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The train I had come down from Newcastle with (1E11) and was stood in the adjacent platform 11.
1E11 was held in the platform for approximately 30 minutes due to preceding service killing a cow on the line in the Shaftholme area. The ECML was blocked for some time after this happened.
This gave me the ideal opportunity for a couple of close up's.
I had driven 47746 a few times on Royal Mail trains in the NE during its time as a RES allocated loco in the late 1990's
Other side of the road from what used to be 29 Hanbury Street, where Annie Chapman was killed in the backyard.
Although number 30 has been done up, there is kind of a resemblance to what number 29 looked like, with the door on the left. Number 29 also had a second door like this one does, but I believe it was added later, & it was only one door in 1888.
Nikon F4. Ilford FP4 Plus 125 35mm B&W film.
kyoto, japan
fall 1972
young woman
transit center
(damaged negative)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Loosely based on fanfiction written by Narcy (italian only, sorry)
www.efpfanfic.net/viewstory.php?sid=1282626&i=1
"Fasci di luce solare filtravano attraverso le tende appena scostate, posandosi delicatamente su di lui, magnificandone i rossi ricci scomposti che gli incorniciavano il capo reclinato un poco verso la porta da cui lo stava osservando esitante."
Altes Rathaus Bonn / Old City Hall Bonn
30 Min Exposure = 1 Frame every 5 minutes
Canon EOS 300V + Kodak 200 Expired
Note: I chose this photo, among the five that I uploaded to Flickr on the morning of Mar 30,2012, as my "photo of the day." I could not take my eyes off the giant sneakers the young woman was wearing. Unfortunately, the photo doesn't really show the rather bizarre tights that she was also wearing...
Note: this photo was published in an Mar 29, 2012 issue of Everyblock NYC zipcodes blog titled "10024."
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This is the continuation of a photo-project that I began in the summer of 2008 (which you can see in this Flickr set), and continued throughout 2009, 2010, and 2011 (as shown in this Flickr set, this Flickr set, and this Flickr set): a random collection of "interesting" people in a broad stretch of the Upper West Side of Manhattan -- between 72nd Street and 104th Street, especially along Broadway and Amsterdam Avenue. These are the people in my neighborhood, aka "peeps in the 'hood."
As I indicated when I first started this project nearly four years ago, I don't like to intrude on people's privacy, so I normally use a zoom telephoto lens in order to photograph them while they're still 50-100 feet away from me; but that means I have to continue focusing my attention on the people and activities half a block away, rather than on what's right in front of me. Sometimes I find an empty bench on a busy street corner, and just sit quietly for an hour, watching people hustling past on the other side of the street; they're almost always so busy listening to their iPod, or talking on their cellphone, or daydreaming about something, that they never look up and see me aiming my camera in their direction.
I've also learned that, in many cases, the opportunities for an interesting picture are very fleeting -- literally a matter of a couple of seconds, before the person(s) in question move on, turn away, or stop doing whatever was interesting. So I've learned to keep my camera switched on, and not worry so much about zooming in for a perfectly-framed picture ... after all, once the digital image is uploaded to my computer, it's pretty trivial to crop out the parts unrelated to the main subject. Indeed, some of my most interesting photos have been so-called "hip shots," where I don't even bother to raise the camera up to my eye; I just keep the zoom lens set to the maximum wide-angle aperture, point in the general direction of the subject, and take several shots. As long as I can keep the shutter speed fairly high (which sometimes requires a fairly high ISO setting), I can usually get some fairly crisp shots -- even if the subject is walking in one direction, and I'm walking in the other direction, while I'm snapping the photos.
With only a few exceptions, I've generally avoided photographing bums, drunks, crazies, and homeless people. There are plenty of them around, and they would certainly create some dramatic pictures; but they generally don't want to be photographed, and I don't want to feel like I'm taking advantage of them. There have been a few opportunities to take some "sympathetic" pictures of such people, which might inspire others to reach out and help them. This is one example, and here is another example.
