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The same 500L as the previous one, photographed in the same street at almost the same spot.
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
Generally speaking is the 500L easily recognizable by its chrome extra bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production Fiat 500: July 1957-1975.
Original first reg. number: June 30, 1971.
New Dutch semi-historical reg. number: Oct. 14, 1996.
Same owner since July 16, 2015.
Amsterdam-Z., Dijsselhofplantsoen, July 2018/Febr. 12, 2019.
© 2019 Sander Toonen Amsterdam | All Rights Reserved
The Nuova 500 MK1 was introduced on July 4, 1957 and was designed by Dante Giacosa (1905-1996).
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
2 cylinder 499.5cc aircooled engine,
514 kg.
New Dutch reg. number: Jan. 6, 1997.
Fiat 500 production: 1957-1975.
Amsterdam-Z., Breughelstraat, May 23, 2015.
© 2015 Sander Toonen Amsterdam | All Rights Reserved
PENTAX67TTL + SuperTAKUMAR/6×7 F2.4 105mm + Kodak Portra160NC
Self development by labo１１０家
（ORIENTARL BAN-1R +Naniwa color kitS ）
4 minutes 45 seconds at 36 ℃ developing solution of ORIENTARL「BAN-1R」
（100cc 5-fold dilution + 50cc replaced with 5-fold diluted developing solution and a developing solution was three-fold diluted developing solution 17.5cc ）
5 minutes and 30 seconds at 36 ℃ color liquid bleach fixing of Naniwa color kitS
Seen on the roof of a 1969 Fiat Nuova 500F.
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500F was introduced in 1965 and was the first 500 model with normal opening doors.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Germanico, April 24, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
According to DVLA, this example has an 885cc engine (usually 747.5cc).
Chickerell Steam Fair, Saturday 30 June 2018.
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production Nuova 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Buonconvento (It.), Via Cassia, SR2, May 7, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
New Italian Reg. number: 1980.
Number seen: about 35, most of them in Roma.
Roma (It.), Viale Angelico, April 25, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
499,5cc aircooled 2 cylinder rear engine.
511 kg.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
New Dutch reg.number: Oct. 16, 1998.
Amsterdam-W., Erasmusgracht, June 23, 2015.
© 2015 Sander Toonen Amsterdam | All Rights Reserved
Seen at a 1971 FIAT 500F.
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500F was introduced in 1965 and was the first 500 model with normal opening doors.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Napoli (It.), Via Francesco Saverio Correra, May 2, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
Or this 500 is an original 1968-1972 500L with a new 1975 registration number, or it's a 1972-1975 500R with 500L specs extra bumper bars. I guess it's the first option.
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Original Italian reg. number: 1975.
Number seen: about 35, most of them in Roma.
Corbara (It.), SP2b, Via F.R. Giordano, May 3, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Catone, April 24, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production Nuova 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma-La Storta (It.), Via Cassia, SR2, May 7, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
New italian reg. number: 1986.
Number seen: about 35, most of them in Roma.
Roma, Trastevere, Via Corsini, April 27, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via dei Santi Quattro, April 25, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The Khajuraho Group of Monuments is a group of Hindu and Jain temples in Madhya Pradesh, India, about 175 kilometres southeast of Jhansi. They are one of the UNESCO World Heritage Sites in India. The temples are famous for their nagara-style architectural symbolism and their erotic sculptures.
Most Khajuraho temples were built between 950 and 1050 by the Chandela dynasty. Historical records note that the Khajuraho temple site had 85 temples by 12th century, spread over 20 square kilometers. Of these, only about 20 temples have survived, spread over 6 square kilometers. Of the various surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism and expressiveness of ancient Indian art.
The Khajuraho group of temples were built together but were dedicated to two religions - namely Hinduism and Jainism - suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains.
LOCATION
Khajuraho group of monuments are located in the Indian state of Madhya Pradesh, in Chhatarpur district, about 620 kilometres southeast of New Delhi. The temples are in a small town also known as Khajuraho, with a population of about 20,000 people (2001 Census).
Khajuraho is served by Civil Aerodrome Khajuraho (IATA Code: HJR), with services to Delhi, Agra, Varanasi and Mumbai. The site is also linked by Indian Railways service, with the railway station located approximately six kilometres from the monuments entrance.
The monuments are about 10 kilometres off the east-west National Highway 75, and about 50 kilometres from the city of Chhatarpur, that is connected to Bhopal - the state capital - by the SW-NE running National Highway 86.
HISTORY
The Khajuraho group of monuments was built during the rule of the Rajput Chandela dynasty. The building activity started almost immediately after the rise of their power, throughout their kingdom to be later known as Bundelkhand. Most temples were built during the reigns of the Hindu kings Yashovarman and Dhanga. Yashovarman's legacy is best exhibited by Lakshmana temple. Vishvanatha temple best highlights King Dhanga's reign. The largest and currently most famous surviving temple is Kandariya Mahadeva built in the reign of King Ganda from 1017-1029 CE. The temple inscriptions suggest many of the currently surviving temples were complete between 970 to 1030 CE, with further temples completed during the following decades.
The Khajuraho temples were built about 35 miles from the medieval city of Mahoba, the capital of the Chandela dynasty, in the Kalinjar region. In ancient and medieval literature, their kingdom has been referred to as Jijhoti, Jejahoti, Chih-chi-to and Jejakabhukti.
Khajuraho was mentioned by Abu Rihan-al-Biruni, the Persian historian who accompanied Mahmud of Ghazni in his raid of Kalinjar in 1022 CE; he mentions Khajuraho as the capital of Jajahuti. The raid was unsuccessful, and a peace accord was reached when the Hindu king agreed to pay a ransom to Mahmud of Ghazni to end the attack and leave.
Khajuraho temples were in active use through the end of 12th century. This changed in the 13th century, after the army of Delhi Sultanate, under the command of the Muslim Sultan Qutb-ud-din Aibak, attacked and seized the Chandela kingdom. About a century later, Ibn Battuta, the Moroccan traveller in his memoirs about his stay in India from 1335 to 1342 CE, mentioned visiting Khajuraho temples, calling them “Kajarra” as follows:
...near (Khajuraho) temples, which contain idols that have been mutilated by the Moslems, live a number of yogis whose matted locks have grown as long as their bodies. And on account of extreme asceticism they are all yellow in colour. Many Moslems attend these men in order to take lessons (yoga) from them.
