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Bueno ayer fui muy breve porque murió mi compu : (
Lo bueno es que hoy lograron revivirla, pero lamentablemente ya está en sus últimas y se borraron todos mis programas :(
A veces las más bellas fotografías es de lo que tenemos a un lado o vemos todos los días… Nos damos cuenta hasta que nos permitimos detenernos, observar y capturar ese instante.
Es ahí cuando me doy cuenta que vivimos en un mundo acelerado donde pasamos por alto los pequeños detalles que suelen ser los más importantes, los que marcan la diferencia ;)
Les deseo un excelente fin de semana :D
Sum 41
Don’t Call It a Sum-Back World Tour 2017
29th january 2017
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
Gosh I forgot how cool Polaroid 500 film is.
There's something about the (relatively) wide format that I love and the wide white strips around the side.
Can't wait to shoot more of it!
Polaroid Joycam. Expired 500 (2007).
2B Day 41 - Workflow and Creative possibilities .
Working in Lightroom, exploring the endless possibilities for creativity. The photo on the left is Kim's, the one on the right is after my adjustments. Again lots of useful tips and more discoveries of what LR can do ! I also used one of the new brushes that Kim gave us today, so sweet.
eclipse of the moon
лунное затмение.
снимал без штатива, полный зум на 1600, качество не очень 3 сек выдержка была
Clarence Fagan True started his own architectural practice in 1884. But it was not until 1890 that his career took off. Real estate developer Charles G. Judson's office was in the same building as True's, and that year he hired the fledgling architect. At the time the Upper West Side was emerging as Manhattan newest residential frontier as rows of eccentric townhouses sprouted on the streets and hefty mansions appeared on the avenues. Clarence True threw himself headlong into the frenzy and by the turn of the century would be among the most prolific of its architects; prompting some to deem him The Face of the Upper West Side.
By the mid-1890s True often worked as both architect and developer. Such was the case when he designed three upscale residences at No. 337 West 76th Street, and Nos. 40 and 41 Riverside Drive in 1896. Construction would take two years to complete; but well before then True sold No. 41 in the fall of 1897 to real estate operator Robert A. Cheesebrough. The Sun reported on September 9 that he had sold the five-story house for $60,000—about $1.75 million in 2016.
Clarence True was noted for his grab bag of historic architectural styles. No. 41 reflected his take on Elizabethan Revival. He carefully chose the placement of ornamentation—relieving the otherwise nearly Spartan limestone façade with bursts of decoration. An unusual and delightful deep porch protected the entrance and supported a balcony with lusciously-carved stone panels. A similar wall defined the balcony created by the three-story angled bay. The fourth floor was distinguished by carved pilasters between the openings; and a show-stopping stone dormer dominated the clay-tiled mansard. The servants’ entrance discreetly faced away from the main entrance.