Getting sick is weak! But at least I get chicken soup in little styrofoam cups while I'm down. And the project goes on.

Brought home a 50mm f/1.4 lens, btw. Excellent bokeh!

Making the train from The train job,Firefly

Item Number: 06893-41.

Document Title: Mr. Harvey D. Gibson/ Locust Valley, L.I. N.Y./ Detail of Garden Steps/; Scale 3/4" = 1' [r].

Project: 06893; Gibson, Harvey D.; Bourne, G.G. --Bourne, George F. --Gibson, Harvey D.; Locust Valley; New York; 07 Private Estate & Homesteads; 32 PLANS ().

Artist/Creator: OBLA / OLMSTED BROTHERS --JAB.

Location: Olmsted National Historic Site, Brookline, MA.

Category: PLAN.

Purpose: A&E (Architectural & Engineering).

Physical Characteristics: [Dimensions]15 1/2" x 23 1/2"; [Medium]graphite --water/g; [Support]trace.

Dates: 31-MAR-1927 [r].

Notes: Plan & Elevation of Steps. Section A-A. Notes: Type of Bluestone, North River, Painting of all brickwork, coping length and joints..

.

Please Credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site..

boston, massachusetts

1972

unidentified restaurant

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

This picture is brought to you by the freezing experience I had in the ocean today at beach recreation. We walked out into the water to put the buoys at about knee-depth, and thanks to the wind there were some unexpectedly and unfortunately high waves that got us much wetter and colder than expected :) Most ironically, in the end we brought them in because they wouldn't stay put with the strong waves. Such is life, I guess.

Asma ul Husna,3D Asmaulhusna,99 names of God,Aswa-e-Husna,Islamic Wallpapers,3D Art,Islamic Art

boston, massachusetts

1972

michio kushi

macrobiotics lecture

(en.wikipedia.org/wiki/Michio_Kushi)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

from an exhibition of colour on Margate, so I thought I would see how it looked in black and white

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Bathurst Soar, Ride & Shine 2018, Focke-Wulf Fw 190A-8 "Red 1" VH-WLF

Igklesia de San Andres

100 Portraits of 100 Strangers #41

www.flickr.com/groups/100strangers/

Meet Sam Logan (gastownsam.com) He's a local artist who sets up in Gastown (Vancouver BC) every Summer. I've always wanted one of his paintings and this was the day I finally got one. (A small one, I'm no Rockefeller). I encourage everyone to check him out at his website. His paintings are really neat. They remind me of Ted Harrison's paintings, but with richer colours and gradients.

I actually took this photo on Canada last year but only just now got around to developing the roll.

Thanks for the portrait Sam!

boston, massachusetts

1972

"movement sound light in concert"

martha baird dance company

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

OLYMPUS DIGITAL CAMERA

Scania K320IB4X2NB R-41 en la línea 352

Sum 41

Don’t Call It a Sum-Back World Tour 2017

29th january 2017

This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.

for info and photos visit my website www.robertofinizio.it

Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.

per info e materiale fotografico visita il mio sito www.robertofinizio.it

Redhead (stranger 41)

Somehow I have a preference for redheads. And when I look at my old photos, it is mainly women who come before my lens. So when I saw this red-haired boy, I immediately went up to him and told him about the 100strangers project. He immediately thought it was a great project and started asking all kinds of questions. All very friendly. So I took a picture and continued walking. A moment later I changed my mind, I didn't ask his name, and turned around. Unfortunately he had already left. Therefore no name, just “redhead”.

This is the 41st photo of my 4th round of the 100strangers project. I enjoy doing it, that's why it's the 4th round.

Find out more about the project and see pictures taken by other photographers at the group 100 Strangers | Flickr: www.flickr.com/groups/100strangers/

Close up of a German FlaK 41 88mm anit-aircraft gun. Front view of a German FlaK 41 88mm anti-aircraft gun. By all accounts the limited production of FlaK 41 were anti-aircraft weapon serving only within German borders. But the large shield on this mount leads me to think otherwise. (FMAR0319 G11)

For more info: en.wikipedia.org/wiki/88_mm_gun

My dragon earring.

Syntus Lint stel 41 onderweg van Zutphen na Oldenzaal hier nabij Laren. 25-10-2015

Renault R312 n°41 - ligne 25

Keolis Montargis / Amelys - Amilly

Side view of a German FlaK 41 88mm anit-aircraft gun. By all accounts the limited production of FlaK 41 were anti-aircraft weapon serving only within German borders. But the large shield on this mount leads me to think otherwise. (FMAR0319 G11)

For more info: en.wikipedia.org/wiki/88_mm_gun

boston, massachusetts

1972

unidentified restaurant

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

seeing red

or is it: sea of red?

You can't quite tell right now... all I know is regardless of if you're normally patriotic, into sports, into sportsmanship, healthy competition, hockey, quality commercials or none of the above... these past two weeks have been super exciting for me. No other event seems to get people texting and hurriedly typing away or calling each other... No other event seems to get as many good commercials or moving stories either. Its sad that we have to wait every few years for a major commercial (and at times controversial) sporting event to celebrate strengths and successes together. For me... the olympics remind me to get out and moving, and there's always a tad of an adrenaline rush

Good work Canada... Not normally one for numbers but record breaking is always neat to witness

Nice work fans... you totally made it that much more enjoyable

And as for the tax payers... don't worry, its only $100... not much of a bill to be stiffed with for the party we gave the world if you ask me (and yes, I know about priorities and that we should invest money in health care and education and the environment--I'm pretty socialist so don't worry that I've got it all wrong)

PS: I made these leaves while watching the Canada/US game... The best hockey game I've ever seen. We were easily well matched, it was clean and fast, not to mention insanely tense and anyone's game (especially by the third)... and it didn't hurt that after that struggle we won all the same.

PPS: Mark, enjoy the red

Monument aux morts de Suèvres (41-Loir et Cher) dans le cimetière.

Sum 41

Don’t Call It a Sum-Back World Tour 2017

29th january 2017

This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.

for info and photos visit my website www.robertofinizio.it

Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.

per info e materiale fotografico visita il mio sito www.robertofinizio.it

boston, massachusetts

1972

michio kushi

macrobiotics lecture

(en.wikipedia.org/wiki/Michio_Kushi)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

19 és 41-es villamosok a BAtthány téri végállomáson. Annyira rákészültem a képre, hogy a 19-es indulása előtti pillanatban nyomtam meg a gombot.

Az első négy kép a filmes sorozatból.

A Fujicolor Superia X-Tra 400-as filmre készültek egy Nikon F60-as géppel (lásd visszább). A legtöbb képen jelentkező vignettálás annak az eredménye, hogy merész módon felcsatoltam a vázra a Nikkor 18-55 DX objektívemet, ami típusából adódóan nem tudta lefedni a teljes képterületet, viszont egész tűrhető végeredményt adott a filmes vázon. Mind a négy kép a 18 mm-es állásban (vagyis mint 12 mm) készült és utólagos szín és kontrasztmódosításon ment át. Noha ezt nem akartam elkövetni, a filmszkennerből kapott anyag megkövetelte.

boston, massachusetts

1972

nick

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com