— Ibn Battuta, about 1335 CE, Riḥlat Ibn Baṭūṭah, Translated by Arthur Cotterell
Central Indian region, where Khajuraho temples are, remained in the control of many different Muslim dynasties from 13th century through the 18th century. In this period, some temples were desecrated, followed by a long period when they were left in neglect. In 1495 CE, for example, Sikandar Lodi’s campaign of temple destruction included Khajuraho. The remoteness and isolation of Khajuraho protected the Hindu and Jain temples from continued destruction by Muslims. Over the centuries, vegetation and forests overgrew, took over the temples.
In the 1830s, local Hindus guided a British surveyor, T.S. Burt, to the temples and they were thus rediscovered by the global audience. Alexander Cunningham later reported, few years after the rediscovery, that the temples were secretly in use by yogis and thousands of Hindus would arrive for pilgrimage during Shivaratri celebrated annually in February or March based on a lunar calendar. In 1852, Maisey prepared earliest drawings of the Khajuraho temples.
NOMENCLATURE
The name Khajuraho, or Kharjuravāhaka, is derived from ancient Sanskrit (kharjura, खर्जूर means date palm, and vāhaka, वाहक means "one who carries" or bearer). Local legends state that the temples had two golden date-palm trees as their gate (missing when they were rediscovered). Desai states that Kharjuravāhaka also means scorpion bearer, which is another symbolic name for deity Shiva (who wears snakes and scorpion garlands in his fierce form).
Cunningham’s nomenclature and systematic documentation work in 1850s and 1860s have been widely adopted and continue to be in use. He grouped the temples into the Western group around Lakshmana, Eastern group around Javeri, and Southern group around Duladeva.
Khajuraho is one of the four holy sites linked to deity Shiva (the other three are Kedarnath, Kashi and Gaya). Its origin and design is a subject of scholarly studies. Shobita Punja has proposed that the temple’s origin reflect the Hindu mythology in which Khajuraho is the place where Shiva got married; with Raghuvamsha verse 5.53, Matangeshvara honoring ‘’Matanga’’, or god of love.
DESCRIPTION
The temple site is within Vindhya mountain range in central India. An ancient local legend held that Hindu deity Shiva and other gods enjoyed visiting the dramatic hill formation in Kalinjar area. The center of this region is Khajuraho, set midst local hills and rivers. The temple complex reflects the ancient Hindu tradition of building temples where gods love to play.
The temples are clustered near water, another typical feature of Hindu temples. The current water bodies include Sib Sagar, Khajur Sagar (also called Ninora Tal) and Khudar Nadi (river). The local legends state that the temple complex had 64 water bodies, of which 56 have been physically identified by archeologists so far.
All temples, except one (Chaturbhuja) face sunrise - another symbolic feature that is predominant in Hindu temples. The relative layout of temples integrate masculine and feminine deities and symbols highlight the interdependence. The art work symbolically highlight the four goals of life considered necessary and proper in Hinduism - dharma, kama, artha and moksha.
Of the surviving temples, 6 are dedicated to Shiva and his consorts, 8 to Vishnu and his affinities, 1 to Ganesha, 1 to Sun god, 3 to Jain Tirthanks. For some ruins, there is insufficient evidence to assign the temple to specific deities with confidence.
An overall examination of site suggests that the Hindu symbolic mandala design principle of square and circles is present each temple plan and design. Further, the territory is laid out in three triangles that converge to form a pentagon. Scholars suggest that this reflects the Hindu symbolism for three realms or trilokinatha, and five cosmic substances or panchbhuteshvara. The temple site highlights Shiva, the one who destroys and recycles life, thereby controlling the cosmic dance of time, evolution and dissolution. The temples have a rich display of intricately carved statues. While they are famous for their erotic sculpture, sexual themes cover less than 10% of the temple sculpture. Further, most erotic scene panels are neither prominent nor emphasized at the expense of the rest, rather they are in proportional balance with the non-sexual images. The viewer has to look closely to find them, or be directed by a guide. The arts cover numerous aspects of human life and values considered important in Hindu pantheon. Further, the images are arranged in a configuration to express central ideas of Hinduism. All three ideas from Āgamas are richly expressed in Khajuraho temples - Avyakta, Vyaktavyakta and Vyakta.
The Beejamandal temple is under excavation. It has been identified with the Vaidyanath temple mentioned in the Grahpati Kokalla inscription.
Of all temples, the Matangeshvara temple remains an active site of worship. It is another square grid temple, with a large 2.5 metres high and 1.1 metres diameter lingam, placed on a 7.6 metres diameter platform.
The most visited temple, Kandariya Mahadev, has an area of about 6,500 square feet and a shikhara (spire) that rises 116 feet. Jain templesThe Jain temples are located on east-southeast region of Khajuraho monuments. Chausath jogini temple features 64 jogini, while Ghantai temple features bells sculptured on its pillars.
ARCHITECTURE OF THE TEMPLES
Khajuraho temples, like almost all Hindu temple designs, follow a grid geometrical design called vastu-purusha-mandala. This design plan has three important components - Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure.
The design lays out a Hindu temple in a symmetrical, concentrically layered, self-repeating structure around the core of the temple called garbhagriya, where the abstract principle Purusha and the primary deity of the temple dwell. The shikhara, or spire, of the temple rises above the garbhagriya. This symmetry and structure in design is derived from central beliefs, myths, cardinality and mathematical principles.
The circle of mandala circumscribe the square. The square is considered divine for its perfection and as a symbolic product of knowledge and human thought, while circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 sub-squares called padas.
Most Khajuraho temples deploy the 8x8 padas grid Manduka Vastupurushamandala, with pitha mandala the square grid incorporated in the design of the spires. The primary deity or lingas are located in the grid’s Brahma padas.
The architecture is symbolic and reflects the central Hindu beliefs through its form, structure and arrangement of its parts. The mandapas as well as the arts are arranged in the Khajuraho temples in a symmetric repeating patterns, even though each image or sculpture is distinctive in its own way. The relative placement of the images are not random but together they express ideas, just like connected words form sentences and paragraphs to compose ideas. This fractal pattern that is common in Hindu temples. Various statues and panels have inscriptions. Many of the inscriptions on the temple walls are poems with double meanings, something that the complex structure of Sanskrit allows in creative compositions. All Khajuraho temples, except one, face sunrise, and the entrance for the devotee is this east side.Above the vastu-purusha-mandala of each temple is a superstructure with a dome called Shikhara (or Vimana, Spire). Variations in spire design come from variation in degrees turned for the squares. The temple Shikhara, in some literature, is linked to mount Kailash or Meru, the mythical abode of the gods.In each temple, the central space typically is surrounded by an ambulatory for the pilgrim to walk around and ritually circumambulate the Purusa and the main deity. The pillars, walls and ceilings around the space, as well as outside have highly ornate carvings or images of the four just and necessary pursuits of life - kama, artha, dharma and moksa. This clockwise walk around is called pradakshina. Larger Khajuraho temples also have pillared halls called mandapa. One near the entrance, on the east side, serves as the waiting room for pilgrims and devotees. The mandapas are also arranged by principles of symmetry, grids and mathematical precision. This use of same underlying architectural principle is common in Hindu temples found all over India. Each Khajuraho temple is distinctly carved yet also repeating the central common principles in almost all Hindu temples, one which Susan Lewandowski refers to as “an organism of repeating cells”.
