette), and just having a good quality palette. Can I justify it as an early birthday present to myself? I found this empty Schmincke palette at Sarnoff's (a local art store here in Tucson) and was able to use a 40% off coupon for it! This made it a price within reason.
I decided to also try a new paint for me: Daniel Smith Transparent Pyrrol Orange (PO71) as my warm red (I usually use Organic Vermillion). I plan to do some mixing tests to run this new paint through its paces.
I may tweak the contents of the palette. I usually use Phthalo Green BS but happened to have a half-pan with Phthalo Green YS already in it, so I will go with that for now. Same with Quinacridone Burnt Scarlet. I like that this palette has a warm and cool of each primary, neutralized versions of yellow, orange, and red, a warm and cool green, three blues, and a violet. I put Payne's Gray in there because I already had it in a half-pan, it can make a nice neutral green for foliage, and it can serve nicely for monochrome studies.
My travel brush is wonderful, the Silver Black Velvet #8 Voyager travel brush. It's cool that there's a place for it between the rows of half pans!
Ink & watercolor in Canson Universal Sketch book.