View allAll Photos Tagged 2ndamendment
The Mean Green Machine spends its last day with me.
Seven-exposure HDR. Natural light from windows- no artificial light on subject.
March, 2006, and the still-defunct Clausing was reduced to life as a junk accumulator. It now "rests in pieces", hopefully due for a resurrection by Easter, 2012...
Highly processed single-exposure pseudo-HDR image.
I remember when you could buy these things by the case for less than $300 a unit. Never again, though... AWB or not, these will never be imported again. Why? Read:
"In 1994, some employees of Norinco came under federal investigation from both the FBI as well as the BATF after a successful sting dubbed “Operation Dragon Fire.” In May 1996, in what was called "the largest seizure of fully operational automatic weapons in U.S. history," 14 individuals and an Atlanta, Georgia company were indicted for the unlicensed importation and sale of 2,000 Type 56's into the United States. U.S. Customs agents posing as arms traffickers convinced a group of Chinese arms dealers, including three Norinco representatives, that they were in the market to buy guns for drug rings and street gangs. "The defendants offered the government undercover agents more sophisticated weapons, including hand-held rocket launchers, mortars, anti-aircraft missiles, silenced machine guns and even tanks," said Wayne Yamashita of the U.S. Customs Service. The Customs Service discovered during the investigation that these weapons were bound for Oakland, California street gangs. According to an affidavit signed by two of the undercover agents involved in the investigation, representatives from Norinco offered to sell urban gangs shoulder-held missile launchers capable of downing a large commercial airliner." - From Wiki
Taken with my new cheapo Rokinon 8mm fisheye lens, mounted on my Nikon D600. This is the earlier non-CPU version of the lens (model FE8M-N), but my D600 handles this well, giving full metering when the camera is set to know the parameters of the mounted lens.
As you can see, the lens is intended to cover the much smaller DX "crop sensor". The lens hood obstructs much of the image circle when projected onto the FX (36x24mm) sensor.
The hood is permanently attached, so it will require some brutal measures to free it. Once removed, the circle cast on my sensor will reside within the rainbow ring here. MUCH more usable area. You can see the inside of the lens hood (circular grooves around the image).
Grotesquely post-processed by Photomatix, this weirdness is not a product of this particular lens.
The current owner Willie Shepherd, who is well into his eighties, originally traded two sacks of potatoes for this sweet (at the time) ride.
Rokinon 8mm fisheye lens, intended for use on crop sensor DSLR cameras.
I shaved off the original built-in lens hood to allow this wider field of view.
The camera was a Nikon D600, placed on top of a 4' tall tree stump, facing straight up at zenith.
Exposure time was 30 seconds at f/5.6 and ISO400
Easy deployment and added safety for transport and storage. Allows storage in Condition 1 with confidence. Homemade Raven Vanguard clone.
Here's one in action: www.youtube.com/watch?v=sNji5GNnan4
Oh, and remember, if guns are made illegal then only criminals will have guns.
This photo was made with a Phoenix MZ-5000 650mm-1300mm f/8-f/16 T-mount lens on a Nikon D600.
The lens was made by Samyang in Korea, and is sold under many brand names, such as:
Bower, Falcon, Opteka, Phoenix, Polar, Pro-Optic, Vivitar, Walimex and Rokinon
This photo was made with my old Nikkor-S 50mm f/1.4 lens. It was made in 1972 or 1973. It is quite scratched, dusty and maybe even has a little fungus growing, along with damaged coatings.
Nonetheless, it is fun to play with. I performed a crude AI-modification to the aperture ring (I used a file). The lens now works perfectly with my Nikon D600 (full metering and focus confirmation).
This woman, whose brother was a victim of gun violence, was among the demonstrators at the National March On the NRA in Denver.
Suppressed M4 during the Machine Gun portion of the 2015 VA IG Shoot hosted by RTBV.
Watch Full Video:
This is my Kearney & Trecker horizontal milling machine. It was made during World War II, and was presumably used to produce parts for the war effort.
It has been sitting in my yard for quite a few years, and is missing some parts, some of which were sold to bring new life to other old K&T mills.
It will soon be scrapped, but hopefully not until I have a chance to remove and save some of the smaller parts from this aging derelict.
It weighs about 4,000 pounds, and is considered a baby of its type.
Five-exposure HDR.
Nikon 35mm f/1.8 DX lens on Nikon D50
126 seconds at ISO200
I adjusted the levels and curves for this image, otherwise it is as-shot.
The lower part of this psychedelic mushroom cloud image is Route 299 between Bieber and Adin, California.
This is with a 1970s-vintage (maybe early 1980s) orange-colored f/11 Celestron C90 (90mm objective), with a focal length of 1000mm. The newer ones are quite different, and have longer focal lengths.
Truly a bastard yet temporary child. An Olympic Arms lower, a Delton upper, and a Rock River Arms rear sight. Building a lower based on a Delton receiver for it. Then the Olympic Arms lower goes back to its original A2 upper and the RRA sight gets replaced by some sort of optic.
This image was made through a piece of BAADER AstroSolar™ Safety Film (optical density 5.0). It worked fabulously when I shot the Venus transit a year or two ago, using a carefully made filter holder for my lens, and shooting images of the Sun at 1/500th of a second.
But for this shoot, I intended to use it as an ultra-dense "ND" filter for very long exposures. So I cut the filter down to a size that would fit in my Chinese knock-off of the Cokin P square filter holder. I found a piece of thin card stock that would fit well in the filter slots, then carefully taped the Baader film to the card stock, within the limits of my shaky hands. Last time, my surgeon girlfriend helped me get it all taut and straight.
Unfortunately, there was enough of a gap between the card stock and the filter holder that a lot of light could leak through, so I intended to tape it all up with black vinyl electrical tape.
And of course, I left the tape in the car, so this is my result after a 30-second exposure. Color shift was not as bad as I expected, despite this certainly not being a "Neutral Density" filter. So I'll try again, and be sure to seal up all the light gaps.
An optical density of 5.0 translates to 16-2/3 stops! That's a ND100000 filter.
My, my...
This is a shop-made "Beauty Dish" light modifier. To build it, I bought a $6.00 20" woven-bamboo salad bowl at Resco, a restaurant supply house in Reno, Nevada.
I cut a rectangular hole for the Speedlight's nose to poke through. I drilled two holes to attach an L-bracket to the back of the dish, below the rectangular hole. A plastic rail from a cheap light stand umbrella adapter is screwed down to the L-bracket, allowing the Nikon SB600 Speedlight to sit at just the right height to poke through the center hole.
The baffle in the center of the dish is a plastic ceiling box cover, obtained for free from the Reno Habitat For Humanity store. The baffle stands off of the dish about 4 inches, held there by two #6 machine screws. The stand-off distance is adjustable, and I found that all the way out from the dish worked best.
I painted the baffle and the inside of the dish with flat white spray paint, purchased from Walmart for $.96US per can (cheap!). I will probably paint the outside flat black at some point, but that is strictly a cosmetic measure.
I made a handle from an aluminum bicycle seatpost, which is attached to the L-bracket with the same screw that retains the plastic hotshoe mounting rail. This allows the rig to be easily hand-held for macro and other no-assistant-needed shots. I use Nikon's CLS system to allow full TTL exposure with no wires required. Works very well!
I'll post additional photos of the details in a day or two.
I found that the most even coverage of the dish was obtained when the flip-down "14mm" diffuser over the flash reflector was deployed.
The SB600 was set to 1/4 or 1/2 power here, and f/8 at ISO100 on the camera.