CONSTRUCTION
The temples are grouped into three geographical divisions: western, eastern and southern.
The Khajuraho temples are made of sandstone, with a granite foundation that is almost concealed from view. The builders didn't use mortar: the stones were put together with mortise and tenon joints and they were held in place by gravity. This form of construction requires very precise joints. The columns and architraves were built with megaliths that weighed up to 20 tons. Some repair work in the 19th Century was done with brick and mortar; however these have aged faster than original materials and darkened with time, thereby seeming out of place.
The Khajuraho and Kalinjar region is home to superior quality of sandstone, which can be precision carved. The surviving sculpture reflect fine details such as strands of hair, manicured nails and intricate jewelry.
While recording the television show Lost Worlds (History Channel) at Khajuraho, Alex Evans recreated a stone sculpture under 4 feet that took about 60 days to carve in an attempt to develop a rough idea how much work must have been involved. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. They concluded that these temples would have required hundreds of highly trained sculptors.
CHRONOLOGY
The Khajuraho group of temples belong to Vaishnavism school of Hinduism, Saivism school of Hinduism and Jainism - nearly a third each. Archaeological studies suggest all three types of temples were under construction at about the same time in late 10th century, and in use simultaneously. Will Durant states that this aspect of Khajuraho temples illustrates the tolerance and respect for different religious viewpoints in the Hindu and Jain traditions. In each group of Khajuraho temples, there were major temples surrounded by smaller temples - a grid style that is observed to varying degrees in Hindu temples in Angkor Wat, Parambaran and South India.
The largest surviving Saiva temple is Khandarya Mahadeva, while the largest surviving Vaishnava group includes Chaturbhuja and Ramachandra.
Kandariya Mahadeva Temple plan is 109 ft in length by 60 ft, and rises 116 ft above ground and 88 ft above its own floor. The central padas are surrounded by three rows of sculptured figures, with over 870 statues, most being half life size (2.5 to 3 feet). The spire is a self repeating fractal structure.
ARTS AND SCULPTURE
The Khajuraho temples feature a variety of art work, of which 10% is sexual or erotic art outside and inside the temples. Some of the temples that have two layers of walls have small erotic carvings on the outside of the inner wall. Some scholars suggest these to be tantric sexual practices. Other scholars state that the erotic arts are part of Hindu tradition of treating kama as an essential and proper part of human life, and its symbolic or explicit display is common in Hindu temples. James McConnachie, in his history of the Kamasutra, describes the sexual-themed Khajuraho sculptures as "the apogee of erotic art": "Twisting, broad-hipped and high breasted nymphs display their generously contoured and bejewelled bodies on exquisitely worked exterior wall panels. These fleshy apsaras run riot across the surface of the stone, putting on make-up, washing their hair, playing games, dancing, and endlessly knotting and unknotting their girdles....Beside the heavenly nymphs are serried ranks of griffins, guardian deities and, most notoriously, extravagantly interlocked maithunas, or lovemaking couples."
The temples have several thousand statues and art works, with Kandarya Mahadeva Temple alone decorated with over 870. Some 10% of these iconographic carvings contain sexual themes and various sexual poses. A common misconception is that, since the old structures with carvings in Khajuraho are temples, the carvings depict sex between deities; however the kama arts represent diverse sexual expressions of different human beings. The vast majority of arts depict various aspects the everyday life, mythical stories as well as symbolic display of various secular and spiritual values important in Hindu tradition. For example, depictions show women putting on makeup, musicians making music, potters, farmers, and other folks in their daily life during the medieval era. These scenes are in the outer padas as is typical in Hindu temples.
There is iconographic symbolism embedded in the arts displayed in Khajuraho temples. Core Hindu values are expressed in multitude of ways. Even the Kama scenes, when seen in combination of sculptures that precede and follow, depict the spiritual themes such as moksha. In the words of Stella Kramrisch,
This state which is “like a man and woman in close embrace” is a symbol of moksa, final release or reunion of two principles, the essence (Purusha) and the nature (Prakriti).
— Stella Kramrisch, 1976
The Khajuraho temples represent one expression of many forms of arts that flourished in Rajput kingdoms of India from 8th through 10th century CE. For example, contemporary with Khajuraho were the publications of poems and drama such as Prabodhacandrodaya, Karpuramanjari, Viddhasalabhanjika and Kavyamimansa. Some of the themes expressed in these literary works are carved as sculpture in Khajuraho temples. Some sculptures at the Khajuraho monuments dedicated to Vishnu include the Vyalas, which are hybrid imaginary animals with lions body, and are found in other Indian temples. Some of these hybrid mythical art work include Vrik Vyala (hybrid of wolf and lion) and Gaja Vyala (hybrid of elephant and lion). These Vyalas may represent syncretic, creative combination of powers innate in the two.
TOURISM AND CULTURAL EVENTS
The temples in Khajuraho are broadly divided into three parts: the Eastern group, the Southern Group and the Western group of temples of which the Western group alone has the facility of an Audio guided tour wherein the tourists are guided through the seven eight temples. There is also an audio guided tour developed by the Archaeological Survey of India which includes a narration of the temple history and architecture.
The Khajuraho Dance Festival is held every year in February. It features various classical Indian dances set against the backdrop of the Chitragupta or Vishwanath Temples.
The Khajuraho temple complex offers a light and sound show every evening. The first show is in English language and the second one in Hindi. It is held in the open lawns in the temple complex, and has received mixed reviews.
The Madhya Pradesh Tourism Development has set up kiosks at the Khajuraho railway station, with tourist officers to provide information for Khajuraho visitors.
___________________________________________________________________
Der Tempelbezirk von Khajuraho umfasst eine Gruppe von etwa 20 Tempeln im Zentrum und in der näheren Umgebung der Stadt Khajuraho im indischen Bundesstaat Madhya Pradesh. Sie zählen zum UNESCO-Welterbe.
GESCHICHTE
Nahezu alle Tempel Khajurahos wurde von den Herrschern der Chandella-Dynastie zwischen 950 und 1120 erbaut. Die Chandellas waren ein zwischen dem 10. und 16. Jahrhundert regierender Rajputen-Klan, welcher sich um 950 in Gwalior festsetzte. Im 10. und 11. Jahrhundert waren die Chandellas die führende Macht in Nordindien, wenngleich sie formell noch bis 1018 Vasallen der Pratihara waren.