The other thing I've noticed, while carrying on this project for the past four years, is that while there are lots of interesting people to photograph, there are far, far, far more people who are not so interesting. They're probably fine people, and they might even be more interesting than the ones I've photographed ... unfortunately, there was just nothing memorable about them. They're all part of this big, crowded city; but for better or worse, there are an awful lot that you won't see in these Flickr sets of mine...
Ljusblårandig skjortklänning Filippa K, jeans Seven for all mankind, guldballerinor Zara, blåvit scarf, Ray Bans
Du 14 mars au 30 août 2015, Namur vivra à l’heure de Félicien Rops et de Jan Fabre pour une rencontre entre deux artistes innovateurs au-delà du temps. "Si je devais voler une œuvre dans un musée, ce serait la Pornocratès de Félicien Rops", déclarait Jan Fabre, dans une interview en 2011. Il faut dire que les univers des deux artistes belges se répondent : pulsion de vie et de mort, sexualité, corporalité.
« Facing time » vous convie à un face-à-face entre deux artistes, séparés par deux siècles d’histoire et de développement de l’art. C’est à travers le temps et le regard que les parallèles et similitudes entre Fabre et Rops viennent chercher le dialogue.
From March 14 to August 30, 2015, Namur will live at the hour of Félicien Rops and Jan Fabre for a meeting between two innovative artists beyond time. "If I had to steal a work in a museum, it would be the Pornocratès of Félicien Rops," said Jan Fabre in an interview in 2011. It must be said that the world of two Belgian artists meet: life instinct and death, sexuality, physicality.
"Facing time" invites you to a face-to-face between two artists, separated by two centuries of history and development of art. It is through time and look as parallel and similarities between Fabre and Rops come looking dialogue.
Pretty girls in pretty dresses, partying until dawn. Irresistible boys with mischievous smiles and dangerous intentions.
The priests' library in a boarding school in New Ross, Co. Wexford.
Date: 30 June 1931
NLI Ref.: POOLEWP 3809
Some nice period features here... stripes along the sides and continuity across the rear window, high level brake light (presumably original kit?), colour and alloys. Very early 80s!
Today I feel doooown. I feel overwhelmed by work, uncertain and anxious of ever finding meaningful full-time employment, unhappy with my figure, lethargic. But hey! At least I'm wearing a cardigan with Mary Poppins on it--the day is that much better :)
Worn for: Work, write group, watching Jdrama with chum
Cardigan: Forever 21
Undershirt: Scrapbook
Skirt: Some K-Mart brand, thrifted
Excellent, painful heels: Irregular Choice
White hoops: Target
Meet Anna. She was definitely the stranger that needed the most and longest convincement. It was like "I don't feel like it", "Not today", "I look miserable". But I finally could get her agreement( I still had to allow her to keep on her sun glases) and I really think it was worth it. I spottet her because of her real cool and stylish outfit. I knew I had to ask her and that I would take a close portrait and a whole body shot. When she told me that she is working as some kind of a designer, I think it was media designer, I knew she had an eye for stylish stuff.
Thank you Anna for being part of my project.
This picture is #30 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
VIA 909 pushes VIA 30, now empty after letting off passengers at Central Station. In the foreground is the mostly empty Peel Basin, as the Lachine Canal and the Peel Basin are partially drained every fall.
nenana, alaska
fall 1972
steam rising from the tanana river
(damaged negative)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Went out with the camera yesterday evening to capture the sunset at Bosham, West Sussex but the tide was very low and had put on the wellies and walk out on the thick sticky mud to find some water!
This image was taken 30 minutes after the sunset showing some interesting colour tones in the sky and reflections on the water of the creek.
15 second exposure using a Lee 0.9 ND grad filter over the sky and up to my knees in mud!
Thanks for any comments you may wish to leave.