Nach dem Niedergang der Dynastie im 12. Jahrhundert wurden die Tempel kaum noch oder gar nicht mehr benutzt und blieben dem Wuchs des Dschungels überlassen. Der politisch, militärisch und wirtschaftlich bedeutungslos gewordene Ort lag abseits aller Wege und blieb somit auch in der Zeit des islamischen Vordringens in Nordindien von Zerstörungen verschont. Im 18. und 19. Jahrhundert zählte die einstmals bedeutsame Stadt nur noch etwa 300 Einwohner. Im 19. Jahrhundert wurden die Tempel von den Briten 'wiederentdeckt'. Zu Beginn des 20. Jahrhunderts begannen systematische Sicherungs- und Restaurierungsarbeiten, die schließlich zur Wiederherstellung dieses einzigartigen Architektur-Ensembles führten.
TEMPEL
Ursprünglich gab es in Khajuraho etwa 80 Tempelbauten verstreut auf einer Gesamtfläche von ca. 21 Quadratkilometer, heutzutage sind davon nur noch etwa 20 erhalten, von denen die meisten in zwei Gruppen stehen. Die Mehrzahl der Tempel ist den hinduistischen Hauptgöttern geweiht, einige den Jaina-Tirthankaras. Buddhistische Bauten gab es wohl nicht, jedenfalls wurden keine buddhistischen Skulpturen entdeckt.
Alle Tempel stehen auf 1,50 bis 3 Meter hohen Plattformen (jagatis), die das Bauwerk vor Witterungseinflüssen (Monsunregen) und freilaufenden Tieren schützten. Hinzu kommt eine Sockelzone, die bei den späteren Tempeln (ab ca. 950) mehrfach gestuft ist und durchaus nochmals 3 Meter hoch sein kann. Plattform und Sockel tragen natürlich auch zu einer 'Erhöhung' des aufstehenden Bauwerks im übertragenen Sinn bei.
Die Mehrzahl der Tempeleingänge sind nach Osten, also in Richtung der aufgehenden Sonne ausgerichtet, d. h. die Cella (garbhagriha) liegt im Westen. Bei zwei Tempeln ist es umgekehrt: sie orientieren sich nach Westen, d. h. in Richtung der untergehenden Sonne (Lalguan-Mahadeva-Tempel und Chaturbuja-Tempel). Beide Ausrichtungen sind bei indischen Tempeln seit Jahrhunderten möglich und üblich. Die vorderen zwei Begleitschreine des Lakshmana-Tempels liegen einander gegenüber und sind nach Süden bzw. Norden ausgerichtet.
WESTGRUPPE (Hindu-Tempel)
- Matangeshvara-Tempel (ca. 950)
- Varaha-Tempel (ca. 950)
- Lakshmana-Tempel (ca. 950)
- Devi-Tempel
- Vishvanatha-Tempel (ca. 1000)
- Nandi-Schrein
- Parvati-Schrein
- Jagadambi-Tempel
- Chitragupta-Tempel
- Kandariya-Mahadeva-Tempel (1. Hälfte 11. Jh.)
OSTGRUPPE (Jain-Tempel)
- Parsvanatha-Tempel (ca. 960)
- Adinatha-Tempel (ca. 1050)
- Shantinatha-Tempel
- Ghantai-Tempel (ca. 990)
EINZELTEMPEL (Hindu-Tempel)
- Chausath-Yogini-Tempel (ca. 875)
- Lalguan-Mahadeva-Tempel (ca. 920)
- Brahma-Tempel (ca. 930)
- Khakra-Math-Tempel (ca. 980)
- Vamana-Tempel (ca. 1050)
- Javari-Tempel (ca. 1100)
- Chaturbuja-Tempel (ca. 1120)
- Duladeo-Tempel (ca. 1120)
ARCHITEKTUR
Die Tempel von Khajuraho bieten die Möglichkeit, auf engstem Raum die Entwicklung der indischen Baukunst in einer Zeitspanne von etwa 200 Jahren zu verfolgen − von kleinen (wenig gegliederten, einräumigen und geschlossenen) Tempeln hin zu großen (stark gegliederten, mehrräumigen und offenen) Bauten. Auch die Höhe der Bauten erfährt während dieser Zeit eine enorme Steigerung. Gemeinsam ist nahezu allen Bauten (Ausnahme: Chausath-Yogini-Tempel), dass sie über Dachaufbauten (Shikhara-Türme oder Pyramidendächer) verfügen, die von gerippten amalaka-Steinen und kalasha-Krügen bekrönt werden.
FRÜHZEIT
Abgesehen vom Chausath-Yogini-Tempel, dem ältesten und vollkommen anderen baulichen Traditionen verpflichteten Tempelbau in Khajuraho, bestehen die frühen Tempel nur aus einer − von einem gestuften Pyramidendach bedeckten − Cella (garbhagriha), der im Fall des Brahma-Tempels noch ein Portalvorbau (antarala), im Fall des Varaha-Tempels und des Matangesvara-Tempels jeweils ein kleiner offener Vorraum (mandapa) vorgesetzt ist. Die Außenwände sind nur geringfügig gegliedert und überwiegend steinsichtig.
BLÜHTZEIT
Die Blütezeit der Tempelarchitektur in Khajuraho beginnt mit dem Lakshmana-Tempel (ca. 930−950), der wahrscheinlich vom Maladevi-Tempel in Gyaraspur und von früheren Tempelbauten in Rajasthan beeinflusst ist, die ihrerseits wiederum allesamt auf die beim Bau des Kalika-Mata-Tempels in Chittorgarh (ca. 700) erstmals entwickelten baulichen Innovationen zurückgeführt werden können. Diese sind im Wesentlichen: mehrere hintereinander liegende, aber harmonisch miteinander verbundenen Bauteile (mandapas, antarala und garbhagriha); gleiche Grundfläche von großer Vorhalle (mahamandapa) und Sanktumsbereich; Cella als eigenständiger Baukörper im Innern; Pfeiler − und nicht mehr Wände − als tragende Stützelemente für die Dachaufbauten − dadurch wurde es möglich, die Räume nach außen hin durch balkonähnliche Vorbauten zu öffnen; mehrfache Abstufung und Gliederung der verbliebenen Wandteile außen wie innen − dadurch treten sie gar nicht mehr als 'Wand' in Erscheinung; Fortsetzung der Außenwandgliederung im Dachaufbau.
Beim Lakshmana-Tempel ist die Cella als eigener, innenliegender Baukörper gestaltet und von einem Umgang (pradakshinapatha) umgeben. Der gesamte Sanktumsbereich sowie seine vier Nebenschreine werden − erstmals in Khajuraho − von steil und hoch aufragenden Shikhara-Türmen überhöht; die weniger wichtigen Vorhallen werden auch weiterhin von den insgesamt flacheren, pyramidenförmigen Dächern bedeckt, so dass eine architektonische Steigerung der Tempel − einem Gebirge durchaus vergleichbar − hin zur Cella erreicht wird.
Die wichtigsten Nachfolgebauten des Lakshmana-Tempels sind der Vishvanatha-Tempel (ca. 1000) und der Kandariya-Mahadeva-Tempel (ca. 1050), bei denen wegen der vielfältigen architektonischen Gliederungen und des dichten Skulpturenprogramms eine Stein- bzw. Wandsichtigkeit nicht mehr wahrzunehmen ist.
SKULPTUREN
Auch im Hinblick auf die Entwicklung der indischen Skulptur bieten die Tempel von Khajuraho einen Überblick über ca. 200 Jahre indischer Kunstgeschichte − von den in Architekturelemente eingebundenen und eher unbewegt und statisch erscheinenden Reliefdarstellungen der Frühzeit bis hin zu den beinahe freiplastisch gearbeiteten und durch ihre Posenvielfalt nahezu lebendig wirkenden Figuren.
FRÜHZEITLICHE SKULPTUREN
Die nur wenig gegliederten Außenwände der frühen Tempel von Khajuraho zeigen kaum figürlichen oder ornamentalen Schmuck. Dieser ist, noch stark reliefgebunden, auf die Portale (Lalguan-Mahadeva-Tempel, Brahma-Tempel) sowie auf einige Fensternischen (Matangeshvara-Tempel) beschränkt. Erotische Skulpturen sind in den frühen Tempeln noch nicht zu finden.
SKULPTUREN DER BLÜHTEZEIT
Auch hier ist es der Lakshmana-Tempel, der für Khajuraho neue Zeichen setzt: Während die Außenwände der Vorhallen nur wenig figürliche Reliefs zeigen, sind die Wände des Sanktums überreich mit Skulpturen geschmückt. Darunter finden sich Götterfiguren (devas oder devis), „schöne Mädchen“ (surasundaris) und Liebespaare (mithunas); auch die ersten erotischen Skulpturen sind in den unteren (erdnahen) Feldern der Mittelregister sowie im Figurenfries der Plattform zu sehen. Die mittleren Felder zeigen dagegen zärtliche Liebespaare mit kleineren Begleitfiguren, die oberen Götterfiguren. Eine Hierarchie der Figurenanordnung ist also deutlich wahrnehmbar. Bei den unmittelbaren Nachfolgebauten (Vishvanatha-Tempel, Jagadambi-Tempel und Kandariya-Mahadeva-Tempel) nimmt die Anzahl der Figuren und somit auch der erotischen Darstellungen zu.
Bei den Jain-Tempeln und den späteren Hindu-Tempeln sind kaum noch erotisch-sexuelle Darstellungen zu finden; hier überwiegt die Anzahl der Götterfiguren manchmal sogar die der „schönen Mädchen“.
ARCHÄOLOGISCHES MUSEUM
Zu den Sehenswürdigkeiten im Bereich des Tempelbezirks von Khajuraho gehört auch das im Ortskern gelegene Archäologische Museum (auch Rani Durgavati-Museum genannt). Es beherbergt einige sehr schöne Skulpturen, die im Rahmen der Ausgrabungs- und Restaurierungsarbeiten gefunden und hierher verbracht wurden, weil sie keinem der erhaltenen Tempelbauten direkt zuzuordnen waren.
WIKIPEDIA
BMG Garelli Mosquito 38-A (1946-53) Engine 38.5cc 2 stroke single
Registration Number 650 XUD (Worcestershire)
GARELLI ALBUM
www.flickr.com/photos/45676495@N05/albums/72157711980976598
The Garelli Mosquito engine was designed by Milanese engineer Carlo Albero Gilardi in the mid -thirties as an auxilary engine for bicycles, Gilardi designed and patented a two-stroke engine in which the crankshaft is substantially formed by a large pin with a connecting rod eccentric , at the sides of which are positioned the flywheel and the transmission roller . Gilardi did not have the financial means to prepare the prototypes or to start mass production. In January 1945 he was hired by Garelli
In the early months of 1946 the auxiliary engine was put on sale under the commercial name "Mosquito", with a sale price of 22,000 lire (22,600 after taxes) which included the supply of the engine, the painted sheet tank and the respective fixing brackets. An avalanche of orders followed necessitating the building of a new factory
The 38A was the first of the Mosquito engines going on sale from 1946, the engine weighed around 4 kg and was equipped with a Dell'Orto carburettor with a 2 litre fuel tank. The 38A was superceeded in 1953 by the 38B engine of 48cc
Many thanks for a fantabulous
47,191,605 views
Shot at Weston Park Classic Car Show 27.03.2016 - Ref 111-603
The engine measures about 2 inches wide, 4.5 inches high (including spark plug), 3.25 inches long, and weighs 10 ounces.
The cylinder ID is .760 and the inverted piston OD is lapped to fit. The piston ID is .638 and the spark plug OD is lapped to fit. Thus, the true combustion chamber is inside the piston .638 dia and a stroke of .760 yielding a total displacement of 4.5cc or .28 cu in.
The engine is designed to burn gas with oil/castor oil mixed in for lubrication. Fuel enters the crankcase via an updraft carburetor and is transferred to the combustion chamber through four holes in the cylinder wall below the cylinder mounting flange. Four matching holes in the piston allow the transfer as the piston approaches bottom center. In essence the inverted piston has become the combustion chamber and sleeve valve.
Robert was known for making glass spark plugs long before model engine spark plugs became available commercially. It is also said many of his early engine designs from the 20's and 30's were extraordinary deviations from the norm; this engine being a perfect example of his early experimentation and creativity.
See More 1-Cylinder Engines at: www.flickr.com/photos/15794235@N06/albums/72157656174064422
See Our Model Engine Collection at: www.flickr.com/photos/15794235@N06/sets/72157602933346098/
Visit Our Photo Albums at: www.flickr.com/photos/15794235@N06/sets
Courtesy of Paul and Paula Knapp
Miniature Engineering Museum
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Catone, April 24, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Viale delle Milizie, April 25, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
New Italian reg. number: 1992.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Giovanni Villeschi, April 24, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
The Nuova 500 MK1 was introduced on July 4, 1957 and was designed by Dante Giacosa (1905-1996).
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
2 cylinder 499.5cc aircooled engine,
514 kg.
New Dutch license number: Sept. 26, 1996.
Fiat 500 production: 1957-1975.
Amsterdam-W., Sloterdijk, De Heining, June 5, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500F was introduced in 1965 and was the first 500 model with normal opening doors.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production 500: July 1957-1975.
New Italian reg. number: early 80s.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Santo Stefano Rotondo, April 25, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
Designed by Dante Giacosa (1905-1996), and originally presented in July 1957.
2 cilinder 499,5cc air-cooled engine,
511 kg.
General production 500: July 1957-1975.
Original Dutch reg. number: May 11, 1970.
Amsterdam-C., Recht Boomsloot, July 7, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
Funny Funky Fiat, completely covered with a mirror-mosaic, and used as a mobile DJ-platform.
Seen during the 'Dam-tot-Damloop': a very popular run from the city center of Amsterdam to the center of Zaandam.
2 cylinder 499,5cc aircooled engine,
511 kg.
New Dutch license number: Sept. 26, 1990.
Amsterdam-N., Vikingpad, Sept. 21, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
New Italian reg. number: 1992.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Roma (It.), Via Giovanni Villeschi, April 24, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
Boeing 757-223
cn: 24613 / ln: 402
ff: 15-10-1991
28-10-1991 N655AA American Airlines, config C22Y166, fleet no 5CC
12-2007 N655AA had Winglets installed
21-08-2015 wfu and stored at Roswell (KROW/ROW)
03-01-2018 N655AA Jettran
ferried to Jacksonville (KVQQ/VQQ) for conversion to freighter B757-223WL(PCF)
12-12-2019 EC-NHF Cygnus Air
Seen lifting from the opposite runway 01L as BCS3167 back to Leipzig, opf DHL
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
Generally speaking the 500L is easily recognizable by its chrome extra bumper bars, which are lacking here.
499,5cc aircooled 2 cylinder rear engine.
Production 500L: Aug. 1968-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Firenze (It.), Viale F. Petrarca, May 7, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
1970s Fiat 500 seen in the shop window of a coffee bar.
The Nuova 500 MK1 was introduced on July 4, 1957 and was designed by Dante Giacosa (1905-1996).
Fiat 500 production: 1957-1975.
2 cylinder 499,5cc aircooled engine,
514 kg.
Amsterdam-Z., Albert Cuypstraat, May 23, 2015.
© 2015 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
The 500F was introduced in 1965 and was the first 500 model with normal opening doors.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Napoli (It.), Via Francesco Saverio Correra, May 2, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
Fiat 500: 1957-1975.
Designed by Dante Giacosa (1905-96).
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
2 cylinder 499.5cc aircooled engine,
514 kg.
New Dutch license number: Oct. 13, 1989.
Amsterdam-C., Noordermarkt, March 11, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
The world famous Fiat Nuova 500 was designed by Dante Giacosa. Production lasted for eighteen years.
499,5cc aircooled 2 cylinder rear engine.
Production 500F: March 1965-Oct. 1972.
General production Nuova 500: July 1957-1975.
Number seen: about 35, most of them in Roma.
Isola Farnese (It.), Via Cassia, SR2, May 7, 2016.
© 2016 Sander Toonen Amsterdam | All Rights Reserved
Fiat 500: 1957-75.
Designed by Dante Giacosa (1905-96).
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
499,5cc 2 cylinder aircooled engine,
514 kg.
New Dutch license number issued at Dec. 21, 1990.
Amsterdam-C., Noordermarkt, Dec. 24, 2013.
© 2013 Sander Toonen Amsterdam | All Rights Reserved
For the time unconventional and modern car, first presented at the Frankfurter Car salon in September 1967.
497,5cc Wankel engine,
1280 kg.
RO 80 production: Aug. 1967-1977.
See also: www.venemaantiques.nl
Drempt, Venema Antiques and Classic Cars, Rijksweg N317, April 20, 2014.
© 2014 Sander Toonen Amsterdam | All Rights Reserved
This little 500 is celebrating her 50th anniversary this year!
The Nuova 500 MK1 was introduced on July 4, 1957 and was designed by Dante Giacosa (1905-1996).
Although 500's are quite common in our streets, the MK1 however is rare to find.
2 cylinder engine,
499.5cc
520 kgs.
Imported in Aug. 1988.
Amsterdam-C., Noordermarkt, Dec. 11, 2012
The 500L was introduced in Aug. 1968 to accompany the more sober 500F. The 'L' stands for Lusso or Luxe, but don't expect to much of this predicate, the 500 stayed very basic.
The 500L is easily recognizable by its chrome bumper bars.
2 cylinder 499,5cc engine,
514 kg.
New Dutch license number issued at Dec. 25, 1993.
Amsterdam-N., Landsmeerderdijk, June 29, 2013.
Picture up-load number 7300.
© 2013 Sander Toonen Amsterdam | All Rights Reserved
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Anamnagar -32 Kathmandu Nepal
Phone: 4246351, 4232340
www.polyclinic.com.np | contact@polyclinic.com.np
This brief introduction is to appraise the honoured general public, Lions members cooperatives and corporate sectors about a Community Hospital which has a cherished goal to provide efficient and qualitative medical services in a sustained way.
Institutional Background:
The Anaamnagar Polyclinic and Community Hospital (ANPCH), a private hospital was established in 2000 A.D (2057 B.C). It has introduced the services of highly qualified, experienced, competent as well as dedicated young professionals to implement as institutional health service provider. After achieving a great success in the past, we have come forward to see and venture in an expansive way in this field. The Hospital believes that quality health service is possible even by the private sector, so we firmly aware that the spirit of achievement drives us towards another success.
The central thrust of ANPCH is social awareness, strengthening institutional capacities through the process of various stackholders. It gives priority to those grass root levels and implementation of which would directly benefit to a large section of general public in health sector.
Vision:
ANPCH shall take care on the overall matters which will directly have impacts on health, private sector quality, speed and efficiency, decentralization, innovation and entrepreneurship and long-term commitment to the people in this sector. We serve in particular the sectoral areas of concentration to product medical manpower as required to our nation.
Mission:
To establish 50 beded hospital and health institution like: Nursing college and other technical & health institution within three years This organization is planning to oprate the medical collage and to provide innovative & quality health services systems. Our mission is not a task to be carried out by ourselves only but it’s a dream that we have dared to share therefore, we appeal every supporting line agencies and stackholders to work together to succeed this mission.
Goal:
The overarching goal of ANPCH is to empower woman, children and other sections of our society. It is working with local stackholders and concernd line agencies abroad through the creative collaborations and meaningful partnership
Objectives
To provide qualitative health service and to produce medical human resources.
Strategic Priorities:
ANPCH will extend facilities to all the sectors of society not only within the boundary of our country but across its’ border. It will lend its expertise to the government and non government agencies whenever it is required in order to strengthen the commitment and deliverance of the said agencies.
We have various projects, such as established Nursing collage, health institution, health research foundation and to establish medical collage within three years is offing. Our strategic priorities will be to provide local community based health services with an excellent quality.
Tentative estimated cost to established 50 beded Hospital.
1. Hospital furniture and accessory 20,00000.00
2. Equipment for OT1,20,00000.00
3. ICU and CCU60,00000.00
4. Operating cost and house rent ( Annual )24,00000.00
5. Administrative cost ( Annual )30,00000.00
Grand Total NRS. 2,54,00000.00
Budget resources to establish 50 beded hospital.
1.50 percent of total project cost will be invested by founder chairperson.
2.50 percent of total project cost shall be covered by the issuance of shares of the hospital or loan to be borrowed by financial institution .
Present Income of hospital.
Details LIST OF HOSPITAL CHARGE
OUT-PATIENT DEPARTMENT FEES
SERVICEPRICE (Rs)
Free check up (Every Saturday)20 (only registration charge)
General check up by Medical Officer100 including
Check up by Consultant250 “ with TDS
EMERGENCY & GENERAL SURGICAL PROCEDURE
SERVICEPRICE (Rs)
Emergency Consultant Fee150 including 5%
Observation on Emergency250 “
Wound Dressing-N/ Doc/ Con50/100/250 “
Special Dressing by Doctor300 “
Suture50 per stitch “
Suture removal- N/ Doc/ Con25/50/100 “
Injection charge10 “
Catherization150 “
Enema 200 “
Blood Pressure check up20 “
Diagnostic Aspiration200 “
Gastric Lavage200 “
Oxygen per hour200 “
Nebulisation100 “
Crepe bandage- N/ Doc/ Con100/150/250 “
Normal plaster Intermittent plaster400 “
Intermittent plaster700 “
Plaster1100 “
Plaster removal300 “
ENT Nasal packing by Nurse/ Doctor300/400 “
Ear syringe200 “
I & D- Local400 “
I & D- Anesthesia2000 “
Suprapubic puncture- N/ Doc/ Con500/700/1000 “
FAMILY PLANNING, MATERNITY & GYNAE SURGERY
SERVICEPRICE (Rs)
Norplant Insertion/ Removal1000/500 5% extra
Copper T Insertion/ Removal500/200 “
Tubectomy – GA/LA8000/2000 “
Vasectomy3000 “
Ring Pressary Insertion/ Removal300/200 “
Dilation & Currete- N / Doc /Con2000-3000 “
Normal Delivery- Consultant10000 “
Normal Delivery- Consultant- Nurse & Medical Officer (Package)7000 “
Instrumental Delivery- Consultant (Package)11000 “
Instrumental Delivery- Nurse & Medical Officer (Package)9000 “
MINOR OPERATION
SERVICEPRICE (Rs)
Hernia adult- LA (Doc) (operation charge)6000 “
Hernia adult- GA (Con) (operation charge)9000 “
Hernia child- LA (Doc) (operation charge)5000 “
Hernia child- GA (Con) (operation charge)7000 “
Hydrocele adult- LA (Doc) 5000 “
Hydrocele adult- LA (Doc)7000 “
Hydrocele child- LA4000 “
Hydrocele child- GA6000 “
MDA (Adult block)5000 “
Intermittent ENT surgery7000 “
Intermittent ortho surgery7000 “
L/N Biopsy2500 “
Fistulectomy9000 “
I & D Surgery GA6000 “
Dilate & Curette-A5000 “
I & D- Breast abcess LA3000 “
I & D- Breast abcess GA7000 “
Gall bladder stone10000-12000 “
MAJOR OPERATION
SERVICEPRICE (Rs)
Cessarian Section- N/Con (Operation Charge)10000/13000
Hysterectomy (Operation Charge)15000
Laparectomy Chole- (Operation Charge) 13000/15000
Appendix – N/Con (Operation Charge)10000/13000
Ortho Surgery (Operation Charge)15000
Kidney & Uterine stone (Operation Charge)15000-18000
Laproscopy (Operation Charge)8000
INVESTIGATIONS
SERVICEPRICE (Rs)
X-ray (Normal)180
Special X-ray-KUB200
ECG300
Echocardiogram1200
Audiogram300
Pregnancy test100
Endoscopy (Vedio)1000
Endoscopy (Fiber)700
Endoscopy (Treatment Procedure)1000
Protoscopy200
Clonoscopy1500
Ultra sonogram (Usg)500
HSG (X-ray) by consultant1200
IVU (X-ray) 1500
USG Vascular Study/ Artery1500
ollicular Study1000
BED CHARGES
SERVICEPRICE (Rs)
Single Deluxe Cabin800
Double Deluxe Cabin600
Single Cabin500
Double Cabin300
Semi- General200
Special- General300
Triple Cabin300
Post Operative Room300
Require medical equipments and surgical instruments necessary materials.
1.)Echocardiograph
2.)Generator (Big/Small)
3.)Water Purifier and Treatment Plant
4.)Cardio Monitor
5.)Endoscopy
6.)Emergency Pickup Van / Ambulance
7.)Indoor Beds (General bed – 35, Semi folding – 20) & Deluxe Bed – 10) in Sets
8.)Gyene / Obs (OT Table, OT light, delivery table, suction machine, refrigerator, cupboard, medicine, instruments )
9.) Washing machines, hot water system
10.) Death body room, ground plaster which maintain level from the main road.
11.) Window screen, bed sheets, aprons, pillow cover, pillow, towels etc.
12. Instrument trolleys
13. Dressing Trolley
14. Mayo's Tables
15. Instrument Racks
16. Instrument Cupboards
17. Dressing Drums of different Sizes
18. Ambu Bags with Mask (Pediatric and Adult)
19. Laryngoscopes with 3 Blades (Pediatric and Adult}
20. E.N.T. Tubes of sizes:
(Cuffed from 5 to 3 to 5.5 i.e. 8 sizes);
(Non- Cuffed from 3 to 5.5 i.e. 6 sizes)
i.e. Spinal Sets (3): Kidney Tray (small) 1 Straight Artery Forceps 1, Eye Towel 1, Gauze/ Cotton.
OT Sets
Equipments in the operating theatre:
1. Operating Table. 2. Operating Light. 3. Suction Machine. 4. Cautery Machine.
5. Anesthetic Machine.6.ECG Monitor/patient monitor with SP02 and BP assessment facility.7. Ventilator. 8. Incubator.9. I/V Stands
Anaesthetic Agents/Drugs:
1. Inj. Sodium Thiopentone. 500mg- 2 vials
2. Inj. Scoline.3. In; Pavulone,4. Inj Neostigmine. (5ml)5. Inj Vecuronium.
6. Inj Betaloc.7. Inj Midazolam.8. Inj Ketamine.9. Inj Sensorcaine Heavy.
10. Inj Arropine-11. Inj Adrenaline-12. Inj Perinom13. Inj Phenergan
14. Inj Pethedine(50mg/100mg)15. Inj Fortwin16. Inj Sodaium Bi-carbonate.
17. Inj 2% Xylocaine18- Inj 2% Xylocaine with Adr.19. Inj l%Xylocaine
20. Inj 0.5% Xylocaine21. Inj Xylocard.22. Inj Hydro cortisone
23. Inj Dexamethasone.24. Inj Gentamycin25. Inj.Mephenteramine (Termin)
26. Inj Syntocinon27. Inj Methargin28. Hatochane (250ml.)29. Spinal Needles 23G, 24G, 25G30. ECG Electrodes
31. Other antibiotics as required.
I/V Infusions
1. Dextrose Normal Saline 2. 5% Dextrose 3. Normal Saline 4. 2/3^ Dextrose in 1/3rd Normal Saline 5. Ringers Lactate 6. Haemaccel 7. I/V Sets (Paediatric and Adult)
8. l/V Cannula 16Gto24G. 9. Water for Injection. 10. Syringes 3cc, 5cc, 10cc, 20cc. 50cc. 11. Bladder Irrigation Syringe 12.) Perineal Sheets (3ft x 5ft)
(With 10" x 3" hole at 1/3rd Part)
13.) Eye towel 2ft x 2ft (With 4" hole at 1/3"' place end)
14.) Big Wrapper with tag (4ft" 4ft) (Double Layer)
15.) Wrapper without tag (3ftX 3ft) Inside (Double layer)
16.) Inside Wrapper (30"x 30")
17.) Medium wrappers with tag 3ft x 3ft) (Double layer)
18.) Wrappers for Dressing etc (2ft x 2ft) (Double Layer with tag)
19.) Leggings 20.) Glove Covers
21.)Caps and Masks (for Drs.)
22)Pyjamas and Shirts (for Drs.)
23.)Pyzamas and shins (for Staff)
24.)Caps and Mask (for Start)
25.)Scrub Gowns (green) 4,5ft long
26.)Ordinary Gowns (green)
27.)Patient Gowns (Different from staff) 8.)Hand Towels
28) Drapes 3ftx4ft (single layer)
29.) Laparotomy sheets (8ft x 5ft) (with hole at 1/3rd pan) 1ft x 3”")
30.) Extra towel (single layer)
Suture Materials ( Johnsons and Johnsons)
1. Chr.Catgul 1/2; Circle(RB) No.1 to 4.0.
2. Chr. Catgut3/8th ' circle (Cu) No. 1 to 4.0.
3. Mersilk '/; Circle (RB) No. 1 to 4.0.
4. Mersilk 3/8th Circle (Cu) No.1 to 4.0.
5. Ethilon (RB) Needle No. 1 to 5.0.
6. Ethilon (Cu) Needle No. 1 to 5.0.
7. Protene (RB) Needle No. 1 to 4.0.
8. Prolene (Cu) Needle No. 1 to 4.0.
9. Vicryl (RB) Needle No, 1 to 4.0.
10. Vicryl (Cu) Needle No. 1 to 4.0,
11. Free Needles (RB) 1/2 Circles No. 8 to 14.
12. Free Needles (Cu) 3/8th Circle No. 8 to 14.
13. Mersilk Free Reels No 1, 1.0 and 2.0.
Retractors
Balfour's Self retaining Retractor
Doyen's suprapubic retractor
Morris retractor
Langenback Retractor small/medium
Deavers of sizes( ½’’ to 3’’)
Kellys Rt. Angie Retractor
Mastoid Retractors
Single hook retractors, Skin hooks Retractors
Scissors
Mayo scissors( St.), Mayo Scissors (Curved). Medium Scissors (Sharp and Blunt tip)
Vulsellum
Other/ Extra Instruments
Cusco's Vaginal Specullums Proctoscopes ( 3 Sizes)
Volkmann's curettes(3 Sizes)
B.P. handle No. 3,B.P. handle No. 4,B.P. handle No. 7
Dissecting (Toothed Long) Dissecting (Non-Toothed Long) Cervical Punch Biopsy Forceps,Towel Clips Backhaus,S S Trays (assorted sizes) L, M, S
Buckets 12L, 65L, Bowls (Plastic), Bowls (S S), Dust Bins
LSCS SET
Major set Plus, Green Armytage forceps, Sponge holding forceps, Wriglis Obstetric forceps, Hysterectomy Clamps, Kochers (Long Curved 8" Kochers (Long Straight)
Abdominal Hysterectomy Set
Major set Plus, Hysterectomy Clamps, Vulselluro, Uterine Dressing Forceps, Myomectomy screw
Vaginal Hysterectomy
Major set Plus,Vaginal Speculum (Auvards)
OTHER MATERIALS
Foleys Catheter 12G/4G, I6G, 18G
Urine collecting Bag
3 Way Foly's 18, 20, and 22G.
T Tubes 14G, 16G. 18G
N.G Tubes 8, 10, 12, 14, 16 18G
Chest Drainage Tubes 24,26,28,30G
Plain Caaiheter ( Various Sizes)
Sofi-atole (Vaseline Gauze)
Surgicare Dressing ( 3 Sizes)
Corrugated Rubber Drain
Abgel
Romovac Drain
K.Y. Jelly, Xylocaine 2% Jelly, Leucoplast (Plaster), Elastoplast, Paper Tape (2 Sizes)
POP Plaster( 4" and 6" )
Antiseptics/Chemical gents
Spirit, Savlon, Betadine Scrub (500ml), Betadine Lotion (500ml), Virex, Formaline Tab lets
Formaline Solution cone.Cotton,Gauze Than
Contact Person :
Bhakta Bahadur KC (Chairman)
Anamnagar Polyclinic & Community Hospital
House No. 745, Anamnagar-32
GPO Box. 8978 CPC 90
Kathmandu, Nepal
contact@polyclinic.com.np www.polyclinic.com.np
Phone 977-1-4256351, 977-1-4232340, Fax 977-1-4219221
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